I don’t edit the podcast much. (And the congregation says, NO SHIT!) When I do, it’s usually because I’ve been running my giant mouth. I think I’m a good interview subject because the interviewer can ask me a question, go have lunch, run to the bank, take a nap, and be reasonably sure I’ll still be rambling on when they’re done.
Unfortunately, I display some of the same characteristics as an interviewer. You see, I really like to tell stories. I don’t exercise much discretion as to when I launch into one of my many vitally important and tremendously entertaining stories. The unfortunate interviewee may trigger a burst of storytelling by uttering a word...any word. It would be okay if I simply asked a question and waited - quietly - for an answer. But the act of asking the question is likely to trigger another story.
Me : So you were attacked by Big Foot. Can you tell me about it?
You : Well it was pretty terrif—
Me : (interrupting) I knew this guy with big feet once. I went to high school with him.
...and I’m off to the races.
All you have to do is look at the distribution of squiggly lines (the technical term for wave forms) on the respective tracks. If there seems to be an equal amount of squiggles for each track, somebody is talking too much.
Fortunately, this wasn’t an issue with “Patti Eddington: When Patti Met Mary Ann Lopez.” The story is so compelling and well told, it forced me to concentrate, thereby missing my opportunities to hog air time. Oh well, my loss is your gain.
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