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    Arts

    The Ensemblist

    The Ensemblist celebrates the performances and careers of ensemble performers, recognizing the unique contributions they bring to the theatrical landscape. Thanks for eight great years of sharing the stories of Broadway’s unsung heroes!

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    Copyright: ©2013-2019 The Ensemblist. All rights reserved.

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    Latest Episodes:
    #374 - Tony Telecasts (2013 - Kinky Boots, Matilda The Musical, Bring It On, A Christmas Story) Part 2 Sep 11, 2020
    Show notes

    After two years at New York’s Beacon Theatre, the 2013 Tonys were broadcast live from Radio City Music Hall. From the moment the nominations were announced, the ceremony seemed destined to be a showdown between Kinky Boots and Matilda The Musical, with revivals of Pippin, Rodgers & Hammerstein’s CInderella and The Mystery of Edwin Drood following close behind.

    Hosted by Neil Patrick Harris, the ceremony featured one of the most lauded openings in Tony Awards History, titled “Bigger.” Written by Lin-Manuel Miranda and Tom Kitt and featuring the iconic line “We were that kid,” “Bigger’ featured more than a hundred Broadway performers and eventually won the Primetime Emmy Award for Outstanding Music and Lyrics.

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    #372 - I'm Still Here (feat. Bob Stillman) Sep 09, 2020
    Show notes

    In our final installment of this series, we’re sharing our favorite moments from our interview with Bob Stillman. Bob first appeared on Broadway in 1988’s Legs Diamond, although his role was cut during the show’s 72 previews. Bob has since performed on Broadway in Grand Hotel, Kiss of the Spider Woman, Dirty Blonde, Souvenir, Grey Gardens, Act One, It’s Only a Play, and Living on Love. Also a composer & musician, he has written music for both Urban Cowboy and Dirty Blonde. Bob is a Tony Award nominee for his contributions to the score of Urban Cowboy, as well as for his performance in Dirty Blonde. Here’s our conversation...

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    #371 - Tony Telecasts (2013 - Kinky Boots, Matilda The Musical, Bring It On, A Christmas Story) Part 1 Sep 08, 2020
    Show notes

    After two years at New York’s Beacon Theatre, the 2013 Tonys were broadcast live from Radio City Music Hall. From the moment the nominations were announced, the ceremony seemed destined to be a showdown between Kinky Boots and Matilda The Musical, with revivals of Pippin, Rodgers & Hammerstein’s CInderella and The Mystery of Edwin Drood following close behind.

    Hosted by Neil Patrick Harris, the ceremony featured one of the most lauded openings in Tony Awards History, titled “Bigger.” Written by Lin-Manuel Miranda and Tom Kitt and featuring the iconic line “We were that kid,” “Bigger’ featured more than a hundred Broadway performers and eventually won the Primetime Emmy Award for Outstanding Music and Lyrics.

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    #369 - Tony Telecasts (1991 - Miss Saigon, Once on this Island, The Secret Garden, The Will Rogers Follies) Sep 04, 2020
    Show notes

    The 45th Annual Tony Awards were held on June 2, 1991. They were broadcast on CBS from the Minskoff Theatre and hosted by Julie Andrews and Jeremy Irons. The telecast featured performances from the four nominated musicals: Miss Saigon, Once on This Island, The Secret Garden and The Will Rogers Follies. It also included a special salute to ‘The Year of the Musical Actor’ featuring Robert Morse, Topol, Ann Reinking, Michael Crawford and more.

    Leading up to the award ceremony, Miss Saigon and The Will Rogers Follies were tied for the most nominations of the season, with 11 each. But it was The Will Rogers Follies that walked away with six wins (Musical, Score, Choreography, Direction, Costume, Lighting). Miss Saigon and The Secret Garden both received three wins (Jonathan Pryce, Lea Salonga, Hinton Battle), (Book, Daisy Eagan, Scenic) while the fourth nominee for Best Musical, Once On This Island, walked away empty handed.

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    #367 - Seeking Representation (Black Broadway Men - feat. Anthony Wayne) Sep 02, 2020
    Show notes

    Broadway alum Anthony Wayne has collected a group of Black men in theatre to form a racial equality group to support fellow members of their community and industry. Black Broadway Men is open to all self-identifying Black men who work on stage or behind the scenes in theatre.

    We spoke to Anthony about the process of creating Black Broadway Men and their plans for the future. Here's our conversation...

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    #366 - Movin Out (feat. Daniel Switzer) Aug 31, 2020
    Show notes

    Today, we share a story of love from Daniel Switzer. Not only about falling in love with a person, but also a city - and how both of those relationships bloomed over a years-long courtship. Here, in his own words, is Daniel Switzer.

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    #365 - Tony Telecasts (feat. Aaron Albano) Aug 28, 2020
    Show notes

    Welcome listeners to a new mini-series, bringing you all the drama behind the drama of a theatre season in Broadway history. In each podcast episode, we will watch a Tony telecast and then delve to the theatre season.

    We will each have the following week to research the season as a whole and then bring you our most surprising findings about how the telecast did and didn’t reflect the year on Broadway.

    To join us for our first Tonys recap, be sure to watch the 1991 Tony Awards.

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    #363 - I'm Still Here (feat. John Eric Parker) Aug 26, 2020
    Show notes

    This week, we’re sharing highlights from our chat with John Eric Parker. After growing up in New York City and attending LaGuardia High School, John Eric Parker performed in the national tour of The Wiz and German production of Starlight Express before making his Broadway debut in Rent. He’s since performed in the original Broadway casts of All Shook Up, Memphis, and The Book of Mormon. Here’s our conversation...

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    #362 - Smash'ed (Season 2 Wrap-up) Aug 25, 2020
    Show notes

    Welcome back, listeners to our tongue-in-cheek wrap up of what is television’s most detailed depiction of the theatre industry. And yes, for the last time, we’re talking about Smash, the NBC series that chronicled the creation of not one, but TWO Broadway musicals and all of the drama that ensued along the way.

    We’ve been going back to see how this supposed love letter to Broadway has held up over the past decade. So let’s dive in and talk about season two of Smash.

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    #360 - Smash'ed (Season 2, Episode 17) Aug 21, 2020
    Show notes

    Smash’s series finale “The Tonys” premiered on May 26th, 2013. It was the second part of a two-part series finale event that night. The finale was written by season 2 showrunner Joshua Safran, and directed by Michael Morris, who directed the previous episode as well (again, two-parter). And surprise, surprise, the viewership stayed the same from the previous episode (which was an hour ago) which came in at a steady 2.44 million viewers.

    Our finale’s set list was comprised of three songs: one cover and two originals. Our cover featured the majority of our principal cast singing “Under Pressure” by Queen. For our originals we were treated to a very Pitch-Perfect-esque Tony Performance of the Hit List staple “Broadway Here I Come,” written by Joe Iconis and performed by the full Hit List Cast (sans Mara Davi), and as our finale ultimo, in-house team Marc Shaiman and Scott Whitman took the series home with their original song “Big Finish” sung by our leading-lady duo, Megan Hilty and Katharine McPhee.


    After two seasons, the companies of Bombshell and Hit List are both “Under Pressure” as they march toward the Marquis Theatre - home of this year’s Tony Award ceremony. With only 12 hours until the big show, Tom and Julia are writing their possible acceptance speech, Derek is drinking to forget that he publicly admitted casting Daisy in exchange for sex, and Leigh and Ivy discuss how the other one has better chances of winning.


    Jimmy is sabotaging himself by attempting to get out of attending the ceremony, until Julia has a “Come to Jesus” with him to get the balls to attend. Also, Derek is sabotaging himself by attempting to get out of attending the ceremony, until Ivy has a “Come to Jesus” with him to get the balls to attend. But both end up attending, which is good because they both end up accepting awards: Derek for choreographing Hit List and Jimmy on behalf of Kyle of Hit List’s book.


    Gabe and Lexi are furious that they’ve been called in to perform at the Tony Awards to support Daisy, until Ivy reminds Karen and company that they can refuse to perform with her. When they do, producer Jerry counters by giving Daisy the chance to perform “Reach for Me” instead. But following her win for Best Featured Actor, Derek decides to make it right and take Daisy out of the Tony performance, putting in Karen, Jimmy and (surprise) Ana in an a cappella performance of “Broadway, Here I Come.”


    After winning for Best Score, newly minted Tony winners Tom and Julia decide to stay together as a writing team. Ivy gives a touching ode to live theatre in her acceptance speech for Best Actress and while Hit List walks away with most of the initial awards, Eileen Rand’s Bombshell takes home the prize for Best Musical.


    In its closing moments, the cast of Smash couples up - Ivy with Derek, Julia with Michael Swift, Eileen with her formerly imprisoned bartender, Karen with a prison-bound Jimmy- and the series finale ends with as much of a non-sequitur as it began: an out-of-time duet performance by our two divas giving the show a “Big Finish.”

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