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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    Another Fiasco for American Soccer, and Praying for Tangier Jun 09, 2018
    Show notes

    The 2018 World Cup begins this week in Russia, and America is taking a powder. The men’s team failed to qualify for the tournament after a stunning upset loss to Trinidad and Tobago, which is considered to be one of the worst teams in competition. Perhaps no fan was more upset than Roger Bennett, an English soccer commentator and new U.S. citizen, who has rather quixotically devoted himself to the sport as it’s played in America. Bennett is the co-host of the podcast “Men in Blazers” from NBC Sports, and recently hosted “American Fiasco” for WNYC Studios—a longform exploration of the epic U.S. failure in the 1998 World Cup. Bennett spoke with Michael Luo, the editor of newyorker.com, about why the same problems keep casting a shadow over the sport’s future in America. Plus, a visit to Tangier, Virginia. The island is washing out to sea, and its residents may be among the first American refugees of climate change. But that’s not how they see the loss of their island.


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    Anthony Bourdain’s Interview with David Remnick Jun 08, 2018
    Show notes

    Anthony Bourdain—the chef turned author, food anthropologist, and television star—died this week, at sixty-one. Bourdain made his début in The New Yorker in 1999, with an essay called “Don’t Eat Before Reading This,” about working in the restaurant industry. {{}} It was an account of what really goes on in restaurants—extremely vivid, funny, gross, and, in parts, genuinely disturbing. After the success of that article, Bourdain went on to publish his best-selling memoir, “Kitchen Confidential,” and it’s no exaggeration to say that a star was born. When he took to television, it wasn’t for a typical celebrity-chef “stand and stir” show, but for a much more ambitious endeavor. On “Parts Unknown,” Bourdain travelled the world with a film crew, in search of authenticity. It was never just about the food: his focus was on the people who make it and the people who eat it—from the farmers to the cooks to the diners, including President Obama, who Bourdain shared a meal with in Vietnam.

    He spoke with David Remnick in 2017.


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    Angélique Kidjo and David Byrne on “Remain in Light” Jun 05, 2018
    Show notes

    When a young Amanda Petrusich, now a staff writer who covers music, first heard Talking Heads’ “Remain in Light,” she felt “almost like it was being beamed in from outer space.” The record, released in 1980, was strikingly original—a hybrid of experimental rock, Afrobeat, and seventies funk, reimagined by a white American rock band and their English producer. Nearly forty years later, the Beninese pop star Angélique Kidjo has chosen to release her own, track-by-track cover version of “Remain in Light,” working with the producer Jeff Bhasker, who is known for his collaborations with Kanye West and Beyoncé. Kidjo has figuratively brought the record back to Africa, with spoken interludes in her native language of Fon. Nonetheless, she is skeptical of the idea of cultural appropriation, broadly defined. “Who are we to [own] any culture?” she asks. “Even our own culture doesn’t belong to us.” Petrusich spoke with Kidjo and with David Byrne, formerly of Talking Heads, about the impulses behind both versions, and the large influence of Fela Kuti. And the food correspondent Helen Rosner recommends a baking show, a book, and a perfect summer cake recipe.


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    Glenda Jackson Onstage, and Marco Rubio on “Modernizing” Conservatism Jun 01, 2018
    Show notes

    Glenda Jackson, who has played both Queen Elizabeth and King Lear, served as a humble member of Parliament for more than two decades in between those roles; she talks with David Remnick about performing at eighty-two and about the state of British politics. And Marco Rubio talks with Susan B. Glasser about the threat of China and how to be a conservative in Trump’s Washington.


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    Malcolm Gladwell on the Sociology of School Shooters May 29, 2018
    Show notes

    Malcolm Gladwell spoke with The New Yorker’s Dorothy Wickenden in 2015 about the social dynamics of school shootings. Studying the literature of sociology, Gladwell compares shootings to a riot, in which each person’s act of violence makes the next act slightly more likely. And David Remnick speaks with the Columbia professor Mark Lilla, whose book “The Once and Future Liberal” argues provocatively that identity politics and support for marginalized groups are costing the Democrats election after election. “We cannot do anything for these groups we care about if we do not hold power—it is just talk,” Lilla says. “An election is not about self-expression—it’s a contest.”


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    Paul Schrader: Movies as Religion May 25, 2018
    Show notes

    Paul Schrader made an auspicious début as the screenwriter of “Taxi Driver” and the director of “Blue Collar” and “American Gigolo.” But as Hollywood turned away from serious drama, Schrader struggled. Schrader is, above all, serious about filmmaking: the product of a strict Dutch Calvinist upbringing in which movies were forbidden, he first fell in love with directors like Robert Bresson and Ingmar Bergman— icons of the European, intellectual tradition in cinema. The New Yorker’s Richard Brody considers Schrader to be a true auteur and one of the greats of American film. They spoke about religion and movies on the occasion of Schrader’s new film, “First Reformed.” It stars Ethan Hawke as the troubled pastor of a small church, and it reflects Schrader’s obsession with morality in a fallen world. Plus: on-the-job horror stories from three great writers—Gillian Flynn, Akhil Sharma, and Alison Bechdel.


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    The Breeders on Sexism, Drugs, and Rock and Roll May 22, 2018
    Show notes

    This year, the original members of the Breeders—indie-rock royalty—are back together, twenty-five years after “Last Splash,” an album that fans regard as a classic. Kim Deal, Kelly Deal, Josephine Wiggs, and Jim MacPherson joined David Remnick in the studio to play songs off their new record, “All Nerve.” They also talk about the toll of drugs and alcohol, about playing together after decades, and about the persistence of sexism in rock. Kim Deal once said that “misogyny is the backbone of the music industry,” and she remains bitter about how badly female musicians are treated—even by their friends. She recalls a remark that Charles Thompson, who led the Pixies under the name Black Francis, once made about her. “I’m paraphrasing … he said, ‘Kim, all she would have to do was smile and the crowd would erupt in cheers.’ Of course that’s going to bother me.” For Deal, this comment minimized her work as a musician: “I’m sweating, I’m almost going to pass out with the heat, I just threw up a little bit in my mouth, the misogynist tour driver did not get sanitary napkins so I’m probably bleeding a little down my leg right then. I’m doing downstrokes, really fast, exhausting music … at the same time I have to find the pitch of the song because I’m singing a melodic harmony on top of everything … All that is happening, [but] all I did was just sit there and smile, and the crowd was clapping because I smiled?”

    The Breeders performed “Off You” live at WNYC Studios.


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    Diplomacy on the Rocks in Iran and North Korea May 18, 2018
    Show notes

    Susan B. Glasser, a staff writer for The New Yorker based in Washington, speaks with Wendy Sherman about the Trump Administration’s withdrawal from the Joint Comprehensive Plan of Action, also known as the Iran deal. As the Undersecretary of State for Political Affairs in the Obama Administration, Sherman helped write that agreement, and led the U.S. negotiating team in complex multilateral talks. She also has first-hand experience negotiating with the North Korean government, having visited Pyongyang with Secretary of State Madeleine Albright during the Clinton Presidency.

    The Iran deal seemed to be working: in exchange for curbing its nuclear program, as the International Atomic Energy Agency subsequently verified, Iran got relief from sanctions. But Donald Trump lambasted the deal throughout his campaign and Presidency; he called it overly generous and vowed to withdraw from it. John Bolton, his recently appointed national security adviser, opposed the deal on the grounds that verification was not “infallible.” Sherman has a sobering question for the Trump Administration, which now wishes to negotiate with Kim Jong Un about North Korea’s nuclear program: “How in God’s name can any verification or monitoring of North Korea be infallible?” And Evan Osnos speaks with Victor Cha, the top North Korea adviser to George W. Bush, about the mixed signals on diplomacy coming from Pyongyang. Might the Trump Administration, eager for a foreign-policy win, be led into giving up too much?


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    Dunya Mikhail on the Lives Stolen by ISIS May 15, 2018
    Show notes

    Before she was placed on the list of Saddam Hussein’s enemies, the poet Dunya Mikhail worked as a journalist for the Baghdad Observer. In her new book, “The Beekeeper,” Mikhail tells the stories of dozens of Yazidi women who survived kidnapping and sexual slavery by the Islamic State, and the man—a beekeeper—who helped arrange their escapes. Plus, the novelist Michael Cunningham finds all of humanity on display in Washington Square Park, and the humorist Jack Handey asks the questions that have been baffling humorists since the beginning of time: What’s funny, and why?


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    How to Contain the Threat of Russia May 11, 2018
    Show notes

    Senator Mark Warner is the vice-chairman of the Senate Intelligence Committee, which is trying to explore the possibility of Russian collusion with the Trump campaign while avoiding a partisan blowup. Warner fears that that, with Russia, we’re confronting twenty-first-century threats with twentieth-century tools. And Simon Parkin, who writes about gaming for The New Yorker, reports on how military officers and diplomats predict world events using a game that’s something like a cross between Dungeons & Dragons, Risk, and a rap battle.


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