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    Arts

    The Lonely Palette

    Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. For more information, visit thelonelypalette.com | Twitter @lonelypalette | Instagram @thelonelypalette.

    Advertise

    Copyright: © All rights reserved

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    Ep. 41 - Jan Van Eyck's "Arnolfini Portrait" (1434) Dec 01, 2019
    Show notes

    Whoever said the devil was in the details clearly had a thing for Northern Renaissance portraiture.

    See the images:
    www.thelonelypalette.com/episodes/201…ortrait-1434

    Music used:
    Django Reinhardt, “Django’s Tiger”
    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Our Son the Potter,” “Bundt,” “Pacing,” “Secret Pocketbook,” “Oriel,” “Floretin Interlude”
    Poddington Bear, “Clay”
    Joe Dassin, “Les Champs-Elysees"

    Support the show:
    patreon.com/lonelypalette



    Bonus - Open Source, "The Bauhaus In Your House," ft. The Lonely Palette Oct 09, 2019
    Show notes

    The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org.

    This week:
    Open Source with Christopher Lydon is a local conversation with global attitude. "The Bauhaus in Your House," which originally aired on 90.9 WBUR in April 2019, is an exploration of art, architecture, and design with Tamar Avishai, Peter Chermayeff, Ann Beha, and Sebastian Smee. The Bauhaus was the art school in Germany that created the look of the twentieth century. We just live in it: loving its white-box affordability, or hating its stripped, blank, glass-and-steel uniformity, the world around. It’s the IKEA look in the twenty-first century, the look of Chicago skyscrapers and now Chinese housing towers, the look of American kitchens and probably the typeface on your emails. It was the less-is-more school that made ornament very nearly a crime. It stood, and stands, for a few big ideas still hotly contested.

    Listen to Open Source at www.radioopensource.org, or wherever you get your podcasts.

    Next week:
    The Constant and Michelangelo

    Listen to The Lonely Palette archives!
    www.thelonelypalette.com/episodes

    Support The Lonely Palette!
    www.patreon.com/lonelypalette


    Bonus - Artists of Camberville interviews Tamar Avishai Aug 09, 2019
    Show notes

    On July 29, 2019 (the day after the birth of my son!), host and producer Danielle Monroe posted this interview we had recorded the week before for her podcast "Artists of Camberville." This was one of best conversations I've ever had about the origins of "The Lonely Palette" and the trials and tribulations of art-viewing, meaning-making, script-writing, audio podcasting about the visual, and, like, a little bit about The Bachelorette. Enjoy!

    00:10: Introduction.
    00:41: Laying the groundwork for starting "The Lonely Palette".
    4:18: Clip from "Episode 24: Meditations on Mark Rothko".
    6:12: Permission to slow down in front of a work of art. What is the best way to be present in an art museum? Both amateurs and experts have a hard time with this.
    9:12: Is allowing for any reaction to an artwork “uneducated”? Exploring songwriting and meaning-making with a little help from Dar Williams and Mark Rothko.
    14:30: As a podcaster, the difference between thinking like a radio producer and thinking like an art historian.
    18:51: The desired takeaway from "The Lonely Palette"? Art history makes for a damn good story. Not scary stuff, just human stuff.
    21:08: Can you do a museum wrong? Or maybe just…unpleasantly?
    22:26: The weekend course that launched a podcast that people actually want to be on!
    24:39: What would I do differently if I had to do it all again? How the depth of the episode scripts has evolved.
    27:57: The Hub & Spoke garage story: attempting success due to the appearance of success.
    31:44: Wrapping up, and fortunately (?) not going into labor on mic.

    Original episode post:
    https://daniellehmonroe.com/ep7/

    Listen to "Artists of Camberville" wherever you get your podcasts, and please do leave a rating and a review!

    Support "The Lonely Palette" and keep the kiddo in fresh diapers:
    www.patreon.com/lonelypalette


    Ep. 40 - Frida Kahlo's "Dos Mujeres (Salvadora y Herminia)" (1928) Jul 19, 2019
    Show notes

    See the images:
    www.thelonelypalette.com/episodes/201…-dos-mujeres

    Music used:
    Django Reinhardt, “Django’s Tiger”
    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Jat Poure,” “Li Fonte,” “Clouds at the Gap,” “Master,” “When the Guests Have Left,” “Curiously and Curiously,” “Thread Ceylon,” “Gondola Blue”
    Tinpan Orange, “Song for Frida Kahlo”

    Support the show:
    www.patreon.com/lonelypalette

    Episode sponsors:
    www.thegreatcourses.com/lonely
    www.visualartspassage.com/palette


    Ep. 39 - Rembrandt van Rijn's "Portrait of Aeltje Uylenburgh" (1632) Jun 07, 2019
    Show notes

    It isn't 17th century Dutch art if we're not going so deeply into Rembrandt's soul and so close to the meticulous details of his virtuosic portraiture that we make the guards nervous.

    See the images:
    www.thelonelypalette.com/episodes/201…enburgh-1632

    Music used:
    Django Reinhardt, “Django’s Tiger”
    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Lovers Hollow” “Tailrunner,” “Entwined Oddity,” “Lupi,” “Thannoid,” “Camp Fermin”
    Joe Dassin, “Les Champs-Elysees"

    Support the show!
    www.patreon.com/lonelypalette

    Thanks to our episode sponsors:
    www.thegreatcourses.com/lonely
    www.visualartspassage.com


    TLP Interview with Dan Byers, Director of Harvard's Carpenter Center Apr 05, 2019
    Show notes

    Tamar met Dan when she was a worshipful high school freshman and he was (to her) an übercool junior who was not only the arts editor of Thoughtprints, the school's art/lit mag, but also spent his free time in the fine art studio, bending the charcoal like Beckmann. Now he's the Director of the Carpenter Center of Visual Arts at Harvard University, she's an art history podcaster, and they reconnected in the Busch-Reisinger galleries in front of Max Beckmann's "Self-Portrait in a Tuxedo" from 1927 to talk about self-portraiture, self-evolution, and the limitations of peaking in high school.

    [00:17] - Describing the painting.
    [02:35] - What drew Dan to the painting as a teenager.
    [06:16] - The ephemera of the cigarette.
    [08:17] - Self-portraits in high school.
    [09:25] - Drawing in thick, expressive lines.
    [11:35] - The self-portrait that doesn't need our validation.
    [15:19] - Beckmann isn’t Egon Schiele
    [18:58] - Dan's evolving relationship with this painting.
    [21:58] - Thoughtprints!

    Full transcript:
    http://www.thelonelypalette.com/dan-byers-interview

    Music used:
    The Blue Dot Sessions, "Greyleaf Willow"


    Ep. 38 - Wassily Kandinsky's "Untitled" (1922) Mar 29, 2019
    Show notes

    The later work of Russian ex-pat turned German Expressionist turned indispensable Bauhaus faculty member Wassily Kandinsky is a lot like the Bauhaus itself: a disparate collection of pieces parts that ends up assembling itself into a transparent, efficient, powerfully cohesive, form-follows-function whole.

    This episode was a collaboration with WBUR's Radio Open Source: check them out at radioopensource.org, and listen to their show on the Bauhaus Centennial on April 11, 2019 at 9:00pm EDT on 90.9 WBUR Boston.

    See the images:
    www.thelonelypalette.com/episodes/201…ntitled-1922

    Music used:
    Django Reinhardt, “Django’s Tiger”
    Thelonious Monk, “Misterioso”
    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Highway 94”, “Boston Landing”, “Junca”, “Unfolding Plot”, “Micro”, “Betty Dear”
    Joe Dassin, “Les Champs-Elysees"

    Support the show:
    www.patreon.com/lonelypalette

    Episode sponsor:
    www.shedunnitshow.com


    Ep. 37 - Ansel Adams' "The Tetons and Snake River, Grand Teton National Park, Wyoming" (1942) Mar 15, 2019
    Show notes

    Let's explore America the Beautiful, the Complicated, and the Contradictory, where a purple mountain has no sense of its own majesty, through the lens of the quintessential dorm room poster photographer Ansel Adams.

    See the images:
    http://www.thelonelypalette.com/episodes/2019/3/8/episode-37-ansel-adams-the-tetons-and-snake-river-grand-teton-national-park-wyoming-1942

    Music used:
    Django Reinhardt, “Django’s Tiger”

    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Vibrant Canopy”, “Bridgewalker”, “The Yards”, “Silver Lanyard”, “Velvet Ladder”
    Tamar Avishai, “Michigan”
    Joe Dassin, “Les Champs-Elysees"

    Support the show!
    www.patreon.com/lonelypalette

    Sponsors:
    www.thegreatcoursesplus.com/lonely
    www.visualartspassage.com


    Ep. 36 - Behold the Monkey Jan 31, 2019
    Show notes

    The fruits of the Second Annual Year-End Patreon Listener Challenge has us staring directly into the cold dead eyes of the beast! How could this restoration of a forgotten 19th century Spanish fresco have gotten so grotesquely botched, and what does it tell us about the challenges of art restoration, religious iconography, and iconoclasm? And more importantly, Jesus, why do you look like a shark?

    See the images:
    www.thelonelypalette.com/episodes/201…-restoration

    Music used:
    Django Reinhardt, “Django’s Tiger”
    The Andrews Sisters, "Bei Mir Bist Du Schoen"
    The Blue Dot Sessions, “Sylvestor”, “Mute Steps”, “Mr. Graves”, “Lobo Lobo”, “Lumber Down”, “Cloudy Cider”
    Tracie Potochnik, “Cecilia and the Saints”

    Episode sponsor:
    www.thegreatcoursesplus.com/lonely

    Support the show! Some more!
    www.patreon.com/lonely


    TLP Interview with Cecilia Vicuña, Poet & Artist Dec 16, 2018
    Show notes

    On October 10, 2018, both the Museum of Fine Arts, Boston, and Cecilia Vicuña herself were generous enough to give me the opportunity to take a few moments away from the installation of "Disappeared Quipu" and interview Vicuña. We talked about bridging the masculinity of Land Art and the femininity of Fiber Art, the origins of Vicuña's life as an artist, and how her own awareness has evolved throughout her career.

    Support the show!
    http://www.thelonelypalette.com/2018listenerchallenge


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