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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    The Perils Prison Reform, and the Vision of a Visually Impaired Artist Jul 21, 2020
    Show notes

    In the past few years, there has been a growing bipartisan demand to reduce the extraordinarily high rate of incarceration in the United States, on both moral and fiscal grounds. But some of the key reforms, according to some prison abolitionists, are actually expanding the “carceral web”—the means by which people are subjected to control by the corrections system. “Reform operates according to a logic of replacement,” the journalist Maya Schenwar tells Sarah Stillman. Drug courts and electronic monitoring are widely popular reforms that, Schenwar argues, only funnel people back into physical prisons, and may cause addicts further harm. Stillman spoke with Schenwar and Victoria Law, the authors of “Prison by Any Other Name: The Harmful Consequences of Popular Reforms.” Plus, Rodney Evans discusses his documentary film “Vision Portraits,” which has been streaming on PBS. It examines the creative processes of a writer, a dancer, and a photographer who are—like the filmmaker—visually impaired.


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    Chance the Rapper’s Art and Activism Jul 17, 2020
    Show notes

    My generation was taught that the civil-rights movement ended in the sixties, and that the Civil Rights Act put things as they should be,” Chance the Rapper tells David Remnick. “That belief was reinforced with the election of Barack Obama”—who loomed especially large to a boy from the South Side of Chicago. One of the biggest stars in hip-hop, Chance is also one of the most politically committed, and his art has always been closely tied to his commitment to lift up his community. Quite early in his career, he founded a nonprofit, SocialWorks, that invests in education in Chicago, and he has advocated for progressive candidates in city politics. But as politically aware as he is, Chance says that the protests following the death of George Floyd have given him a new consciousness of the struggle for racial justice. “This movement has shown us that we are very far from an equitable or an equal society. And that we will be the generation that fixes it.”


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    Michaela Coel on Making “I May Destroy You” Jul 14, 2020
    Show notes

    The protagonist of “I May Destroy You,” a young woman named Arabella, has her drink spiked at a party and discovers afterward that she has been assaulted. She spends the rest of the show untangling what happened to her. And yet the HBO series is not a crime drama but a nuanced and sometimes comedic exploration of the emotional toll of surviving assault. The series—written and directed by, and starring, Michaela Coel—is based on Coel’s own experience. Coel tells Doreen St. Félix that she was assaulted while working on the second season of her celebrated BBC show “Chewing Gum.” She took notes about what happened, and some of that material made it into the new show, while other aspects are fictional. Of Arabella, who often wears a pink wig, Coel says, “You don't know where she begins and where I end.”


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    The State of the Biden Campaign Jul 10, 2020
    Show notes

    Joe Biden all but locked up the Democratic Presidential nomination just as the coronavirius crisis began triggering national lockdowns. Now he faces an economic disaster and a public-health emergency that prevent traditional campaigning, which may help Biden if swing voters blame the incumbent for the state of the nation. But Biden faces his own heavy baggage: admissions of inappropriate touching of women, an accusation of assault, and a blemished record on racial justice. Amy Davidson Sorkin, Eric Lach, Katy Waldman, and Jelani Cobb reflect on the Biden campaign and on the candidate’s past leadership. Cobb, who discusses Biden’s history with police reform and the 1994 Crime Bill, says that one thing is almost certain: whatever gaffes that the gaffe-prone candidate may utter, the Trump Administration will create a bigger headline five minutes later. Plus, David Remnick interviews the South Carolina congressman James Clyburn, who is the most senior African-American in Congress. Clyburn helped Joe Biden win the critical South Carolina primary, and he defends Biden’s controversial record on issues of racial justice.


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    Laura Marling, a Briton in Los Angeles Jul 07, 2020
    Show notes

    The thirty-year-old British singer/songwriter Laura Marling has produced seven albums of dense but delicate folk music, starting when she was only eighteen. After several years touring on the road, she tells John Seabrook, she found herself in Los Angeles. Speaking at The New Yorker Festival in October, 2017, she explained how, growing up, her father played her a lot of Joni Mitchell, and the influence stuck. In Los Angeles, she felt that many of the musicians she had long idolized were still “there in the hills, looking down on the city.”

    Marling performed her songs “Daisy,” and “The Valley,” accompanying herself on guitar.

    This story originally aired January 26, 2018.


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    Hasan Minhaj and Kenan Thompson Jul 03, 2020
    Show notes

    The 2019 New Yorker Festival was the twentieth edition of the annual event, and it was particularly star-studded. This program features interviews with Kenan Thompson, the longest-running cast member of “Saturday Night Live,” and Hasan Minhaj, the “Daily Show” veteran whose Netflix show “Patriot Act” won both an Emmy and a Peabody Award.


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    Keeping Released Prisoners Safe and Sane Jun 30, 2020
    Show notes

    Starting this spring, many states began releasing some inmates from prisons and jails to try to reduce the spread of COVID-19. But a huge number of incarcerated people are mentally ill or addicted to drugs, or sometimes both. When those people are released, they may lose their only consistent access to treatment. Marianne McCune, a reporter for WNYC, spent weeks following a psychiatrist and a social worker as they tried to locate and then help some recently released patients at a time of uncertainty and chaos.

    This is a collaboration between The New Yorker Radio Hour and WNYC’s “The United States of Anxiety.”


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    Hilton Als’s Homecoming and the March for Queer Liberation Jun 26, 2020
    Show notes

    In the summer of 1967, a young black boy in Brooklyn was shot in the back by a police officer. The writer Hilton Als recalls the two days of “discord and sadness” that followed, and reflects on the connection between those demonstrations and this summer’s uprising following the killing of George Floyd. Plus, an activist group sees an opportunity to reclaim the mantle of gay pride after New York cancels its official parade.


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    Live at Home Part II: Phoebe Bridgers Jun 23, 2020
    Show notes

    Phoebe Bridgers’s tour dates were cancelled—she was booked at Madison Square Garden, among other venues—so she performs songs from her recent album, “Punisher,” from home. The critic Amanda Petrusich talks about the joys of Folkways records, and the novelist Donald Antrim talks about a year in which he suffered from crippling depression and rarely left his apartment, finding that only music could be a balm for his isolation and fear.


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    Live at Home Part I: John Legend Jun 19, 2020
    Show notes

    Like everyone in the United States, John Legend has spent much of the past three months in lockdown. He has been recording new music (via Zoom), performing on Instagram, and promoting his upcoming album. Though many artists have delayed releasing records until they can schedule concert dates—increasingly the most reliable revenue in the music industry—Legend didn’t want to hold back. The new album, “Bigger Love,” was written before the pandemic and the current groundswell of protest for racial justice, but his message about resilience and faith resonates. All art, Legend tells David Remnick, “is there to help us imagine a different future.”


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