In this episode, composer Mark Korven shares his approach to creating the unusual score for The Witch, which blends medieval instruments and textured noises in a dynamic and dissonant soundscape that highlights every haunting moment of the film. He also explains the workings of his famous "Apprehension Engine" and discusses how temp scores and directors have changed the role of film composers over the years.
What happens to an artist's thought process when they acknowledge the larger purpose driving their work? In this episode, Jeremy Bloom and Evan Cook break down concepts from sound design for theatre, and the lessons they share are applicable to any kind of creator.
Matt Farley has written over 18,000 songs, releasing music under 70 different aliases. What advice does he have for music producers and people doing creative work?