Welcome to Season 2 of The Monstrous Feminine! To celebrate Pride month, we look at depictions of queerness in horror! 🏳️🌈
We cover a lot of ground in this episode. To start it off, we theorise why horror is appealing to queer audiences, and descend into ✨discourse✨ about pink-washing. We then move on to discuss why there is so much doppel-banging in queer horror. We also explore why telekinesis is a useful metaphor for repressing queerness. Finally, we scrutinise the links between religion, queerness and horror. Check it out!
Get ready and go watch 'The Hunger' (1983 dir. Tony Scott) 🧑🏻🎤🩸⚰️, 'Thelma' (2017 dir. Joachim Trier) 🧠🙇🏼♀️🙏🏻, and 'Saint Maud' (2020 dir. Rose Glass) 👩🏻⚕️✝️🔥.
You can find us on most platforms @themonstrousfemininepodcast, and on Twitter, @themonfempod. Subscribe to our YouTube Channel, and rate and review us on Apple Podcasts to be our next ‘Witch of the Week’. Please support us on Patreon for more content! ✨
The Coven: Tyia, Louisa, Mila and Zeba
Theme Music and Transitions by: Ruud Bemelmans
‘Witch of the Week’ Music by: Sebastian Pizzaro
*CONTENT WARNING*
The Hunger (0:24:35-0:43:36): violence, death, paedophilia, (child) murder, grooming, incest, HIV AIDs epidemic and homophobia
Thelma (0:43:36-1:08:11): violence, death, homophobia, religious trauma, sexual coercion, drugging, gaslighting and (infant) murder
Saint Maud (1:08:11-1:42:19): violence, death, homophobia, religious trauma/fanaticism, rape, murder, self harm and suicide