The New Yorker Radio Hour

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Donald Trump’s War on Culture Is Not a Sideshow Aug 29, 2025

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The term “culture wars” is most often associated with issues of sexuality, race, religion, and gender. But, as recent months have made plain, when Donald Trump refers to the culture wars, he also means the arts. He fired the board of the John F. Kennedy Center for the Performing Arts, which Republicans want to rename for him. His Administration fired the national archivist and the Librarian of Congress, and pressured the director of the National Portrait Gallery to resign; it is reviewing the entire Smithsonian Institution, looking for what the President calls “improper ideology.” Some view these moves as low-hanging fruit for Trump, and a distraction from bad press about Jeffrey Epstein, the Putin meeting, and tariffs. But Adam Gopnik believes that interpretation is a misreading. The loyalty purge at institutions such as the National Portrait Gallery is a key part of his agenda. “Pluralism is the key principle of a democratic culture,” Gopnik tells David Remnick. Could we be following the path of Stalinist Russia, where a head of state dictated reviews of concerts, Remnick asks? “I pray and believe that we are not. But that is certainly the direction in which one inevitably heads when the political boss takes over key cultural institutions, and dictates who’s acceptable and who is not.” Gopnik recalls saying after the election that “Jimmy Kimmel and Stephen Colbert would be next.” “You would see them disappear,” he added. “Each time, we find a rationale for it or a rationale is offered. And it’s much easier for us to swallow the rationale than to face the reality.”

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How Extreme Heat Affects the Body Aug 26, 2025

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The Korey Stringer Institute, at the University of Connecticut, is named after an N.F.L. player who died of exertional heatstroke. The lab’s main research subjects have been athletes, members of the military, and laborers. But, with the extreme heat wrought by climate change, even mild exertion will put more and more of us in harm’s way; in many parts of the United States, a combined heat wave and power outage could cause staggering fatalities. Dhruv Khullar, a New Yorker contributor, practicing physician, and professor of health policy, visited the Stringer Institute to undergo a heat test—walking uphill, for ninety minutes, in a hundred-and-four-degree heat—to better understand what’s happening. “I just feel extremely puffy everywhere,” Khullar sighed. “You’d have to cut my finger off just to get my wedding ring off.” By the end of the test, he spoke of experiencing cramps, dizziness, and a headache. Khullar discussed the dangers of heatstroke with Douglas Casa, the lab’s head, who nearly died of the condition as a young athlete. “Climate change has taken this into the everyday world for the everyday American citizen. You don’t have to be a laborer working for twelve hours; you don’t have to be a soldier in training,” Casa tells him. “This is making it affect so many people, even just during daily living.” Although the treatment for heat-related illness is straightforward, Casa says that implementation of simple preventive measures remains challenging—and that there is much we need to do to better prepare for the global rise in temperatures.

This segment originally aired on August 25, 2023.

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How Big Tech Sets the Agenda in Trump’s America Aug 22, 2025

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Donald Trump is the most tech-friendly President in American history. He enlisted social media to win office; he became a promoter—and beneficiary—of cryptocurrency, breaking long-standing norms around conflicts of interest; and, in his second term, he brought Elon Musk, the world’s wealthiest tech baron, to the White House, to disrupt the federal government in the manner of a Silicon Valley startup. While Musk was eventually ousted— or “flamed out,” as Katie Drummond puts it, for being “loud”—the influence of DOGE continues to reshape our lives in ways we have barely begun to understand.

Drummond is the global editorial director of Wired, and in this episode she talks with the New Yorker Washington correspondent Evan Osnos about the unique intersection of technology and politics, which Wired has tracked assiduously. Tech companies and A.I., Osnos notes, are driving the agenda in the Trump Administration. “If they’ve learned anything from what Elon Musk was able to accomplish,” Drummond says, “it’s that this is open season.” Drummond also sounds a cautionary note about some of the doomsday framing of the A.I. revolution. Corporate leaders “want this technology to sound as big and daunting and powerful and impressive and scary as they possibly can,” she explains. In some cases, “that hyperbole masks the fact that these individuals have a stake in exactly the scenarios that they are outlining.”

This segment originally aired on The Political Scene on July 26, 2025.

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A Palestinian Journalist Escapes Death in Gaza Aug 18, 2025

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Mohammed R. Mhawish was living in Gaza City during Israel’s invasion, in the immediate aftermath of the October 7th attack. He witnessed the invasion for months and reported on its devastating consequences for Al Jazeera, The Nation, and other outlets. After his home was targeted in an Israeli strike, which nearly killed him, he fled Gaza. In The New Yorker, [he’s written](https://www.newyorker.com/news/the-lede/treating-gazas-collective-trauma) about mental-health workers who are trying to treat a deeply traumatized population, while themselves suffering from starvation, the loss of loved ones, their own injuries—and the constant, remorseless death toll around them. “They were telling me, ‘We cannot wait for the war to stop to start healing—or for ourselves to heal—to start healing others,’” Mhawish relates to David Remnick. “I understood they were trying to heal by helping others heal.”

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Spike Lee and Denzel Washington on a Reunion Making “Highest 2 Lowest” Aug 15, 2025

Show notes

Spike Lee and Denzel Washington first worked together on “Mo’ Better Blues,” released in 1990. Washington starred as a trumpet player trying to make a living in jazz clubs; Lee, who directed the film, also played the musician’s hapless manager. They later worked together on “Malcolm X” and other films, but it has been nearly twenty years since their last collaboration, the hugely successful “Inside Man.” So the new film “Highest 2 Lowest” is something of a reunion. “I’ve become a better director, working with Mr. Denzel Washington,” Lee tells David Remnick. “It’s not about just what’s on the script. It has to be deeper than that.” “Highest 2 Lowest” is an adaptation of a 1963 movie by Akira Kurosawa, who has been a major influence on Lee. “The script came to me first,” Washington explains. “I hoped that Spike would be interested in it, so I called him up. He said, ‘Send it to me.’ He read it. He said, ‘Let’s make it,’ and here we are.” Washington plays a music mogul targeted in a ransom plot; the feature is a crime drama with a message. “This film is about morals, and what someone will do and won’t do,” Lee says. The audience “will ask themselves, ‘If you’re in this situation, would you pay the ransom?’ ”

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Richard Brody Picks Three Favorite Clint Eastwood Films Aug 12, 2025

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With seven decades in film and television, Clint Eastwood is undeniably a Hollywood institution. Emerging first as a star in Westerns, then as the embattled cop in the Dirty Harry films, the ninety-five-year-old filmmaker has directed forty features and appeared in more than sixty. The film critic Richard Brody just reviewed a new biography of Eastwood. “What fascinated me above all are the origins of Clint Eastwood-ness—the way he had an aura that preceded him before his career in movies.” Brody joins David Remnick to pick three of the films that set Eastwood apart as an artist: “Play Misty for Me,” his 1971 directorial début; “Bird,” his bio-pic about Charlie Parker; and “Sully,” starring Tom Hanks as the heroic pilot Chesley Sullenberger.

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Your Questions Answered: Trump vs. the Rule of Law Aug 08, 2025

Show notes

From the attempt to end birthright citizenship to the gutting of congressionally authorized agencies, the Trump Administration has created an enormous number of legal controversies. The Radio Hour asked for listeners’ questions about President Trump and the courts. To answer them, David Remnick speaks with two regular contributors: Ruth Marcus, who writes about legal issues and the Supreme Court, and Jeannie Suk Gersen, who teaches constitutional law at Harvard Law School. While the writers disagree on some significant questions—such as the Supreme Court’s recent ruling in Trump v. CASA, which struck down the use of nationwide injunctions—both acknowledge the unprecedented nature of some of the questions from listeners. “They never taught you these things in law school, because he’s pushing on areas of the law that are not normally pushed on,” Marcus tells Remnick.

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Jamaica Kincaid on “Putting Myself Together” Aug 05, 2025

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Jamaica Kincaid began writing for The New Yorker in 1974, reporting about life in the magazine’s home city. She was a young immigrant from Antigua, then a British colony; she had been sent to New York—against her wishes—to work as a nanny. Soon began a love affair with New York’s literary scene. “I had to change my name,” she tells David Remnick, “because Elaine Potter Richardson could not write about Elaine Potter Richardson. But Jamaica Kincaid could write about Elaine Potter Richardson.” Kincaid went on to write books about her family; about the dissolution of a marriage; about Antigua, and what colonialism feels like to people on a small island; and later gardening, which she took up with a passion after moving to Vermont. She once said, “Everything I write is autobiographical, but none of it is true in the sense of a court of law. You know, a lie is just a lie. The truth, on the other hand, is complicated.” Kincaid’s new book, “Putting Myself Together,” is a collection of pieces that span almost half a century in print, and includes her first published piece in The New Yorker—an account of the West Indian-American Day Parade of 1974.

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John Brennan, Former C.I.A. Director, on Being Targeted by Trump Aug 01, 2025

Show notes

In Donald Trump’s first term, he was furious that people were investigating his connections to Russia—“Russia, Russia, Russia,” he complained. Now, as Trump fulfills a campaign promise of retribution, his Administration has put the Russia “hoax” back into the headlines. They claim to have opened investigations into the former F.B.I. director James Comey and the former C.I.A. director John Brennan. A career C.IA. officer, Brennan served nearly thirty years, holding senior positions under Presidents Bill Clinton, George W. Bush, and Barack Obama; his tenure included the controversial drone program, as well as the infamous Steele dossier on Trump during the 2016 election. David Remnick speaks with Brennan about why Trump officials are re-investigating old business. Are there real issues, or is this an attempt to direct the news cycle away from Jeffrey Epstein? “I've seen reports in the press that I’m under investigation,” Brennan points out. “But I’ve not heard anything from the Department of Justice, or the F.B.I., or the C.I.A., or the Office of Director of National Intelligence. No one has contacted me about anything.”

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Dexter Filkins on Drones and the Future of Warfare Jul 29, 2025

Show notes

Since the end of the Cold War, most Americans have taken U.S. military supremacy for granted. We can no longer afford to do so, according to reporting by the staff writer Dexter Filkins. China has developed advanced weapons that rival or surpass America’s; and at the same time, drone warfare has fundamentally changed calculations of the battlefield. Ukraine’s ability to hold off the massive Russian Army depends largely on a startup industry that has provided millions of drones—small, highly accurate, and as cheap as five hundred dollars each—to inflict enormous casualties on invading forces. In some other conflict, could the U.S. be in the position of Russia? “The nightmare scenario” at the Pentagon, Filkins tells David Remnick, is, “we’ve got an eighteen-billion-dollar aircraft carrier steaming its way toward the western Pacific, and [an enemy could] fire drones at these things, and they’re highly, highly accurate, and they move at incredible speeds. . . . To give [Secretary of Defense Pete] Hegseth credit, and the people around him . . . they say, ‘O.K., we get it. We’re going to change the Pentagon procurement process,’ ” spending less on aircraft carriers and more on small technology like drones. But “the Pentagon is so slow, and people have been talking about these things for years. . . . Nobody has been able to do it.”

Read Dexter Filkins’s “Is the U.S. Ready for the Next War?”

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