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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    The Rise of the Ku Klux Klan Jan 23, 2018
    Show notes

    The Ku Klux Klan was originally focused on maintaining the old racial order in the postwar South, chiefly through the violent suppression of African-Americans. But, in the nineteen-twenties, the Klan was reborn as a nationwide movement, targeting not only African-Americans but Jews, Catholics, Muslims, Mexican-Americans, and Asian immigrants. In the jingoistic years following the First World War, the Klan made discrimination the new patriotism. The Bancroft Prize-winning historian Linda Gordon charts this rebirth in “The Second Coming of the KKK.” She writes that millions of people joined the Klan in the span of just a few years, among them mayors, congressmen, senators, and governors; three Presidents were members of the Klan at some point before taking the office. Gordon tells David Remnick that the lessons for our current political moment are sobering. The writer Andrew Marantz, who covers media and politics for The New Yorker, explains how today’s alt-right manipulates something called the Overton Window to bring fringe ideas into the mainstream. Plus, the staff writer Troy Patterson shares three recent picks with David Remnick.


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    David Attenborough’s Planet (We Just Live on It) Jan 19, 2018
    Show notes

    David Attenborough’s films for the BBC—impeccably researched, ambitiously filmed, and executed with style and imagination—have set a high bar for nature documentaries in our time. Over sixty years, his films have taught generations of us about the extraordinary diversity of life on the planet. His latest project is a seven-part survey of the world’s oceans, called “Planet Earth: Blue Planet II,” which débuts this week on BBC America. The series uses every technological advance, including drone-mounted and submersible cameras, to bring us closer to nature’s extremities. Attenborough talks with David Remnick about breaking precedent to give the film an overtly environmental message; about his determination at age ninety-one to keep working; and about the only creatures he really can’t stand. Plus, a look at how the Pulitzer Prize-winning poet Mary Oliver finds spiritual meaning in the natural world.


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    Deportation in America Jan 12, 2018
    Show notes

    A tougher stance on immigration is the signature position of the Trump Administration, and the President’s first year in office has been marked by sharply increased arrests of unauthorized immigrants. In this hour we explore immigration and deportation from the perspective of a Wisconsin dairy farm, a conservative Washington think tank, and the mother of a deportee, as well as a sanctuary church where a woman is hiding in plain sight from immigration enforcement.


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    Tracee Ellis Ross on Being a “Black-ish” Woman and Jon Hamm Gets His Life Back from Don Draper Jan 09, 2018
    Show notes

    Tracee Ellis Ross, who plays Dr. Rainbow Johnson on ABC’s “Black-ish,” joins Doreen St. Félix for a conversation about television, race, and self-acceptance. “Black-ish” has a reputation for breaking boundaries and tackling political and racial questions rarely discussed in prime time. But Ellis has found room to push back on the show’s treatment of her character as the wife on a family sitcom. And

    Jon Hamm won audiences over in “Mad Men” as Don Draper, the quintessential man’s man. “Navigating what the show became and navigating the success is the trickiest part of it,” he tells Susan Morrison. So he flexed his comedic muscles as often as possible, with roles in “Bridesmaids” as one of Kristen Wiig’s love interests (for which she wrote them a very long sex scene) and on “30 Rock” as Tina Fey’s too-handsome-for-real-life boyfriend. And his sensitive side is no put-on: as a young man, Hamm worked at a day-care center called Kids Depot, remembering that as a young child he had lacked male role models. “It felt nice to be that person I didn’t have in my life.”


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    Jerry Seinfeld Gets Technical Jan 05, 2018
    Show notes

    Jerry Seinfeld talks with David Remnick about his Netflix special “Jerry Before Seinfeld,” which is part standup show, part memoir. They discuss his “coming out” to his parents as a funny person, the labor that goes into an effortless joke, how cursing undercuts comedic craft; why George Carlin in a suit and tie was just as good as George Carlin the hippie; and why he thinks we esteem actors and writers too highly. Seinfeld compares his work as a comedian to that of John McPhee, The New Yorker’s elder statesman of long-form reporting. “He makes things out of ordinary life moments and making you see them in a different way,” Seinfeld says. “When he does it, it’s an art, because it’s the goddam New Yorker. When I do it it’s just an airlines peanuts joke.”


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    Trolling the Press Corps Jan 02, 2018
    Show notes

    Lucian Wintrich, a young blogger, was recently appointed as the White House correspondent for the conservative political site Gateway Pundit. He has no professional experience as a reporter and doesn’t claim any interest in landing big stories. His goal is to attack media outlets that he regards as leftist, and he doesn’t shy away from name-calling. The New Yorker’s Andrew Marantz questions Wintrich about trolling as a form of journalism.

    Originally aired on April 7, 2017.


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    Jon Stewart’s Children Dec 29, 2017
    Show notes

    In the years after September 11th, Jon Stewart’s “Daily Show” made political satire a central part of the media landscape. This hour, we hear from some of today’s leading practitioners: The New Yorker’s Andy Borowitz; Trevor Noah, of “The Daily Show”; Bassem Youssef, and the founders of Reductress. Plus, cartoonists Emily Flake and Drew Dernavich try out an escape room, along with the Radio Hour’s Sara Nics.

    Originally aired on April 7, 2017.


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    Leonard Cohen: A Final Interview Dec 26, 2017
    Show notes

    Leonard Cohen was one of the world’s greatest songwriters, and a figure of almost cult-like devotion for generations of fans, including Bob Dylan. David Remnick sat down with Cohen in the summer of 2016, at the musician’s home in Los Angeles to discuss Cohen’s career, his spiritual influences, his triumphant final tours, and what he was doing to prepare for his end. “I am ready to die,” Cohen said. He was already suffering from a number of health problems at the time and died in November 2016. “At a certain point, if you still have your marbles and are not faced with serious financial challenges, you have a chance to put your house in order. It’s a cliché, but it’s underestimated as an analgesic on all levels. Putting your house in order, if you can do it, is one of the most comforting activities, and the benefits of it are incalculable.” Plus, a 1952 poem by E.B. White brings Christmas greetings to misfits and oddballs the world over.


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    Bonus: Holiday Greetings from Ian Frazier Dec 24, 2017
    Show notes

    For decades, The New Yorker has published a poem on or around Christmas -- a look back at the events and people that have shaped the past year, generally light and fun; but in more difficult years it touches on quite serious themes as well.

    The humorist Frank Sullivan wrote the first "Greetings, Friends" back in 1935. Roger Angell wrote the poem for many years. And staff writer Ian Frazier has been writing it since 2012. Frazier reads his 2017 "Greetings, Friends" in this podcast bonus of the New Yorker Radio Hour.


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    Children’s Letters to Satan, and a Changing of the Guard at the New York Times Dec 22, 2017
    Show notes

    Every year, countless poor spellers accidentally address their Santa letters to Satan. Satan—played by Kathleen Turner—always replies Matt Passet’s Daily Shouts piece is performed by Kathleen Turner, in the role of Satan. On January first, Arthur Gregg Sulzberger, who goes by A. G., will succeed his father Arthur Ochs Sulzberger, Jr., as the publisher of the New York Times. At 37, A. G. is young for the job and he’s taking over one of the world’s most important news institutions at an extremely complicated time for the business of journalism. But he is not afraid of the future: his 2014 internal report to the Times’ leadership, which Buzzfeed leaked to the world, is credited with jump-starting the paper’s transition into a digital-first news platform. David Remnick talks with Sulzberger about his apprenticeship at a small-town reporter, the “Trump bump,” and how long we can expect the print edition of the Times to remain.


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