Stay ConnectedThe Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a broad and generous audio anthology of the best poetry ever written, read-aloud by David Kern and an assortment of various contributors. Some lite commentary is included and the shorter poems are often read twice, as time permits.
The Daily Poem is presented by Goldberry Studios.
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Today’s poem opens a week of poetry about food. Happy eating reading.
Bill Holm was born in 1943 on a farm outside Minneota, Minnesota. He received a BA from Gustavus Adolphus College in 1965 and an MA from the University of Kansas in 1967. Holm was the author of several poetry collections, including Playing the Black Piano and The Dead Get By with Everything. His collection The Chain Letter of the Soul: New and Selected Poems was published posthumously in 2009. He also wrote several essay collections, including The Windows of Brimnes: An American in Iceland. A professor emeritus at Southwest Minnesota State until his retirement in 2008, Holm was known for his connection to Minnesota. In an article for the Minn Post, Nick Hayes describes him as “the quintessential voice of our small towns and prairies.” He goes on to note that Holm “was also our lost Icelander in Minnesota.” The grandchild of Icelandic immigrants, Holm spent most of his summers at his cottage in Hofsos, Iceland, and his writing was influenced both by the heritage and landscape of both of his homes. In 2008, Holm received the McKnight Distinguished Artist Award. He died on February 26, 2009, in South Dakota.
-bio via Milkweed Editions
Today’s poem, from Wilson’s 2018 The Hanging God, takes a candid look at all the ways we overestimate, misunderstand, misrepresent, and undervalue our own human agency–all while leaning heavily on plenty of unspoken implications about the agency of God. Happy reading.
James Matthew Wilson is the Cullen Foundation Chair in English Literature and the founding director of the MFA program in Creative Writing at the University of Saint Thomas.The author of fourteen books, his most recent collection of poems is Saint Thomas and the Forbidden Birds(Word on Fire, 2024). The Strangeness of the Good (2020), won the poetry book of the year award from the Catholic Media Awards. The Dallas Institute of Humanities awarded him the Hiett Prize in 2017; Memoria College gave him the Parnassus Prize, in 2022; and the Conference on Christianity and Literature twice gave him the Lionel Basney Award.In addition to his role at the University of Saint Thomas, he serves as poet-in-residence of the Benedict XVI Institute, scholar-in-residence of Aquinas College, editor of Colosseum Books, and poetry editor of Modern Age magazine.Wilson was educated at the University of Michigan (B.A.), the University of Massachusetts (M.A.), and the University of Notre Dame (M.F.A., Ph.D.), where he subsequently held a Sorin Research Fellowship. Wilson joined the University of Saint Thomas, Houston, in 2021, when he co-founded the Master of Fine Arts program.
-bio via Wilson’s website
Today’s poem, from Berry’s 1969 collection, Openings, doubles as a tribute to one of the loveliest and homiest bookstores in the world. Happy reading.
Today’s poem evokes entire worlds of vivid images and complex emotions with little more than a carefully-crafted list. Happy reading.
Today’s poem was written by Dickinson when she was thirty-three and old enough to know. Happy reading.
Today’s poem, one of English literature’s most extracted and anthologized, is still best appreciated when read in light of the momentous collection it belongs to.
Today’s poem is also a poem for “ABC”–which is to say, it’s a brilliantly executed example of the alphabetic form known as the abecedarian. Happy reading.
Jessica Greenbaum is the author of Inventing Difficulty (Silverfish Review Press, 1998), winner of Gerald Cable Prize; The Two Yvonnes (Princeton University Press, 2012), named by Library Journal as a Best Book in Poetry; and Spilled and Gone (University of Pittsburgh Press, 2019). She has received awards from the National Endowment for the Arts and the Poetry Society of America. She teaches in New York City.
-bio via Poetry Foundation
Rhina P. Espaillat was born in the Dominican Republic under the dictatorship of Rafael Trujillo. After Espaillat’s great-uncle opposed the regime, her family was exiled to the United States and settled in New York City. She began writing poetry as a young girl—in Spanish and then English—and has published in both languages.
Espaillat’s numerous poetry collections include And After All (2019); Her Place in These Designs (2008); Playing at Stillness (2005); Rehearsing Absence (2001), recipient of the 2001 Richard Wilbur Award; a bilingual chapbook titled Mundo y Palabra/The World and the Word (2001); Where Horizons Go (1998), winner of the T.S. Eliot Prize; and Lapsing to Grace (1992).
On Rehearsing Absence, Robert B. Shaw wrote in Poetry,“To Rhina Espaillat the quotidian is no malady … it is the source of inspiration. Hers is a voice of experience, but it is neither jaded nor pedantic. She speaks not from some cramped corner but from somewhere close to the center of life.” Awarding Espaillat the 1998 T.S. Eliot Prize for Where Horizons Go, X.J. Kennedy noted that “such developed skill and such mastery of rhyme and meter are certainly rare anymore; so is plainspeaking.”
Espaillat’s work has garnered many awards, including the Sparrow Sonnet Prize, three Poetry Society of America prizes, the Der-Hovanessian Translation Prize, and—for her Spanish translations of Robert Frost—the Robert Frost Foundation’s Tree at My Window Award. She is a two-time winner of The Formalist’s Howard Nemerov Sonnet Award and the recipient of a 2008 Lifetime Achievement Award from Salem State College. She is a founding member of the Fresh Meadows Poets and a founding member and former director of the Powow River Poets. For over a decade, she coordinated the Newburyport Art Association’s Annual Poetry Contest.
-bio via Poetry Foundation
In today’s poem, Plath (who died at 30) contrasts the transience of youth and nature with the seeming permanence of art and artifice. (I even make time for a brief shout-out to a not-so-transitory Golden Mouth.) Happy reading.
Today’s poem is a selection from Henry Wadsworth Longfellow’s American epic, The Song of Hiawatha. The passage is structured beautifully so that two divergent streams of imaginative thought suddenly flow together into a single, tangible reality. Happy reading.
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