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    The New Yorker Radio Hour

    Profiles, storytelling and insightful conversations, hosted by David Remnick.

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    Copyright: © WNYC Studios and The New Yorker

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    Latest Episodes:
    Mass Incarceration, Then and Now Dec 03, 2021
    Show notes

    The United States has the largest prison population in the world. But, until the publication of Michelle Alexander’s book “The New Jim Crow,” in 2010, most people didn’t use the term “mass incarceration,” or consider the practice a social-justice issue. Alexander argued that the increasing imprisonment of Black and brown men—through rising arrest rates and longer sentences—was not merely a response to crime but a system of racial control. “The drug war was in part a politically motivated strategy, a backlash to the civil-rights movement, but it was also a reflection of conscious and unconscious biases fuelled by media portrayals of drug users,” Alexander tells David Remnick. “Those racial stereotypes were resonant of the same stereotypes of slaves and folks during the Jim Crow era.” Plus, a conversation with Reginald Dwayne Betts, who discovered poetry while in solitary confinement, during a prison sentence for a carjacking that he committed when he was sixteen. Betts reads a poem, which appears in his collection “Felon,” about trying to explain to his young son that he has served time in prison.


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    Aimee Mann Live, with Atul Gawande Nov 30, 2021
    Show notes

    Aimee Mann, the celebrated Los Angeles singer and songwriter, recently released an album called “Queens of the Summer Hotel.” The album was inspired in part by Susanna Kaysen’s best-selling memoir “Girl, Interrupted,” about Kaysen’s time in a psychiatric hospital. Mann sat down with Atul Gawande at The New Yorker Festival to talk about the new album, the lessons of living through a pandemic, and how liberated she felt when she broke her ties with major record labels. “When you’re at a record label and you’re trying to ascertain whether something can be a hit or a single, you listen in a different way—and then everything sounds like garbage,” she said. Mann decided that she didn’t “want to keep baring my soul to people who hate everything I’m doing.”


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    Dave Grohl’s Tales of Life and Music Nov 26, 2021
    Show notes

    At The New Yorker Festival, Dave Grohl talked with Kelefa Sanneh about Grohl’s new book, “The Storyteller: Tales of Life and Music.” Grohl, who was the drummer for Nirvana and then the frontman of the Foo Fighters, recalls his earliest experiences of taking music seriously—harmonizing with his mom to Carly Simon on the car radio. Grohl also talks about what it was like to collaborate with Kurt Cobain, who was known for his capricious genius, and about stepping out from behind the drums to lead his own band. “After Kurt died, I was, like, I’m not playing music anymore—it’s painful,” he remembers. “And then I eventually realized that if music saved my life, my entire life, this is what’s going to save my life again.”


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    Mexican Abortion Activists Mobilize to Aid Texans Nov 23, 2021
    Show notes

    Mexico is a deeply Catholic nation where abortion was, for a long time, criminalized in many states; just a few years ago Coahuilla, near the U.S. border, imposed jail time on women who had the procedure. This year, Stephania Taladrid reported, Mexico’s ten-member Supreme Court voted unanimously to deciminalize abortion throughout the country—to the shock even of activists. But before they had finished celebrating they turned their attention north, to Texas, which has practically banned most abortions with the S.B. 8 law, which is currently being reviewed by the Supreme Court. Texans may find themselves crossing the border to obtain legal abortions. Taladrid spoke to activists who are sending medications that induce abortion—which are available over the counter in Mexico—across the border into Texas. But they may face risk in doing so. As the legal scholar Jeannie Suk Gersen explains, a new Texas law criminalizes delivering those medications to pregnant women.


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    If Roe v. Wade Goes, What Next? Nov 19, 2021
    Show notes

    The Supreme Court, with a six-to-three majority of conservative justices, is hearing critical cases on abortion rights. If it approves restrictive state laws, large swaths of the country might quickly ban abortion. Jia Tolentino co-hosts a special episode on the future of abortion rights for Americans, which includes a discussion of the legal issues at stake and the doctrine of privacy that is now in jeopardy, and a visit to the Mississippi clinic at the center of one of the court cases.


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    The Essential Workers of the Climate Crisis Nov 16, 2021
    Show notes

    After storms and other climate disasters, legions of workers appear overnight to cover blown-out buildings with construction tarps, rip out ruined walls and floors, and start putting cities back together. They are largely migrants, predominantly undocumented, and lack basic protections for construction work. Their efforts are critical in an era of increasing climate-related disasters, but the workers are subject to hazards including accidents, wage theft, and deportation. “Right now, there is a base camp for the National Guard; FEMA officials in Louisiana are staying in hotels,” Saket Soni, the founder of the nonprofit group Resilience Force, tells Sarah Stillman. “But the workers who are doing the rebuilding with their hands are sleeping under their cars to protect themselves from rain.” Stillman travelled to Louisiana, to the parking lot of a Home Depot, to report on Soni’s effort to organize and win recognition for these laborers as a distinct workforce performing essential work. “These years ahead,” she notes, “are going to bring more brutal hurricanes, more awful floods, more terrifying wildfires, and heatwaves—more than any of us is really prepared to handle. … And what’s at stake is not just these workers’ fates but also our collective shared survival.”


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    Anna Deavere Smith Retells Rodney King’s Story in Theatre Nov 12, 2021
    Show notes

    “Twilight: Los Angeles, 1992” premièred nearly thirty years ago, but it’s one of the most current and important plays on Broadway right now. Anna Deavere Smith pioneered a form now known as verbatim theatre: instead of creating characters and writing dialogue, she would interview dozens or hundreds of people about an event, and weave a story from those real characters and their words. “Twilight” is about the deadly violence and unrest that erupted after police officers were acquitted of the ferocious beating of Rodney King—one of the first episodes of police brutality caught on videotape and broadcast to the nation. Her form, she tells David Remnick, let her complicate the racial dynamics of Black and white people, to include the voices of Asian Americans and Latinx people involved in the uprising. Deavere talks about how the play reads now, after George Floyd’s murder and the uprising that followed, and about what still hasn’t changed in the cultural climate for Black theatre artists.


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    Rachel Held Evans and Her Legacy Nov 09, 2021
    Show notes

    Growing up, Rachel Held Evans was a fiercely enthusiastic evangelizer for her faith, the kind of kid who relished the chance to sit next to an atheist. But when she experienced doubt, that sense of certainty began to crumble. “We went to all these conferences about how to defend your faith, how to have an answer for what you believe,” her sister Amanda Held told Eliza Griswold. “That’s why it was particularly unsettling to have questions, because we were taught to have answers.” Held Evans began to blog and then wrote a string of best-sellers about her faith, beginning with “Evolving in Monkey Town,” in which she separated the Jesus she believed in from the conservative doctrine she was raised with. Her work spoke to the millions of Christians who have left evangelical churches since 2006. “There’s this common misperception that either you are a conservative evangelical Christian or . . . you become agnostic or atheist,” Griswold explains, but many Christians were turning away from politics and still retaining their faith. She calls Held Evans “the patron saint of this emerging movement.” After Held Evans died, at thirty-seven, after a sudden illness, her final, incomplete manuscript was finished by a friend, Jeff Chu. Griswold travelled to Held Evans’s home town of Dayton, Tennessee, to meet with her widower, Dan Evans, as well as Chu and others. “I think people resonate so much with her work [because] she was giving words that people couldn’t say themselves,” Evans says. “It’s not going to stop for them just because Rachel died. There’s going to be one less traveller. One less person to translate for them. But there’s more people born every day.”


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    Will the Office Survive the Pandemic? Nov 05, 2021
    Show notes

    Cal Newport, the author of “A World without Email” and other books, has been writing about how the shutdown has affected businesses and the culture of work. Remote operation, he says, has raised fundamental questions about the purpose of work, its role in our lives, and how productivity is measured. While most companies are asking employees to return to the office as the pandemic eases, Newport predicts that economic forces will eventually drive an exodus toward permanent remote work. Tech companies that launched as fully remote operations, he thinks, have a head start on the economic advantages of ditching the office for good.


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    Wole Soyinka on His New Satire of Corruption and Fundamentalism Nov 02, 2021
    Show notes

    Wole Soyinka is a giant of world literature. A Nobel laureate, he’s written more than two dozen plays, a vast amount of poetry, several memoirs, and countless essays and short stories—but, up until recently, only two novels. His third novel was published this past September, forty-eight years after the previous one. It's called “Chronicles from the Land of the Happiest People on Earth.” The book is both a political satire and a murder mystery involving four friends, with subplots that include a secret society dealing in human body parts and more corruption than any one country can bear.

    Like his cousin the Afrobeat pioneer Fela Kuti, Soyinka has made social commentary integral to his work. Soyinka’s journey into political activism began at a young age, and, in 1965, when he was twenty-one, he was arrested for armed robbery. But Soyinka tells Vinson Cunningham that political opposition didn’t come naturally to him. “I love my peace of mind and my tranquility,” he says, “[but] I cannot attain that if I have not attended to an issue or problem which I know is . . . manifesting itself in a dehumanizing way in others.” “Chronicles” explores not only how the governments are corrupt but the effect of corruption on societies and peoples. Soyinka also talks about why he waited so long to write another novel, and what the medium offers that theatre does not.


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