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    Arts

    The Great Women Artists

    Created off the back of @thegreatwomenartists Instagram, this podcast is all about celebrating women artists. Presented by art historian and curator, Katy Hessel, this podcast interviews artists on their career, or curators, writers, or general art lovers, on the female artist who means the most to them.

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    Latest Episodes:
    Lubaina Himid Jul 15, 2020
    Show notes

    In episode 33 of The Great Women Artists Podcast, Katy Hessel interviews one of the most groundbreaking, important, and influential artists working in the world today, the Turner-Prize winning artist, LUBAINA HIMID!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Known for working in painting, drawing, collage, printmaking, cut-outs, and installations, Himid paints onto a variety of surfaces from ceramic to wood which produce objects with performative potential intended to be encountered in a space. A tireless champion of marginalised voices, Himid has dedicated her thirty-year-plus career to uncovering silenced histories, to valorise ‘the contribution Black people have made to cultural life in Europe for the past several hundred years’. Born in Zanzibar in 1954, Himid moved to Britain with her mother when she was just four months old. She studied Theatre Design at Wimbledon College of Art, and later Royal College of Art. In the 1980s, Lubaina became one of the LEADERS and TRAILBLAZERS of Britain’s Black Arts movement, curating three shows – which we disucss in depth. Living and work in Preston, she is a CBE, a Royal Academician, the winner of the 2017 Turner Prize, and a professor at the University of Central Lancashire; in the collection of the Tate, V&A, Whitworth, Walker Art Gallery, plus more; and has had solo exhibitions at the New Museum in New York, Tate St Ives, Chisenhale, and it has just been announced that Lubaina will have a major solo exhibition at Tate Modern in November 2021. This is really one of the greatest conversations I have EVER had. I am completely in awe at Lubaina and her BRILLIANT work that remains more present than ever. I really hope you enjoy this episode. This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Julie Curtiss Jul 07, 2020
    Show notes

    In episode 32 of The Great Women Artists Podcast, Katy Hessel interviews the phenomenal, Brooklyn-based artist, JULIE CURTISS!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] One of the MOST exciting artists working today, Julie is known for her bold, graphic, highly stylised and Neo-Surrealist works of faceless and fragmented women, and food. Often swept up in an eerily dreamscape, her often cropped works allow us as viewers to interpret a world beyond what we are looking at. Working in a myriad of mediums including painting, sculpture, and gouache on paper, Julie focuses on the relationship between nature and culture, as well as exposing and reworking female archetypes through motifs of flowing hair, long nails, and high heels. Speaking about her work she has said: "In my images, I enjoy the complementarity of humour and darkness, the uncanny and the mundane, grotesque shapes and vivid colours." Born and raised in Paris, Curtiss studied at l'Ėcole des Beaux-Arts before moving first to Japan and then to New York. She is known for referencing 18th and 19th century French painting, as well as fusing together the pop-like imagery the Chicago Imagists, reminiscent of comic books and advertising. But in a similar manner to the Post-Impressionist painters, she mines her subjects from contemporary, everyday life, representing and exposing its curious, small details in cropped and ambiguous compositions that are erotically charged, cinematic and dreamlike in feel. I LOVED this HIGHLY fascinating conversation with Julie. In this episode we speak about her INCREDIBLE paintings, as well as her introduction to art through posters, her upbringing in France vs life in America, advertising, Jeff Koons, obsession with technologies entering our life, darkness in cinema, FOOD, the post-war era of the housewife, the constant upkeep of appearances for women, and MANY MORE!! Further reading: https://whitecube.com/artists/artist/julie_curtiss https://antonkerngallery.com/artists/julie_curtiss ENJOY!! WORKS DISCUSSED IN THIS EPISODE Lateral Embrace Orlando Double Selfie MoMA Guests Further reading: http://www.houldsworth.co.uk/exhibition-thumbnails/little-is-enough-for-those-in-love-1579801608/1 https://www.goodman-gallery.com/artists/cassi-namoda This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Cassi Namoda Jun 30, 2020
    Show notes

    In episode 31 of The Great Women Artists Podcast, Katy Hessel interviews one of the most exciting artists in the world right now, the great CASSI NAMODA!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] WOW was it incredible to speak with the painter known for her vibrant and beautiful works that capture everyday scenes – from mundane moments to life-changing events of post-colonial Mozambique within an increasingly globalised world. Born in Maputo, and currently based in Long Island, NY, Cassi is a painter and performance artist who explores the intricacies of social dynamics and mixed cultural and racial identity. With the appearance of film stills, these fleeting snapshots sit within much larger narratives, and range from bustling, faceless crowds to close-up individual portraits. When confronted with one, they fill you with JOY with their vibrant colours and scenes full of love and appreciation, with the artist once remarking, “If you’re surrounded by love and community, you can make do with very little." I LOVED speaking with Cassi. In this episode we discuss her most recent exhibition "Little Is Enough For Those in Love" at Pippy Houldsworth in London – a show bursting with vitality, as well as exploring dualities between joy and pain; the storytelling aspect of her work and its cinematic influence; her experience growing up across continents and her aim to portray a post-independence Mozambique. ENJOY!! WORKS DISCUSSED IN THIS EPISODE 3 Month Old Lung Patient, 2019 Untitled (Conjoined Twins), 2019 Sad Man with Flowers, 2019 Little Is Enough For Those in Love, 2019 Costa Do Sol on Sunday Evening, 2019 Further reading: http://www.houldsworth.co.uk/exhibition-thumbnails/little-is-enough-for-those-in-love-1579801608/1 https://www.goodman-gallery.com/artists/cassi-namoda This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Briony Fer on Eva Hesse Jun 23, 2020
    Show notes

    In episode 30 of The Great Women Artists Podcast, Katy Hessel interviews the incredible art historian and curator, Professor Briony Fer, on the legendary EVA HESSE!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] One of the most GROUNDBREAKING artists the world has ever seen, Eva Hesse was known for her innovative sculptures made up of synthetic materials from fibreglass, plastic, to latex. Working predominantly in NYC in the 60s, despite a short-lived career, Eva worked rigorously and prolifically, challenging every sculptural convention which came before her. Particularly deconstructing the rigidity and uniformity of Minimalism. A pioneering feminist artist, Hesse desired, in her own words, to “challenge the norms of beauty and order.” And that's exactly what she did. She explored the body and form, and painting and sculpture, like no one had before. She painted biomorphs with wonky grids, covered cheesecloths in latex, and celebrated materials for what they were in all their irregular glory. Born to Jewish parents in Nazi Germany in 1936, Hesse's early life was traumatic. Where her extended family were horrifically transported to concentration camps, she, her sister and their parents fled to NYC, with her mother sadly committing suicide just a few years later. Hesse channelled her anxieties into her art making, studying under the likes of Josef Albers at Yale, and taking the NY art scene by storm when she was just in her late 20s and early 30s. Earning herself major solo exhibitions and critical acclaim at a time when female artists were widely overlooked, Hesse explored wonders before her premature death in 1970, aged just 34. She has since gone on to influence millions. This discussion with world-renowned art historian Briony Fer – an old tutor of mine from UCL!! – is one of my favourites ever. Briony speaks SO wonderfully about Eva and really goes into depth about who she was, and her fiercely experimental practice. I hope you enjoy!!! Highly recommend this fantastic documentary on Eva! https://www.evahessedoc.com/ WORKS DISCUSSED IN THIS EPISODE: Accession https://www.dia.org/art/collection/object/accession-ii-47951 Schema https://www.philamuseum.org/collections/permanent/72573.html?mulR=601651032 Drawings https://www.tate.org.uk/art/artworks/hesse-untitled-t04154 Ringaround Arosie https://www.moma.org/collection/works/98638 Vertiginous Detour https://hirshhorn.tumblr.com/post/141099084095/eva-hesse-vertiginous-detour-1966-hesse-was-a Untitled or Not Yet https://www.sfmoma.org/artwork/97-513-a-i/ Hang Up https://www.artic.edu/artworks/71396/hang-up Right After https://womennart.com/2018/02/21/right-after-by-eva-hesse/ Repetition 19 https://www.moma.org/learn/moma_learning/eva-hesse-repetition-nineteen-iii-1968/ This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Helene Love-Allotey, Chloe Austin, Emi Eleode Jun 16, 2020
    Show notes

    In episode 29 of The Great Women Artists Podcast, Katy Hessel interviews THREE brilliant guests: African Art specialist, Helene Love-Allotey, art historian and curator-in-training Chloe Austin, and creator of @arthistorytalks, Emi Eleode. Last week, six exciting young names in art celebrating Black culture took over @thegreatwomenartists Instagram account. To honour this takeover, this episode, as well as last week's, feature interviews with all six women about their practice and work. And WOW. Were these women were absolutely incredible to speak with. First up we have Helene Love-Allotey who speaks in depth about her love for the great British artist, Lubaina Himid, and her experience visiting Himid's very moving and important exhibition "Meticulous Observations and Naming the Money". Housed at Liverpool's Walker Art Gallery, this show highlighted how Europe’s wealthy classes spent their money in the 19th century by using enslaved African men and women, which Himid awkwardly and unapologetically portrays in vibrant cut-out sculptures placed amongst the white and male-dominated permanent collection. See more: https://www.artscouncilcollection.org.uk/exhibition/lubaina-himid-meticulous-observations-and-naming-money @helenaloveallotey Next up is the great Chloe Austin, a curator-in-training at London's Barbican Centre, and Institute of the International Visual Arts (Iniva), a radical visual arts organisation dedicated to developing an artistic programme that reflects on the social and political impact of globalisation, in which we speak at length about. We also discuss the institutions' position and reaction to this movement, as well as the three brilliant artists Deborah Findlater, Rosa-Johan Uddoh, and Elsa James. See more: https://iniva.org/ https://iniva.org/programme/projects/chatting-in-the-stacks/ https://chloesinternalmonologue.wordpress.com/2020/06/06/black-boxes/ @chloejaaay And we end with the wonderful Emi Eleode, founder of the Instagram @arthistorytalks, a page that spotlights 4–5 artists from a non-Western country each month. We discuss her own work that plays on art history, her research into the history of dance as a ritual in Brazil, as well as artists Delphine Diallo and Amrita Sher-Gil. This is one of my favourite episodes EVER of The Great Women Artists Podcast so I hope you enjoy! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) https://www.thegreatwomenartists.com/


    Nengi Omuku, Alayo Akinkugbe, Michaela Yearwood-Dan Jun 10, 2020
    Show notes

    In episode 28 of The Great Women Artists Podcast, Katy Hessel interviews THREE brilliant guests: Lagos-based artist, Nengi Omuku, founder of @ablackhistoryofart Alayo Akinkugbe, and the amazing London-based artist, Michaela Yearwood-Dan. Over the past six days some of the most exciting young names in art celebrating Black culture have been taking over @thegreatwomenartists Instagram account. To honour this takeover, this episode, and the next one will feature interviews with all six women about their practice and work. And WOW. Were these women completely incredible to speak with. We first speak to Nengi Omuku, the Slade BA and MA graduate whose work explores perceptions of race and gender, protest and notions of collective mourning, dealing with the coping mechanisms the body develops in order to be present. We speak at length about her aim to paint the mind capturing psychological notions in her sitters, as well as her interest in art as therapy. See more: http://www.nengiomuku.com/ + @nengiomuku Works discussed: Funke, Nearing, Gathering, Male Next up is the great Alayo Akinkugbe, the 19 year-old History of Art student at Cambridge University who created the Instagram, @ablackhistoryofart which highlights overlooked artists, sitters, curators, and thinkers from history to the present day. We discuss Lynette Yiadom-Boakye, Faith Ringgold, as well as her participation in Decolonising Art History at Cambridge. See more: @ablackhistoryofart And wow, we end with the sensational, Michaela Yeawood-Dan. One of the MOST exciting and phenomenal young artists working in London right now, known for her incredibly beautiful, playful, vibrant and sometimes thick impastoed canvases that explore themes around class, culture, gender and nature. We speak about the artists' work and practice, in particular the text behind her work, and of course her love for the great Carrie Mae Weems. See more: http://michaelayearwood-dan.com/ + @artistandgal This is one of my favourite episodes EVER of The Great Women Artists Podcast so I hope you enjoy! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! 50% of ad revenue for this episode will be donated to the Stephen Lawrence Trust, Black Minds Matter, Black Lives Matter UK, and The Marsha P Johnson Institute. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) https://www.thegreatwomenartists.com/


    Deborah Roberts May 26, 2020
    Show notes

    In Episode 27 of The Great Women Artists Podcast, Katy Hessel interviews the phenomenal artist, DEBORAH ROBERTS!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] The MOST entertaining guest, the Austin-born and based Deborah is known for combining collage with mixed media in her figurative works that depict the complexity of black subjecthood, and explore themes of race, identity, and gender politics. By using collage, she reflects the beauty, strength, and power but also challenges encountered by young black children, as they strive to build their identity, particularly as they respond to preconceived social constructs perpetuated by the black community. "With collage I can create a more expansive and inclusive view of the black experience." Inspired by Wangechi Mutu and Hannah Höch, Roberts combines a range of different facial features – from James Baldwin to Rihanna – as well skin tones, hairstyles, and a myriad of vibrant outfits. One of the leading artists in America, being in the collections of the Whitney to SF MoMA, the ICA Boston, Studio Museum, Brooklyn Museum, it has only been in the past few years that Roberts has gained the recognition she rightly deserves. i LOVED recording this episode so much. Not only was Deborah hilarious and brilliant, but we also speak about the very serious and very present underlying matters in her work, and how, through art she is helping to rectify the portrayal of young children of colour in the media, and in history. Deborah is a genius, so please do enjoy this episode!! FURTHER LINKS: Follow Deborah on Instagram: https://www.instagram.com/rdeborah191/?hl=en https://www.stephenfriedman.com/artists/51-deborah-roberts/ https://www.nytimes.com/2020/04/12/arts/design/deborah-roberts-artist-virus-austin.html This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Flora Yukhnovich May 19, 2020
    Show notes

    In Episode 26 of The Great Women Artists Podcast, Katy Hessel interviews the highly-acclaimed, sensation of a painter, FLORA YUKHNOVICH! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW was it an honour to interview Flora at her studio (the week before lockdown!) and discuss in-depth her INCREDIBLE works that adopt the language of the Rococo, reimagining the DYNAMISM of works by 18th century artists such as Tiepolo to Fragonard! Fusing high and low cultures through a filter of contemporary Cultural references, including film, food, and music videos – think Katy Perry to Niki Minaj! – Flora brings in painterly traditions in a more consciously feminine realm by featuring wisps of millennial pinks and purples. Variation is a driving force with mark making ranging from delicate flourishes through dramatic and gestural brushstrokes heightening the rhythmic sensuality that play that conjure up in her MASTERPIECES. Since graduating from City and Guilds in 2017, Flora has gone on to exhibited widely – including at the likes of Leeds Art Gallery, Parafin, Jerwood Gallery, as well as completing the Great Women Artists residency at Palazzo Monti (!) and has a current (now online!) exhibition at VICTORIA MIRO! Check it out: https://www.victoria-miro.com/exhibitions/558/ In this episode we uncover Flora's meticulous process, her references, beginnings as an artist, and her love for the Rococo – as well as such an insight into its history. Wow. We also discuss her experience living in Venice, where she visited the Tiepolos on a daily basis, and reimagined them in her masterpieces!!! Flora is a GENIUS, and one of the most highly regarded young painters in the WORLD right now, so please do enjoy this episode! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


    Olivia Laing on Chantal Joffe, Sarah Lucas and Ana Mendieta May 12, 2020
    Show notes

    In Episode 25 of The Great Women Artists Podcast, Katy Hessel interviews the world-renowned writer and critic, OLIVIA LAING on Chantal Joffe, Sarah Lucas, and Ana Mendieta! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW. Was it an honour to interview Olivia: one of the greatest writers working today and the author of some of my favourite books: To The River, The Trip to Echo Spring, Crudo, and The Lonely City, which explores artists’ loneliness in New York City – the most powerful book I have ever read (http://olivialaing.co.uk/lonely-city). Just last month she published an outstanding – and very timely – collection of essays titled Funny Weather: Art in an Emergency, which features in-depth essays about artists’ lives, from Derek Jarman to Georgia O’Keeffe, love letters to the likes of David Bowie, plus her encounters and friendships with Chantal Joffe and Sarah Lucas! https://www.panmacmillan.com/authors/olivia-laing/funny-weather/9781529027648 SO, in this episode – a little different to previous ones – we talk to Olivia about her top three female artists, and wow did she speak eloquently, passionately, enthusiastically, and just brilliantly about these PIONEERING artists. We deep dive into her friendship with painter Chantal Joffe, whom Olivia has sat for on multiple occasions, and who she has also written about sitting for too! (Check out one of her essays here: https://www.theguardian.com/books/2018/may/12/chantal-joffe-paints-olivia-laing-mutual-portraits-words-and-paint) When asked about how Chantal captures people she says: "it's more that she sees a changing self. Every painting she does. It's very Virginia Woolf, the sense of somebody being so fluid through time in history, somebody moving so sinuously into different selves." Then we speak about the GENIUS who is Sarah Lucas. We discuss the immediacy of her work; how her sculptures make us feel and give precedent to how we inhabit our bodies; their POWER, humour, and comments on society. Finally we end with the great Ana Mendieta. One of the most important artists of the 20th century, Mendieta was known for exploring the body and identity through her performative and photographic works, that confront us directly as viewers: furiously, immediately, powerfully. It was a complete honour to speak with Olivia Laing, one of the greatest writers living right now. Further reading: http://olivialaing.co.uk/home I hope you enjoy the episode! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield


    Prudence Flint May 05, 2020
    Show notes

    In Episode 24 of The Great Women Artists Podcast, Katy Hessel interviews the AMAZING artist PRUDENCE FLINT!! One of my FAVOURITE artists of 2020 – with her work particularly resonating with me at the time of lockdown – Prudence is known for her eerily quiet scenes of characters silently going about their daily lives. Swept up in her signature pastel-like palette, whilst it might at first appear as though her figures are performing seemingly mundane activities – lying on a bed to brushing their teeth – Prudence gives precedent to their actions by creating tense atmospheres in her slightly distorted and jarring environments. Painting both men and women, but focusing much more heavily on the female and the female psyche, Prudence’s work invites us into a narrative – an intimate, contemplative and private life, where we as viewers very much become an intruder, or a voyeur. Based in Melbourne, Prudence is one of Australia's leading painters and is VERY excitingly included in an exhibition I have excitingly curated titled ‘Dwelling is the Light” at Timothy Taylor Gallery, featuring a multigenerational group of women exploring the relationship between interiors and the outdoors (https://timothytaylor.com/viewing-rooms/dwelling-is-the-light/). Speaking about women in her work she has said, “I wish for women to be at the center of things… to be all things, whole, boundless, perverse, and representative of humanity. I want to give voice to this experience of being alive, now, in this culture, as a woman.” I LOVED interviewing Prudence. It was such an insight to hear about her work in the context of the History of Art and her interest in the divine; exploring the beauty of the everyday; intensity of the home; dynamics between humans and their surroundings; and putting women at the centre of her work. Thank you for listening!! This episode is sponsored by Alighieri https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/


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