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From Critics at Large: The Year of the Doll Dec 26, 2023

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This bonus episode comes from The New Yorker’s Critics at Large podcast.

In the highest-grossing movie of 2023, Barbie, a literal doll, leaves the comforts of Barbieland and ventures into real-world Los Angeles, where she discovers the myriad difficulties of modern womanhood. This arc from cosseted naïveté to feminist awakening is a narrative through line that connects some of the biggest cultural products of the year. In this episode, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how 2023 became “the year of the doll,” tracing the trope from “Barbie” to Yorgos Lanthimos’s film “Poor Things,” whose protagonist finds self-determination through sexual agency, and beyond. In Sofia Coppola’s “Priscilla,” a teen-age Priscilla Beaulieu lives under the thumb of Elvis at Graceland before finally breaking free, while in Emma Cline’s novel “The Guest,” the doll figure must fend for herself after the trappings of luxury fall away, revealing the precarity of her circumstances. The hosts explore how ideas about whiteness, beauty, and women’s bodily autonomy inform these works, and how the shock of political backsliding might explain why these stories struck a chord with audiences. “Most of us believed that the work of Roe v. Wade was done,” Cunningham says. “If that is a message that we could all grasp—that a step forward is not a permanent thing—I think that would be a positive thing.”

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Bruce Springsteen Has a Gift He Keeps on Giving Dec 22, 2023

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At seventy-four, Bruce Springsteen has been cementing his status as a rock-and-roll legend for almost fifty years: he released his widely heralded, but not initially widely heard, début, “Greetings from Asbury Park, N.J.” in 1973. But, true to form, the artist who became known to his fans as the Boss hasn’t rested on his laurels. After weathering a spate of health troubles this past year, which led him to cancel much of his tour, the rock icon plans to hit the road again in the new year, all over the U.S., Canada, and Europe. When Springsteen published his autobiography, “Born to Run,” back in 2016, David Remnick called it “as vivid as his songs, with that same pedal-to-the-floor quality, and just as honest about the struggles in his own life.” In October of that year, Springsteen appeared at the New Yorker Festival for an intimate conversation with the editor. (The event sold out in six seconds.) This entire episode is dedicated to that conversation. Springsteen tells Remnick how, as a young musician gigging around New Jersey, he decided to up his game: “I’m going to have to write some songs that are fireworks. . . . I needed to do something that was more original.” They talked for more than an hour about Springsteen’s tortured relationship with his father, his triumphant audition for the legendary producer John Hammond, and his struggles with depression. As Springsteen explains it, his tremendously exuberant concert performances were a form of catharsis: “I had had enough of myself by that time to want to lose myself. So I went onstage every night to do exactly that.”

This episode originally aired in 2016.

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Christmas in Tehran: Bringing the Holidays to Hostages Dec 19, 2023

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In 1979, as Christmas approached, the United States Embassy in Tehran held more than fifty American hostages, who had been seized when revolutionaries stormed the embassy. No one from the U.S. had been able to have contact with them. The Reverend M. William Howard, Jr., was the president of the National Council of Churches at the time, and when he received a telegram from the Revolutionary Council, inviting him to perform Christmas services for the hostages, he jumped at the opportunity. In America, “we had a public that was quite riled up,” Reverend Howard reminds his son, The New Yorker Radio Hour’s Adam Howard. “Who knows what might have resulted if this issue were not somehow addressed? . . .Might there be an American invasion, an attempt to rescue the hostages in a militaristic way?” Reverend Howard was aware that the gesture had some propaganda value to the Iranian militants, but he saw a chance to lower the tension. Accompanied by another Protestant minister and a Catholic bishop, Howard entered front-page headlines, travelling to Tehran and into the embassy. He gave the captives updates on the N.F.L. playoffs, and they prayed. It was a surreal experience to say the least. “It was in the Iranian hostage crisis that I understood how alone we are, and how powerless we are when other people take control,” Reverend Howard says. “And really it’s in that setting that one can develop faith.”

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A Harrowing Detention in Gaza Dec 15, 2023

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Growing up in Gaza, Mosab Abu Toha wasn’t used to seeing Israeli soldiers in person. “You are bombed from the sky. You are bombed by tanks. You do not see the people, the soldiers who are killing you and your family,” he tells David Remnick. Abu Toha is a poet educated in the United States, who has contributed to The New Yorker from Gaza since Israel launched its bombardment after the October 7th Hamas attack. As Abu Toha and his family tried to flee Gaza, he was stopped by Israeli forces, and accused of being a Hamas activist. He describes being stripped naked and beaten in detention. “I kept saying, ‘Someone please talk to me,’ ” Abu Toha recalls. After an interrogation, he was released, but with a more pessimistic view of the possibility for peace. “In Gaza, even a child who is six or three or four years old, is no longer a child. They are not living their childhood. They are not children. They are not learning how to speak English, how to draw; they’re just learning how to survive,” he tells Remnick. “This future cannot be built on a land that is covered with blood and bones.”

An earlier version of this article misstated the location where Abu Toha was stopped by Israeli forces. It was also updated to clarify what is known about the circumstances surrounding his detention.

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Brandy Clark: Grammy-Nominated Album Is “Authentically Me” Dec 12, 2023

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As an aspiring artist, Brandy Clark found herself in love with the craft of songwriting, as some of her peers were working on their image and presentation. She became a top songwriter in Nashville, contributing songs to performers like Kacey Musgraves and LeAnn Rimes. Being a lesbian also complicated any desire to be on the public stage in a conservative industry. But she eventually emerged as a solo artist, partly under the tutelage of Brandi Carlile, who acted as producer. Carlile has ushered her toward the sound of Americana—a “dirtier” aesthetic than Nashville’s, Clark says, and a more inclusive community, which is sometimes mocked as “country music for Democrats.” Clark met recently with Emily Nussbaum, who recently wrote about the culture war in country music, to discuss her recent album, which has been nominated for no fewer than five Grammy Awards. It originally had the title “Northwest,” reflecting Clark’s Washington roots, but she scrapped that to avoid confusion with North West, the child of Kanye West and Kim Kardashian, and released the album as “Brandy Clark.” Of her four solo records, “this is the most authentically me.”

Clark performed “Buried” and “Pray to Jesus” live in our studio.

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Liz Cheney: Donald Trump Should Go to Jail if Convicted Dec 08, 2023

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Liz Cheney has been Republican royalty, and a conservative stalwart in Washington—a daughter of former Vice-President Dick Cheney and culture warrior Lynne Cheney. But after protesting Donald Trump’s election lies, and voting for his impeachment after January 6th, she found herself in exile from the G.O.P. Cheney is contemplating a Presidential campaign on a third-party line. As she promotes her new book, “Oath and Honor,” she is raising the alarm that Americans across the political spectrum have become “numb” to Trump’s overtly dictatorial aspirations. “People really understood that what he had done [on January 6th] was unacceptable, not to mention unconstitutional and illegal,” she tells David Remnick. “That recognition quickly dwindled.” She finds herself frustrated with former allies on the right who have become shameless enablers of Trump; she does not trust Speaker Mike Johnson, a former friend, to perform his constitutional duties during the electoral process. She is also concerned that the left is squandering an opportunity to defeat Donald Trump in 2024 by alienating some of the voters whose support they need on issues such as crime and immigration. Trump “has figured out a way, as dictators have in the past, to make those people think he speaks for them,” she says. Still, Cheney’s faith in the country’s institutions and judiciary has not been totally shaken. Asked if Trump should go to jail if convicted—on any of his ninety-one federal charges—she says yes without hesitation; but we must not presume that “someone else is going to save us from him.”

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How Did Our Democracy Get so Fragile? Dec 05, 2023

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We’re in the midst of another election season, and yet again American democracy hangs in the balance, with a leading Presidential candidate who has threatened to suspend parts of the Constitution. How did the foundations of our political system become so shaky? Jelani Cobb, the dean of the journalism school at Columbia University; Evan Osnos, a Washington correspondent for The New Yorker; and the best-selling author and historian Jill Lepore joined The New Yorker’s Michael Luo for a discussion of that very existential question during the most recent New Yorker Festival. From Cobb’s perspective, “it’s not that complicated,” he notes, “If we went all the way back to the fundamental dichotomy of the people who founded this country and the way they subsidized their mission of liberty with the lives of slaves. So we’ve always been engaged in that dialectic.” Lepore argues that people on both sides of the political divide choose to embrace an account of the past that accords with their politics, something she considers “incredibly dangerous.” Osnos, who witnessed the upheaval of January 6th firsthand, thinks the deeper problem is disengagement from the country and the political system. “I was struck by how many of [the rioters] told me it was their first trip to Washington,” Osnos says. “They came to Washington to sack the Capitol.”

CORRECTION: Jelani Cobb notes that Queens was at one time the second-whitest borough of New York City, and is the most diverse county in the United States. Measures of diversity vary; in some recent data, Queens ranks third among counties.

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Dolly Parton “Busted a Gut” Reaching for the High Notes on “Rockstar” Dec 01, 2023

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After six decades as an icon in country music, it’s hard to imagine Dolly Parton had anything to prove. But when she was inducted into the Rock & Roll Hall of Fame, in 2022, she admitted to feeling uneasy. A result of that feeling is “Rockstar,” the 77-year-old’s first foray into rock music. “I wanted the rock people to be proud of me, let’s put it that way,” Parton tells the contributor Emily Lordi. “I wanted them to say, ‘Did you hear Dolly’s rock album? Man, she killed it.’ ” For this album, which is largely comprised of covers of classic rock songs like “Freebird” along with originals like the title track, Parton channelled the likes of Joan Jett and Melissa Etheridge (who also both appear on the album). She didn’t want to make a countryfied rock album, but even at a full roar, her voice is unmistakable Dolly. “It’s a voice you know when you hear it, whether you like it or not,” Parton says. The artist is known for avoiding comment on political subjects, but she describes the volatile state of the culture in her song “World on Fire.” “The only way I know how to fight back is to write songs to say how I feel,” Parton says. “It’s just me trying to throw some light on some dark subjects these days.”

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“Maestro” is the “Scariest Thing I’ve Ever Done” Nov 24, 2023

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As a child, Bradley Cooper would mime conducting an orchestra, and he asked for a baton from Santa. Decades later, as a filmmaker, he fulfilled his childhood dreams in the acclaimed new film “Maestro.” Cooper co-wrote and directed the movie, and co-stars as Leonard Bernstein, perhaps the greatest American conductor ever. In a pivotal scene, Cooper conducts the famous London Symphony Orchestra with a full chorus, in real time, through a performance of Mahler, which Cooper calls the “scariest thing I’ve ever done.” But the movie focusses less on Bernstein’s well-documented musical triumphs than on his extremely complicated personal life and marriage—as a proudly nonmonogamous bisexual—to the actress Felicia Montealegre, who is played in the film by Carey Mulligan. “I had no desire to make a biopic,” Cooper tells David Remnick, especially of a man whose life is so well documented. Despite his proven track record as a box-office draw and critical success, Cooper found himself on the receiving end of noes from major studios when he shopped “Maestro” around. “It makes sense what they [said],” Cooper concedes: “ ‘It’s a huge budget. It’s a subject matter that no one will be interested in. We just can’t justify it.’ ” With rave reviews and a holiday release setting his film up for a likely awards-season run, Cooper should feel vindicated. “This movie… I made absolutely fearlessly,” Cooper says. “And I knew I had to because that’s a huge element in Bernstein’s music. It is fearless.”

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Geoffrey Hinton: “It’s Far Too Late” to Stop Artificial Intelligence Nov 21, 2023

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The American public’s increasing fascination with artificial intelligence—its rapid advancement and ability to reshape the future—has put the computer scientist Geoffrey Hinton in an awkward position. He is known as the godfather of A.I. because of his groundbreaking work in neural networks, a branch of computer science that most researchers had given up on, while Hinton’s advances eventually led to a revolution. But he is now fearful of what it could unleash. “There’s a whole bunch of risks that concern me and other people. . . . I’m a kind of latecomer to worrying about the risks, ” Hinton tells The New Yorker’s Joshua Rothman. “Because very recently I came to the conclusion that these digital intelligences might already be as good as us. They’re able to communicate knowledge between one another much better than we can.” Knowing the technology the way he does, he feels it’s not currently possible to limit the intentions and goals of an A.I. that inevitably becomes smarter than humans. Hinton remains a researcher and no longer has a financial stake in the success of A.I., so he is perhaps franker about the downsides of the A.I. revolution that Sam Altman and other tech moguls. He agrees that it’s “not unreasonable” for a layperson to wish that A.I. would simply go away, “but it’s not going to happen. … It’s just so useful, so much opportunity to do good.” What should we do? Rothman asks him. “I don’t know. Smart young people,” Hinton hopes, “should be thinking about, is it possible to prevent [A.I.] from ever wanting to take over.”

Rothman’s Profile of Geoffrey Hinton appears in a special issue of The New Yorker about artificial intelligence.

Sam Altman, the C.E.O. of OpenAI (which created ChatGPT), spoke with David Remnick on this episode of The New Yorker Radio Hour.

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