TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Arts

    The Ensemblist

    The Ensemblist celebrates the performances and careers of ensemble performers, recognizing the unique contributions they bring to the theatrical landscape. Thanks for eight great years of sharing the stories of Broadway’s unsung heroes!

    Advertise

    Copyright: ©2013-2019 The Ensemblist. All rights reserved.

    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    #294 - Bombshell May 20, 2020
    Show notes

    Today we have for you a very special episode in honor of The Actors Fund and the livestream of their 2015 concert of Bombshell.

    For those of you who haven’t spent the last six months watching Smash episodes (like we have) this will be your perfect promise for remembering what Bombshell was all about.

    Throughout this episode, we will guide you through the most iconic moments of the Bombshell score along with our thoughts and critiques of each number. Enjoy!

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #292 - Broadway Shutdown (Frozen, feat. Bronwyn Tarboton) May 18, 2020
    Show notes

    When a Broadway show closes, we often think about the cast onstage being out of work. But really a Broadway production is an entire ecosystem - often with more than a hundred people working in a variety of positions. One of the performers affected by the closing of Broadway's Frozen in Bronwyn Tarboton. As a vacation swing with the company, she had been performing with the company in a variety of tracks since October. Here's our conversation...

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #291 - Frozen (feat. Tracee Beazer, Aisha Jackson, Stephen Oremus, Ann Sanders) May 16, 2020
    Show notes

    The Broadway adaptation of Frozen will not reopen at the St. James Theatre when Broadway once again opens its doors post-pandemic. It effectively took its final bow March 11 running for 26 previews and 825 regular performances.

    Today, we share some of our favorite conversations about Frozen with original Anna standby Aisha Jackson, music supervisor Stephen Oremus, the original Queen Iduna Ann Sanders and original company member Tracee Beazer. Enjoy...

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #290 - Smash'ed (Season 2, Episode 3) May 15, 2020
    Show notes

    “The Dramaturg” premiered on February 19th, 2013. It was written by Larry Shaw, and directed by Bryan Goluboff, both newcomers to Smash as of season 2. The viewership was 3.29 million viewers, which was 1.16 million down from the previous episode two weeks prior.

    We saw new material from both of our up-and-coming shows this episode! We were treated to a brand-new song from Bombshell, called “Our Little Secret” written by Marc Shaiman and Scott Whitman, and a preview of a song from currently-unnamed-show-soon-to-be-known-as Hit List, called “Good For You” written by Drew Gasparini. The episode also featured Megan Hilty singing a cover of Robyn’s ”Dancing On My Own,” as well as snippets of The Wiz’s “Soon As I Get Home” sung by Jennifer Hudson, and Katherine McPhee’s mini-rendition of “They Just Keep Moving The Line.”

    Eileen demands that Tom and Julia meet with a dramaturg named Peter Gilman to make the quick fixes she thinks the show needs. Tom thinks Peter could be a shepherd for their play, but Julia is afraid dramaturgs are parasites especially when he reads her for focusing on DiMaggio instead of putting the sex appeal into Marilyn herself.

    Derek knows that new musicals take years to develop, but needs something now, something big. So he’s burning the candle from three ends: staging a Bombshell number for producers, scheming with Veronica Moore to get his job back at The Wiz and agreeing to meet Kyle and Jimmy about the plot that goes around their great songs.

    Ivy talks Smash’s real casting director Bernie Telsey into letting her audition for a revival of Liaisons, but feels like she has little chance of booking up again “real names” like Jen Damiano and Jessie Mueller. When she stops by Bombshell rehearsal to ask Derek for advice, she realizes that she needs to start “dancing on her own.” Tom helps her to realize the Liaisons role is more like Marilyn than she imagined, but the boost helps her win the part.

    Inspired or in spite of Peter Gillman, Julia writes a non-PG number for Marilyn and JFK called “Our Little Secret.” It loses Derek a job on The Wiz but Eileen calls it the perfect direction for Bombshell.

    Jimmy is his usual angry-white-man self, seemingly pissed off at every opportunity Karen and Kyle provide him to share their show with the world. When they finally meet, Jimmy describes the story of their show: a young man who hates the world but has a treasure trove of mind blowing music. Stealing his songs to catapult her to fame, a female fling gets addicted to the fame his music provides - and he lets her even though his love will destroy him. Derek is intrigued enough to pound beers with the team, and they begin their work on the new musical...

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #286 - Smash'ed (Season 2, Episode 2) May 08, 2020
    Show notes

    “The Fallout” premiered on February 5th, 2013, immediately after the premiere episode. (Aww, remember those two-hour premieres that networks used to do back in the day, Mo?) It was written by Julie Rottenberg & Elisa Zuritsky, whose previous work we saw in the season 1 episodes “Let’s Be Bad” and “The Movie Star,” and was directed by Craig Zisk. Now, here’s a weird thing: viewership for this episode was 4.45 million, down from 4.48 in the previous episode WHICH WAS AN HOUR AGO. I guess 30,000 people collectively turned off their TVs after hour 1?

    We had three featured songs in this episode: one cover of the Eurythmics’ “Would I Lie To You?” And two original songs by two different musical theatre composers: the first by then-up-and-comer duo team Pasek & Paul called “Caught in the Storm” sung by Katherine McPhee, and the second by our home team of Marc Shaiman and Scott Whitman called “They Just Keep Moving the Line” sung by Megan Hilty.

    Eileen summons her bruised songwriting team to attend the American Theatre Wing gala, but Julia can barely get out the door let alone put on cocktail attire. But Julia heard from Mary Testa who heard from Jackie Hoffman who heard from Cheyenne Jackson who heard from Harvey Fierstein that she and Julia would be presenting at the gala (a lie that Tom made you on the street).

    In addition to Bombshell being put on ice, Derek gets fired from The Wiz - not only because he shagged a couple of actresses but the five dancers are accusing him of sexual harassment. One of them, Daisy, serves Derek the T in front of Schnippers, saying “You don’t get it. You’re a big shot Director. You’re in a position of power from the mind you wake up in the morning and you don’t treat that power with respect.” Derek second guesses his serial seducing in a dream sequence set to the Eurythmics' “Would I Lie To You?”

    Ivy is considering leaving the business, as she’s going in for parts that she would have passed on two years ago. But running into a drunken Derek on a stoop, he leaves her with one nugget of wisdom: “You weren’t my Marilyn, but what do I know?”

    Karen Cartwright hunts down the young and unknown composing team. Half of the team, a twink named Kyle, is eager to collab with Karen. But while his songwriting partner Jimmy is cute enough to go to Greenpoint for, he is anything but agreeable. Even her attempts to wow Jimmy with an impromptu performance of one of his songs drives him away. Jimmy retorts that he doesn’t need help to make it big, but decides the next day that he’ll give it a go with Karen for Kyle’s sake.

    The American Theatre Wing gala becomes an embarrassment for the Bombshell crew, when Tom gets caught in his lie about presenting and Eileen is asked to leave by the League president. But she decides to leave the industry with a parting shot to remember: an announcement that Bombshell is coming to Broadway this season followed by Ivy Lynn giving a stunning rendition of a never-before-heard tune called “They Just Keep Moving The Line.”

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #285 - Best of the Season (feat. Ruthie Fierberg - Part 2) May 07, 2020
    Show notes

    This week, we share the second half of our conversation with Ruthie Fierberg, Senior Features Editor at Playbill. In the second half of our spirited conversation, we talked about our favorite performance and ensembles of the season. Here’s the second half of our conversation...

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #283 - Seeking Representation (feat. Julian DeGuzman) May 05, 2020
    Show notes

    Julian DeGuzman has spent the last decade performing in shows that both feature primarily Asian-American casts (Broadway's Miss Saigon) as well as more multi-cultural companies (Newsies, Hello, Dolly! on Tour. He joined me over the phone to talk about how each of those experiences have felt different for him. Here's our conversation...

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #281 - Smash'ed (Season 2, Episode 1) May 01, 2020
    Show notes

    “On Broadway” premiered on February 3rd, 2013. It was written by new showrunner Joshua Safran, and directed by Michael Morris, who had also directed the season 1 finale. The episode unfortunately did not premiere to as wide an audience as the season 1 premiere or even the season 1 finale; the viewership came in at 4.48 million, about 1.5 million fewer than the finale and almost 7 million fewer than the pilot. Wow.

    The premiere featured 6 songs: three original songs by our original team of Marc Shaiman and Scott Whitman, which were the good ol’ “Let Me Be Your Star,” a new song from Bombshell called “Cut, Print...Moving On,” and a new song from a different musical altogether, called “Mama Makes Three” from the show Beautiful (no, not that Beautiful) starring JHud. The two covers in this episode were the titular song “On Broadway” by the Drifters, and “Don’t Dream It’s Over” by Crowded House. Most notably though, the Season 2 premiere marks the introduction of composer Joe Iconis, who wrote the song “Broadway, Here I Come!” Iconis was the first of many musical theatre composers who were able to feature their work throughout the second season of Smash.

    After closing the pre-Broadway run of Bombshell, Producer Eileen Rand assembles her growing team to announce her goal of booking a Broadway theatre by the end of the week. She’s also planning a soirée for potential investors and invites Karen to pick her three back up singers (Her selections do not include the libertine Ivy Lynn, who Karen is still angry with for sleeping with her ex-boyfriend.)

    Derek takes Karen to see his former leading lady Veronica Moore tear the roof off of the St. James in a musical called Beautiful. However, this is not the Carole King biomusical but a rousing gospel show. After the performance, Veronica tells Karen “Someone’s always waiting to take you down, honey. But if the work is good, they won’t be able to.”

    Disdain for Ivy seems to be growing within the production; While other pre-Broadway ensemblists gave received offers for Broadway, Ms. Lynn is still waiting to hear. At rehearsal for the producer soirée, Ivy asks Julia advice. The lyricist tells her, “Maybe you apologized to Karen, but you were apologizing for the wrong thing.”

    On their way to the event, composer Tom congratulates his boyfriend Sam on getting offered the General in The Book of Mormon tour. Sam says he would rather stay with his ten lines in Bombshell in order to be close to Tom. But as they canoodle down Central Park West they spot Julia’s husband caressing a coworker, effectively the final straw in ending her dissolving marriage.

    Covering for a truant Jordan Roth at the investor event, Veronica and Karen duet on an impromptu rendition of “On Broadway.” Afterwards, Derek tells Ivy that she won’t be joining the Bombshell cast on Broadway. However, the real drama happens after the performance, when Eileen tells Karen and the creative team that Bombshell is being investigated. While the government is looking into how Eileen received the financing, Bombshell is effectively on hold for the foreseeable future.

    The next day, Derek commiserates with Karen about how they’re both out of work, telling her “call me if you hear about something else.” But later that night while nursing a drink at a Restaurant Row piano bar, Karen meets a team of musical theatre songwriters who may just be Derek’s “something else.”

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #280 - Best of the Season (feat. Ruthie Fierberg - Part 1) Apr 30, 2020
    Show notes

    While the New York theatre season was cut short by at least six week, there was certainly much to celebrate this year. From spectacular visuals to music masterpieces, Broadway stages were filled with memorable moments worth noting.

    This week, I got the chance to speak to Ruthie Fierberg. In addition to working as Senior Features Editor at Playbill, she’s also one of the most articulate people I know when it comes to describing what makes a theatrical moment work. We had a spirited conversation about the trends she saw on stages, as well as her favorite musical and visual moments. Here’s the first half of our conversation…

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    #277 - Smash'ed (Season 1 Wrap Up) Apr 24, 2020
    Show notes

    Before we dive into season two, Aaron J. Albano and Mo Brady take stock of the first season as a whole. One of the biggest reasons we wanted to look back on this show, now that we’ve had seven years of separation from it and can look at it in an unbiased way, is to see if Smash really holds up: To see how the show authentically represents or sensationalizes our business; to see what, if anything, holds true to our 2019 Broadway world, or is it more of a time capsule of the business in 2012; and if anything else that sticks out that may have, or may not have worked.

    We think that we, having been on the show and thus invested in it seven years ago, can now look at the show objectively and see how it resonates with us differently than it may have then.

    Learn more about your ad choices. Visit megaphone.fm/adchoices


    Previous 1 25 26 27 28 29 31 Next

    Related Podcasts

    Fresh Air

    1

    Fresh Air Arts
    Twenty Thousand Hertz

    2

    Twenty Thousand Hertz Arts
    The Black Tapes

    3

    The Black Tapes Arts
    Snap Judgment

    4

    Snap Judgment Arts
    Here’s The Thing with Alec Baldwin

    5

    Here’s The Thing with Alec Baldwin Arts
    The NoSleep Podcast – Creative Reason Media Inc.

    6

    The NoSleep Podcast – Creative Reason Media Inc. Arts
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights