The Messy Studio with Rebecca Crowell

Latest Episodes:

Episode 250: Expressions of Gratitude Apr 29, 2023

Show notes

As artists, what role can gratitude play in our work and practice? On a personal level, we know that focusing on what we’re grateful for is good for overall mental health and contentment. Today we’d like to talk about specific situations in which appreciation and gratitude can help artists cope with some of the tougher aspects of art practice. Expressing gratitude can also help in your professional life to build mutual appreciation and respect in your dealings with the art world. Today we’ll talk about the importance of gratitude on both personal and professional levels.

Thinking about gratitude in ways that are specific to your art life and work ienhances a positive state of mind. To look back over your life, and make a list of who has helped you, who has understood your passion, and what opportunities that have come your way is a powerful tool in maintaining a positive outlook. Becoming aware of these sources of support can help you through times of frustration or feeling a lack of appreciation, understanding the goodness that in the big picture of our lives. Any success you've achieved has not happened without support and encouragement from other people.

Acknowledging this support on both a personal and professional level is healthy for everyone involved. One way of expressing gratitude is simply to be generous--to transform what has been given to you into new forms, whether that is through teaching, supporting your art friends in their struggles, purchasing artwork from others, or simply a direct conversation with someone you appreciate.

It is good also to be grateful for the basic importance of art in your life, the fact that you have the ability to express what moves you in ways that can be shared with other people. In this way, every work of art is an expression of gratitude.

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What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. Sessions this quarter so far included identifying compositional issues in your work, and technical information from Gamblin representative Mary Tevlin. Upcoming sessions include a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Members-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested.

Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
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For more from The Messy Studio:
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For more from Rebecca Crowell:
www.rebeccacrowell.com
www.coldwaxacademy.com

The Messy Studio Podcast is a Tick Digital Media Production.

Episode 249: Explaining Abstraction Apr 23, 2023

Show notes

Lots of people misunderstand abstract art and don’t respect it as a valid form of expression. We’ve all heard remarks that imply that abstract artists lack talent or skill or are trying to fool people into appreciating something that has no value. If you are an abstract artist, how do you deal with this attitude? Do you have family and friends who dismiss your work? Do you let negative remarks pass by, or do you try to provide some background or insight into abstraction? Today we’ll explore why abstraction confounds many viewers and some ways you might provide some insight.

It's perfectly fine to not attempt to explain, defend, or try to educate people about abstraction. Abstract artists have well over one hundred years of history in the Western art world to support their approach and there are vast numbers of people who do appreciate this type of work. Ignoring negativity toward abstraction is a valid strategy. But there is also value to being able to state your position, especially to people in your life who may criticize you or are dismissive of your work because the “don’t get” abstraction.

It helps to recognize some reasons people say they don’t like abstraction. Although they may have a very deeply engrained bias against abstraction, they may also simply be uncomfortable with it and become defensive as a result. They may feel confused when there is no realistic image to identify, and no clear meaning. They may also lack the language to describe their reactions and are afraid they may sound unintelligent or offensive if they try.

In response, if you do want to engage with a skeptical person, you can talk about abstraction in general including its various forms and history, or you can talk specifically about your own work, your ideas and technique. You could perhaps compare abstraction to symphonic music, or point out that all visual art has abstract aspects. It's helpful also to understand and accept a person's resistance to seeing art in a different way and try to meet them where you find common ground.

www.messystudiopodcast.com/blick

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Episode 248: Feedback Time Apr 15, 2023

Show notes

As artists, we know it’s good to get feedback now and then so we can understand how our work is seen by others. But managing how and when to solicit feedback can have a lot to do with how valuable and appropriate it will be. While feedback at the right time and situation can be exactly what you need, feedback can also have the opposite effect, and even experienced artists can be thrown off track. Today we’ll talk about exerting control over when and how to receive feedback to make it most valuable.

Any feedback—whether it is positive, negative, or indifferent—has the potential to distract you and cause you to lose sight of your intentions. It can also be very helpful, giving you fresh ideas, insights, energy, and motivation. It helps to be clear about when to ask for feedback, and from whom, and to take charge of the situation. Don’t assume that anytime you have the chance to show someone what you are working on that you should seize that opportunity, because there are points in the creative process when feedback can be confusing, and your flow will be interrupted.

These points vary for the individual but typically there are points near the beginning of a piece, when you are flowing with ideas, or when you feel a piece is done, that feedback is not very helpful. On the other hand, there are times in middle of the process that a new set of eyes on our work can break through a block or frustration. Before you decide to share your work, though, ask yourself if you can work through the issue yourself. Solving our own challenges is really the best learning situation.

Understanding the value of feedback as well as its pitfalls is one more thing that artists need to balance. But knowing that you are the ultimate authority on your own work can give you the confidence to seek feedback at appropriate times and avoid it at others.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry launched their spring quarter on April 12th. This quarter's sessions include identifying compositional issues in your work, technical information from Gamblin representative Mary Tevlin, a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Mambers-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Episode 247: Making Progress Apr 01, 2023

Show notes

It seems to be a given that as artists we want to see growth and progress in our work --and many episodes of this podcast have focused on taking on the challenges and mindset that feed progress in the studio. But what does it really mean to make artistic progress? Is there any way to measure or quantify progress as an artist? And how is a sense of progress linked to our basic satisfaction as creative people?

Many of us need a constant sense of progress as measured in specific achievements to feel good about ourselves. This is a cultural value and deeply engrained from childhood on, and it seems natural to ask yourself often what progress you are making as an artist. But it's also good to question whether you're applying outside standards of progress to your art self. Your inner sense of satisfaction and achievement is an important factor in recognizing progress as it plays out in your own studio life.

If progress is important to you, you may expect it to be happen in ways that are quick, ongoing, linear, or even dramatic. But progress in the studio is often slow, sporadic, subtle, and non-linear. We need to understand and accept that times of consolidation and what can seem like backward movement are part of the creative process. True progress requires time as you integrate new ideas. If you are working in the studio, some progress is inevitable, even if it is hard to see.

What does progress mean to you? Understanding your own need for progress, and how you view it are individual responses. We all have different attitudes and inner standards that tell us we are making progress, but you can sense what it means for you as you evaluate your work. and it is good to pay attention to even small steps. Notice when you feel stagnant, give yourself credit for how far you’ve come, and be open to taking steps toward the kinds of progress that are meaningful to you.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry will be launching their spring quarter on April 12th. Upcoming sessions include identifying compositional issues in your work, technical information from Gamblin representative Mary Tevlin, a painting clinic for works in progress, and much more. As always, members can join in on live sessions with questions and comments, and can benefit anytime by interacting with other members on our Mambers-only facebook page. With 100 recorded sessions in the member library there is always something to learn or review, with topics ranging from technical advice to visual language to guests speakers and critiques of member work.

To learn more about membership, and to purchase cold wax tools and Rebecca and Jerry's book, Cold Wax Medium: Techniques, Concepts & Conversations, please visit http://www.coldwaxacademy.com

Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Episode 246: Balancing Art and Business Mar 25, 2023

Show notes

For many artists that want to market and sell their work, finding a balance between studio practice and business life is challenging. There are pitfalls in spending too much time on the business side of your practice, and drawbacks to not paying enough attention to this. Finding a good balance between your art and your art business is not simply a time management issue, but also one of your focus and emotional investment.

A key to navigating this balance is being flexible because your needs for greater focus for either studio time or business change over time, depending on your current situation with your work and your financial needs. Besides time management, also consider where you find that your focus and emotional energy are best spent. Not everyone wants to invest a lot of themselves in marketing their work, teaching workshops, or other forms of art business. Motivation for becoming involved in art business needs to be an inner drive. Art business can be stressful and there is no shame in deciding not to go in that direction.

Deciding to begin or develop your art business requires artwork that is consistent and of good quality, and confidence in yourself. It is common for people to either be too eager to enter the art business world or too reticent, so seeking honest, objective feedback is valuable to understand if you are at a good point to go forward. If you do become involved in art business, finding systems that work for you is crucial. You need ways to track expenses and income, and to manage other aspects of your art career like maintaining your website. What you hear from various art business in terms of advice may or may not suit you personally, so you may need to be creative in finding ways that do.

As you go forward, prioritizing your studio time and setting aside enough time to feel creative flow is always critical. Without the focus on your art, there is no reason to be involved in marketing or art business. As your work improves and becomes more widely displayed and collected, the challenges of balancing studio and business focus can shift. Exhibits, for example, require great effort on both fronts. But experience with art business does ease the way, as you learn what works for you.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry have wrapped up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions.

It's never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Please visit http://www.coldwaxacademy.com for more information.
Here is what a member named Sandy has to say about her own experience with Cold Wax Academy:
"Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed."

Episode 245: Art and Technology Mar 18, 2023

Show notes

As artists, many of us honor the age-old tradition of creating our work with nothing more than our hands, a few tools, and materials that have stood the test of time. Yet we also live in a high-tech world, and that impacts all of us. How artists view technology ranges from a necessary evil to a full embrace of its creative possibilities. But we should all understand that technology itself is not a new factor in making art. Today we’ll look at some of the ways technology has been used over time in art and ways to think about it in our current world.

Dealing with technology can feel daunting and unnatural to the way you approach your work or it may be something you embrace enthusiastically. But it impacts all of us in life as well as in art. For artists, technology represents an intersection of scientific knowledge and creative output. It means knowledge that expands the known boundaries of what can be done in the name of creativity.

But thinking of technology as something only relevant to artists today does not consider the long history of technical advances that aid in creative production. A good example is the use of the camera obscura during the Renaissance by artists like Leonardo da Vinci to understand and depict perspective in painting. In addition, there have been countless advances in art materials, tools, and equipment that make our creative lives more expansive today.

Many artists today embrace new forms of technology in their work, including digital media, 3-D printing, and Artificial Intelligence. Yet traditional forms of art in which we see the hand of the artist will always have human appeal, and it's important to not feel pushed into technology to feel your art is relevant. But whatever approach is right for you, being open to the changes in art that result from technology, being curious and appreciative of its place in the flow of art ideas over time is important.

www.messystudiopodcast.com/blick

What's new At Cold Wax Academy?
Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions.

Episode 244: Abstract Painting: Exploring Media Mar 14, 2023

Show notes

Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others. As part of your studio practice, it’s important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we’ll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each.

A basic art theory concerns the idea that each art media has unique characteristics to explore and exploit. There is also plenty of middle ground; various media lend themselves to layering, for example. But in exploring various media for different purposes, you may discover new ideas and directions for your work. Water based media tend to offer possibilities for spontaneity, while oil painting offers special luminosity of color. The material qualities of various paints also play a special role in abstraction, when color, line, and physical texture can be important be an important presence for their own sakes.

Along with choosing painting media that is in line for your intentions, the tools associated with the medium are a consideration. Experimenting with tools that are outside traditional choices can be exciting, but if you are truly a brush painter, for example, you would probably work best with a fluid media like oil, acrylic, watercolor, and gouache rather than thicker media like oil mixed with cold wax medium, or encaustic.

Exploring these different media is exciting, and often leads to a cross-pollination of ideas. For example, you might work through several iterations of an image using water-based media that sets up quickly, and then moving some of those ideas into oil. Or you might increase the scale of a small acrylic study to a large mixed media piece. A shape that you play with in acrylic may take on more depth or dimensionality when you build it up in layers of oil paint. Each medium has distinct effects and potential.

www.messystudiopodcast.com/blick

Episode 243: Being Seen Mar 04, 2023

Show notes

A basic human desire is to truly be seen. We long to be understood by other people, acknowledged, appreciated, and accepted for who we are. As an artist, you have a literal way of being seen, of communicating who you are in a visual way. The hope that people will be able to connect with you through your work is a basic motivation for making art. Today we’ll talk about the desire to be seen and understood by the people who view your work.

This desire probably goes back to childhood when we bring our drawings to our parents, saying “look what I made.”
At a young age we can either be pleased or discouraged by the response. We either feel seen and appreciated, or we realize the person we're showing our work to doesn't understand. Many children leaearly to follow certain rules for visual communication in hopes of a positive response. They start to rely on recognizable symbols like houses that are square with a triangle roof and flying birds that look like the letter V. But this sets up a disconnect between the child's original idea and how they feel they need to portray that idea.

Those of us who do continue trying to communicate in personal ways through visual art can have a relationship with those who view our work that is energizing and at times profound. Art can transcend so many of the social and geographic barriers that we have such as age, social status, and culture, and it can even communicate across time.

For your work to allow others to see you honestly, it needs to be authentic and motivated from personal meaning. As artists we have an ability to connect with other people, whether friends or strangers, in a purely visual way. On the other hand, doing work to please your audience, rather than opening honest interaction, is rarely satisfying in a deep way. The more meaningful your work is to you as an artist, the more satisfying it will feel in terms of the basic desire to be seen.

www.messystudiopodcast.com/blick

What's new at Cold Wax Academy?
Rebecca and Jerry are now midway through their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning and growth. Upcoming sessions include a presentation by guest author Shaun McNiff, tips on photographing your artwork, a painting clinic for works in progress, and the final critique session for this quarter with a special focus on composition. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions.

It's never too late to join Cold Wax Academy! All live sessions are recorded and there are now nearly 100 previous sessions in the member library. Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium.

Episode 242: The Challenges of Consistency Feb 25, 2023

Show notes

As artists we know it’s important to be open to new ideas and changes—but for marketing purposes we’re also expected to have an identifiable style that is consistent and recognizable. This basic dilemma is frustrating when you have wide-ranging interests and like to explore new ideas or media. Your work can appear to be “all over the place” and seem to lack focus. At the other extreme, being overly concerned that your work is consistent can inhibit your growth as an artist.

These are issues that are contained in the idea of personal voice, in which you can have flexibility and change while working within the realm of what is meaningful in your work, that is, your core ideas and content. The search for basic intentions is an ongoing aspect of creative process but is more involved as an artist in is the beginning stages. The stage of incubation of core ideas may take years, and during that time, exploration and experimentation are essential at that time.

Marketing enters the picture when galleries and collectors need your work to be consistent and within parameters that define your style and approach. This allows them to market your work as a sort of brand. But allowing for your growth and changes when dealing with galleries is important. Growth that is the kind that evolves organically over time is typically more accepted. For you as the artist, understanding what makes your work consistent and building from that base is helpful. Working in series is an excellent path to this discovery.

This issue of consistency and growth is of those balancing acts that creativity requires, and it means we find individual solutions to that balance. Thinking of consistency as continuity and organic growth is a helpful idea that encompasses change and flexibility. Your work can move forward yet also have common threads. Those threads are what makes your work you, and unique.

Episode 241: Where Are You Going? Feb 21, 2023

Show notes

Carrying out a creative project is rarely a straightforward process. A basic aspect of creative work is the way that ideas evolve during the process, rather than being known from the beginning. The outcome is unknown as the artist dives in, and the end is often surprising and exciting for its creator. Yet understanding and accepting this process is very difficult for many people. It seems to be human nature to know where we are heading when we set out, to have a goal and a plan and a roadmap. Today we’ll talk about the importance of the unknown in creative work.

We call this aspect of the creative process a lot of things-- play, trusting the process, being in the flow or the zone, spontaneity, and intuition. Operating with an unknown outcome may come easily to you or it may be a challenge. Why is it so hard to shift into this mode? It's not something we learn growing up, because throughout our school years we achieve by following a logical progression of ideas with a predictable and expected result. Although there are certainly basic things to learn about art, this mechanical approach can suck the joy out of the process and reduce it to just another subject to be rotely learned. As adult, mature artists, we need to set aside the idea that there is an established path to our goals.

It's also true that there is indeed a place for having intentions and basic ideas in mind, and some amount of planning depending on your style and the materials you work with. You need to be flexible about this, and allow time for both spontaneity, and some from analysis and planning.

In the big picture, it's good to have an idea of what is important and meaningful in your work. But for an individual piece, in the moment, “where am I going” need only be about the very immediate future, responding to what can be the next move or set of moves. Having the fortitude to keep going when you don’t know the final outcome has dimensions beyond the studio, to life itself—one of those lessons that creative practice can teach us if we pay attention.

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