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    Arts

    The Messy Studio with Rebecca Crowell

    Artist Rebecca Crowell shares experiences and thoughts from three decades of painting, teaching and traveling, as well as her conversations with other artists. She is joined by her co-host, producer, and son, Ross Ticknor, who brings an entrepreneurial Millennial perspective. The conversations are broad and eclectic, focused on ideas, information and anecdotes that other artists may find helpful in their work and careers. A new episode is uploaded every weekend!

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    Latest Episodes:
    Episode 160: Making Stone Soup - Interview with Phyllis Lasche Jan 09, 2021
    Show notes

    Have you ever wondered what is it like to be involved in a collaborative project with other artists? What are the challenges and benefits of creating works of art with others who share your aesthetic vision? How could you get started, and what kind of ground rules or boundaries do the artists involved need to agree upon?

    In today's episode, Rebecca interviews California artist Phyllis Lasché about her involvement with Stone Soup, a collaboration of three artists--two sculptors and one painter--who develop their work by passing it from one to another. Phyllis gives us an inside look at this exciting process and what she has gained from it in her own work.

    Check out these websites to see the work of Stone Soup:
    Phyllis Lasché
    palasche@gmail.com
    www.phyllislasche.com

    Deborah Benioff Friedman
    dsfaec@gmail.com
    www.deborahbeniofffriedman.com

    Gina Telcocci
    gina1telcocci@gmail.com
    www.ginatelcocci.com

    Stone Soup
    www.ginatelcocci.com/stone-soup-project
    Instagram site: stonesoupart

    https://www.phyllislasche.com/

    Thanks to everyone who has been sharing the show and to Patricia Elly Fros for donating via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    We are approaching the end of the year, which means whoever prepares your taxes is about to tell you to spend money on tax deductable items for your art business... When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
    www.messystudiopodcast.com/blick
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.

    Special Guest: Phyllis Lasché.


    Episode 159: Lessons From 2020 Jan 03, 2021
    Show notes

    At the end of 2020, we’re overloaded with reflections in the media about how society has navigated this strange and difficult pandemic year. On a personal level, we all have stories of struggles, loss, insights, and changes. Today we are especially interested in what this time has meant for us as artists. Last week, Rebecca posed the question to our listeners “How did 2020 impact your work?” and today on our first podcast of 2021, we’ll share some of the responses we received as well as our own thoughts.

    The responses we received aligned with the same pattern we saw earlier in the year, when we noticed three main responses as the pandemic unfolded. The first group have experienced much difficulty with finding focus and motivation for their work. One described the situation this year as “paralyzing.” While some experienced this mainly at the beginning of the pandemic, for others it has persisted. It’s likely that very few artists have avoided these times completely, with the constant influx of bad news.

    A smaller group of artists who responded have kept on in much the same ways and with similar work as before COVID arrived. In our earlier podcast, we speculated that continuing with what is familiar is helpful in making the studio a refuge from all the other changes, a steady and productive place removed from the outer chaos.

    The largest number of people who responded to our question, though, experienced positive changes in their work and attitudes. They appreciated the extra studio time due to lockdowns, and looked for inventive ways to use materials on hand and to connect with other artists. Some found new directions in their work—a focus on drawing, launching into plein aire painting, discovering photography as a creative outlet. Several found meaningful connections to their immediate environment when travel was cut off. And several expressed insight into the meaning of their work for them and their gratitude for being able to pursue it.

    Many of us are feeling hope that the anxiety, lockdowns, isolation and other difficult aspects of the 2020 pandemic situation will be easing up in the coming months. How will we look back at this time and what has it brought to our work that was not there before? Thankfully, for many artists there have been gains along with all the hardships and losses.

    If you are interested in buying a 3D Printer this is the best deal Ross could find on an Ender 3. This is not a paid endorsement, just a personal recommendation!
    https://www.talkable.com/x/UqZPCK

    When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 158: Abstracting with Emotion Dec 26, 2020
    Show notes

    Abstract artists are sometimes stereotyped as uninhibited people who slap paint down in direct response to strong emotion. But this idea is far from accurate. While many abstract painters do aim to express emotion and mood, their approaches vary widely --from spontaneous to highly controlled. And even the most intuitive artists need to thoughtfully consider their use of the visual elements and design principles. Today we will look at painting abstractly as an expression of emotion, mood, remembrance, or other states of mind.

    While we may think of abstract expressionist painters of the mid-20th c. as being the epitome of emotion-based work, with their bold brushwork, huge scale, and lots of color and contrast,
    they may simply be the most obvious. The very name of the movement, abstract expressionism, implies painting with abandon and feeling. But expressing emotion, and working in a very loose, spontaneous way are not necessarily the same. If we think emotional work should look gestural and loose, we may fail to really see the emotion in other work that is much more subtle in its effects.

    A restrained way of working emphasizes that as people, not all of our emotions are out there, easy to read. There can be depths of emotion and even spirituality to more austere work. The degree of personal emotion that we express in overt ways is an aspect of personal voice and also of where we are in our learning process. Beginners don't yet have the skills that help open the channels to inner experience.

    Creating paintings that connect with your own feelings or inner experience and at the same time with that of your viewers can be very challenging, Over-thinking, shielding our feelings even from ourselves, and settling for half-measures when we could be pushing the expressive aspects of scale, color, and mark-making can all stand in the way. But recognizing what is powerful in our work in subjective ways is a good step toward opening the channels of emotional expression, whether in subtle ways or bold.

    Website mentioned in today's episode: www.richarddavidson.com

    We are approaching the end of the year, which means whoever prepares your taxes is about to tell you to spend money on tax deductable items for your art business... When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 157: Well Being Dec 19, 2020
    Show notes

    Every so often, we like to address the ways that creativity and well-being intersect, and it seems appropriate to do so now as we come to the end of a very difficult and stressful year. In a recent seminar on Buddhist philosophy, neuroscientist Richard Davidson spoke about four pillars of well-being—awareness, connection, insight, and purpose—all of which are practiced every day in the studios of artists as part of the creative process. Today we’ll take a closer look at these ideas and consider how an art practice enhances a positive state of mind during stressful times.

    Richard Davidson regards well-being as a skill that can be learned, and he has shown in various studies that bringing certain mental approaches into people's lives creates positive changes in their brains, due to the quality of neuroplasticity. The first of these, awareness, is an imoportant one to us as artists. It's rucial to our creative practice in order to be in tune with our work and it can even be practiced while doing mundane studio chores. Developing the ability to be in the moment, to move past feelings of impatience or frustration, and to engage fully in your process is a wonderful way to develop this aspect of well-being.

    Connection, the second of Davidson's pillars, emphasizes our need for interactions with other artists and also the function of our work as communication. Insight, the third pillar, comes into play in the many ways we contemplate our work, track our ideas, and find pathways between our thoughts and feelings and what we create. And finally, the fourth pillar--a sense of purpose--is innate to many artists who go to their studios as often as they can, and continually seek to develop their art. Unfortunately, this sense of purpose can dissipate in times of stress. As with the other pillars, it's helpful to constantly cultivate focus and growth, but also to be patient and kind with ourselves when we temporarily lose our way.

    Even though we have many opportunities as artists to enhance our own pillars of well-being, we are certainly not immune to negative states of mind such as anxiety, depression, and self-doubt. But we do have a set of tools in our creative practice for improving our states of mind –some of which may take some time, others we already understand and practice every day in the studio. And according to Davidson, doing so can lead to actual changes in our brain structure that help to create a positive outlook.

    Website mentioned in today's episode: www.richarddavidson.com

    We are approaching the end of the year, which means whoever prepares your taxes is about to tell you to spend money on tax deductable items for your art business... When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and to Albi Ulat for donating via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 156: Abstracting with Lines and Marks Dec 12, 2020
    Show notes

    Lines and marks in a work of art connect the viewer very directly with the hand of the artist. They can express individuality, add structure, and show evidence of the artist’s process. Perhaps because these visual elements can reveal so much, many artists are self-conscious about using them and when they do, the results can appear contrived, awkward, or random. How can we use lines and marks in purposeful ways that feel right to us? What might more intentional use of lines and marks bring to our work?

    Similar to the urge to view a Rembrandt or Van Gogh from inches away to see their individual brushstrokes, we are often drawn in to examine a work up close when it includes lines and marks, and we can sense the artists hand at work. There is often an immediacy and directness in part becasue just a simple tool has been used--a pencil, crayon, or brush. In abstraction, marks and lines as visual elements can be created for their own sakes or for expressing a huge range of emotions and ideas.

    As artists using marks and lines, we need to remember that not that every line or mark works or should be retained. As with any visual element marks and lines need to work within the context of the piece. It often takes trial and error, and thoughtful editing to discover the right placement or type of mark. Yet we also need to resist the inner critic who may caution us that lines and marks are too revealing or too quirky. On the other hand, a good way to shake up a painting that is too tight is to apply a spontaneous mark that you then need to react to.

    Although there is much to explore with mark-making it is a visual element with which many artists never become fluent. Making marks and lines for their own sakes does not always come easily. Certainly, many wonderful abstract works of art do not include this element, but it is worth asking yourself if it’s one you avoid because it is too challenging, and to consider what a focus on mark-making might bring to your abstract work.

    We are approaching the end of the year, which means whoever prepares your taxes is about to tell you to spend money on tax deductable items for your art business... When you buy art supplies at Blick remember to use our affiliate link to support the podcast!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 155: What Other Artists Teach Us Dec 05, 2020
    Show notes

    As artists, we are also appreciators and often consumers of art. We not only buy and trade for art, we also study the art of others through art books, documentary films, exhibits, and lectures. What can we gain from looking deeply at the art of others?

    It’s often said that artists are sponges, in the sense that we look to other artists and their work as sources of ideas and inspiration. We soak up ideas and wring them out in our own unique ways. If we are sponges, what are we soaking up?

    One of the first aspects we may notice in looking at the art of others is how a work is made --how does the artist produce particular effects, and what tools, surfaces, and media are used? As makers of art ourselves, we have a unique appreciation for technical mastery and often our curiosity is engaged on this level.

    Some knowledge of art history is another important aspect of appreciating the work of other artists. We can draw ideas from a huge range of influences in different eras and cultures. Understanding the basics of art history helps us place our own work and interests into a broader context, to understand that we stand on the shoulders of many who came before us. This can also provide us with a sense of connection to other artists that transcends time and distance.

    An art practice can easily feel isolated and solitary. We may connect with a few artists in our immediate circle or via social media, but this tends to provide only a narrow range of ideas and input. We need to remember that we are part of a larger art world and that other people’s art has much to teach us. We belong to an immense tribe of artists over time and distance and this understanding can continually refresh our own ideas and help us feel part of something much larger than our own time and place.

    Right now is THE BEST time of the year to buy art supplies at Blick.com! Get your art supplies for your art practice (as well as gifts and stocking stuffers) at holiday discounts, and support the podcast at the same time by using our affiliate link.
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 154: The WOW Factor Nov 28, 2020
    Show notes

    Words like “wow,” “stunning,” and “amazing” are music to the ears of many artists. We all create plenty of art that elicits no more than a passing glance or Instagram “like” and that’s fine—it’s part of the process. If we are making art constantly, what we make includes a range of qualities and ideas. But what is it about those special pieces that makes them stand out and really engage the viewer? What can we learn from them and what questions do they raise?

    If art is communication, our work that really engage people is telling us something. We are connecting, speaking to other people in ways that they can receive and respond to.

    When a piece both pleases us and feels true, and engages the viewer in a strong way, what characteristics does it tend to have? First, the work shows a strong sense of purpose or intention. That may come through in in subject matter, color or other visual elements, scale, or any aspect of the work that has a certain boldness to it. The work also arises from personal meaning—it is sincere, authentic, not derivative--what we call personal voice.

    Very impactful work also typically shows a mastery of technique and high levels of craftsmanship, although that alone may not carry the piece, if expression is not also part of the work. Finally, we respond to beauty, in the sense of work that has depth, power, and meaning,

    Finding ways in our work to stay true to our own ideas and communicate with others in a strong and engaging way is one of those life-long challenges that we take on as artists. We will have pieces that hit that mark and many others that do not. Paying attention to our work that does fit both criteria is worthwhile—not to repeat it in a formulaic way-- but to try and understand what it has to teach us.

    Right now is THE BEST time of the year to buy art supplies at Blick.com! Cyber sales are active all weekend while supplies last! Get your art supplies for your art practice (as well as gifts and stocking stuffers) at a massive discount, and support the podcast at the same time by using our affiliate link.
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 153: 2020 Thanksgiving Spectacular! Nov 26, 2020
    Show notes

    2020 has been a rough year so far for many of us. We don’t need to go into all the ways we’ve experienced anxiety, loss, and other struggles. But today, Thanksgiving Day in the US, is a good day to think about the things we are grateful for and have helped us make it through this difficult year. For many of our listeners that includes gratitude for family and friends, appreciation of nature, and of course, our art practices.

    Happy Thanksgiving to all who celebrate it in whatever ways possible this year. This year we may feel grateful in new ways for even the simple things and things we may take for granted in normal times.

    Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link. Right now PanPastels are 20-40% off!!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 152: Abstracting Our Visual Experience Nov 21, 2020
    Show notes

    Abstraction takes many forms for artists—from working with the visual elements for their own sakes to using emotion and mood as a starting point, to interpreting what they see in the world around them. Many artists combine these approaches to find their own personal voice in abstraction. Today we are going to examine the path favored by many artists who are inspired by the figure, the landscape, or other subjects in the visual world while avoiding literal depiction. What are some things to consider if this is your own direction, or intrigues you with its possibilities?

    A starting point is asking in what ways would you want to engage the viewer. Do you want the viewer to identify the source ideas of your work? You can be inspired by the visual world yet leave little obvious evidence of that. Some works of art might not show source ideas in the visual world at all even though they underlie the composition or color choices of the artist. Other artists seek to evoke associations with the visual world without including specific images, while others give more clues to guide the interpretation.

    If you are interested in this approach, consider what clues you are giving the viewer and if they align with how you would like the image to be understood. For example, an illusion of space has a lot to do with how an abstracted landscape is perceived. Once there is a sense of physical depth, of looking at a scene, the literal reference become stronger. For example, the inclusion of a horizon line evokes pictorial depth. In abstracted figures, the amount of detail in the face or clothing may be connected to the degree of literal representation. The kind of title, whether open-ended or specific, is also a powerful way to direct the viewer's interpretation.

    Abstraction also typically emphasizes just a few of the visual elements, rather than using the full range necessary in realism. Expressive use of the visual elements in a way freed from representation is also a hallmark of abstraction. This can take the form of gestural marks, use of subjective color, simplified shape, bold contrast, and many other approaches.

    People often have limited ideas of what abstraction means—that it is just about shape or color or design. But you only have to think about the early modernist artists like Matisse and Cezanne to notice their movement away from realism into abstraction while retaining subject matter.

    Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link. Right now PanPastels are 20-40% off!!
    www.messystudiopodcast.com/blick
    ​
    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
    ​
    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
    ​
    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
    ​
    For more from The Messy Studio:
    www.messystudiopodcast.com
    www.facebook.com/messystudiopodcast
    ​
    For more from Rebecca Crowell:
    www.rebeccacrowell.com
    www.coldwaxacademy.com
    ​
    The Messy Studio Podcast is a CORE Publication MGMT production.


    Episode 151: Breaking The Rules Nov 13, 2020
    Show notes

    The limitations and parameters we place for ourselves in the studio can have both positive and negative effects on our work. Like so many aspects of art practice, the challenge is to find a personal balance that suits us—in this case somewhere between being too rigid and too scattered. What rules do we set for ourselves and how well do they serve us? Are there rules that we accept from other people that don’t suit us, personally? Can our own helpful boundaries shift over time?

    We use many words to describe these boundaries, including focus, intentions, parameters, focus, and rules. When we speak about giving ourselves "permission" to go beyond these boundaries it is a recognition that sometimes they can be too limiting. But if we don't sometimes break through what we regard as our own rules, we may not take important creative risks that would be beneficial. At the same time, a narrow focus leads to mastery and depth. So, in the end, the balance between risk taking and staying with a particular focus is an individual balance, and one that changes with our current situations.

    It's useful to take a close look at what rules we set for ourselves, where they originated, and how much value they have for you. Some are ideas passed along to us by parents or teachers and represent a one-size-fits-all, narrow point of view, while others from your mentors may be wise and worth following, A lot of rules from others are so integrated into our thought processes that we never even think to question them. Good rules will not feel like heavy restrictions, but instead offer ways forward.

    Our personalities also create limitations, and we may rely on them to stay in a narrow comfort zone. For example, we may believe that we need to keep our work to ourselves or that we should not stretch in terms of exhibiting or approaching galleries. Some artists inhabit the other end of the self-esteem spectrum and believe that they need to charge high prices or do not ever need input from others on their work. There are also perfectionistic tendencies many artists struggle with that tell them they are not allowed to fail, to experiment, or spend time at things other than their art.

    Which rules that you follow might better be regarded as guidelines or general advice rather than rigid facts? Which ones are helpful and practical?

    Support The Messy Studio when you buy art supplies from Blick.com by using our affiliate link. Right now PanPastels are 20-40% off!!
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    Thanks to everyone who has been sharing the show and those who have donated anonymously via PayPal. If you would like your own shoutout on the podcast donate here.
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    Cold Wax Academy (formerly Squeegee Press) would like everyone who enjoys using their special cold wax tools to know that all sizes of SP Create squeegees are back in stock! Rebecca and her partner Jerry McLaughlin are also launching their online live learning sessions as part of the new membership program, and all sessions will be recorded for future viewing by members. For more information, and to become a member of Cold Wax Academy please visit their website at http://www.coldwaxacademy.com and click on the Membership button.
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    Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast?
    Email Ross at rticknor.core@gmail.com for current mid-roll advertising rates.
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    For more from The Messy Studio:
    www.messystudiopodcast.com
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    For more from Rebecca Crowell:
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    The Messy Studio Podcast is a CORE Publication MGMT production.


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