Stay ConnectedThe Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a broad and generous audio anthology of the best poetry ever written, read-aloud by David Kern and an assortment of various contributors. Some lite commentary is included and the shorter poems are often read twice, as time permits.
The Daily Poem is presented by Goldberry Studios.
Copyright: © Goldberry Books LLC
The title of today’s poem is a mouthful, but it is fittingly emblematic of the poet’s full heart. Happy reading!
Never have rhyming couplets been so full of pathos as in today’s poem, where they symbolize the bond between father and son, tragically cut short.
If pumpkin-spice-everything or the sea of puffy vests and Ugg boots at the cider stand are getting you down, let today’s poem remind you of all that is great about Autumn. Happy reading.
Today’s poem offers a folksy look at the subtleties of terror. Happy reading.
David Thompson Watson McCord was born on December 15, 1897, in New York. A poet and fundraiser, McCord grew up in Portland, Oregon. He received both a BA and MA from Harvard University and briefly served in the military at the end of World War I. In 1922, McCord became associate editor for the Harvard Alumni Bulletin, where he served as editor from 1940 to 1946. He was also executive director of the Harvard College Fund for thirty-eight years.
McCord, who has been widely recognized for his children's poetry, wrote and edited over fifty works of poetry and prose. He was the recipient of Harvard University's first honorary doctorate of humane letters, the first NCTE Award for Excellence in Poetry for Children, a Guggenheim Fellowship, and a National Institute of Arts and Letters grant. He died on April 13, 1997, in Boston, Massachusetts.
-bio via Academy of American Poets
Today’s poem offers a recipe for domestic bliss. Happy reading.
Though we remember Browning far more readily than we do Landor, this poem dates from a period when their fortunes were reversed and the latter was eager to acquaint the world with the budding talent he had discovered.
Walter Savage Landor (30 January 1775 – 17 September 1864) was an English writer, poet, and activist. His best known works were the prose Imaginary Conversations, and the poem "Rose Aylmer," but the critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equalled by his rumbustious character and lively temperament. Both his writing and political activism, such as his support for Lajos Kossuth and Giuseppe Garibaldi, were imbued with his passion for liberal and republican causes. He befriended and influenced the next generation of literary reformers such as Charles Dickens and Robert Browning.
-bio via Wikipedia
Today’s poem is a defense of myths and myth-making, inspired by an argument with C. S. Lewis. Happy reading!
Ronald Stuart Thomas (29 March 1913 – 25 September 2000), published as R. S. Thomas, was a Welsh poet and Anglican priest noted for nationalism, spirituality and dislike of the anglicisation of Wales. John Betjeman, introducing Song at the Year's Turning (1955), the first collection of Thomas's poetry from a major publisher, predicted that Thomas would be remembered long after he himself was forgotten. M. Wynn Thomas said: "He was the Aleksandr Solzhenitsyn of Wales because he was such a troubler of the Welsh conscience. He was one of the major English language and European poets of the 20th century."
-bio via Wikipedia
Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet and writer of fiction, plays and screenplays based in New York; she was known for her caustic wisecracks, and eye for 20th-century urban foibles.
Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.
Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music.
-bio via Wikipedia
Today’s poem offers a needful portrait of ‘manly talk.’ Happy reading.
Louis Untermeyer was the author, editor or compiler, and translator of more than 100 books for readers of all ages. He will be best remembered as the prolific anthologist whose collections have introduced students to contemporary American poetry since 1919. The son of an established New York jeweler, Untermeyer’s interest in poetry led to friendships with poets from three generations, including many of the century’s major writers. His tastes were eclectic. In the Washington Post, Martin Weil related that Untermeyer once “described himself as ‘a bone collector’ with ‘the mind of a magpie.’” He was a liberal who did much to allay the Victorian myth that poetry is a highbrow art. “What most of us don’t realize is that everyone loves poetry,” he was quoted by Weil as saying, pointing out the rhymes on the once-ubiquitous Burma Shave road signs as an example.Untermeyer developed his taste for literature while a child. His mother had read aloud to him from a variety of sources, including the epic poems “Paul Revere’s Ride” and “Hiawatha.” Bedtime stories he told to his brother Martin combined elements from every story he could remember, he revealed in Bygones: The Recollections of Louis Untermeyer. When he learned to read for himself, he was particularly impressed by books such as Alfred Lord Tennyson’s Idylls of the King and Dante’s Inferno. Gustave Dore’s illustrations in these books captivated him and encouraged his imagination toward fantasy. Almost 50 years later, Untermeyer published several volumes of retold French fairy tales, all illustrated by the famous French artist.In addition to children’s books and anthologies, Untermeyer published collections of his own poetry. He began to compose light verse and parodies during his teen years after dropping out of school to join his father’s business. With financial help from his father, he published First Love in 1911. Sentiments of social protest expressed in the 1914 volume Challenge received disapproval from anti-communist groups 40 years later; as a result of suspicion, Untermeyer lost his seat on the “What’s My Line” game show panel to publisher Bennett Cerf. During the 1970s, he found himself “instinctively, if incongruously, allied with the protesting young,” he wrote in the New York Times. In the same article he encouraged the spirit of experiment that characterized the decade, saying, “it is the non-conformers, the innovators in art, science, technology, and human relations who, misunderstood and ridiculed in their own times, have shaped our world.” Untermeyer, who did not promote any particular ideology, remained a popular speaker and lecturer, sharing criticism of poetry and anecdotes about famous poets with audiences in the United States and as far away as India and Japan.Untermeyer resigned from the jewelry business in 1923 in order to give all his attention to literary pursuits. Friendships with Robert Frost, Ezra Pound, Arthur Miller, and other literary figures provided him with material for books. For example, The Letters of Robert Frost to Louis Untermeyer contains letters selected from almost 50 years of correspondence with the New England poet. The anthologist’s autobiographies From Another World and Bygones relate as much about other writers as they do about his personal life. Bygones provides his reflections on the four women who were his wives. Jean Starr moved to Vienna with Untermeyer after he became a full-time writer; Virginia Moore was his wife for about a year; Esther Antin, a lawyer he met in Toledo, Ohio, married him in 1933; 15 years later, he married Bryna Ivens, with whom he edited a dozen books for children.In his later years, Untermeyer, like Frost, had a deep appreciation for country life. He once told Contemporary Authors: “I live on an abandoned farm in Connecticut … ever since I found my native New York unlivable as well as unlovable. … On these green and sometimes arctic acres I cultivate whatever flowers insist on growing in spite of my neglect; delight in the accumulation of chickadees, juncos, cardinals, and the widest possible variety of songless sparrows; grow old along with three pampered cats and one spoiled cairn terrier; season my love of home with the spice of annual travel, chiefly to such musical centers as Vienna, Salzburg, Milan, and London; and am always happy to be home again.” Untermeyer died in 1977.
-bio via Poetry Foundation
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