The New Yorker Radio Hour

Latest Episodes:

Jack Schlossberg, the Kennedy Running for Congress in New York Jun 05, 2026

Show notes

Jack Schlossberg, the grandson of John F. Kennedy, was one of a number of Kennedy family members who spoke out against the policies and the character of Robert F. Kennedy, Jr. Schlossberg became a public figure on social media, often trolling the right, doing his imitation of Vladimir Putin, or claiming that Usha Vance was carrying his baby. But, when Schlossberg decided to run for an open seat in Congress, critics pointed to his lack of experience in governing, or even holding a job. In some ways, Schlossberg seems a test case for how social-media influence may translate into electoral politics. “I understand that content creation is a new profession, and that it’s not synonymous for many people with a quote-unquote real job,” Schlossberg tells David Remnick. “I think that my experience is exactly what the Democratic Party needs right now from candidates.”

Further reading:

“How a Congressional Primary Became a Proxy Battle Over A.I.,” by Gideon Lewis-Kraus
“ ‘Love Story’ Is a Forgettable Elegy for Gen X,” by Doreen St. Félix
“A Battle with My Blood,” by Tatiana Schlossberg

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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Bonus: David Remnick Takes Calls on the Midterms and the Media Jun 04, 2026

Show notes

In a guest appearance on WNYC’s “Brian Lehrer Show,” David Remnick, who hosts the New Yorker Radio Hour, discusses the Democratic Party’s identity crisis and the candidates vying in the midterm elections; the late newspaper magnate Donald Newhouse, and the importance of editorial independence in journalism; Remnick’s upcoming live taping at the Tribeca Festival, with “Pod Save America” ’s Jon Lovett, on June 10th; and, most important of all, the Knicks.

Join David Remnick and Jon Lovett at the Tribeca Festival.

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.

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Colson Whitehead on His Harlem Trilogy Jun 02, 2026

Show notes

Colson Whitehead is one the few novelists, and the only still alive, to win two Pulitzer Prizes for Fiction—for “The Underground Railroad” and “The Nickel Boys.” Whitehead’s protagonist in the Harlem trilogy is Ray Carney, a small-time crook who fences stolen goods while working as a furniture salesman. Ray first appeared in “Harlem Shuffle,” and the final book of the trilogy, “Cool Machine,” will be published in July. David Remnick and Whitehead discuss the trilogy’s second book, “Crook Manifesto,” and how David Bowie inspired Whitehead’s genre-hopping approach to fiction.

This segment originally aired on July 21, 2023.

Further reading:

“Can the Democrats Take Back the Senate?,” by Amy Davidson Sorkin

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A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency May 26, 2026

Show notes

The Trump Administration has made little secret of its desire to dismantle the Federal Emergency Management Agency and give states the responsibility to respond to all manner of natural disasters on their own. FEMA has endured tremendous internal strife over leadership, and reports have suggested its mission has been compromised by partisan decision-making: President Trump—the sole arbiter of who ultimately gets FEMA relief—has rejected aid for Democratic-led states at the highest rate in the agency’s history. This has led to accusations of emergency aid being used as a “political cudgel,” and has had a chilling effect on some of the rank-and-file staff at the agency. The New Yorker Radio Hour’s Adam Howard speaks to a longtime employee of FEMA about what’s going on behind the scenes, and whether it could have a negative impact on the agency’s ability to respond to the next emergency.

The subject of this interview is currently working for FEMA, a federal agency, and he asked to remain anonymous. His voice has been digitally regenerated for the audio of this interview.

Further reading:

“Donald Trump’s U.F.C. Victory Party,” by Sam Eagan
“Cage-Fighting During a Pandemic: Is This the Future of Sports?,” by Kelefa Sanneh
“Fighting for Trump: The U.F.C. Comes to New York City,” by Kelefa Sanneh

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America at 250: A View from the Streets May 19, 2026

Show notes

The staff writer and historian Jill Lepore is an admirer of the Federal Writers’ Project, and the man-on-the-street form of documentary it helped to pioneer. This type of journalism, she thinks, is integral to the democratic project. As part of a special episode of The New Yorker Radio Hour, Lepore collaborated with the audio-storytelling group Transom to create a new documentary on how Americans perceive their country on the eve of its two-hundred-and-fiftieth anniversary. Producers conducted interviews in Illinois, California, Louisiana, Vermont, and Utah, in gas stations, city parks, and malls, on street corners and dairy farms, asking people how they see themselves in the American story, how they feel about America at two hundred and fifty, and what they imagine the tricentennial of independence will be like.

The New Yorker Radio Hour’s collaboration with Transom was produced by Sophie Crane. It was recorded by Eve Abrams, Scott Carrier, Erica Heilman, Yohance Lacour, and David Weinberg. Mixing and sound design by Josh Crane. Music by Jon Evans and Matthias Bossi at Stellwagen Symphonette. It was created as part of Transom’s Listeners Project, an experiment in hyperlocal documentary storytelling.

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The History Wars and America at 250, with the Historian Jill Lepore May 15, 2026

Show notes

The two-hundred-and-fiftieth anniversary of the Declaration of Independence arrives during intense disputes about American history, as the Trump Administration demands a more glorifying view of the nation’s past at federally run historical sites and in federally funded projects. The staff writer Jill Lepore (who won the Pulitzer Prize in History this month for her book “We the People: A History of the U.S. Constitution”) guest-hosts a special episode of The New Yorker Radio Hour about this fraught moment, reflecting on the responsibility of academic historians to shape the public debate. She compares our moment with the bicentennial—which fell in the wake of the Vietnam War and the scandals of Richard Nixon’s Presidency—in a conversation with the Yale historian Beverly Gage. Lepore looks at the nature of the country’s war over history with Jelani Cobb, the dean of Columbia Journalism School and a staff writer at The New Yorker. They discuss the Donald Trump-approved “Freedom 250” projection on the Washington Monument, and talk about how Americans can meaningfully participate in the semiquincentennial. If “we’re sitting around waiting for the occupant of the White House to tell us what American history means,” Lepore says, “you just kind of want to walk into traffic.”

Further reading:

America at 250, a special issue of The New Yorker
“Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore
“Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore
“Two Hundred and Fifty Years of Complicated Commemorations,” by Jelani Cobb
“This Land Is Your Land: A Road Trip Through U.S. History,” by Beverly Gage

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Growing Up with a Mother in Prison May 12, 2026

Show notes

Harriet Clark’s novel, “The Hill,” is one of the most anticipated works of fiction of the year. It’s a story of a girl growing up visiting her mother, who is serving a life sentence in prison for a politically motivated crime. And although “The Hill” is a work of fiction, it follows the contours of Clark’s own life closely: her mother is Judy Clark, who drove a getaway car after a robbery in which two police officers and a security guard were killed. One of “The Hill” ’s enthusiastic admirers is Rachel Aviv, a staff writer at The New Yorker. She spoke with Clark about the power of fiction, her mother’s life story, and the power of narrative when thinking about how to confront carceral systems.

Further reading:

“Harriet Clark’s Début Is a New Kind of Coming-of-Age Novel,” by James Wood
“The Trial of Gisèle Pelicot’s Rapists United France and Fractured Her Family,” by Rachel Aviv

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Barack Obama in the Trump Era May 08, 2026

Show notes

The contributing writer Peter Slevin met with Barack Obama at the new Obama Presidential Center, which opens next month, in Chicago, and asked him the question on a lot of Democrats’ minds: Where is he, and why isn’t he doing more to help the country in a moment of crisis? Slevin shares excerpts from his interview, during which Obama explains the limits of his role, and why he should no longer be the figurehead for his party. Slevin also speaks with David Remnick about why the famously optimistic President has lost some of his confidence in the American prospect. “I would be dishonest if I didn’t acknowledge that,” Obama admitted.

Further reading:

“Barack Obama Considers His Role in the Age of Trump,” by Peter Slevin
“Presidents’ Days: From Obama to Trump,” by David Remnick

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