Show notes
In this episode, Jeff and Laura answer questions from the community. Questions include:
Where is the sweet spot between frustrating the reader by having the characters either over-explain or under-explain how their world works?
Do you have any advice on how to write movement without using the words directly associated with the action? For example, the phrase "The leaves rustled about him." Can this phrase serve as a substitute for he turned, he spun, he twirled, or even he levitated? I'd love to hear your thoughts on how we can use phrases creatively to signal different types of movement to readers.
When querying agents whom you've already pitched to at a conference, what do i include, since they already want to see it. i know you told me some things, but still aren't 100%. thank you!
What's one thing you can do while drafting that will make editing easier for yourself or a hired editor?
How do I know if my story is working?
How do I write toward the emotional payoff and set up a solid ending to the story without making the story predictable?
Are there any differences between demonstrating character growth in inner dialog, character dialog vocalization, and actions / choices? Are there situations that stand out where one is better than the other?
How can I know how much to trust my reader to "get it?" Where is the balance between telling them too much and creating nuance and mystery in my story?
How do I push past competent writing to create something memorable?
How do I know if my writing is any good?
When is it time to stop revising?
For more on the craft of writing or to join the community, come to https://dialoguedoctor.com/
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