Stay ConnectedThe Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a broad and generous audio anthology of the best poetry ever written, read-aloud by David Kern and an assortment of various contributors. Some lite commentary is included and the shorter poems are often read twice, as time permits.
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Today’s poem, from Berry’s 1969 collection, Openings, doubles as a tribute to one of the loveliest and homiest bookstores in the world. Happy reading.
Today’s poem evokes entire worlds of vivid images and complex emotions with little more than a carefully-crafted list. Happy reading.
Today’s poem was written by Dickinson when she was thirty-three and old enough to know. Happy reading.
Today’s poem, one of English literature’s most extracted and anthologized, is still best appreciated when read in light of the momentous collection it belongs to.
Today’s poem is also a poem for “ABC”–which is to say, it’s a brilliantly executed example of the alphabetic form known as the abecedarian. Happy reading.
Jessica Greenbaum is the author of Inventing Difficulty (Silverfish Review Press, 1998), winner of Gerald Cable Prize; The Two Yvonnes (Princeton University Press, 2012), named by Library Journal as a Best Book in Poetry; and Spilled and Gone (University of Pittsburgh Press, 2019). She has received awards from the National Endowment for the Arts and the Poetry Society of America. She teaches in New York City.
-bio via Poetry Foundation
Rhina P. Espaillat was born in the Dominican Republic under the dictatorship of Rafael Trujillo. After Espaillat’s great-uncle opposed the regime, her family was exiled to the United States and settled in New York City. She began writing poetry as a young girl—in Spanish and then English—and has published in both languages.
Espaillat’s numerous poetry collections include And After All (2019); Her Place in These Designs (2008); Playing at Stillness (2005); Rehearsing Absence (2001), recipient of the 2001 Richard Wilbur Award; a bilingual chapbook titled Mundo y Palabra/The World and the Word (2001); Where Horizons Go (1998), winner of the T.S. Eliot Prize; and Lapsing to Grace (1992).
On Rehearsing Absence, Robert B. Shaw wrote in Poetry,“To Rhina Espaillat the quotidian is no malady … it is the source of inspiration. Hers is a voice of experience, but it is neither jaded nor pedantic. She speaks not from some cramped corner but from somewhere close to the center of life.” Awarding Espaillat the 1998 T.S. Eliot Prize for Where Horizons Go, X.J. Kennedy noted that “such developed skill and such mastery of rhyme and meter are certainly rare anymore; so is plainspeaking.”
Espaillat’s work has garnered many awards, including the Sparrow Sonnet Prize, three Poetry Society of America prizes, the Der-Hovanessian Translation Prize, and—for her Spanish translations of Robert Frost—the Robert Frost Foundation’s Tree at My Window Award. She is a two-time winner of The Formalist’s Howard Nemerov Sonnet Award and the recipient of a 2008 Lifetime Achievement Award from Salem State College. She is a founding member of the Fresh Meadows Poets and a founding member and former director of the Powow River Poets. For over a decade, she coordinated the Newburyport Art Association’s Annual Poetry Contest.
-bio via Poetry Foundation
In today’s poem, Plath (who died at 30) contrasts the transience of youth and nature with the seeming permanence of art and artifice. (I even make time for a brief shout-out to a not-so-transitory Golden Mouth.) Happy reading.
Today’s poem is a selection from Henry Wadsworth Longfellow’s American epic, The Song of Hiawatha. The passage is structured beautifully so that two divergent streams of imaginative thought suddenly flow together into a single, tangible reality. Happy reading.
Today's poem is an enduring memorial for a hastily interred hero.
Kenneth Grahame (8 March 1859 – 6 July 1932) is best remembered for the classic of children's literature The Wind in the Willows (1908). Scottish by birth, he spent most of his childhood with his grandmother in England, following the death of his mother and his father's inability to look after the children. After attending St Edward's School in Oxford, his ambition to attend university was thwarted and he joined the Bank of England, where he had a successful career. Before writing The Wind in the Willows, he published three other books: Pagan Papers (1893), The Golden Age(1895), and Dream Days (1898).
-bio via Wikipedia
Charlotte Perkins Gilman (1860-1935) wrote fiction and nonfiction works including several collections of poetry and her most famous short story, “The Yellow Wallpaper” (1892). Her poems address the issues of women’s suffrage and the injustices of women’s lives. She was also the author of Women and Economics (1898), Concerning Children (1900), The Home: Its Work and Influence (1903), Human Work (1904), and The Man-Made World; or, Our Androcentric Culture (1911). A prolific writer, she founded, wrote for, and edited The Forerunner, a journal published from 1909 to 1917. A utopian novel, Herland, was published in 1915.
-bio via Poetry Foundation
“The line through the hole in the dark…trembling/with its high connections.”
Robert Morgan (born 1944) is an American poet, short story writer, non-fiction author, biographer, and novelist. He studied at North Carolina State University as an engineering and mathematics major, transferred to the University of North Carolina at Chapel Hill as an English major, graduating in 1965, and completed an MFA degree at the University of North Carolina Greensboro in 1968. He has taught at Cornell University since 1971, and was appointed Professor of English in 1984.
—Bia via Wikipedia
Today’s poem is about politics (but this, too, shall pass). Happy reading.
Today’s poem is a reluctant reckoning with the present absence created by grief.
Luci Shaw was born in 1928 in London, England, and has lived in Canada, Australia and the U.S.A. A graduate of Wheaton College, she became co-founder and later president of Harold Shaw Publishers, and since 1988 has been a Writer in Residence at Regent College, Vancouver, Canada.
Shaw has lectured in North America and abroad on topics such as art and spirituality, the Christian imagination, poetry-writing, and journal-writing as an aid to artistic and spiritual growth.
A charter member of the Chrysostom Society of Writers, Shaw is author of fourteen volumes of poetry including Angels Everywhere, The Generosity, Eye of the Beholder, Sea Glass: New & Selected Poems (WordFarm, 2016), Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace (InterVarsity Press, 2016), Polishing the Petoskey Stone (Shaw, 1990), Writing the River (Pinon Press, 1994/Regent Publishing, 1997), The Angles of Light (Waterbrook, 2000), The Green Earth: Poems of Creation (Wm. B. Eerdmans, 2002), has edited three poetry anthologies and a festschrift, The Swiftly Tilting Worlds of Madeleine L’Engle, (Shaw, 1998). Her most recent books are What the Light Was Like (Word Farm), Accompanied by Angels (Eerdmans), The Genesis of It All (Paraclete), and Breath for the Bones: Art, Imagination & Spirit (Nelson). Her poetic work and essays have been widely anthologized. Shaw has authored several non-fiction prose books, including Water My Soul: Cultivating the Interior Life (Zondervan) and The Crime of Living Cautiously(InterVarsity). She has also co-authored three books with Madeleine L’Engle, WinterSong (Regent), Friends for the Journey (Regent), and A Prayer Book for Spiritual Friends (Augsburg/Fortress).
Shaw is poetry editor and a contributing editor of Radix, as quarterly journal published in Berkeley, CA, that celebrates art, literature, music, psychology, science and the media, featuring original poetry, reviews and interviews. She is also poetry and fiction editor of Crux, an academic journal published quarterly by Regent College, Vancouver, Canada.
-bio via LuciShaw.com
In today’s poem, while everyone else is dressing up to become something terrible, the acerbic Jonathan Swift gives us a domestic horror story in reverse. Happy reading.
Anglo-Irish poet, satirist, essayist, and political pamphleteer Jonathan Swift was born in Dublin, Ireland. He spent much of his early adult life in England before returning to Dublin to serve as Dean of St. Patrick’s Cathedral, Dublin for the last 30 years of his life. It was this later stage when he would write most of his greatest works. Best known as the author of A Modest Proposal (1729), Gulliver’s Travels (1726), and A Tale Of A Tub (1704), Swift is widely acknowledged as the greatest prose satirist in the history of English literature.
-bio via Poetry Foundation
Today’s poem is the stuff real nightmares are made of. Happy reading.
Nesbitt’s poetry for children is “irrepressible, unpredictable, and raucously popular,” in the words of former Children’s Poet Laureate J. Patrick Lewis. Nesbitt’s poems frequently deal with humorous, relatable situations that verge on the madcap. He is the author of numerous books of poetry for children, including Believe It or Not, My Brother Has a Monster (2015), The Biggest Burp Ever (2014), Kiss, Kiss Good Night (2013), The Armpit of Doom: Funny Poems for Kids (2012), The Ultimate Top Secret Guide to Taking Over the World (2011), The Tighty-Whitey Spider (2010), Revenge of the Lunch Ladies (2007), Santa Got Stuck in the Chimney (2006), When the Teacher Isn’t Looking: And Other Funny School Poems (2005), and The Aliens Have Landed at Our School! (2001), among many others. In addition to writing books, Nesbitt has also written lyrics for the group Eric Herman and the Invisible Band. His lyrics are included on the CDs What a Ride (2007), Snail’s Pace (2007), Snow Day (2006), Monkey Business (2005), and The Kid in the Mirror (2003).Nesbitt’s poems have appeared in hundreds of anthologies, magazines, and textbooks worldwide, and were included on the television show “Jack Hanna’s Wildlife Adventures” and in the film “Life As We Know It.” Nesbitt is a member of the Society of Children’s Book Writers and Illustrators. His website, Poetry4kids, is an online “Funny Poetry Playground” that features poems, lessons, games, and poetry-related activities. In 2013, Nesbitt was named the Children’s Poet Laureate by the Poetry Foundation. He currently lives in Spokane, Washington with his wife, children, and pets.
-bio via Poetry Foundation
Today’s poem is some of the greatest ironic advice ever offered on the stage–do as Polonius says, not as he does, and you’ll be just fine. Happy reading.
Bob Hicok was born in 1960 in Michigan and worked for many years in the automotive die industry. A published poet long before he earned his MFA, Hicok is the author of several collections of poems, including The Legend of Light, winner of the Felix Pollak Prize in Poetry in 1995 and named a 1997 ALA Booklist Notable Book of the Year; Plus Shipping (1998); Animal Soul (2001), a finalist for the National Book Critics Circle Award; Insomnia Diary (2004); This Clumsy Living (2007), which received the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress; Words for Empty, Words for Full (2010); Elegy Owed (2013), a finalist for the National Book Critics Circle Award; and Sex & Love (2016). His work has been selected numerous times for the Best American Poetry series. Hicok has won Pushcart Prizes and fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has taught creative writing at Western Michigan University and Virginia Tech.When asked by interviewer Laura McCullough about the relationship between restraint and revelation in his work, Hicok replied, “Because I don’t know where a poem is headed when I start, it seems that revelation has to play a central part in the poems, that what I’m most consistently doing is trying to understand why something is on my mind… Maybe writing is nothing more than an inquiry into presences.” Hicok is currently associate professor of creative writing at Purdue University.
-bio via Poetry Foundation
Today’s poem commemorates the Council of Elrond, testifies to the love (and fussiness) of hobbits, and even boasts a possible Shakespearean connection. Happy reading!
Poet and translator Henry Taylor was born in Lincoln, Virginia on June 21, 1942. He earned a BA from the University of Virginia and an MA from Hollins University. Taylor’s many poetry collections include Crooked Run (2006); Understanding Fiction: Poems 1986-1996; The Flying Change (1985), for which he received the Pulitzer Prize; An Afternoon of Pocket Billiards (1975); and The Horse Show at Midnight(1966). He has translated works from Bulgarian, French, Hebrew, Italian, and Russian. His translations include Black Book of the Endangered Species (1999) by the Bulgarian poet Vladimir Levchev and Electra (1988) by Sophocles. Taylor is a professor of literature and codirector of the MFA program in creative writing at American University in Washington, DC. In 2001 he was inducted into the Fellowship of Southern Writers.
After winning the Pulitzer Prize in 1986 for his book, The Flying Change: Poems, poet Henry Taylor remarked to Joseph McLellan of the Washington Post: “The Pulitzer has a funny way of changing people’s opinions about it. If you haven’t won one, you go around saying things like ‘Well, it’s all political’ or ‘It’s a lottery’ and stuff like that. I would like to go on record as saying that although I’m deeply grateful and feel very honored, I still believe that it’s a lottery and that nobody deserves it.” Despite his disbelief that he could earn such a prestigious award, the Pulitzer is not the only major prize Taylor has won. His other honors include the Witter Bynner Foundation Poetry Prize from the American Academy and Institute of Arts and Letters, a grant from the National Endowment for the Humanities, two fellowships from the National Endowment for the Arts, and the Golden Crane Award of the Washington Chapter of the American Literary Translators Association.
Taylor also has a sense for the comic. Indeed, the poet has remarked that he was first recognized as the author of several verse parodies, which he submitted to the magazine Sixties. “I was mildly nettled to find that they were better known, at least among poets, than anything else I had done,” Taylor reflects in the Contemporary Authors Autobiography Series. These parodies, along with other poems, appear in the author’s first poetry collection, The Horse Show at Midnight (1966). This book also contains poems concerned with the unavoidable changes people must go through in life, a theme that dominates many of Taylor’s verses. Dillard explains, “Henry Taylor has for all his poetic career been drawn inexorably to questions of time and mutability, of inevitable and painful change in even the most fixed and stable of circumstances.” The conflict between a desire for life to remain constant and predictable and the realization of the necessity for change in the form of aging, personal growth, and death creates a tension in Taylor’s poems that is also present in his other collections, including An Afternoon of Pocket Billiards. Dillard calls this third collection, which contains all the poems previously published in Breakings, Taylor’s “best work” up to that time, “clearly marking growth and progress to match his own changes in the years since The Horse Show at Midnight.”
A lover of horses since his childhood in rural Virginia, Taylor uses an equestrian term for the title of his fifth book of poems, The Flying Change (1985). The name refers to the mid-air change of leg, or lead, a horse may sometimes make while cantering. Several of the poems contained in the collection describe similarly unexpected changes that occur in the course of otherwise predictable lives spent in relaxed, countryside settings. “Thus in the best poems here,” comments New York Times Book Review contributor Peter Stitt, “we find something altogether different from the joys of preppy picnicking. Mr. Taylor seeks for his poetry [a] kind of unsettling change, [a] sort of rent in the veil of ordinary life.” Some examples of this in The Flying Change are the poems “Landscape with Tractor,” in which the narrator discovers a corpse in a field, and “At the Swings,” in which the poet reflects on his cancer-stricken mother-in-law, while pushing his sons on a swing set. Other poems in the book explore the effects of such incidents as a small herd of deer suddenly interrupting the peace of a lazy day in which the narrator has been reflecting on his old age, or the surprise of seeing a horse rip its neck on a barbed wire fence.
A number of critics, like Washington Times reviewer Reed Whittemore, laud Taylor’s calm thoughtfulness in these and other poems, comparing it to the tone of other current poets. “Much contemporary verse is now so flighty,” says Whittemore, “so persistently thoughtless, that in contrast the steadiness of [The Flying Change], its persistence in exploring the mental dimensions of a worthwhile moment, is particularly striking, a calmness in the unsettled poetic weather.” Other critics, like Poetry contributor David Shapiro, also compliment the writer on his sensitivity to the atmosphere of the countryside. “Taylor is a poet of white clapboard houses that have existed ‘longer / than anyone now alive,’” observes Shapiro, who quotes the poet. “That is why Taylor can be such a satisfactory poet,” the reviewer concludes.
Though he has written award-winning verses, Taylor remains under the radar. According to Garrett and others, this is due to Taylor’s nonconformist approach. The critic continues: “In forms and content, style and substance, he is not so much out of fashion as deliberately, determinedly unfashionable. His love of form is (for the present) unfashionable. His sense of humor, which does not spare himself, is unfashionable. His preference for country life, in the face of the fact that the best known of his contemporaries are bunched up in several urban areas, cannot have made them, the others, feel easy about him, or themselves for that matter. They have every good reason to try to ignore him.” Whittemore compares Taylor’s technically well-ordered style and leisurely reflections of life to the poetry of Robert Frost and Howard Nemerov. “Among 20th-century poets,” Whittemore concludes, “Mr. Taylor is ... trying to carry on with this old and honorable, but now unfavored, mission of the art. He enjoys such reflections, reaching (but modestly) for what, remember, we even used to call wisdom.”
Taylor lives and works in Leesburg, Virginia.
-bio via Poetry Foundation
Today’s poem is a particularly novel example of an ancient writerly tradition: writing about how hard it is to write. Happy reading.
On February 9, 1874, Amy Lowell was born at Sevenels, a ten-acre family estate in Brookline, Massachusetts. Her family was Episcopalian, of old New England stock, and at the top of Boston society. Lowell was the youngest of five children. Her elder brother Abbott Lawrence, a freshman at Harvard at the time of her birth, went on to become president of Harvard College. As a young girl she was first tutored at home, then attended private schools in Boston, during which time she made several trips to Europe with her family. At seventeen, she secluded herself in the 7,000-book library at Sevenels to study literature. Lowell was encouraged to write from an early age.
In 1887 Lowell, with her mother and sister, wrote Dream Drops or Stories From Fairy Land by a Dreamer, printed privately by the Boston firm Cupples and Hurd. Her poem “Fixed Idea” was published in 1910 by the Atlantic Monthly, after which Lowell published individual poems in various journals. In October of 1912, Houghton Mifflin published her first collection, A Dome of Many-Coloured Glass.
Lowell, a vivacious and outspoken businesswoman, tended to excite controversy. She was deeply interested in and influenced by the Imagist movement, led by Ezra Pound. The primary Imagists were Pound, Richard Aldington, H.D. (Hilda Doolittle), and Ford Madox Ford. This Anglo-American movement believed, in Lowell’s words, that “concentration is of the very essence of poetry” and strove to “produce poetry that is hard and clear, never blurred nor indefinite.” Lowell campaigned for the success of Imagist poetry in America and embraced its principles in her own work. She acted as a publicity agent for the movement, editing and contributing to an anthology of Imagist poets in 1915.
Lowell’s enthusiastic involvement and influence contributed to Pound’s separation from the movement. As Lowell continued to explore the Imagist style she pioneered the use of “polyphonic prose” in English, mixing formal verse and free forms. Later she was drawn to and influenced by Chinese and Japanese poetry. This interest led her to collaborate with translator Florence Ayscough on Fir-Flower Tablets in 1921. Lowell had a lifelong love for the poet John Keats, whose letters she collected and whose influence can be seen in her poems. She believed him to be the forbearer of Imagism. Her biography of Keats was published in 1925, the same year she won the Pulitzer Prize for her collection What’s O’Clock (Houghton Mifflin Company, 1925).
A dedicated poet, publicity agent, collector, critic, and lecturer, Amy Lowell died on May 12, 1925, at Sevenels.
-bio via Academy of American Poets
Today’s poem, subtitled “a nun takes the veil,” is one of Hopkins’ earliest surviving works. Happy reading.
Though its author remained otherwise undistinguished, today's poem–with all its ecstasy, agony, and irony–has become almost as essential to the American experience as baseball itself. Happy reading!
Ernest Lawrence Thayer was born on August 14, 1863, in Lawrence, Massachusetts. He graduated with a BA in philosophy from Harvard University in 1885, where he was a member of the Hasty Pudding Club and edited the Harvard Lampoon.
At Harvard, Thayer met William Randolph Hearst, who would later run the San Francisco Examiner and hire Thayer to write a humorous column for the newspaper. On June 3, 1883, Thayer published what would become his most famous work, the poem "Casey at the Bat," under the pen name Phin. The poem gained popularity after the performer William DeWolf Hopper incorporated a recitation of it into his theatrical and radio performances.
Thayer moved to Santa Barbara, California, in 1912. He died in Santa Barbara on August 21, 1940.
-bio via Academy of American Poets
Today’s poem is an appreciation of little things. Happy reading.
Today’s poem celebrates the crisp, cool days of early Autumn as the most hospitable season of the year. Happy reading.
The world-wandering John Masefield waxes Solomonic in today’s poem. Happy reading.
Today’s poem is for everyone who knows that children keep you young, but also know how old you feel while it’s happening.
Hall, taken aback by the success of this poem, expressed some regret that he became “the fellow whose son strapped him into the electric chair,” explaining that its inspiration came from 2 a.m. bottle-feedings that he conducted “with pleasure.” Happy reading.
The title of today’s poem is a mouthful, but it is fittingly emblematic of the poet’s full heart. Happy reading!
Never have rhyming couplets been so full of pathos as in today’s poem, where they symbolize the bond between father and son, tragically cut short.
If pumpkin-spice-everything or the sea of puffy vests and Ugg boots at the cider stand are getting you down, let today’s poem remind you of all that is great about Autumn. Happy reading.
Today’s poem offers a folksy look at the subtleties of terror. Happy reading.
David Thompson Watson McCord was born on December 15, 1897, in New York. A poet and fundraiser, McCord grew up in Portland, Oregon. He received both a BA and MA from Harvard University and briefly served in the military at the end of World War I. In 1922, McCord became associate editor for the Harvard Alumni Bulletin, where he served as editor from 1940 to 1946. He was also executive director of the Harvard College Fund for thirty-eight years.
McCord, who has been widely recognized for his children's poetry, wrote and edited over fifty works of poetry and prose. He was the recipient of Harvard University's first honorary doctorate of humane letters, the first NCTE Award for Excellence in Poetry for Children, a Guggenheim Fellowship, and a National Institute of Arts and Letters grant. He died on April 13, 1997, in Boston, Massachusetts.
-bio via Academy of American Poets
Today’s poem offers a recipe for domestic bliss. Happy reading.
Though we remember Browning far more readily than we do Landor, this poem dates from a period when their fortunes were reversed and the latter was eager to acquaint the world with the budding talent he had discovered.
Walter Savage Landor (30 January 1775 – 17 September 1864) was an English writer, poet, and activist. His best known works were the prose Imaginary Conversations, and the poem "Rose Aylmer," but the critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equalled by his rumbustious character and lively temperament. Both his writing and political activism, such as his support for Lajos Kossuth and Giuseppe Garibaldi, were imbued with his passion for liberal and republican causes. He befriended and influenced the next generation of literary reformers such as Charles Dickens and Robert Browning.
-bio via Wikipedia
Today’s poem is a defense of myths and myth-making, inspired by an argument with C. S. Lewis. Happy reading!
Ronald Stuart Thomas (29 March 1913 – 25 September 2000), published as R. S. Thomas, was a Welsh poet and Anglican priest noted for nationalism, spirituality and dislike of the anglicisation of Wales. John Betjeman, introducing Song at the Year's Turning (1955), the first collection of Thomas's poetry from a major publisher, predicted that Thomas would be remembered long after he himself was forgotten. M. Wynn Thomas said: "He was the Aleksandr Solzhenitsyn of Wales because he was such a troubler of the Welsh conscience. He was one of the major English language and European poets of the 20th century."
-bio via Wikipedia
Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet and writer of fiction, plays and screenplays based in New York; she was known for her caustic wisecracks, and eye for 20th-century urban foibles.
Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.
Dismissive of her own talents, she deplored her reputation as a "wisecracker". Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music.
-bio via Wikipedia
Today’s poem offers a needful portrait of ‘manly talk.’ Happy reading.
Louis Untermeyer was the author, editor or compiler, and translator of more than 100 books for readers of all ages. He will be best remembered as the prolific anthologist whose collections have introduced students to contemporary American poetry since 1919. The son of an established New York jeweler, Untermeyer’s interest in poetry led to friendships with poets from three generations, including many of the century’s major writers. His tastes were eclectic. In the Washington Post, Martin Weil related that Untermeyer once “described himself as ‘a bone collector’ with ‘the mind of a magpie.’” He was a liberal who did much to allay the Victorian myth that poetry is a highbrow art. “What most of us don’t realize is that everyone loves poetry,” he was quoted by Weil as saying, pointing out the rhymes on the once-ubiquitous Burma Shave road signs as an example.Untermeyer developed his taste for literature while a child. His mother had read aloud to him from a variety of sources, including the epic poems “Paul Revere’s Ride” and “Hiawatha.” Bedtime stories he told to his brother Martin combined elements from every story he could remember, he revealed in Bygones: The Recollections of Louis Untermeyer. When he learned to read for himself, he was particularly impressed by books such as Alfred Lord Tennyson’s Idylls of the King and Dante’s Inferno. Gustave Dore’s illustrations in these books captivated him and encouraged his imagination toward fantasy. Almost 50 years later, Untermeyer published several volumes of retold French fairy tales, all illustrated by the famous French artist.In addition to children’s books and anthologies, Untermeyer published collections of his own poetry. He began to compose light verse and parodies during his teen years after dropping out of school to join his father’s business. With financial help from his father, he published First Love in 1911. Sentiments of social protest expressed in the 1914 volume Challenge received disapproval from anti-communist groups 40 years later; as a result of suspicion, Untermeyer lost his seat on the “What’s My Line” game show panel to publisher Bennett Cerf. During the 1970s, he found himself “instinctively, if incongruously, allied with the protesting young,” he wrote in the New York Times. In the same article he encouraged the spirit of experiment that characterized the decade, saying, “it is the non-conformers, the innovators in art, science, technology, and human relations who, misunderstood and ridiculed in their own times, have shaped our world.” Untermeyer, who did not promote any particular ideology, remained a popular speaker and lecturer, sharing criticism of poetry and anecdotes about famous poets with audiences in the United States and as far away as India and Japan.Untermeyer resigned from the jewelry business in 1923 in order to give all his attention to literary pursuits. Friendships with Robert Frost, Ezra Pound, Arthur Miller, and other literary figures provided him with material for books. For example, The Letters of Robert Frost to Louis Untermeyer contains letters selected from almost 50 years of correspondence with the New England poet. The anthologist’s autobiographies From Another World and Bygones relate as much about other writers as they do about his personal life. Bygones provides his reflections on the four women who were his wives. Jean Starr moved to Vienna with Untermeyer after he became a full-time writer; Virginia Moore was his wife for about a year; Esther Antin, a lawyer he met in Toledo, Ohio, married him in 1933; 15 years later, he married Bryna Ivens, with whom he edited a dozen books for children.In his later years, Untermeyer, like Frost, had a deep appreciation for country life. He once told Contemporary Authors: “I live on an abandoned farm in Connecticut … ever since I found my native New York unlivable as well as unlovable. … On these green and sometimes arctic acres I cultivate whatever flowers insist on growing in spite of my neglect; delight in the accumulation of chickadees, juncos, cardinals, and the widest possible variety of songless sparrows; grow old along with three pampered cats and one spoiled cairn terrier; season my love of home with the spice of annual travel, chiefly to such musical centers as Vienna, Salzburg, Milan, and London; and am always happy to be home again.” Untermeyer died in 1977.
-bio via Poetry Foundation
Today’s poem is one of the most-discussed pieces of twentieth-century verse and, love it or hate it, features one of literature’s best extended metaphors for eternal yearnings–the quest for the great and holy city. Happy reading.
If the strained relationship between science and Romanticism had an anthem, it might be today’s poem. Happy reading.
Today’s poem demonstrates that, unlike Arnold’s sideburns, loving the Bard never goes out of style.
Although remembered now for his elegantly argued critical essays, Matthew Arnold, born in Laleham, Middlesex, on December 24, 1822, began his career as a poet, winning early recognition as a student at the Rugby School where his father, Thomas Arnold, had earned national acclaim as a strict and innovative headmaster. Arnold also studied at Balliol College, Oxford University. In 1844, after completing his undergraduate degree at Oxford, he returned to Rugby as a teacher of classics.
After marrying in 1851, Arnold began work as a government school inspector, a grueling position which nonetheless afforded him the opportunity to travel throughout England and the Continent. Throughout his thirty-five years in this position Arnold developed an interest in education, an interest which fed into both his critical works and his poetry. Empedocles on Etna (1852) and Poems (1853) established Arnold’s reputation as a poet and, in 1857, he was offered a position, which he accepted and held until 1867, as Professor of Poetry at Oxford. Arnold became the first professor to lecture in English rather than Latin. During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
Meditative and rhetorical, Arnold’s poetry often wrestles with problems of psychological isolation. In “To Marguerite—Continued,” for example, Arnold revises John Donne’s assertion that “No man is an island,” suggesting that we “mortals” are indeed “in the sea of life enisled.” Other well-known poems, such as “Dover Beach,” link the problem of isolation with what Arnold saw as the dwindling faith of his time. Despite his own religious doubts, a source of great anxiety for him, in several essays Arnold sought to establish the essential truth of Christianity. His most influential essays, however, were those on literary topics. In “The Function of Criticism” (1865) and “The Study of Poetry” (1880) Arnold called for a new epic poetry: a poetry that would address the moral needs of his readers, “to animate and ennoble them.” Arnold’s arguments, for a renewed religious faith and an adoption of classical aesthetics and morals, are particularly representative of mainstream Victorian intellectual concerns. His approach—his gentlemanly and subtle style—to these issues, however, established criticism as an art form, and has influenced almost every major English critic since, including T. S. Eliot, Lionel Trilling, and Harold Bloom. Though perhaps less obvious, the tremendous influence of his poetry, which addresses the poet’s most innermost feelings with complete transparency, can easily be seen in writers as different from each other as W. B. Yeats, James Wright, Sylvia Plath, and Sharon Olds. Late in life, in 1883 and 1886, Arnold made two lecturing tours of the United States.
Matthew Arnold died in Liverpool on April 15, 1888.
-bio via Academy of American Poets
James Arlington Wright was born on December 13, 1927, in Martins Ferry, Ohio. His father worked for fifty years at a glass factory, and his mother left school at fourteen to work in a laundry; neither attended school beyond the eighth grade. While in high school in 1943, Wright suffered a nervous breakdown and missed a year of school. When he graduated in 1946, a year late, he joined the U.S. Army and was stationed in Japan during the American occupation. He then attended Kenyon College on the G.I. Bill, and studied under John Crowe Ransom. While there, he also befriended future fellow poet Robert Mezey. Wright graduated cum laude and Phi Beta Kappa in 1952. Wright traveled to Austria, where, on a Fulbright Fellowship, he studied the works of Theodor Storm and Georg Trakl at the University of Vienna. He returned to the U.S. and earned master’s and doctoral degrees at the University of Washington, studying with Theodore Roethke and Stanley Kunitz. He went on to teach at The University of Minnesota, Macalester College, and New York City’s Hunter College.
The poverty and human suffering Wright witnessed as a child profoundly influenced his writing and he used his poetry as a mode to discuss his political and social concerns. He modeled his work after that of Thomas Hardy and Robert Frost, whose engagement with profound human issues and emotions he admired. The subjects of Wright’s earlier books, The Green Wall (Yale University Press, 1957), winner of the Yale Series of Younger Poets Award, and Saint Judas (Wesleyan University Press, 1959), include men and women who have lost love or have been marginalized from society and they invite the reader to step in and experience the pain of their isolation. Wright possessed the ability to reinvent his writing style at will, moving easily from stage to stage. His earlier work adheres to conventional systems of meter and stanza, while his later work exhibits more open, looser forms, as with The Branch Will Not Break (Wesleyan University Press, 1963).
Wright was elected a fellow of the Academy of American Poets in 1971, and, the following year, his Collected Poems (Wesleyan University Press) received the Pulitzer Prize in Poetry.
Wright died in New York City on March 25, 1980.
Today’s poem, from the delightfully clever Wendy Cope, epitomizes the rare and complicated light verse form: the double-dactyl.
Wendy Cope was raised in Kent, England, where her parents often recited poetry to her. She earned a BA in history and trained as a teacher at Oxford University. Cope taught in primary schools for many years before publishing her first book of poetry, Making Cocoa for Kingsley Amis (1986). The collection was an incredible success, selling tens of thousands of copies in the UK. It also announced Cope’s remarkable talents for parody, word play, dexterity with received forms, and the use of humor to address grave topics. In the Los Angeles Review of Books, critic and poet A.M. Juster declared, “one has to go back to Byron to find a poet as consistently witty, wide-ranging, and technically outstanding as Cope.”
Cope’s poetry collections include Serious Concerns (1992); If I Don’t Know (2001), shortlisted for the Whitbread Poetry Award; Two Cures for Love: Selected Poems 1979–2006 (2008); Family Values (2011); Christmas Poems (2017), a collection of new and previously published Christmas-themed work; and Anecdotal Evidence (2018). She is the author of the prose collection Life, Love and the Archers (2015) and two books for children, Twiddling Your Thumbs (1988) and The River Girl (1991), and the editor of numerous anthologies, including, The Faber Book of Bedtime Stories (1999).
Cope has received a Cholmondeley Award and a Michael Braude Award for Light Verse from the American Academy of Arts and Letters. In 2010, she was awarded an Order of the British Empire. She is a Fellow of the Royal Society of Literature and lives in Winchester, England.
-bio via Poetry Foundation
Today’s poem is for all those already wondering what they will do when the baseball season ends next month. Happy reading.
Richard Wilbur was born in New York City on March 1, 1921 and studied at Amherst College before serving in the U.S. Army during World War II. He later attended Harvard University.
Wilbur’s first book of poems, The Beautiful Changes and Other Poems (Reynal & Hitchcock) was published in 1947. Since then, he has published several books of poems, including Anterooms: New Poems and Translations (Houghton Mifflin Harcourt, 2010); Collected Poems, 1943–2004 (Harvest Books, 2004); Mayflies: New Poems and Translations (Houghton Mifflin Harcourt, 2000); New and Collected Poems (Harcourt Brace Jovanovich, 1988), which won the Pulitzer Prize; The Mind-Reader: New Poems (Harcourt Brace Jovanovich, 1976); Walking to Sleep: New Poems and Translations (Harcourt, Brace & World, 1969); Advice to a Prophet and Other Poems (Harcourt, Brace & World, 1961); Things of This World (Harcourt, Brace & World, 1956), for which he received the Pulitzer Prize and the National Book Award; and Ceremony and Other Poems (Harcourt, Brace & World, 1950).
Wilbur also published numerous translations of French plays—specifically those of the seventeenth century French dramatists Molière and Jean Racine—as well as poetry by Paul Valéry, François Villon, Charles Baudelaire, Anna Akhmatova, Joseph Brodsky, and others. Wilbur is also the author of several books for children and a few collections of prose pieces, and has edited such books as Poems of Shakespeare (Penguin Books, 1966) and The Complete Poems of Poe (Dell Publishing Company, 1959).
About Wilbur’s poems, one reviewer for the Washington Post said, “Throughout his career Wilbur has shown, within the compass of his classicism, enviable variety. His poems describe fountains and fire trucks, grasshoppers and toads, European cities and country pleasures. All of them are easy to read, while being suffused with an astonishing verbal music and a compacted thoughtfulness that invite sustained reflection.”
Among Wilbur’s honors are the Wallace Stevens Award, the Aiken Taylor Award for Modern American Poetry, the Frost Medal, the Gold Medal for Poetry from the American Academy of Arts and Letters, two Bollingen Prizes, the T. S. Eliot Award, the Ruth Lilly Poetry Prize, a Ford Foundation Award, two Guggenheim Fellowships, the Edna St. Vincent Millay Memorial Award, the Harriet Monroe Poetry Award, the National Arts Club medal of honor for literature, two PEN translation awards, the Prix de Rome Fellowship, and the Shelley Memorial Award. He was elected a chevalier of the Ordre des Palmes Académiques and is a former poet laureate of the United States.
Wilbur served as a Chancellor of the Academy of American Poets from 1961 to 1995. He died on October 15, 2017 in Belmont, Massachusetts.
-bio via Academy of American Poets
Cullen’s exact birthplace is unknown, but in 1918, at the age of 15, Countee LeRoy was adopted by Reverend Frederick A. Cullen, the minster to the largest church congregation in Harlem.
Cullen kept his finger on the pulse of Harlem during the 1920s while he attended New York University and then a graduate program at Harvard. His poetry became popular during his student years, especially his prize-winning poem “The Ballad of a Brown Girl.” In 1925, he published his first volume of poetry entitled Color. Within the next few years, Cullen became well-known, publishing several books and winning a Guggenheim Fellowship in 1928 (to write poetry in France).
At first, Cullen was critical of Langston Hughes’ poetry, writing that, in using jazz rhythms in his poetry, Hughes was erecting barriers between race instead of removing them. In his own poetry, Cullen sought to erase these boundaries and took traditionalist poets, such as Keats and A.E. Housman, as models for his own poetry. However, despite his criticisms of other black poets, the majority of Cullen’s own verses confront racial issues.
By the 1930s, Cullen’s influence had waned, though he continued to publish prolifically, including novels, a collection of poems for children, the autobiography of his cat, and an adaption of his novel God Sends Sunday into a Broadway musical.
-bio via Song of America
In today’s poem, the inimitably magnanimous Dr. Johnson eulogizes the man of “The single talent well employed.” Happy birthday to the good doctor, and happy reading to the rest.
Today’s poem is a passage of blank verse from Act 5, Scene 3 of Shakespeare’s King Lear. In the action of the play the scene is a prelude to tragedy, but as a picture of love between father and daughter it is almost perfect. Happy reading.
Some Mondays call for a poem that is uncomplicated and perfectly delightful–and Milne never disappoints. Happy reading!
Joseph Rudyard Kipling (30 December 1865 – 18 January 1936) was an English journalist, novelist, poet, and short-story writer. He was born in British India, which inspired much of his work.
Kipling's works of fiction include the Jungle Book duology (The Jungle Book, 1894; The Second Jungle Book, 1895), Kim (1901), the Just So Stories (1902) and many short stories, including "The Man Who Would Be King" (1888). His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), and "If—" (1910). He is seen as an innovator in the art of the short story. His children's books are classics; one critic noted "a versatile and luminous narrative gift".
Kipling in the late 19th and early 20th centuries was among the United Kingdom's most popular writers. Henry James said "Kipling strikes me personally as the most complete man of genius, as distinct from fine intelligence, that I have ever known." In 1907, he was awarded the Nobel Prize in Literature, as the first English-language writer to receive the prize, and at 41, its youngest recipient to date. He was also sounded out for the British Poet Laureateship and several times for a knighthood, but declined both. Following his death in 1936, his ashes were interred at Poets' Corner, part of the South Transept of Westminster Abbey.
-bio via Wikipedia
There comes a point in every life when “birthday” goes from meaning "pizza party” to meaning “memento mori.” Today’s poem goes out to everyone in the latter group. Happy reading!
Today the age-old question of loss and grief is answered…by the man who raised it in the first place.
Nelson is likely best known for her literary output as a poet. She regularly published in Opportunity and Crisis magazines between 1917 and 1928. Her poems also appeared in James Weldon Johnson’s seminal anthology, The Book of American Negro Poetry (Harcourt, Brace and Company, 1931). Nelson began to keep a personal diary in 1921. Her entries from 1926 to 1931 were later edited by scholar Gloria T. Hull for a volume entitled Give Us Each Day: The Diary of Alice Dunbar-Nelson (W. W. Norton, 1984).
Toward the end of her public career, Nelson focused on journalism and public speaking. She gave numerous speeches as the executive secretary of the American Friends Inter-Racial Peace Committee from 1928 to 1931. From 1926 to 1930, Nelson wrote newspaper columns and became an activist for women’s suffrage and civil rights. In 1922, she advocated for the passage of the Dyer Anti-Lynching Bill, and helped establish the Industrial School for Colored Girls in Delaware. One of her speeches was published and included in Masterpieces of Negro Eloquence (The Bookery Publishing Company, 1914), and examples of her dialect poetry, dramatic prose, and oratory were collected The Dunbar Speaker and Entertainer (J. L. Nichols & Co., 1920). Both are anthologies that Nelson edited.
-bio via Academy of American Poets
The author of several collections of poetry–most recently Life on Earth–Dorianne Laux was the recipient of the Oregon Book Award and a finalist for the National Books Critics Circle Award for her book Facts About the Moon. She has also authored several works of non-fiction including The Poet’s Companion and Finger Exercises For Poets. She was elected a Chancellor of the Academy of American Poets in 2020.
Today’s poem–#6 in Donne’s La Corona sonnet cycle–is an ideal consummation for many of the themes introduced in this week’s selections. Now go read the rest of his holy sonnets! Happy reading!
Today, Donne’s best-known poem, but maybe not his last word on death. Happy reading!
Today’s poem dramatizes Donne’s inner turmoil and conflicting desires, but is not without hope. Happy reading.
Today’s Holy Sonnet is the fourth in Donne’s underrated (if a poet as great as Donne can have underrated work) sonnet cycle, La Corona. The title translates to “crown” and the cycle’s opening line introduces the poems as a woven “crown of prayer and praise” offered to God, narrating and commenting upon significant events in the life of Jesus. Sonnet 4, “Temple,” centers on the sole recorded episode from Jesus’ youth.
Today marks the beginning of a week of Donne’s “Holy Sonnets” (interpreted generously to also include selections from his sonnet cycle, “La Corona”). In this first sonnet, he establishes the themes––human weakness, self-doubt, terrestrial anguish, and divine transcendence and consolation––that will return throughout the series. Happy reading!
Today, one of our favorite living poets asks questions about one of our favorite poems. Happy reading.
In today’s poem Thomas Merton, 20th-century author and mystic, comes to an understanding of his monastic vocation through a contemplation of John the Baptist’s prenatal gymnastics. Happy reading.
Ted Hughes, one of the giants of twentieth-century British poetry, was born in Mytholmroyd, Yorkshire. After serving in the Royal Air Force, Hughes attended Cambridge, where he studied archeology and anthropology and took a special interest in myths and legends. In 1956, he met and married the American poet Sylvia Plath, who encouraged him to submit his manuscript to a first-book contest run by the Poetry Center. Awarded first prize by judges Marianne Moore, W. H. Auden, and Stephen Spender, The Hawk in the Rain (Faber & Faber, 1957) secured Hughes’s reputation as a poet of international stature. According to poet and critic Robert B. Shaw,
Hughes’s poetry signaled a dramatic departure from the prevailing modes of the period. The stereotypical poem of the time was determined not to risk too much: politely domestic in its subject matter, understated and mildly ironic in style. By contrast, Hughes marshaled a language of nearly Shakespearean resonance to explore themes which were mythic and elemental.
Hughes remained a controversial figure after Plath’s suicide left him as her literary executor and he refused (citing family privacy) to publish many of her papers. Nevertheless, his long career included unprecedented best-selling volumes such as Lupercal (Faber & Faber, 1960), Crow (Faber & Faber, 1970), Selected Poems 1957–1981 (Faber & Faber, 1982), and Birthday Letters (Faber & Faber, 1998), as well as many beloved children’s books, including The Iron Man (Faber & Faber, 1968), which was adapted as The Iron Giant (1999). With Seamus Heaney, he edited the popular anthologies The Rattle Bag (Faber & Faber, 1982) and The School Bag (Faber & Faber, 1997). Hughes was named executor of Plath’s literary estate and he edited several volumes of her work. Hughes also translated works from classical authors, including Ovid and Aeschylus. Hughes was appointed Britain’s Poet Laureate in 1984, a post he held until his death in 1998. Among his many awards, he was appointed to the Order of Merit, one of Britain’s highest honors.
Hughes married Carol Orchard in 1970, and the couple lived on a small farm in Devon until his death. His forays into translations, essays, and criticism were noted for their intelligence and range. Hughes continued writing and publishing poems until his death from cancer on October 28, 1998. A memorial to Hughes in the famed Poets’ Corner of Westminster Abbey was unveiled in 2011.
-bio via Poetry Foundation
Mark Strand was born on Canada’s Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook Prize and the Bergin Prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.
Strand was the author of numerous collections of poetry, including Collected Poems(Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize for Poetry; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives (Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).
Strand also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005); The Golden Ecco Anthology (Ecco, 1994); The Best American Poetry 1991; and Another Republic: 17 European and South American Writers, co-edited with Charles Simic (HarperCollins, 1976).
Strand’s honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation.
Strand served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City.
Mark Strand died at eighty years old on November 29, 2014, in Brooklyn, New York.
-bio via Academy of American Poets
Today’s poem is a meta-reflection on the constraints of poetic form that has something to say about all of life’s formal constraints. Happy reading.
Today’s poem–perfect for a Friday–gives us a less familiar (PG-13) Emily Dickinson, dreaming of letting her hair down. Happy reading.
Today’s poem is a classic staple with Literature teachers for its expressive metaphors; it is a classic staple with me because it’s such a cracking-good poem. Happy reading.
Today’s poem captures one of the universal challenges of education: recognizing the distinctions and distances between all human souls, and then bridging them without erasing them. Happy reading.
As the school year begins, today’s poem goes out to all of those everyday saints performing the unseen and unsung acts of love that make life possible for rest of us!
Born Asa Bundy Sheffey on August 4, 1913, Robert Hayden was raised in the Detroit neighborhood Paradise Valley. He had an emotionally tumultuous childhood and lived, at times, with his parents and with a foster family. In 1932, he graduated from high school and, with the help of a scholarship, attended Detroit City College (later, Wayne State University). In 1944, Hayden received his graduate degree from the University of Michigan.
Hayden published his first book of poems, Heart-Shape in the Dust (Falcon Press), in 1940, at the age of twenty-seven. He enrolled in a graduate English literature program at the University of Michigan, where he studied with W. H. Auden. Auden became an influential and critical guide in the development of Hayden’s writing. Hayden admired the work of Edna St. Vincent Millay, Elinor Wiley, Carl Sandburg, and Hart Crane, as well as the poets of the Harlem Renaissance—Langston Hughes, Countee Cullen, and Jean Toomer. He had an interest in African American history and explored his concerns about race in his writing. Hayden ultimately authored nine collections of poetry during his lifetime, as well as a collection of essays, and some children’s literature. Hayden’s poetry gained international recognition in the 1960s, and he was awarded the grand prize for poetry at the First World Festival of Negro Arts in Dakar, Senegal, in 1966 for his book Ballad of Remembrance (Paul Breman, 1962).
Explaining the trajectory of Hayden’s career, the poet William Meredith wrote:
Hayden declared himself, at considerable cost in popularity, an American poet rather than a Black poet, when for a time there was posited an unreconcilable difference between the two roles. There is scarcely a line of his which is not identifiable as an experience of Black America, but he would not relinquish the title of American writer for any narrower identity.
After receiving his graduate degree from the University of Michigan, Hayden remained there for two years as a teaching fellow. He was the first Black member of the English department. He then joined the faculty at Fisk University in Nashville, where he would remain for more than twenty years. In 1975, Hayden received the Academy of American Poets Fellowship and, in 1976, he became the first Black American to be appointed as Consultant in Poetry to the Library of Congress (later, U.S. poet laureate).
Hayden died in Ann Arbor, Michigan, on February 25, 1980.
-bio via Academy of American Poets
If a picture is worth 1,000 words, sometimes a portrait of your last wife who died under suspicious circumstances is as good as a confession. Happy(?) reading!
Hopefully five days of limericks has made this week a little lighter and a little brighter. See you next week for more of our regularly programming. Till then, happy reading!
Today’s limericks are all about unexpected consequences. Happy reading.
Children’s poet and educator Constance Levy earned degrees at Washington University and currently lives in St. Louis, Missouri. Known for its careful attention to external and internal rhyme, rhythm, alliteration, and assonance, Levy’s work frequently takes encounters with the natural world as its subject. By drawing on her own childhood encounters, Levy re-experiences the world through verse in the fresh and exuberant ways that children perceive natural objects and phenomena, often for the first time. Reviewers have consistently praised Levy’s poems for their accessible yet creative language. Her books include The Story of Red Rubber Ball (2004), Splash!: Poems of Our Watery World (2002), A Crack in the Clouds and Other Poems (1998), A Tree Place and Other Poems (1994), and I’m Going to Pet a Worm Today and Other Poems (1991). School Library Journal’s Kathleen Whalin summed up the appeal of Levy’s verse best in her review of When Whales Exhale and Other Poems: “To read Levy is to see the wonder of the everyday world.”
-bio via Poetry Foundation
Things are getting hairy. Happy reading.
While limericks can be plenty nonsensical, today’s are downright sensible–especially that of Leigh Mercer, famous for his mathematical wordplay and best known for creating the enterprising palindrome, “A man, a plan, a canal: Panama!".
It’s another weekly gimmerick here on the Daily Poem.
Edward Lear (12 May 1812 – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.
His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals, making coloured drawings during his journeys (which he reworked later, sometimes as plates for his travel books) and as a minor illustrator of Alfred, Lord Tennyson's poems.
As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
-bio via Wikipedia
Nâzim Hikmet was born on January 15, 1902, in Salonika, Ottoman Empire (now Thessaloníki, Greece), where his father served in the Foreign Service. He was exposed to poetry at an early age through his artist mother and poet grandfather, and had his first poems published when he was seventeen.
Raised in Istanbul, Hikmet left Allied-occupied Turkey after the First World War and ended up in Moscow, where he attended university and met writers and artists from all over the world. After the Turkish Independence in 1924, he returned to Turkey but was soon arrested for working on a leftist magazine. He managed to escape to Russia, where he continued to write plays and poems.
In 1928, a general amnesty allowed Hikmet to return to Turkey, and during the next ten years he published nine books of poetry—five collections and four long poems—while working as a proofreader, journalist, scriptwriter, and translator. He left Turkey for the last time in 1951, after serving a lengthy jail sentence for his radical acts, and lived in the Soviet Union and Eastern Europe, where he continued to work for the ideals of world Communism. After receiving early recognition for his patriotic poems in syllabic meter, Hikmet came under the influence of the Russian Futurists in Moscow, and abandoned traditional forms while attempting to “depoetize” poetry.
Many of Hikmet’s works have been translated into English, including Human Landscapes from My Country: An Epic Novel in Verse (Persea Books, 2009); Things I Didn’t Know I Loved (Persea Books, 1975); The Day Before Tomorrow (Carcanet Press, 1972); The Moscow Symphony (Rapp & Whiting, 1970); and Selected Poems (Cape Editions, 1967). In 1936, he published Seyh Bedreddin destani [The Epic of Shaykh Bedreddin] and Memleketimden insan manzaralari [Portraits of People from My Land].
Hikmet died of a heart attack in Moscow in 1963. The first modern Turkish poet, he is recognized around the world as one of the great international poets of the twentieth century.
-bio via Academy of American Poets
Maybe you remember the experiences recounted in today’s poem—maybe you don’t. Happy reading!
T. S. Eliot is remembered as a great poet, but he is surpassingly underrated as a namer of cats. Happy reading.
Warren (1905-1989) was born in Kentucky and educated at Vanderbilt University and the University of California, Berkeley. Though perhaps best known for his 1946 novel All the King’s Men, he was the author of over a dozen books of poetry in addition to his prose work. He is the only writer to have won Pulitzer Prizes for both fiction (in 1947) and poetry (in 1958 and 1979). Warren’s other honors include a Rhodes Scholarship, a Guggenheim Fellowship, the Presidential Medal of Freedom, a MacArthur Fellowship, and the National Medal of Arts. He taught at Southwestern College (now Rhodes College) in Memphis and co-authored several literature textbooks.
-bio via Library of Congress
Bruce Lansky is an internationally known poet and anthologist. He has a passion for getting children excited about reading and writing poetry. Lansky’s poetry books—including A Bad Case of the Giggles (2013), Peter, Peter, Pizza-Eater (2006), Mary Had a Little Jam (2004), If Kids Ruled the School (2004), and Rolling in the Aisles (2004)—are among America’s best-selling children’s poetry books. He is also the editor of the middle-grade fiction series Girls to the Rescue and Newfangled Fairy Tales. Lansky has performed in more than 300 schools from coast to coast. He enjoys returning to his peaceful home near one of Minnesota’s most beautiful lakes, just outside Minneapolis.
-bio via Poetry Foundation
Today’s poems from Ogden Nash, “The Ant” and “The Ostrich,” are the perfect marriage of wit and attention. Happy reading.
Oliver Herford (2 December 1860 – 5 July 1935), regarded as “the American Oscar Wilde,” was an Anglo-American writer, artist, and illustrator known for his pithy bon mots and skewed sense of humor. His obituary in The New York Times nicely sums up his unique brilliance:
"His wit…was too original at first to go down with the very delectable highly respectable magazine editors of the Nineties. It was odd, unexpected, his own brand. It takes genius to write the best nonsense, which is often far more sensible than sense. Herford's, the result of care and polish, looked unforced.…Intelligent, thoughtful, well-bred, what with his animals and his children and his artistic simplicities, he was remote from the style of the best moderns. No violence, no obscenity, not even obscurity or that long-windedness which is the signet of the illustrious writer of today. An old-fashioned gentleman, a painstaking artist, whose work had edge, grace and distinction."
Today’s poem begins with humble beasts but wings its way to the loftiest mysteries of existence. Happy reading.
Margaret Wise Brown (May 23, 1910 – November 13, 1952) was an American writer of children's books, including Goodnight Moon (1947) and The Runaway Bunny (1942), both illustrated by Clement Hurd. She has been called "the laureate of the nursery" for her achievements.
Brown was born in the Brooklyn borough of New York City, the middle child of three children of Maude Margaret and Robert Bruce Brown. She was the granddaughter of politician Benjamin Gratz Brown. Her parents had an unhappy marriage. She was initially raised in Brooklyn's Greenpoint neighborhood, and later attended Chateau Brilliantmont boarding school in Lausanne, Switzerland, in 1923, while her parents were living in India and Canterbury, Connecticut.
In 1925, Brown attended The Kew-Forest School. She began attending Dana Hall School in Wellesley, Massachusetts, in 1926, where she did well in athletics. After graduation in 1928, Brown went on to Hollins College in Roanoke, Virginia.
Brown was an avid, lifelong beagler and was noted for her ability to keep pace, on foot, with the hounds.
Following her graduation with a B.A. in English from Hollins in 1932, Brown worked as a teacher and also studied art. While working at the Bank Street Experimental School in New York City she started writing books for children. Bank Street promoted a new approach to children's education and literature, emphasizing the real world and the "here and now". This philosophy influenced Brown's work; she was also inspired by the poet Gertrude Stein, whose literary style influenced Brown's own writing.
Brown's first published children's book was When the Wind Blew, published in 1937 by Harper & Brothers. Impressed by Brown's "here and now" style, W. R. Scott hired her as his first editor in 1938. Through Scott, she published the Noisy Book series among others. As editor at Scott, one of Brown's first projects was to recruit contemporary authors to write children's books for the company. Ernest Hemingway and John Steinbeck neglected to respond, but Brown's hero, Gertrude Stein, accepted the offer. Stein's book The World is Round was illustrated by Clement Hurd, who had previously teamed with Brown on W. R. Scott's Bumble Bugs and Elephants, considered "perhaps the first modern board book for babies". Brown and Hurd later teamed on the children's book classics The Runaway Bunny and Goodnight Moon, published by Harper. In addition to publishing a number of Brown's books, under her editorship, W. R. Scott published Edith Thacher Hurd's first book, Hurry Hurry, and Esphyr Slobodkina's classic Caps for Sale.
-bio via Wikipedia
Today’s poem, written in 1871, actually gave the name to the since-codified psychological phenomenon known as the “centipede effect” or “centipede syndrome.” Psychologist George Humphrey (for whom the condition is alternatively named “Humphrey’s Law”) said of the poem, "This is a most psychological rhyme. It contains a profound truth which is illustrated daily in the lives of all of us."
G. K. Chesterton wrote: “Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong; we can pay for sunsets. We can pay for them by not being Oscar Wilde.” Perhaps Hopkins was anticipating that sentiment in today’s poem. Happy reading.
Today’s poem is the fourth and final section of Tennyson’s Arthurian ballad. I have been reading his 1842 version and (I think) the final stanza is where it differs most from the 1832 original. You can compare both below to see for yourself how Tennyson’s alteration ramps up the pathos. Happy reading!
1832 conclusion:
They cross'd themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
The wellfed wits at Camelot.
'The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,—this is I,
The Lady of Shalott.'
1842 conclusion:Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
Today we come to the turning point for the Lady of Shalott. Happy reading.
In part two, the “Lady” sits, weaving, in a world of images but pines for the world of solid realities.
Today is the first of four in which we’ll wend our way through Tennyson’s tragic Arthurian ballad.
Today’s poem is a shape poem dedicated to chefs, but (surprise?) it might be about more than cooking.
John Hollander, one of contemporary poetry’s foremost poets, editors, and anthologists, grew up in New York City. He studied at Columbia University and Indiana University, and he was a Junior Fellow of the Society of Fellows of Harvard University. Hollander received numerous awards and fellowships, including the Levinson Prize, a MacArthur Foundation grant, and the poet laureateship of Connecticut. He served as a Chancellor of the Academy of American Poets, and he taught at Hunter College, Connecticut College, and Yale University, where he was the Sterling Professor emeritus of English.
Over the course of an astonishing career, Hollander influenced generations of poets and thinkers with his critical work, his anthologies and his poetry. In the words of J.D. McClatchy, Hollander was “a formidable presence in American literary life.” Hollander’s eminence as a scholar and critic was in some ways greater than his reputation as a poet. His groundbreaking introduction to form and prosody Rhyme’s Reason(1981), as well as his work as an anthologist, has ensured him a place as one of the 20th-century’s great, original literary critics. Hollander’s critical writing is known for its extreme erudition and graceful touch. Hollander’s poetry possesses many of the same qualities, though the wide range of allusion and technical virtuosity can make it seem “difficult” to a general readership.
Hollander’s first poetry collection, A Crackling of Thorns (1958) won the prestigious Yale Series of Younger Poets Awards, judged by W.H. Auden. And in fact James K. Robinson in the Southern Review found that Hollander’s “early poetry resembles Auden’s in its wit, its learned allusiveness, its prosodic mastery.” Hollander’s technique continued to develop through later books like Visions from the Ramble (1965) and The Night Mirror (1971). Broader in range and scope than his previous work, Hollander’s Tales Told of the Fathers (1975) and Spectral Emanations (1978) heralded his arrival as a major force in contemporary poetry. Reviewing Spectral Emanations for the New Republic, Harold Bloom reflected on his changing impressions of the poet’s work over the first 20 years of his career: “I read [A Crackling of Thorns] … soon after I first met the poet, and was rather more impressed by the man than by the book. It has taken 20 years for the emotional complexity, spiritual anguish, and intellectual and moral power of the man to become the book. The enormous mastery of verse was there from the start, and is there still … But there seemed almost always to be more knowledge and insight within Hollander than the verse could accommodate.” Bloom found in Spectral Emanations “another poet as vital and accomplished as [A.R.] Ammons, [James] Merrill, [W.S.] Merwin, [John] Ashbery, James Wright, an immense augmentation to what is clearly a group of major poets.”
Shortly after Spectral Emanations,Hollander published Blue Wine and Other Poems (1979), a volume which a number of critics have identified as an important milestone in Hollander’s life and career. Reviewing the work for the New Leader, Phoebe Pettingell remarked, “I would guess from the evidence of Blue Wine that John Hollander is now at the crossroads of his own midlife journey, picking out a new direction to follow.” Hollander’s new direction proved to be incredibly fruitful: his next books were unqualified successes. Powers of Thirteen (1983) won the Bollingen Prize from Yale University and In Time and Place (1986) was highly praised for its blend of verse and prose. In the Times Literary Supplement, Jay Parini believed “an elegiac tone dominates this book, which begins with a sequence of 34 poems in the In Memoriam stanza. These interconnecting lyrics are exquisite and moving, superior to almost anything else Hollander has ever written.” Parini described the book as “a landmark in contemporary poetry.” McClatchy held up In Time and Place as evidence that Hollander is “part conjurer and part philosopher, one of our language’s true mythographers and one of its very best poets.”
Hollander continued to publish challenging, technically stunning verse throughout the 1980s and ’90s. His Selected Poetry (1993) was released simultaneously with Tesserae (1993); Figurehead and Other Poems (1999) came a few years later. “The work collected in [Tesserae and Other Poems and Selected Poetry] makes clear that John Hollander is a considerable poet,” New Republic reviewer Vernon Shetley remarked, “but it may leave readers wondering still, thirty-five years after his first book … exactly what kind of poet Hollander is.” Shetley recognized the sheer variety of Hollander’s work, but also noted the peculiar absence of anything like a personality, “as if the poet had taken to heart, much more fully than its author, Eliot’s dictum that poetry should embody ‘emotion which has its life in the poem and not in the history of the poet.’” Another frequent charge leveled against Hollander’s work is that it is “philosophical verse.” Reviewing A Draft of Light (2008) for Jacket Magazine,Alex Lewis argued that instead of writing “philosophizing verse,” Hollander actually “borrows from philosophy a language and a way of thought. Hollander’s poems are frequently meta-poems that create further meaning out of their own self-interrogations, out of their own reflexivity.” As always, the poems are underpinned by an enormous amount of learning and incredible technical expertise and require “a good deal of time and thought to unravel,” Lewis admitted. But the rewards are great: “the book deepens every time that I read it,” Lewis wrote, adding that Hollander’s later years have given his work grandeur akin to Thomas Hardy and Wallace Stevens.
Hollander’s work as a critic and anthologist has been widely praised from the start. As editor, he has worked on volumes of poets as diverse as Ben Jonson and Dante Gabriel Rossetti; his anthologist’s credentials are impeccable. He was widely praised for the expansive American Poetry: The Nineteenth Century (1994), two volumes of verse including ballads, sonnets, epic poetry, and even folk songs. Herbert Mitgang of the New York Times praised the range of poets and authors included in the anthology: “Mr. Hollander has a large vision at work in these highly original volumes of verse. Without passing critical judgment, he allows the reader to savor not only the geniuses but also the second-rank writers of the era.” Hollander also worked on the companion volume, American Poetry: The Twentieth Century (2000) with fellow poets and scholars Robert Hass, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff.
Hollander’s prose and criticism has been read and absorbed by generations of readers and writers. Perhaps his most lasting work is Rhyme’s Reason. In an interview with Paul Devlin of St. John’s University, Hollander described the impetus behind the volume: “Thinking of my own students, and of how there was no such guide to the varieties of verse in English to which I could send them and that would help teach them to notice things about the examples presented—to see how the particular stanza or rhythmic scheme or whatever was being used by the particular words of the particular poem, for example—I got to work and with a speed which now alarms me produced a manuscript for the first edition of the book. I’ve never had more immediate fun writing a book.” Hollander’s other works of criticism include The Work of Poetry (1993), The Poetry of Everyday Life (1997), and Poetry and Music (2003).
Hollander died on August 17, 2013 in Branford, Connecticut.
-bio via Poetry Foundation
In today’s poem, from Songs of Innocence, we meet William Blake struggling to sort out his theological analogies.
In today’s poem, also known as “Sonnet 19,” Milton offers a pious alternative to “raging” against the dying of the light. Happy reading.
Today’s poem muses on the sweet and awful creation of the poet. Happy reading!
Today’s poem is a song from Ben Jonson’s final play, The Sad Shepherd (1641). Happy reading.
Just when you thought you were out, The Daily Poem pulls you back in–to poems about movies. Today’s charming and earnest poem imitates the medium it describes (film) by swapping memorable images and sensations for linear propositions. Happy reading.
Amy Clampitt was born and raised in New Providence, Iowa. She studied first at Grinnell College in Grinnell, Iowa, and later at Columbia University and the New School for Social Research in New York City. Throughout the 1940s and 1950s, Clampitt held various jobs at publishers and organizations such as Oxford University Press and the Audubon Society. In the 1960s, she turned her attention to poetry. In 1974 she published a small volume of poetry titled Multitudes, Multitudes; thereafter her work appeared frequently in the New Yorker. Upon the publication of her book of poems The Kingfisher in 1983, she became one of the most highly regarded poets in America. Her other collections include A Silence Opens (1994), Westward (1990), What the Light Was Like (1985), and Archaic Figure (1987). Clampitt received fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the Academy of American Poets. A member of the American Academy of Arts and Letters, Clampitt taught at the College of William and Mary, Amherst College, and Smith College.
Joseph Parisi, a Chicago Tribune Book World reviewer, called the poet’s sudden success after the publication of The Kingfisher “one of the most stunning debuts in recent memory.” Parisi continued, “throughout this bountiful book, her wit, sensibility and stylish wordplay seldom disappoint.” In one of the first articles to appear after The Kingfisher’s debut, New York Review of Books critic Helen Vendler wrote that “Amy Clampitt writes a beautiful, taxing poetry. In it, thinking uncoils and coils again, embodying its perpetua argument with itself.” Georgia Review contributor Peter Stitt also felt that “The Kingfisher is … in many ways an almost dazzling performance.” In the Observer, Peter Porter described Clampitt as “a virtuoso of the here and the palpable.” Porter ranked her with the likes of Emily Dickinson and Elizabeth Bishop.
Critics praised the allusive richness and syntactical sophistication of Clampitt’s verse. Her poetry is characterized by a “baroque profusion, the romance of the adjective, labyrinthine syntax, a festival lexicon,” said New York Times Book Review contributor Alfred Corn in an article about Clampitt’s second important collection, What the Light Was Like (1985). Indeed, the poet’s use of vocabulary and syntax is elaborate. “When you read Amy Clampitt,” suggests Richard Tillinghast in the New York Times Book Review, “have a dictionary or two at your elbow.” The poet has, Tillinghast continues, a “virtuoso command of vocabulary, [a] gift for playing the English language like a musical instrument and [a] startling and delightful ability to create metaphor.” Her ability as a poet quickly gained Clampitt recognition as “the most refreshing new American poet to appear in many years,” according to one Times Literary Supplement reviewer.
Clampitt’s work is also characterized by erudite allusions, for which she provides detailed footnotes. Times Literary Supplement critic Lachlan Mackinnon compared her “finical accuracy of description and the provision of copious notes at the end of a volume,” to a similar tendency in the work of Marianne Moore. “She is as ‘literary’ and allusive as Eliot and Pound, as filled with grubby realia as William Carlos Williams, as ornamented as Wallace Stevens and as descriptive as Marianne Moore,” observed Corn. Washington Post reviewer Joel Conarroe added Walt Whitman and Hart Crane to this list of comparable poets: “Like Whitman, she is attracted to proliferating lists as well as to ‘the old thought of likenesses,’” wrote Conarroe. “And as in Crane her compressed images create multiple resonances of sound and sense.”What the Light Was Like centers around images of light and darkness. This book is “more chastely restrained than The Kingfisher,” according to Times Literary Supplement contributor Neil Corcoran. Conarroe believed that the poet’s “own imagery throughout [the book] is sensuous (even lush) and specific—in short, Keatsian.” Corn similarly commented that “there are stirring moments in each poem, and an authentic sense of Keats’ psychology.” He opined, however, that “her sequence [‘Voyages: A Homage to John Keats‘] isn’t effective throughout, the reason no doubt being that her high-lyric mode” does not suit narrative as well as a plainer style would.Clampitt’s Archaic Figure (1987) maintains her “idiosyncratic style,” as William Logan called it in the Chicago Tribune. New York Times Book Review contributor Mark Rudman noted the poet’s “spontaneity and humor; she is quick to react, hasty, impulsive, responsive to place—and to space.” In the London Sunday Times, David Profumo further praised Archaic Figure. Taking the example of the poem “Hippocrene,” the critic asserted that this work “demonstrates her new powers of economy, the sureness of her rhythmic touch and the sheer readability of her magnificent narrative skills.” “Amy Clampitt,” concluded Logan, “has become one of our poetry’s necessary imaginations.”
Clampitt died in Lenox, Massachusetts in 1994.
Today’s poem–published in 1920–is one of the early intersections between poetry and cinema. Happy reading.
Siegfried Sassoon (1886-1967) is best remembered for his angry and compassionate poems about World War I, which brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirized generals, politicians, and churchmen for their incompetence and blind support of the war. He was also well known as a novelist and political commentator. In 1957 he was awarded the Queen’s Medal for Poetry.
-bio via Poetry Foundation
In today’s poem, written a century ago, cinema (and Charlie Chaplin) is already supplying metaphors for the work and experience of modern poets. Happy reading.
Harold Hart Crane was born on July 21, 1899, in Garrettsville, Ohio, and began writing verse in his early teenage years. Though he never attended college, Crane read regularly on his own, digesting the works of the Elizabethan dramatists and poets William Shakespeare, Christopher Marlowe, John Donne and the nineteenth-century French poets Charles Vildrac, Jules Laforgue, and Arthur Rimbaud. His father, a candy manufacturer, attempted to dissuade him from a career in poetry, but Crane was determined to follow his passion to write.
Living in New York City, he associated with many important figures in literature of the time, including Allen Tate, the novelist and short story writer Katherine Anne Porter, E. E. Cummings, and Jean Toomer, but his heavy drinking and chronic instability frustrated any attempts at lasting friendship. An admirer of T. S. Eliot, Crane combined the influences of European literature and traditional versification with a particularly American sensibility derived from Walt Whitman.
His major work, the book-length poem, The Bridge, expresses in ecstatic terms a vision of the historical and spiritual significance of America. Like Eliot, Crane used the landscape of the modern, industrialized city to create a powerful new symbolic literature.
Hart Crane died by suicide on April 27, 1932, at the age of thirty-two, while sailing back to New York from Mexico.
-bio via Academy of American Poets
Today’s poem (from an art scholar and master of ekphrastic poetry) features another classic Hopper painting and a contemplative trip to the movies. Happy reading!
Joseph Stanton’s books of poems include A Field Guide to the Wildlife of Suburban O‘ahu, Cardinal Points, Imaginary Museum: Poems on Art, and What the Kite Thinks, Moving Pictures, and Lifelines: Poems for Homer and Hopper. He has published more than 300 poems in such journals as Poetry, Harvard Review, Poetry East, The Cortland Review, Ekphrasis, Bamboo Ridge, Elysian Fields Quarterly, Endicott Studio’s Journal of the Mythic Arts, and New York Quarterly. In 2007, Ted Kooser selected one of Stanton’s poems for his “American Life in Poetry” column.Stanton has edited A Hawai‘i Anthology, which won a Ka Palapala Po‘okela Award for excellence in literature. Two of his other books have won honorable mention Ka Palapala Po‘okela Awards. In 1997 he received the Cades Award for his contributions to the literature of Hawai‘i.As an art historian, Stanton has published essays on Edward Hopper, Winslow Homer, Maurice Sendak, Chris Van Allsburg, and many other artists. His most recent nonfiction books are The Important Books: Children’s Picture Books as Art and Literature and Stan Musial: A Biography. He teaches art history and American studies at the University of Hawai‘i at Mānoa.
-bio via Poetry Foundation
This week The Daily Poem heads to the movies.
Cornelius Eady is the founder of the poetry group Cave Canem and his published collections include Victims of the Latest Dance Craze (Omnation Press, 1986), winner of the Lamont Poetry Prize from the Academy of American Poets; The Gathering of My Name (Carnegie Mellon University Press,1991), nominated for a Pulitzer Prize; Brutal Imagination (G.P. Putnam’s Sons, 2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (G.P. Putnam’s Sons, 2008).
Today’s poem both responds to and carries on the work of Walt Whitman and Langston Hughes. Happy reading!
Allison Adelle Hedge Coke has written seven books of poetry, one book of nonfiction, and a play. Following former fieldworker retraining in the mid-1980s, the much-decorated poet began her writing and teaching career. She now serves as distinguished professor of creative writing at the University of California, Riverside.
-bio via UC Riverside
Today’s (frequently-paired) poems form an antiphonal song between Walt Whitman and Langston Hughes on the complicated ideal of “being American.” Happy Independence Day and Happy Reading!
Today’s poem is lovely, dark, and deep. Loneliness, Americana, Edward Hopper, literary illusions, clams: it has it all. Happy reading!
Poet and editor Grace Schulman (b. 1935) was born Grace Waldman in New York City, the only child of a Polish Jewish immigrant father and a seventh-generation American mother. She studied at Bard College and earned her BA from American University and her PhD from New York University. She is Distinguished Professor of English at Baruch College, CUNY, and served as the poetry editor of the Nation from 1972 to 2006. She also directed the 92nd Street Y Poetry Center from 1973 to 1985. She has published nine collections of poetry, including Again, the Dawn: New and Selected Poems, 1976-2022 (Turtle Point Press, 2022) and Days of Wonder: New and Selected Poems (Harper Collins, 2022). Her collection of essays, First Loves and Other Adventures (2010), reflects on her life as a writer and reader.
Typically written in a lucid free verse that occasionally reaches vatic heights, Schulman’s poems often take on subjects of art, history, and faith. Schulman’s history is usually that of her beloved New York City, where she has lived and worked as a dedicated poetry advocate all her life. Earthly moments and details of city life constantly suggest larger spiritual questions. Poet Ron Slate has described Schulman as “not only a poet of praise, but one who addresses the grounding questions of this mode. How and why do we find beauty in adversity?”
Schulman names Hopkins, Donne, Shakespeare, Dante, Whitman, and Marianne Moore as her influences. When Schulman was a teenager she was introduced to Moore, who had a profound effect on her poetics. Schulman wrote on the poet in a critical study, Marianne Moore: The Poetry of Engagement (1986), and edited The Poems of Marianne Moore (2004). Schulman has received numerous awards for her work, including the Delmore Schwartz Memorial Award, the Aiken Taylor Award for poetry, and Pushcart prizes. She has received fellowships from the New York Foundation of the Arts and the Guggenheim Foundation. Her work has been published in the Nation, the New Yorker, and numerous other magazines and journals, and appeared in The Best of the Best American Poetry 1988–1998.
She lives in New York City and East Hampton.
-bio via Poetry Foundation
Today’s poem from John Ciardi goes out to all of the dads who can cook, all of the dads who can’t, all of the children who have endured the latter, and all of the moms who deserve to sleep late more often. Happy reading!
In today’s poem, Poe offers us an ode to the Homeric beauty that is also definitely giving some Stacy’s-mom vibes.
On one of her darker days, Emily Dickinson dreams of a fate worse than death. Happy(?) reading.
Happy birthday to the trailblazing Paul Laurence Dunbar.
For more meditations on “lawyers’ ways,” come join our discussion of To Kill a Mockingbird over on the Close Reads Podcast!
Though rarely anthologized or even contemplated as such, today’s poem is arguably the very first–and its a solid beginning. Happy reading.
Today’s poem is one of the purest and most earnest offerings from one of the most indefatigable lover-poets of the twentieth century. Happy reading!
Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for its formal innovation, precise diction, irony, and wit. She was nominated for the 1968 Nobel Prize in Literature.
-bio via Wikipedia
Today’s poem comes from Matthew Hollis’ remarkable collection, Earth House, which blends explorations of the four cardinal directions and original translations of Anglo-Saxon verse from the Exeter Book.
Matthew Hollis was born in Norwich in 1971, and now lives in London. His debut Ground Water (Bloodaxe Books, 2004) was shortlisted for the Guardian First Book Award, the Whitbread Poetry Award and the Forward Prize for Best First Collection; it was a Poetry Book Society Recommendation. He is co-editor of Strong Words: Modern Poets on Modern Poetry (Bloodaxe Books, 2000) and 101 Poems Against War (Faber & Faber, 2003), and editor of Selected Poems of Edward Thomas (Faber & Faber, 2011). Now All Roads Lead to France: the Last Years of Edward Thomas (Faber & Faber, UK, 2011; Norton, US, 2012) won the Costa Biography Award and the H. W. Fisher Biography Prize, was Radio 4 Book of the Week and Sunday Times Biography of the Year. He has published the handmade and letterpress pamphlets Stones (Incline Press, 2016), East (Clutag Press, 2016), Leaves (Hazel Press, 2020) and Havener (Bonnefant Press, 2022). Leaves was shortlisted for the Michael Marks Poetry Award 2021. He is the author of The Waste Land: A Biography of a Poem (Faber & Faber, UK, Norton, US, 2022). He was Poetry Editor at Faber & Faber from 2012 to 2023. His second book-length collection, Earth House, was published by Bloodaxe Books in 2023 and was longlisted for The Laurel Prize 2023.
-bio via Bloodaxe Books
Today’s poem goes out to all the unsung heroes of the grease trap and the fry basket. Happy reading.
Jim Daniels is the author of numerous collections of poetry, most recently The Middle Ages (Red Mountain Press, 2018) and Street Calligraphy (Steel Toe Books, 2017). His third collection, Places/Everyone (University of Wisconsin Press, 1985), won the inaugural Brittingham Prize in Poetry in 1985. He lives in Pittsburgh and is the Thomas Stockham University Professor of English at Carnegie Mellon University.
-bio via Academy of American Poets
Lucille Clifton was born in Depew, New York, on June 27, 1936. Her first book of poems, Good Times (Random House, 1969), was rated one of the best books of the year by the New York Times.
Clifton remained employed in state and federal government positions until 1971, when she became a writer in residence at Coppin State College in Baltimore, Maryland, where she completed two collections: Good News About the Earth (Random House, 1972) and An Ordinary Woman (Random House, 1974). She was the author of several other collections of poetry, including Blessing the Boats: New and Selected Poems 1988–2000 (BOA Editions, 2000), which won the National Book Award; Good Woman: Poems and a Memoir 1969–1980 (BOA Editions, 1987), which was nominated for the Pulitzer Prize; and Two-Headed Woman (University of Massachusetts Press, 1980), also a Pulitzer Prize nominee as well as the recipient of the University of Massachusetts Press Juniper Prize.
In 1999, Clifton was elected a Chancellor of the Academy of American Poets. She served as the poet laureate for the State of Maryland from 1979 to 1985, and distinguished professor of humanities at St. Mary’s College of Maryland.
After a long battle with cancer, Lucille Clifton died on February 13, 2010, at the age of seventy-three.
-bio via Academy of American Poets
Captain Robert von Ranke Graves (24 July 1895 – 7 December 1985) was an English poet, soldier, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology.
Robert Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That (1929), and his speculative study of poetic inspiration The White Goddess have never been out of print. He is also a renowned short story writer, with stories such as "The Tenement" still being popular today.
He earned his living from writing, particularly popular historical novels such as I, Claudius; King Jesus; The Golden Fleece; and Count Belisarius. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of The Twelve Caesars and The Golden Ass remain popular for their clarity and entertaining style. Graves was awarded the 1934 James Tait Black Memorial Prize for both I, Claudius and Claudius the God.
Today’s economical little poem from Carl Sandburg is jam-packed with allusion and metaphor. Happy reading.
The conclusion to yesterday’s poem. Happy reading.
Today, while the host works in the mountains, we are featuring the first half of a longer poem by Fugitive poet Donald Davidson, imagining the inner agonies of a Robert E. Lee in retirement. Part 2 tomorrow.
Associated with the Fugitives and Southern Agrarians, poet Donald (Grady) Davidson was born in Tennessee and earned both a BA and an MA from Vanderbilt University in Nashville. Davidson published five collections of poetry The Outland Piper (1924), The Tall Man (1927), Lee in the Mountains and Other Poems (1938), The Long Street: Poems (1961), and Collected Poems: 1922–1961 (1966).
In the 1920s, Davidson co-founded and co-edited the influential journal The Fugitive. His prose writings include an essay in I’ll Take My Stand: The South and the Agrarian Tradition (1930); a collection, Still Rebels, Still Yankees and Other Essays (1957); and Southern Writers in the Modern World(1958), which he first delivered as a lecture at Mercer University in Georgia. Davidson wrote a two-volume history of Tennessee, The Tennessee Volume One: The Old River: Frontier to Secession (1946) and The Tennessee Volume Two: The New River: Civil War to TVA (1948).
Davidson taught English at Vanderbilt University from 1920 to 1968. He spent summers teaching at the Bread Loaf School of English in Vermont.
-bio via Poetry Foundation
Robert Bly (born December 23, 1926, in Madison, Minnesota) is the author of more than thirty books of poetry, including Stealing Sugar from the Castle: Selected Poems (W. W. Norton, 2013); Talking into the Ear of a Donkey: Poems(W. W. Norton, 2011); Reaching Out to the World: New and Selected Prose Poems (White Pine Press, 2009); My Sentence Was a Thousand Years of Joy (HarperCollins, 2005); The Night Abraham Called to the Stars (HarperCollins, 2001); Loving a Woman in Two Worlds (Dial Press, 1985); This Body is Made of Camphor and Gopherwood (Harper & Row, 1977); and The Light Around the Body (Harper & Row, 1967), which won the National Book Award.
As the editor of the magazine The Sixties (begun as The Fifties), Bly introduced many unknown European and South American poets to an American audience. He is also the editor of numerous collections including (Beacon Press, 2007); Mirabai: Ecstatic Poems(Beacon Press, 2004), co-authored with Jane Hirshfield; The Soul Is Here for Its Own Joy: Sacred Poems from Many Cultures (HarperCollins, 1995); Leaping Poetry: An Idea with Poems and Translations (Beacon Press, 1975); The Rag and Bone Shop of the Heart: Poems for Men (HarperCollins, 1992); News of the Universe: Poems of Twofold Consciousness (Sierra Club Books, 1980); and A Poetry Reading Against the Vietnam War (American Writers Against the Vietnam War, 1966). Among his many books of translations are Lorca and Jiminez: Selected Poems (Beacon Press, 1997); Times Alone: Selected Poems of Antonio Machado (Wesleyan University Press, 1983); The Kabir Book: Ecstatic Poems (Beacon Press, 1977); Friends, You Drank Some Darkness: Three Swedish Poets—Martinson, Ekeloef, and Transtromer (Beacon Press, 1975); and Neruda and Vallejo: Selected Poems (Beacon Press, 1971), co-translated with John Knoepfle and James Wright.
Bly’s honors include Guggenheim, Rockefeller, and National Endowment for the Arts fellowships, as well as The Robert Frost Medal from the Poetry Society of America.
Bly lived on a farm in the western part of Minnesota with his wife and three children until his death on November 21, 2021.
-bio via Academy of American Poets
Jane Kenyon (1947–1995), former Poet Laureate of New Hampshire, was the author of four volumes of poetry. Her collected poems were published by Graywolf Press in 2007.
Today’s poem isn’t what you think, until you do some thinking–then its exactly what you thought.
R. S. Gwynn (born 1948) is the author of six collections of poetry, including Dogwatch (2014) and the University of Missouri Breakthrough Award winner The Drive-In (1986).
-bio via Library of Congress
Today’s poem, a lover’s plea disguised as a meditation on virtuous restraint, marks the end of our week of sonnets. Happy reading.
Today, the Bard gets bitter.
Today’s sonnet details a painful reality: even great poets lose their hair sometimes.
Today, a (biased) case for poems as the monuments that can outlast monuments.
Today’s poem–arguably the Bard’s most famous sonnet–will set the stage for four days of dramatically underrated Shakespearean sonnets. Happy reading!
From a New York Times obituary of Oliver Herford (1860-1935): "His wit…was too original at first to go down with the very delectable highly respectable magazine editors of the Nineties. It was odd, unexpected, his own brand. It takes genius to write the best nonsense, which is often far more sensible than sense. Herford's, the result of care and polish, looked unforced.…Intelligent, thoughtful, well-bred, what with his animals and his children and his artistic simplicities, he was remote from the style of the best moderns. No violence, no obscenity, not even obscurity or that long-windedness which is the signet of the illustrious writer of today. An old-fashioned gentleman, a painstaking artist, whose work had edge, grace and distinction.”
Today’s poem is a good reminder about noblesse obliges. Happy reading!
Today’s poem might be a perfect companion to a bedtime-reading of Where the Wild Things Are on a balmy summer evening.
Today’s poem is another from Belloc–one of his Cautionary Tales for Children just in time for the beginning of a quiet summer (maybe?).
Today’s poem is a series of increasingly vital pleas. Happy reading.
For more of Belloc’s advice to the young, find yourself a copy of Cautionary Tales for Children!
Today we’re feeling out a Saturday bonus episode featuring a reading of “Morituri Salutamus” in its entirety. Happy reading!
Today’s episode features selections from Henry Wadsworth Longfellow’s fifty-year retrospective on his own graduation, the lengthy speech-in-verse, “Morituri Salutamus: Poem for the Fiftieth Anniversary of the Class of 1825 in Bowdoin College.” Come back tomorrow to hear the poem in full. Happy reading!
Today’s poem from Christina Rossetti is not about high school or college, but it might still be about graduation. Happy reading!
Konstantinos Petrou Kavafis, known, especially in English, as Constantine P. Cavafy and often published as C. P. Cavafy, was a Greek poet, journalist, and civil servant from Alexandria. A major figure of modern Greek literature, he is sometimes considered the most distinguished Greek poet of the 20th century.
-bio via Wikipedia
Matthew Zapruderis the author of six collections of poetry, most recently I Love Hearing Your Dreams, forthcoming from Scribner in September 2024, as well as two books of prose: Why Poetry (Ecco, 2017) and Story of a Poem (Unnamed, 2023). He is editor at large at Wave Books, where he edits contemporary poetry, prose, and translations. From 2016-7 he held the annually rotating position of Editor of the Poetry Column for the New York Times Magazine, and was the Editor of Best American Poetry 2022. He teaches in the MFA in Creative Writing at Saint Mary’s College of California.
-bio via the poet’s website
About the creative process itself, John Ciardi argued in the Writer that “it isn’t easy to make a poem,” adding, “It is better than easy: it is joyously, consumingly difficult. As it is difficult, too, though without joy, to face one’s failures.” Noting that the creation of successful verse requires definite skill, he wrote: “I insist that a poet needs at least as much training as does a concert pianist. More, I think, but that is already too much for the ignorantly excited.” Believing that “the minimum requirement for a good poem is a miracle,” he explained: “The poem must somehow turn out better than anyone—the poet included—had any right to expect. No matter how small the miracle, the hope of it is my one reason for writing.” He also felt the poem’s strength will lead the writer unerringly: “The poet cannot know where he is going: he must take his direction from the poem itself.”
-via Poetry Foundation
Today’s poems are all about the ineffable experience of spring. Happy reading!
The 17th-century Japanese haiku master Bashō was born Matsuo Kinsaku near Kyoto, Japan, to a minor samurai and his wife. Soon after the poet’s birth, Japan closed its borders, beginning a seclusion that allowed its native culture to flourish. It is believed that Bashō’s siblings became farmers, while Bashō, at Ueno Castle in the service of the local lord’s son, grew interested in literature. After the young lord’s early death, Bashō left the castle and moved to Kyoto, where he studied with Kigin, a distinguished local poet. During these early years Bashō studied Chinese poetry and Taoism, and soon began writing haikai no renga, a form of linked verses composed in collaboration. The opening verse of a renga, known as hokku, is structured as three unrhymed lines of five, seven, and five syllables. In Bashō’s time, poets were beginning to take the hokku’s form as a template for composing small standalone poems engaging natural imagery, a form that eventually became known as haiku. Bashō was a master of the form. He published his haiku under several names, including Tosei, or “Green Peach,” out of respect for the Chinese poet Li Po, whose name translates to “White Plum.” Bashō’s haiku were published in numerous anthologies, and he edited Kai Oi, or Seashell Game (1672), and Minashiguri, or Shriveled Chestnuts (1683), anthologies that also included a selection of his own work. In his late 20s Bashō moved to Edo (now a sector of Tokyo), where he joined a rapidly growing literary community. After a gift of bashō trees from one student in 1680, the poet began to write under the name Bashō. His work, rooted in observation of the natural world as well as in historical and literary concerns, engages themes of stillness and movement in a voice that is by turns self-questioning, wry, and oracular. Soon after Bashō began to study Zen Buddhism, a fire that destroyed much of his city also took his house. Around 1682, Bashō began the months-long journeys on foot that would become the material for a new poetic form he created, called haibun. Haibun is a hybrid form alternating fragments of prose and haiku to trace a journey. Haibun imagery follows two paths: the external images observed en route, and the internal images that move through the traveler’s mind during the journey. Bashō composed several extended haibun sequences starting in 1684, including Nozarashi Kiko, or Travelogue of Weather-Beaten Bones (1685); Oi no Kobumi, or The Knapsack Notebook (1688); and Sarashina Kiko, or Sarashina Travelogue (1688). His most well-known haibun, Oku no Hosomichi, or Narrow Road to the Interior, recounts the last long walk Bashō completed with his disciple Sora—1,200 miles covered over five months beginning in May 1689. While their days were spent walking, in the evenings they often socialized and wrote with students and friends who lived along their route. The route was also planned to include views that had previously been described by other poets; Bashō alludes to these earlier poems in his own descriptions, weaving fragments of literary and historical conversation into his solitary journey. Bashō revised his final haibun until shortly before his death in 1694. It was first published in 1702, and hundreds of editions have since been published in several languages.
-bio via Poetry Foundation
Today’s poem–an unambiguous paean to spring–suggests Thomas Nashe and T. S. Eliot had very different feelings about the month of April. Happy reading!
Thomas Nashe (1567 - c. 1601) –English pamphleteer, poet, dramatist, and novelist– was the first of the English prose eccentrics. Nashe wrote in a vigorous combination of colloquial diction and idiosyncratic coined compounds that was ideal for controversy. Among his works are the satire Pierce Penilesse His Supplication to the Divell (1592); the masque Summers Last Will and Testament (1592, published 1600); The Unfortunate Traveller (1594), the first picaresque novel in English; and Nashes Lenten Stuffe (1599). The play Dido, Queen of Carthage (1594) was a collaboration with Christopher Marlowe.
-bio via Britannica
Today’s poem is a more complicated take on spring. Happy reading.
E.E. Cummings, in full Edward Estlin Cummings, (born October 14, 1894, Cambridge, Massachusetts, U.S.—died September 3, 1962, North Conway, New Hampshire), American poet and painter who first attracted attention, in an age of literary experimentation, for his unconventional punctuation and phrasing. Cummings’s name is often styled “e.e. cummings” in the mistaken belief that the poet legally changed his name to lowercase letters only. Cummings used capital letters only irregularly in his verse and did not object when publishers began lowercasing his name, but he himself capitalized his name in his signature and in the title pages of original editions of his books.
- bio via Britannica.com
What started as an early spring is now not long for this world. In an attempt to stave off an early summer, we have a week of poems dedicated to the fairest of the seasons. Happy reading.
Phillis Levin (born 1954) is the author of four poetry collections, including May Day (Penguin, 2008). She also served as editor for The Penguin Book of the Sonnet (2001) and teaches at Hofstra University.
-bio via Library of Congress
Today’s poem is a Robert Frost classic of which everyone always remembers the wrong part. Happy reading!
Robert Southey was an English poet of the Romantic school, and Poet Laureate from 1813 until his death. Like the other Lake Poets, William Wordsworth and Samuel Taylor Coleridge, Southey began as a radical but became steadily more conservative as he gained respect for Britain and its institutions. Other romantics such as Byron accused him of siding with the establishment for money and status. He is remembered especially for the poem "After Blenheim" and the original version of "Goldilocks and the Three Bears".
-bio via Wikipedia
Today’s poem goes out to all the ‘pilgrim souls.’ Happy reading!
In today’s poem, John Keats isn’t worried about authenticity–and that’s just fine.
Today’s poem reminds us how much is sometimes riding on the proper grammatical distinctions.
Born in Cumberland, British Romantic poet and prose writer Dorothy Wordsworth was the third of five children. Her mother died when Wordsworth was six, and she moved to Halifax to live with her aunt. In 1781 she enrolled in Hipperholme Boarding School. When her father died in 1783, the family’s financial situation worsened and the children were sent to live with their uncles. Wordsworth changed schools, entering Miss Medlin’s school, where she first read Milton, Shakespeare, and Homer. She later moved to live with an uncle in Penrith, where she was tutored by yet another uncle, the Reverend William Cookson, who also tutored the sons of King George III. Starting in 1788, Wordsworth lived with Cookson and his new wife, and helped to care for their children.
She remained particularly close to her brother, the poet William Wordsworth, and the siblings lived together in Dorset and Alfoxden before William married her best friend, Mary Hutchinson, in 1802. Thereafter Dorothy Wordsworth made her home with the couple.
An avid naturalist, Wordsworth enjoyed daily nature walks with her brother, and images from the notes she took of these walks often recur in her brother’s poems. Most of her writing explores the natural world.
Although Wordsworth did not publish her work, many of her journals, travelogues, and poems have been posthumously collected and published, including her four-volume Alfoxden journal, which she kept from May 1799 to December 1802, and her journals from 1824 to 1835, which include a travelogue and notes on life at Rydal Mount, where she lived with William and his family beginning in 1813. Wordsworth also wrote several children’s stories.In her later years, she struggled with addictions to opium and laudanum, and her mental health deteriorated. Until his death in 1850, her brother was her main caretaker.
-bio via Poetry Foundation
Today’s poem is almost too bright for our infirm delight. Happy reading!
Today’s poem features a failed resurrection and a response that spirals through all the customary stages of grief.
Hilda Doolittle was born on September 10, 1886, in Bethlehem, Pennsylvania. She attended Bryn Mawr College, where she was a classmate of Marianne Moore. Doolittle later enrolled at the University of Pennsylvania, where she befriended Ezra Pound and William Carlos Williams.
H.D. published numerous books of poetry, including Flowering of the Rod (Oxford University Press, 1946); Red Roses From Bronze (Random House, 1932); Collected Poems of H.D. (Boni and Liveright, 1925); Hymen (H. Holt and Company, 1921); and the posthumously published Helen in Egypt (Grove Press, 1961). She was also the author of several works of prose, including Tribute to Freud (Pantheon, 1956).
H.D.’s work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement, even as her voice had outgrown the movement’s boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt. Neglect of H.D. can also be attributed to her time, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. As Alicia Ostriker said in American Poetry Review, “H.D., by the end of her career, became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language.”
H.D. died in Zurich, Switzerland, on September 27, 1961.
-bio via Academy of American Poets
Clive Staples Lewis (1898–1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement.
Lewis wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. C. S. Lewis’s most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics in The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.
-bio via Harper Collins
Find somebody to watch the kids while you giggle through today’s poem. Happy reading.
Respected editor, publisher, writer and poet, Paul Ruffin often relied upon his experiences growing up in the South as a foundation for his stories.
He was born in Millport, Alabama, and grew up outside Columbus, Mississippi. After serving in the U.S. Army, Ruffin earned both his bachelor’s and master’s degrees in English at Mississippi State University.
He took post-graduate courses at the University of Southampton in England and graduated with his doctoral degree from the Center for Writers and the University of Southern Mississippi in 1974.
He accepted a position at Sam Houston State University where he founded The Texas Review—an international literary journal—and Texas Review Press, a member of the Texas A&M University Press Consortium.
Karla K. Morton, 2010 Texas Poet Laureate, said, “His work at The Texas Review Press elevated the whole of Texas Letters.”
Throughout the years, Ruffin worked tirelessly to promote the press and its authors, once giving his views on university presses moving toward digital books as opposed to traditional ink-on-paper.
“We’re fulfilling the ancient role of the university press and that is to produce books. I don’t want to give up the book because it is an art,” he said.
During his extensive writing career, he published more than 1,500 poems, 100-plus stories, and more than 90 essays in magazines and journals. His work also has appeared in numerous anthologies and textbooks. In addition, he wrote a weekly column that appeared in several newspapers in Texas and Mississippi. In 2009, he was named Texas State Poet Laureate.
In a 2009 article in SHSU’s Heritage Magazine, Ruffin was described as someone who “loves football, shooting, riding his tractor, maintaining his truck, and doing his own carpentry, electric, and plumbing work…not exactly the stereotypical image of a person who loves words and is a master of arranging them into beautifully crafted poems and other literary works.”
-bio via Sam Houston State University
Today’s poem ponders what love makes of language. Happy reading.
A.E. (Alicia) Stallings is the Oxford Professor of Poetry. She grew up in Decatur, Georgia, and studied classics at the University of Georgia and Oxford University. Her poetry collections include Like (2018), a finalist for the Pulitzer Prize; Olives (2012), which was nominated for a National Book Critics Circle Award; Hapax (2006); and Archaic Smile (1999), winner of the Richard Wilbur Award and finalist for both the Yale Younger Poets Series and the Walt Whitman Award. Her poems have appeared in The Best American Poetry anthologies of 1994, 2000, 2015, 2016, and 2017, and she is a frequent contributor to Poetry and the Times Literary Supplement.
Stallings’s poetry is known for its ingenuity, wit, and dexterous use of classical allusion and forms to illuminate contemporary life. In interviews, Stallings has spoken about the influence of classical authors on her own work: “The ancients taught me how to sound modern,” she told Forbes magazine. “They showed me that technique was not the enemy of urgency, but the instrument.”
Stallings's latest verse translation is the pseudo-Homeric The Battle Between the Frogs and the Mice(2019), in an illustrated edition with Paul Dry Books, and her latest volume of poetry is a selected poems, This Afterlife(2022, FSG). She is the recipient of fellowships from the Guggenheim Foundation and the MacArthur Foundation. She lives in Athens, Greece, with her husband, the journalist John Psaropoulos.
-bio via Poetry Foundation
Today’s poem is inspired by one of our favorites here at the Daily Poem.
Librettist, essayist, translator, and author of ten poetry collections, Scott Cairns is Curators’ Distinguished Professor Emeritus at University of Missouri. His poems and essays have appeared in Poetry, Image, Paris Review, The Atlantic Monthly, The New Republic, and both have been anthologized in multiple editions of Best American Spiritual Writing. He received a Guggenheim Fellowship in 2006, and the Denise Levertov Award in 2014.
His most recent book of poems, Lacunae, is available wherever books are sold.
-bio via Paraclete Press
Ted Kooser, who worked in insurance for thirty-five years before becoming U.S. Poet Laureate, turns 85 today. Many happy returns of the day to him, and happy reading to the rest of you!
Have you measured out your life in coffee spoons? Feeling like a pair of ragged claws today? Afraid to eat messy food while other people are watching? Or are you just channeling a little too much Polonius? If so, today’s poem–the classic modernist anthem of insecurity and isolation (and mermaids)–will feel very familiar. Happy reading!
(And for an even better reading of this poem, you should discover Jeremy Irons reading Eliot’s complete poems.)
Happy birthday to the Bard!
NB: Anyone itching to dig deeper into Shakespeare’s plays should look no further than one of our sister podcasts, The Play’s the Thing!
Louise Glück was born in New York City in 1943. She is the author of numerous poetry collections, including Winter Recipes from the Collective (2021); Faithful and Virtuous Night (2014), which won the National Book Award; Poems: 1962-2012 (2012), winner of the Los Angeles Times Book Prize; and The Wild Iris (1992), which won the Pulitzer Prize; and Ararat (1990), which won the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. In 2020, Glück was awarded the Nobel Prize in Literature. Her other honors include The New Yorker’s Book Award in Poetry, the Wallace Stevens Award from the Academy of American Poets, the William Carlos Williams Award from the Poetry Society of America, and the National Book Critics Circle Award. She has also received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the National Endowment for the Arts. A member of the American Academy and Institute of Arts and Letters, Glück was elected a Chancellor of the Academy of American Poets in 1999 and named the 12th Poet Laureate Consultant in Poetry to the Library of Congress in 2003. Glück has taught English and creative writing at Williams College, Yale University, Boston University, the University of Iowa, and Goddard College. She died in 2023.
-bio via Library of Congress
Francis Thompson was born in Northwest England in 1859. The son of Catholic converts, as a boy he was initially educated for the priesthood. When he was 18, at his parents' insistence, he entered Owens College in Manchester to follow in his father's footsteps and study medicine. But before long, he left for London hoping to pursue what he believed was his true vocation of being a writer. As a result of ill health and subsequent medical treatment, like many before him, Thompson became addicted to opium. He soon fell into a life of despair and destitution, sleeping on the banks of the Thames with London's homeless and selling matches just to stay alive.
Yet it was during this time, in the midst of all his hunger, deprivation and hopelessness, that he was most able to see the kingdom of Heaven. These devastating experiences honed his poetic focus and insights. In 1888, Thompson sent a tattered and torn manuscript to the Catholic periodical Merry England. Its editors, Wilfrid and Alice Meynell, devout Christians themselves, not only recognized Thompson's poetic ability, they took him under their care and gave him a home. They also arranged for the publication of his first book in 1893, simply titled Poems, which included The Hound of Heaven. The poem was immediately recognized as a masterpiece.
Thompson spent the years from 1893-1897 nursing his frail health in a monastery in Wales. He died of tuberculosis on November 13, 1907. He was 47. After his death, Alice Meynell wrote that no change in poetic tastes in the years to come could ever "lessen the height or diminish the greatness" of Thompson's profound accomplishment. In his eulogy for Thompson, G. K. Chesterton simply concluded: "He was a great poet." Among those who would be influenced by Thompson was the young J. R. R. Tolkien, who purchased a volume of Thompson's works in 1913, and later claimed that it had played an important role in his own writing.
-bio via HoundofHeaven.com
Today’s poem–benign anthem of the resilient human spirit or a hymn to radical autonomy?–has divided audiences for more than a century.
Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypt Grammar School, where he studied with the poet T.E. Brown, and the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).
Henley edited the Scots Observer (which later became the National Observer), through which he befriended writer Rudyard Kipling, and the Magazine of Art, in which he lauded the work of emerging artists James McNeill Whistler and Auguste Rodin. Henley was a close friend of Robert Louis Stevenson, who reportedly based his Long John Silver character in Treasure Island in part on Henley.
-bio via Poetry Foundation
What do John Donne, Paul Simon, and AC/DC have in common? Today’s poem. Happy reading!
Today it’s Whitman (and Dylan) on the march of progress.
Today’s poem imagines what you might do when you’re through paying taxes.
Today’s poem is an ekphrasis on a portrait of the poet himself–all that the portrait does and doesn’t capture or convey.
Today’s poem is a lighter take on the self-portrait ekphrasis. What is it about the self-portrait that is so intriguing to poets, anyway?
Elizabeth Jennings (1926-2001) was born in Boston, Lincolnshire but moved to Oxford at the age of six where she lived for the rest of her life. She studied at St. Anne’s College, Oxford and worked in advertising, at the City Library and briefly in publishing before becoming a full-time writer. Her consistent devotion to poetry yielded over twenty books during her life, a New Collected Poems appearing in 2002. Although initially linked to the group of poets including Kingsley Amis, Philip Larkin and Thom Gunn known as ‘The Movement’, Jennings’ work doesn’t share their irony or academic wit. However, the unassuming technical craft of her poetry and its emotional restraint are qualities that were praised by the poets and critics of the period and continued to be abiding characteristics of her work. An important theme is her Catholicism and many of her poems have a devotional aspect. Her intense musing on spirituality encouraged a sensitivity towards others, evident in the pained tenderness of some of her poems. Jennings’ sincere and scrupulous work gradually built both critical acclaim that weathered changes in poetic fashion, and a genuine popularity. Amongst the many honours awarded her work are the W.H. Smith Literary Award, the Somerset Maugham Award and a CBE. Although consistent in its tone and concerns, her poetry continued to develop and mature – later work demonstrating a more flexible approach to form whilst retaining her clarity.
-bio via Poetry Archive(where you can also hear Jennings reading her own poem)
Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire’s Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard’s critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard’s many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.
Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.
-bio via Poetry Foundation
ekphrasis: “Description” in Greek. An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning.
Once internationally famous as the author of the poem "The Man with the Hoe," Edwin Markham (1852-1940) was a popular American literary figure during the first half of the 20th century whose works espoused progressive social and spiritual beliefs. In contrast to the experimentalism and pessimism that generally characterized poetry of this era, Markham's quatrains, sonnets, and heroic verse celebrate peace, love, and socialist utopian reform. In a 1902 essay in the Comrade, Leonard D. Abbot proclaimed that "Markham, more than any other poet in the English language, can claim the honor of being the Bard of Labor—the true product of the last great movement that is destined to shake the world."In 1876 Markham abandoned the Methodist faith of his childhood and became a follower of the spiritualist and utopian socialist Thomas Lake Harris. Harris's doctrine, which espoused social harmony and universal charity, became a major force in Markham's life. Markham had begun writing poetry as early as 1872, but he did not sell his first poem until 1880. For the next 19 years, he contributed poems to Harper's, Century, and Scribner's, and cultivated friendships with such eminent American literary figures as Edmund Clarence Stedman, Hamlin Garland, and Ambrose Bierce.During the last week of December 1898, Markham completed a poem that changed his career overnight. Titled "The Man with the Hoe," the poem was based on the painting of the same name by the French artist Jean-Francois Millet in 1862. Millet's painting depicts a stooping peasant with a brutish expression on his face, who in Markham's poem becomes the embodiment of the suffering of oppressed labor throughout world history. Markham read the poem to an editor of William Randolph Hearst's San Francisco Examiner at a New Years' Eve party, and that newspaper published the work two weeks later."The Man with the Hoe" attracted wide public notice and was reprinted in newspapers across the United States. Its appeal for better treatment of the working class became the subject of national debate and launched Markham's career as a poet, transforming him into a national celebrity. Markham enjoyed this immense public prestige until his death in 1940.Markham's poetry is characterized by its highly rhetorical nature and expresses his advocacy of social reform, as well as his desire for the unity of humankind through spiritual faith. "The Man with the Hoe," as well as his subsequent poetry, was hotly debated by critics. William Jennings Bryan wrote: "There is a majestic sweep to the argument; some of the lines pierce like arrows," while Ambrose Bierce railed: "As a literary conception it has not the vitality of a dead fish. It will not carry a poem of whatever excellence otherwise through two generations." Although Markham's first collection of poetry, The Man with the Hoe, and Other Poems, was subject to the same controversy, critics generally viewed Markham as a poet of much promise. With each successive collection, however, he encountered disfavor with critics. When Gates of Paradise, and Other Poems was published in 1920, Herbert S. Gorman wrote, "Markham became a poet when he wrote 'The Man with the Hoe' and when he penned the last line he ceased to be a poet." Nevertheless, Markham always remained popular with readers, and his distinguished appearance—tall, ruggedly featured, and bearded—impressed many people as the ideal of a great American poet.In 1922, Markham, on invitation from former president William Howard Taft, read his poem "Lincoln, the Man of the People" at the dedication of the Lincoln Memorial; in 1932, on the occasion of Markham's 80th birthday, he was regaled at New York's Carnegie Hall, a celebration to which 35 nations sent representatives. Despite the decline in his reputation after his death, among scholars Markham remains an important figure in American poetry of the early 20th century. "At a time when protest counted, Markham's first triumph, 'The Man with the Hoe,' helped awaken the conscience of the American people," observed Joseph W. Slade in the Dictionary of Literary Biography. "Markham elevated socialism, naive as it was, into sublimity. If 'The Man with the Hoe' represents Markham on a soapbox, critic Benjamin De Casseres has written, the 'that soapbox is a star.'"
-bio via Poetry Foundation
Today’s poem is in honor of April being (according to now-outdated tradition) the last prudent month till Autumn in which to eat oysters. Happy reading!
Self-effacing, yet having an expressive critical ability; reveling in the possibilities of fancy, though thoroughly at home with the sophisticated nuances of logic and mathematics, Lewis Carroll (Charles Lutwidge Dodgson) was an individual who, through his rare and diversified literary gifts and power of communication, left an indelible mark upon the imaginations of children and adults both during his generation and in generations to come. His best-known works, Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass, And What Alice Found There (1872) are still enjoyed by readers throughout the world and have been adapted for radio, television, and motion pictures.
-bio via Poetry Foundation
West Indian poet and playwright Derek Walcott made his debut as an 18-year-old with In a Green Night. For many years he divided his time among Saint Lucia; Boston University, where he taught; and Trinidad, where he managed a theater. Walcott also worked as an artist and combined his poetry with painting in the volume Tiepolo’s Hound (2005).
Walcott’s works often deal with Caribbean history, while he simultaneous searches for vestiges of the colonial era. Western literary canon is revised and given a completely new form, as in the poetry collection Omeros (1990). In his writing Walcott explores the complexity of living and working in two cultures.
-bio via Nobel Foundation
In today’s poem: George Herbert meditating on the simple profundity of a single, sustained metaphor. Happy reading.
Today’s poem–a layered, jokingly-serious response to one of last week’s–comes from Ogden Nash, dubbed the ‘Laurate of Light Verse.’ Which banner would you rally under–Nash or Byron?
One of the most widely appreciated and imitated writers of light verse, Frediric Ogden Nash was born in Rye, New York, on August 19, 1902, to Edmund Strudwick and Mattie Nash. He came from a distinguished family; the city of Nashville, Tennessee, was named in honor of one of his forbearers. Nash attended Harvard College, but dropped out after only one year. He worked briefly on Wall Street, and as a schoolteacher, before becoming a copywriter. In 1925, he took a job in the marketing department with the publishing house Doubleday.
Nash's first published poems began to appear in the New Yorker around 1930. His first collection of poems, Hard Lines (Simon & Schuster), was published in 1931. The book was a tremendous success; it went into seven printings in its first year alone, and Nash quit his job with Doubleday. That same year, he married Frances Rider Leonard; they had two children. Nash worked briefly for the New Yorker in 1932, before deciding to devote himself full-time to his verse.
Nash considered himself a "worsifier." Among his best known lines are "Candy / Is dandy, / But liquor / Is quicker" and "If called by a panther / Don't anther." His poems also had an intensely anti-establishment quality that resounded with many Americans, particularly during the Depression. Nash was a keen observer of American social life, and frequently mocked religious moralizing and conservative politicians. His work is often compared with other satirists of the time, including Dorothy Parker, Robert Benchley, and H. L. Mencken. He appeared regularly on radio and on television, and he drew huge audiences for his readings and lectures.
Nash was also the author of three screenplays for MGM, and with S. J. Perelmen, he wrote the 1943 Broadway hit One Touch of Venus. In the 1950s, Nash focused on writing poems for children, including the collection Girls Are Silly (Franklin Watts, 1962). He died on May 19, 1971.
-bio via Academy of American Poets
A joyous Eastertide and happy reading to you all!
Due to the inconsistencies and ambiguities within his work and the scarcity of information about his personal life, Andrew Marvell has been a source of fascination for scholars and readers since his work found recognition in the early decades of the twentieth century. Born on March 31, 1621, Marvell grew up in the Yorkshire town of Hull, England, where his father, Rev. Andrew Marvell, was a lecturer at Holy Trinity Church and master of the Charterhouse. At age twelve Marvell began his studies at Trinity College, Cambridge. Four years later, two of Marvell’s poems, one in Latin and one in Greek, were published in an anthology of Cambridge poets. After receiving his bachelor’s degree in 1639, Marvell stayed on at Trinity, apparently to complete a master’s degree. In 1641, however, his father drowned in the Hull estuary and Marvell abandoned his studies. During the 1640s Marvell traveled extensively on the continent, adding Dutch, French, Spanish, and Italian to his Latin and Greek—missing the English Civil Wars entirely.
Marvell spent most of the 1650s working as a tutor, first for Mary Fairfax, daughter of a retired Cromwellian general, then for one of Oliver Cromwell’s wards. Scholars believe that Marvell’s greatest lyrics were written during this time. In 1657, due to John Milton’s efforts on his behalf, Marvell was appointed Milton’s Latin secretary, a post Marvell held until his election to Parliament in 1660.
A well-known politician, Marvell held office in Cromwell’s government and represented Hull to Parliament during the Restoration. His very public position—in a time of tremendous political turmoil and upheaval—almost certainly led Marvell away from publication. No faction escaped Marvell’s satirical eye; he criticized and lampooned both the court and Parliament. Indeed, had they been published during his lifetime, many of Marvell's more famous poems—in particular, “Tom May's Death,” an attack on the famous Cromwellian—would have made him rather unpopular with royalists and republicans alike.
Marvell used his political status to free Milton, who was jailed during the Restoration, and quite possibly saved the elder poet’s life. In the early years of his tenure, Marvell made two extraordinary diplomatic journeys: to Holland (1662–63) and to Russia, Sweden, and Denmark (1663–65). In 1678, after eighteen years in Parliament, Marvell died rather suddenly of a fever. Gossip from the time suggested that the Jesuits (a target of Marvell’s satire) had poisoned him. After his death, he was remembered as a fierce and loyal patriot.
Now considered one of the greatest poets of the seventeenth century, Marvell published very little of his scathing political satire and complex lyric verse in his lifetime. Although he published a handful of poems in anthologies, a collection of his work did not appear until 1681, three years after his death, when his nephew compiled and found a publisher for Miscellaneous Poems. The circumstances surrounding the publication of the volume aroused some suspicion: a person named “Mary Marvell,” who claimed to be Marvell’s wife, wrote the preface to the book. “Mary Marvell” was, in fact, Mary Palmer—Marvell’s housekeeper—who posed as Marvell’s wife, apparently, in order to keep Marvell’s small estate from the creditors of his business partners. Her ruse, of course, merely contributes to the mystery that surrounds the life of this great poet.
Andrew Marvell died on August 16, 1678.
-bio via Academy of American Poets
English peer and poet George Gordon Byron was one of the bad boys of the Romantic movement and, by some accounts, the first ‘celebrity.’ Like countless celebrities who would come after, he was embroiled in a number of romantic scandals and never accused of being overly pious (to put it Britishly). Nevertheless, he was moved by a number of stories from the Hebrew scriptures–a response that inspired him to pen an entire collection of poetry and one of the best-known similes in English poetry.
Poet, editor, translator, and critic Louis Simpson was born in Jamaica to Scottish and Russian parents. He moved to the United States when he was 17 to study at Columbia University. After his time in the army, and a brief period in France, Simpson worked as an editor in New York City before completing his PhD at Columbia. He taught at colleges such as Columbia University, the University of California, Berkeley, and the State University of New York at Stony Brook.
A contemporary of confessional poets like Robert Lowell, John Berryman, and Sylvia Plath, Simpson’s early work followed a familiar arc. In the New York Times Book Review, critic David Orr noted its highlights: “Simpson has followed a path lined with signposts sunk so deep in our nation's poetic terra firma that they've practically become part of the landscape. Those signposts declare that a poet born in or around the 1920s should (1) begin his career writing witty, ironic formal poems bearing the stamp of Eliot and Auden; then (2) abandon that formalism for a more 'natural' free verse approach, while (3) dabbling in surrealism; until (4) finally settling on social, conversational poems in the manner of a man speaking to men.” While Simpson’s early books like The Arrivistes (1949) and A Dream of Governors (1959) show the influence of Auden, they also speak to his horrific experiences in World War II, where he served in the 101st Airborne Division and saw active duty in France, Belgium, and Germany. Simpson’s intense formal control, at odds with the visceral details of soldiering, also earned him comparisons to Wilfred Owen. At the End of the Open Road (1963) won the Pulitzer Prize and marked a shift in Simpson’s poetry as well. In this and later volumes, like Searching for the Ox (1976) and The Best Hour of the Night (1983), Simpson’s simple diction and formally controlled verses reveal hidden layers of meaning.
Simpson’s lifelong expatriate status influenced his poetry, and he often uses the lives of ordinary Americans in order to critically investigate the myths the country tells itself. Though he occasionally revisits the West Indies of his childhood, he always keeps one foot in his adopted country. The outsider’s perspective allows him to confront “the terror and beauty of life with a wry sense of humor and a mysterious sense of fate,” wrote Edward Hirsch of the Washington Post. Elsewhere Hirsch described Simpson’s Pulitzer Prize-winning collection, At the End of the Open Road (1963), as “a sustained meditation on the American character,” noting, “The moral genius of this book is that it traverses the open road of American mythology and brings us back to ourselves; it sees us not as we wish to be but as we are.” Collected Poems (1988) and There You Are (1995) focus on the lives of everyday citizens, using simple diction and narratives to expose the bewildering reality of the American dream. Poet Mark Jarman hailed Simpson as “a poet of the American character and vernacular.”
A noted scholar and critic, Simpson published a number of literary studies, including Ships Going Into the Blue: Essays and Notes on Poetry (1994), The Character of the Poet (1986), and Three on the Tower: The Lives and Works of Ezra Pound, T.S. Eliot, and William Carlos Williams (1975). Simpson also penned a novel, Riverside Drive (1962), and the autobiographies The King My Father's Wreck (1994) and North of Jamaica (1972).
Simpson’s later work included The Owner of the House: New Collected Poems (2003), a collection that spans his 60-year career, and Struggling Times (2009). In addition to the Pulitzer Prize, Simpson received numerous awards and accolades, including the Prix de Rome, the Columbia Medal for Excellence, and fellowships from the Guggenheim Foundation. He was a finalist for the prestigious Griffin International Poetry Award, and his translation of Modern Poets of France: A Bilingual Anthology (1997) won the Harold Morton Landon Translation Award.
Simposon died in Setauket, New York in 2012.
-bio via Poetry Foundation
Alfred Edward Housman was born in Fockbury, Worcestershire, England on March 26, 1859 and was the eldest of seven children. A year after his birth, Housman’s family moved to nearby Bromsgrove, where the poet grew up and had his early education. In 1877, he attended St. John’s College, Oxford and received first class honours in classical moderations.
Housman became distracted, however, when he fell in love with his roommate, Moses Jackson. He unexpectedly failed his final exams, but managed to pass the final year and later took a position as clerk in the Patent Office in London for ten years.
During this time, Housman studied Greek and Roman classics intensively, and, in 1892, he was appointed professor of Latin at University College, London. In 1911, he became professor of Latin at Trinity College, Cambridge, a post he held until his death. As a classicist, Housman gained renown for his editions of the Roman poets Juvenal, Lucan, and Manilius, as well as his meticulous and intelligent commentaries, and his disdain for the unscholarly.
Housman only published two volumes of poetry during his life: A Shropshire Lad (1896) and Last Poems (1922). The majority of the poems in A Shropshire Lad, his cycle of sixty-three poems, were written after the death of Adalbert Jackson, Housman’s friend and companion, in 1892. These poems center around themes of pastoral beauty, unrequited love, fleeting youth, grief, death, and the patriotism of the common soldier. After the manuscript had been turned down by several publishers, Housman decided to publish it at his own expense, much to the surprise of his colleagues and students.
While A Shropshire Lad was slow to gain in popularity, the advent of war, first in the Boer War and then in World War I, gave the book widespread appeal due to its nostalgic depiction of brave English soldiers. Several composers created musical settings for Housman’s work, deepening his popularity.
Housman continued to focus on his teaching, but in the early 1920s, when his old friend Moses Jackson was dying, Housman chose to assemble his best unpublished poems so that Jackson might read them. These later poems, most of them written before 1910, exhibit a range of subject and form much greater than the talents displayed in A Shropshire Lad. When Last Poems was published in 1922, it was an immediate success. A third volume, More Poems, was released posthumously in 1936 by his brother, Laurence, as was an edition of Housman’s Complete Poems (1939).
Despite receiving acclaim as a scholar and a poet during his lifetime, Housman lived as a recluse, rejecting honors and avoiding the public eye. He died on April 30, 1936 in Cambridge.
-bio via Academy of American Poets
John Robert Lee was born, and lives in St Lucia. He is the author of three collections of poetry, Elemental, (2008), Collected Poems 1975-2015, (2017), and Pierrot, (2020). His poems are included in a number of international anthologies and periodicals including The Penguin Book of Caribbean Verse, The Oxford Book of Caribbean Verse, Poetry Wales, Small Axe, and The Missing Slate. He has also published short stories in anthologies such as The Faber Book of Contemporary Caribbean Short Stories, and Facing the Sea. He edited a St. Lucian anthology of poetry and art spanning fifty years, Roseau Valley and other poems, and with his younger colleague Kendel Hippolyte, he compiled and edited an anthology of reviews covering the history of St. Lucian literature and theatre, (Saint Lucian Literature and Theatre: an anthology of reviews. His reviews and columns appear widely, and he produced and presented radio and television programmes in Saint Lucia for many years.
-bio via Peepal Tree Press
Today’s poem takes the peripheral and makes it the primary. Happy reading!
Today’s poem from Ezra Pound (a poet with his own colorful history of exile) is after the style of Li Po, featured last week.
Ezra Pound was born in Hailey, Idaho, on October 30, 1885. He completed two years of college at the University of Pennsylvania and earned a degree from Hamilton College in 1905. After teaching at Wabash College for two years, he travelled abroad to Spain, Italy, and London, where, as the literary executor of the scholar Ernest Fenellosa, he became interested in Japanese and Chinese poetry. He married Dorothy Shakespear in 1914 and became London editor of the Little Review in 1917.
In 1924, Pound moved to Italy. During this period of voluntary exile, Pound became involved in Fascist politics and did not return to the United States until 1945, when he was arrested on charges of treason for broadcasting Fascist propaganda by radio to the United States during World War II. In 1946, he was acquitted, but was declared mentally ill and committed to St. Elizabeths Hospital in Washington, D.C. During his confinement, the jury of the Bollingen Prize for Poetry (which included a number of the most eminent writers of the time), decided to overlook Pound’s political career in the interest of recognizing his poetic achievements, and awarded him the prize for the Pisan Cantos (New Directions, 1948). After continuous appeals from writers won his release from the hospital in 1958, Pound returned to Italy and settled in Venice, where he died, a semi-recluse, on November 1, 1972.
Ezra Pound is generally considered the poet most responsible for defining and promoting a Modernist aesthetic in poetry. In the early teens of the twentieth century, he opened a seminal exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as W. B. Yeats, Robert Frost, William Carlos Williams, Marianne Moore, H. D., James Joyce, Ernest Hemingway, and especially T. S. Eliot.
Pound’s own significant contributions to poetry begin with his promulgation of Imagism, a movement in poetry that derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and foregoing traditional rhyme and meter in order to, in Pound’s words, “compose in the sequence of the musical phrase, not in the sequence of the metronome.” His later work, for nearly fifty years, focused on the encyclopedic epic poem he entitled The Cantos.
-bio via American Academy of Poets
Today’s poem answers the question you never thought to ask: ‘What do Macbeth and a buzz saw have in common?’
Some poets wind up writing prayers by accident; others do it on purpose. Today’s poems from Robert Herrick–“Grace For a Child” and “His Prayer for Absolution”–are of the latter variety.
Today’s poems–”The Hill Place” and “Day’s Diamond”–come from Robert P. Tristram Coffin. Coffin (1892-1955) grew up in Brunswick, Maine on a “saltwater farm.” He attended Bowdoin, Princeton, and Oxford University, where he was a Rhodes Scholar before, as well as after, serving two years in World War I. He taught at Wells College in Aurora, New York from 1921-1934 and eventually returned to Bowdoin College, where he was Pierce Professor in English from 1934 until his death in 1955.
Throughout his life, Robert Coffin successfully combined the roles of artist and teacher, poet and prose writer. He authored more than forty books, and was awarded many honors, including the 1936 Pulitzer Prize in Poetry for his book, Strange Holiness. In 1945, Coffin was elected to the National Institute of Arts and Letters for “work of permanent value in American literature,” and the American Academy of Arts and Sciences granted him membership in 1949.
-bio via University of New Hampshire
As promised, Coffin’s essay, Night of Lobster
Today’s poem marks the ides (or idus) or March, a day classically associated with the settling of debts (and maybe old scores, too).
One of the foremost editors, literary critics, and anthologists of contemporary American literature, David Lehman is also one of its most accomplished poets. Born in New York City in 1948, Lehman earned a PhD from Columbia University and attended the University of Cambridge as a Kellett Fellow. He is the author of numerous collections of poetry, including New and Selected Poems(2013), Yeshiva Boys (2009), and When a Woman Loves a Man (2005). Two of his collections, The Evening Sun (2002) and The Daily Mirror: A Journal in Poetry (1998), were culled from Lehman’s five-year-long project of writing a poem a day. Yusef Komunyakaa called The Daily Mirror “a sped-up meditation on the elemental stuff that we're made of: in this honed matrix of seeing, what's commonplace becomes the focus of extraordinary glimpses....” Lehman has also written collaborative books of poetry, including Poetry Forum (2007), with Judith Hall; and Jim and Dave Defeat the Masked Man (2005), a collection of sestinas he wrote with the poet James Cummins.Lehman inaugurated The Best American Poetryseries in 1988. As series editor, he has earned high acclaim for his pivotal role in garnering contemporary American poetry a larger audience. In an early interview about the series with Judith Moore, Lehman noted “I want the books to have a lot to commend them beyond the poems themselves. The 75 poems are of course the center of the book, but we want also to have a foreword by me that can provide a context, that gives an idea of what happened in poetry this year, and an essay in which the guest editor propounds his or her criteria.” Lehman’s work as an editor also includes such volumes as The Best American Erotic Poems (2008), The Oxford Book of American Poetry(2006), A.R. Ammons: Selected Poems (2006), Great American Prose Poems: From Poe to the Present(2003), and Ecstatic Occasions, Expedient Forms (1996). He was the director of the University of Michigan Press’s Poets on Poetry and the Under Discussion series from 1994 to 2006.A prominent literary and cultural critic, Lehman has published works ranging from an indictment of deconstruction, Signs of the Times: Deconstruction and the Fall of Paul de Man (1991); to a history of the New York School of Poets, The Last Avant-Garde: The Making of the New York School of Poets (1998); to a meditation on the influence of Jewish songwriters in American music, A Fine Romance: Jewish Songwriters, American Songs (2009). Lehman’s numerous honors and awards include fellowships from the National Endowment for the Arts, the Guggenheim Foundation, and the Ingram Merrill Foundation, and awards from the American Academy of Arts and Letters and the Lila Wallace-Reader’s Digest Writer’s Award. On faculty at both the New School and New York University, he lives in New York City.
-bio via Poetry Foundation
Today’s poem is the work of an eighth-century poet whose reputation didn’t peak until the twentieth century. Li Po’s “The Solitude of Night” (translated here by Shigeyoshi Obata) resembles Japanese haiku in its atmospheric brevity and is heavy with the kind of common-to-man melancholy the modernists would feel so deeply more than a millennium later.
A Chinese poet of the Tang Dynasty, Li Po (also known as Li Bai, Li Pai, Li T’ai-po, and Li T’ai-pai) was probably born in central Asia and grew up in Sichuan Province. He left home in 725 to wander through the Yangtze River Valley and write poetry. In 742 he was appointed to the Hanlin Academy by Emperor Xuanzong, though he was eventually expelled from court. He then served the Prince of Yun, who led a revolt after the An Lushan Rebellion of 755. Li Bai was arrested for treason; after he was pardoned, he again wandered the Yangtze Valley. He was married four times and was friends with the poet Du Fu.
-bio via Poetry Foundation
"A master of forms, Merrill’s later poetry rarely feels formal. In the Atlantic Monthly, poet X.J. Kennedy observed that “Merrill never sprawls, never flails about, never strikes postures. Intuitively he knows that, as Yeats once pointed out, in poetry, ‘all that is personal soon rots; it must be packed in ice or salt.’”
-via Poetry Foundation
Today’s poem is a master-class in snappy putdowns and the value of a fiercely-loyal and equally witty friend.
Joseph Hilaire Pierre René Belloc (1870 – 1953) was a Franco-English writer and historian of the early 20th century. Belloc was also an orator, poet, sailor, satirist, writer of letters, soldier, and political activist. His Catholic faith had a strong effect on his works.
Belloc became a naturalised British subject in 1902 while retaining his French citizenship. While attending Oxford University, he served as President of the Oxford Union. From 1906 to 1910, he served as one of the few openly Catholic members of the British Parliament.
Belloc was a noted disputant, with a number of long-running feuds. He was also a close friend and collaborator of G. K. Chesterton. George Bernard Shaw, a friend and frequent debate opponent of both Belloc and Chesterton, dubbed the pair the "Chesterbelloc".
Belloc's writings encompassed religious poetry and comic verse for children. His widely sold Cautionary Tales for Children included "Jim, who ran away from his nurse, and was eaten by a lion" and "Matilda, who told lies and was burned to death". He wrote historical biographies and numerous travel works, including The Path to Rome (1902).
Today’s poem is a grand smorgasbord of poetical allusions from the unofficial patron of The Daily Poem. Happy reading!
Naomi Shihab Nye was born on March 12, 1952, in St. Louis to a Palestinian father and an American mother. During her high school years, she lived in Ramallah in Palestine, the Old City in Jerusalem, and San Antonio, Texas, where she later received her BA in English and world religions from Trinity University.
Nye is the author of numerous books of poems, most recently Everything Comes Next: Collected and New Poems. Her other books of poetry include Cast Away: Poems for Our Time (Greenwillow Books, 2020); The Tiny Journalist (BOA Editions, 2019); Voices in the Air: Poems for Listeners (Greenwillow Books, 2018); Transfer (BOA Editions, 2011); You and Yours (BOA Editions, 2005), which received the Isabella Gardner Poetry Award; 19 Varieties of Gazelle: Poems of the Middle East (Greenwillow Books, 2002), and the forthcoming Grace Notes: Poems About Families. She is also the author of several books of poetry and fiction for children, including Habibi (Simon Pulse, 1997), for which she received the Jane Addams Children's Book Award in 1998.
Nye gives voice to her experience as an Arab American through poems about heritage and peace that overflow with a humanitarian spirit. About her work, the poet William Stafford has said, “her poems combine transcendent liveliness and sparkle along with warmth and human insight. She is a champion of the literature of encouragement and heart. Reading her work enhances life.”
-bio via Academy of American Poets
Today’s poem (from an oft-maligned poet) makes frequent appearances in poetry anthologies for children, but hides a satisfying subtlety.
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".
He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad.
Cibber's poetical work was derided in his time and has been remembered only for being poor. His importance in British theatre history rests on his being one of the first in a long line of actor-managers, on the interest of two of his comedies as documents of evolving early 18th-century taste and ideology, and on the value of his autobiography as a historical source.
Bertolt Brecht (February 10, 1898 – August 14, 1956) was an influential playwright and poet. His poetry is collected in Poems 1913-1956 (1997) and Poetry and Prose: Bertolt Brecht (2003). He wrote a wide variety of poetry, including occasional poems, poems he set to music and performed, songs and poems for his plays, personal poems recording anecdotes and thoughts, and political poems. Poet Michael Hofmann commented, “In the course of a mobile, active and engaged life, the poems were the intelligent, compressed, adaptable and self-contained form for both his private and his public address.”
-bio via Poetry Foundation
Today’s poem is a walking song composed by Bilbo Baggins, reworked and repurposed at several key moments in The Hobbit and The Lord of the Rings. Happy reading!
Today’s poem is a piece of uncollected verse from one of the world’s most beloved children’s writers: Dr. Seuss.
Theodor Seuss Geisel (March 2, 1904 – September 24, 1991) was an American children's author and cartoonist. He is known for his work writing and illustrating more than 60 books under the pen name Dr. Seuss. His work includes many of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death.
-bio via Wikipedia
Today’s poem comes from one of America’s most beloved and decorated poets, Richard Wilbur. Don’t be put off by the title; no matter the subject, Wilbur’s poetry is always so marvelously companionable–desert island reading if ever there was.
For the day that only comes ‘round once every four years, we have a haunting poem about missed connections–and from a poet with a “Leap Day” birthday, no less.
Howard Nemerov was born on February 29, 1920, in New York, New York. Throughout World War II, he served as a pilot in the Royal Canadian unit of the U. S. Army Air Force. He married in 1944, and after the war, having earned the rank of first lieutenant, returned to New York with his wife to complete his first book.
Nemerov was first hired to teach literature to World War II veterans at Hamilton College in New York. His teaching career flourished, and he went on to teach at Bennington College, Brandeis University, and Washington University in St. Louis, where he was Distinguished Poet in Residence from 1969 until his death.
In addition to a dozen collections of poetry, he was also an accomplished prose writer with several collections of non-fiction essays to his name.
-bio via Academy of American Poets
Elizabeth Drew Barstow Stoddard (1823-1902) was a poet, fiction writer, and essayist born and raised in Mattapoisset, Massachusetts. The daughter of a shipbuilder, Stoddard was educated at Wheaton Female Seminary.
She married poet Richard Stoddard in 1851 and together they had three children, two of whom died as infants. The Stoddards’ New York City home was a gathering place for local poets, and Elizabeth began to submit her own poetry, fiction, and social commentary to journals. From 1854 to 1858, Stoddard contributed a bimonthly column to the San Francisco newspaper Daily Alta California.Stoddard wrote three novels, including The Morgesons (1862), and many short stories, essays, children’s tales, and poems. Uncommon for her time, her work questions the conventions of gender roles and is rooted in an unsentimental, irreverent realism. Her poetry, gathered in Poems (1895), often examines a fragile domestic realm.
-bio via Poetry Foundation
Happy Birthday to America’s great man of letters, Henry Wadsworth Longfellow!
Get to know Longfellow better through his own verse, or in the pages of Nicholas Basbanes’ excellent biography, Cross of Snow.
Edwin Arlington Robinson was born in Head Tide, Maine on December 22, 1869 (the same year as W. B. Yeats). His family moved to Gardiner, Maine, in 1870, which renamed “Tilbury Town,” became the backdrop for many of Robinson’s poems. Robinson described his childhood as stark and unhappy; he once wrote in a letter to Amy Lowell that he remembered wondering why he had been born at the age of six. After high school, Robinson spent two years studying at Harvard University as a special student and his first poems were published in the Harvard Advocate.
Robinson privately printed and released his first volume of poetry, The Torrent and the Night Before, in 1896 at his own expense; this collection was extensively revised and published in 1897 as The Children of the Night. Unable to make a living by writing, he got a job as an inspector for the New York City subway system. In 1902, he published Captain Craig and Other Poems. This work received little attention until President Theodore Roosevelt wrote a magazine article praising it and Robinson. Roosevelt also offered Robinson a sinecure in a U.S. Customs House, a job he held from 1905 to 1910. Robinson dedicated his next work, The Town Down the River (1910), to Roosevelt.
Robinson’s first major success was The Man Against the Sky (1916). He also composed a trilogy based on Arthurian legends: Merlin (1917), Lancelot (1920), and Tristram (1927), which won a Pulitzer Prize in 1928. Robinson was also awarded a Pulitzer Prize for his Collected Poems (1921) in 1922 and The Man Who Died Twice (1924) in 1925. For the last twenty-five years of his life, Robinson spent his summers at the MacDowell Colony of artists and musicians in Peterborough, New Hampshire. Robinson never married and led a notoriously solitary lifestyle. He died in New York City on April 6, 1935.
-bio via Academy of American Poets
Today’s classic poem from W. B. Yeats doubles as one of the greatest literary justifications for committing poems to memory. Happy reading!
Today’s poems pay tribute to the soulful and spirited Edna St. Vincent Millay, first woman to win the Pulitzer Prize for Poetry. They are “First Fig,” “Second Fig,” and “Thursday,” all from her collection, A Few Figs From Thistles.
Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. In 1912, Millay entered her poem “Renascence” to The Lyric Year’s poetry contest, where she won fourth place and publication in the anthology. This brought her immediate acclaim and a scholarship to Vassar College, where she continued to write poetry and became involved in the theater. In 1917, the year of her graduation, Millay published her first book, Renascence and Other Poems(Harper, 1917). At the request of Vassar’s drama department, she also wrote her first verse play, The Lamp and the Bell (1921), a work about love between women.
After graduating from Vassar, Millay moved to New York City’s Greenwich Village, where she lived with her sister, Norma, in a nine-foot-wide attic. Millay published poems in Vanity Fair, the Forum, and others while writing short stories and satire under the pen name Nancy Boyd. She and Norma acted with the Provincetown Players in the group’s early days, befriending writers such as poet Witter Bynner, critic Edmund Wilson, playwright and actress Susan Glaspell, and journalist Floyd Dell. Millay published A Few Figs from Thistles (Harper & Brothers, 1920), a volume of poetry which drew much attention for its controversial descriptions of female sexuality and feminism. In 1923, Millay was awarded the Pulitzer Prize for The Ballad of the Harp-Weaver (Flying Cloud Press, 1922). In addition to publishing three plays in verse, Millay also wrote the libretto of one of the few American grand operas, The King’s Henchman (Harper & Brothers, 1927).
Millay married Eugen Boissevain in 1923, and the two were together for twenty-six years. Boissevain gave up his own pursuits to manage Millay’s literary career, setting up the readings and public appearances for which Millay grew famous.
Edna St. Vincent Millay died at the age of fifty-eight on October 18, 1950, in Austerlitz, New York.
-bio via Academy of American Poets
In today’s poem one great poet pays passionate tribute to another.
The full title of today’s poem from Maurice Manning says it all: “A Brief Refutation of the Rumor That I Allowed Willie and Tad to Relieve Themselves in my Up-Turned Hat on a Sunday Morning at the Office While Their Mother was Attending Religious Services”
Maurice Manning (born 1966) is an American poet. His first collection of poems, Lawrence Booth's Book of Visions, was awarded the Yale Younger Poets Award, chosen by W.S. Merwin. Since then he has published four collections of poetry (with Houghton Mifflin Harcourt and Copper Canyon Press). He teaches English and Creative Writing at Transylvania University in Lexington, Kentucky, where he oversees the Judy Gaines Young Book Award, and is a member of the poetry faculty of the Warren Wilson College MFA Program for Writers. Today’s poem comes from his 2020 collection, Railsplitter.
-bio via Wikipedia
James Matthew Wilson has published ten books, among them four collections of poems, including The Strangeness of the Good. His poems, essays, and reviews appear regularly in a wide range of magazines and journals. The winner of the 2017 Hiett Prize from the Dallas Institute of Humanities and Culture, Wilson also serves as Poet-in-Residence of the Benedict XVI Institute for Sacred Music and Divine Worship, poetry editor of Modern Age magazine, and series editor of Colosseum Books, a new imprint that publishes the best contemporary poetry and literary criticism of serious craft and spiritual depth.
-bio via University of St. Thomas, Houston
Today’s poem comes from Rilke and has a fairly straight-forward title–or does it?
Today’s poem from Ben Jonson (also know by its first line, “Drink to me only with thine eyes”) has been arranged and set to music numerous times, and become so familiar that it is often recognizable even to those who no longer associate it with Jonson himself.
Jonson’s circle of admirers and friends, who called themselves the “Tribe of Ben,” met regularly at the Mermaid Tavern and later at the Devil’s Head. Among his followers were nobles such as the Duke and Duchess of Newcastle, as well as writers, including Robert Herrick, Richard Lovelace, Sir John Suckling, James Howell, and Thomas Carew. Most of his well-known poems include tributes to friends, notably Shakespeare, John Donne, and Francis Bacon.
When Jonson died in 1637, a tremendous crowd of mourners attended his burial at Westminster Abbey. He is regarded as one of the major dramatists and poets of the seventeenth century.
-bio via Academy of American Poets
Today’s poem from Pablo Neruda is characteristic of the passionate Chilean’s emphatic love poetry, but more chaste and decorous than some of his verses–perfect for a day that somehow manages to celebrate romance and the beheading of an Italian saint simultaneously.
Today’s poem comes from a young John Donne. Long before he became a serious clergyman writing Holy Sonnets for God, he was a young rake writing saucy sophistries like this one for the ladies.
Today’s poems kick off a week of love poetry with two by the Master.
William Cullen Bryant (1794-1878) was a Fireside Poet, journalist, and nature writer with ties to the Hudson River School of art. He wrote poems, essays, and articles that championed the rights of slaves, workers, and immigrants, and he was frequently published by the North American Review. He is the author of several books, including The White-Footed Deer and Other Poems (I. S. Platt, 1844), and The Fountain and Other Poems (Wiley and Putnam, 1842).
-bio via Academy of American Poets
Today’s poem is a rare departure for Elizabeth Bishop who usually avoided a confessional style of poetry–but everybody gets a little introspective on their birthday.
Tracy K. Smith was born in Massachusetts and raised in northern California. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. From 1997 to 1999 she held a Stegner fellowship at Stanford University. Smith is the author of four books of poetry: The Body's Question (2003), which won the Cave Canem prize for the best first book by an African-American poet; Duende (2007), winner of the James Laughlin Award and the Essense Literary Award; Life on Mars (2011), winner of the Pulitzer Prize for Poetry; and Wade in the Water (2018). In 2014 she was awarded the Academy of American Poets fellowship. She has also written a memoir, Ordinary Light(2015), which was a finalist for the National Book Award in nonfiction.In June 2017, Smith was named U.S. poet laureate. She teaches at Harvard University, where she is a professor of English and of African and African American Studies and the Susan S. and Kenneth L. Wallach Professor at the Harvard Radcliffe Institute. She also hosted American Public Media's daily radio program and podcast The Slowdown, which is sponsored by the Poetry Foundation.
-bio via Poetry Foundation
Today’s poem is the one you had to read in high school without really understanding it. (Or was that just me?)
Among the major Victorian writers, Matthew Arnold (1822-1888) is unique in that his reputation rests equally upon his poetry and his poetry criticism. Only a quarter of his productive life was given to writing poetry, but many of the same values, attitudes, and feelings that are expressed in his poems achieve a fuller or more balanced formulation in his prose. This unity was obscured for most earlier readers by the usual evaluations of his poetry as gnomic or thought-laden, or as melancholy or elegiac, and of his prose as urbane, didactic, and often satirically witty in its self-imposed task of enlightening the social consciousness of England.Assessing his achievement as a whole, G.K. Chesterton said that under his surface raillery Arnold was, “even in the age of Carlyle and Ruskin, perhaps the most serious man alive” [though, from Chesterton, this is not entirely a compliment.] H.J. Muller declared that “if in an age of violence the attitudes he engenders cannot alone save civilization, it is worth saving chiefly because of such attitudes.” It is even more striking, and would have pleased Arnold greatly, to find an intelligent and critical journalist telling newspaper readers in 1980 that if selecting three books for castaways, he would make his first choice The Poetical Works of Matthew Arnold (1950), because “Arnold’s longer poems may be an acquired taste, but once the nut has been cracked their power is extraordinary.” Arnold put his own poems in perspective in a letter to his mother on June 5, 1869: “It might be fairly urged that I have less poetical sentiment than Tennyson, and less intellectual vigour and abundance than Browning; yet, because I have perhaps more of a fusion of the two than either of them, and have more regularly applied that fusion to the main line of modern development, I am likely enough to have my turn, as they have had theirs.”
-bio via Poetry Foundation
Today’s poem is one of the most recognizable and influential American poems of the twentieth century.
Langston Hughes was a central figure in the Harlem Renaissance, the flowering of black intellectual, literary, and artistic life that took place in the 1920s in a number of American cities, particularly Harlem. A major poet, Hughes also wrote novels, short stories, essays, and plays. He sought to honestly portray the joys and hardships of working-class black lives, avoiding both sentimental idealization and negative stereotypes.Hughes’s position in the American literary scene seems to be secure. David Littlejohn wrote that Hughes is "the one sure Negro classic, more certain of permanence than even Baldwin or Ellison or Wright. … His voice is as sure, his manner as original, his position as secure as, say Edwin Arlington Robinson’s or Robinson Jeffers’. … By molding his verse always on the sounds of Negro talk, the rhythms of Negro music, by retaining his own keen honesty and directness, his poetic sense and ironic intelligence, he maintained through four decades a readable newness distinctly his own."
Hughes’s poems have been translated into German, French, Spanish, Russian, Yiddish, and Czech; many of them have been set to music.
-bio via Poetry Foundation
Today’s poem from Robert Herrick is not only an ode to the holiday of Candlemas, but a meditation on the everlasting revolution of the seasons.
For more on the history of Groundhog Day and Candlemas, check out this conversation between Richard Rohlin and Jonathan Pageau.
If you had to live the same day over and over again, you may as well use the time to memorize some poetry. That’s exactly what Phil Connors does in Groundhog Day. Today’s poem is featured in the film and marks a significant turning point for the once-misanthropic weatherman.
Samuel Taylor Coleridge is the premier poet-critic of modern English tradition, distinguished for the scope and influence of his thinking about literature as much as for his innovative verse. Active in the wake of the French Revolution as a dissenting pamphleteer and lay preacher, he inspired a brilliant generation of writers and attracted the patronage of progressive men of the rising middle class. As William Wordsworth’s collaborator and constant companion in the formative period of their careers as poets, Coleridge participated in the sea change in English verse associated with Lyrical Ballads (1798). His poems of this period, speculative, meditative, and strangely oracular, put off early readers but survived the doubts of Wordsworth and Robert Southey to become recognized classics of the romantic idiom.
-bio via Poetry Foundation
Although the early part of Robert Browning’s creative life was spent in comparative obscurity, he has come to be regarded as one of the most important English poets of the Victorian period. His dramatic monologues and the psycho-historical epic The Ring and the Book (1868-1869), a novel in verse, have established him as a major figure in the history of English poetry. His claim to attention as a children’s writer is more modest, resting as it does almost entirely on one poem, “The Pied Piper of Hamelin,” included almost as an afterthought in Bells and Pomegranites. No. III.—Dramatic Lyrics (1842) and evidently never highly regarded by its creator. Nevertheless, “The Pied Piper” moved quickly into the canon of children’s literature, where it has remained ever since, receiving the dubious honor (shared by the fairy tales of Hans Christian Andersen and J.M. Barrie’s Peter Pan) of appearing almost as frequently in “adapted” versions as in the author’s original. His approach to dramatic monologue influenced countless poets for almost a century. Browning was born on May 7, 1812 in Camberwell, a middle-class suburb of London. He was the only son of Robert Browning, a clerk in the Bank of England, and a devoutly religious German-Scotch mother, Sarah Anna Wiedemann Browning. He had a sister, Sarianna, who like her parents was devoted to Browning. While Mrs. Browning’s piety and love of music are frequently cited as important influences on the poet’s development, his father’s scholarly interests and unusual educational practices may have been equally significant. The son of a wealthy banker, Robert Browning the elder had been sent in his youth to make his fortune in the West Indies, but he found the slave economy there so distasteful that he returned, hoping for a career in art and scholarship. A quarrel with his father and the financial necessity it entailed led the elder Browning to relinquish his dreams so as to support himself and his family through his bank clerkship.Browning’s father amassed a personal library of some 6,000 volumes, many of them collections of arcane lore and historical anecdotes that the poet plundered for poetic material, including the source of “The Pied Piper.” The younger Browning recalled his father’s unorthodox methods of education in his late poem “Development,” published in Asolando: Fancies and Facts (1889). Browning remembers at the age of five asking what his father was reading. To explain the siege of Troy, the elder Browning created a game for the child in which the family pets were assigned roles and furniture was recruited to serve for the besieged city. Later, when the child had incorporated the game into his play with his friends, his father introduced him to Alexander Pope’s translation of the Iliad. Browning’s appetite for the story having been whetted, he was induced to learn Greek so as to read the original. Much of Browning’s education was conducted at home by his father, which accounts for the wide range of unusual information the mature poet brought to his work. His family background was also important for financial reasons; the father whose own artistic and scholarly dreams had been destroyed by financial necessity was more than willing to support his beloved son’s efforts. Browning decided as a child that he wanted to be a poet, and he never seriously attempted any other profession. Both his day-to-day needs and the financial cost of publishing his early poetic efforts were willingly supplied by his parents.
At the time of his death in 1889, he was one of the most popular poets in England.
-bio via Poetry Foundation
Today’s poem from Emily Dickinson is a masterclass in poetic economy.
Anne Bradstreet was the first woman to be recognized as an accomplished New World Poet. Her volume of poetry The Tenth Muse Lately Sprung Up in America ... received considerable favorable attention when it was first published in London in 1650. Eight years after it appeared it was listed by William London in his Catalogue of the Most Vendible Books in England, and George III is reported to have had the volume in his library. Bradstreet's work has endured, and she is still considered to be one of the most important early American poets.Although Anne Dudley Bradstreet did not attend school, she received an excellent education from her father, who was widely read— Cotton Mather described Thomas Dudley as a "devourer of books"—and from her extensive reading in the well-stocked library of the estate of the Earl of Lincoln, where she lived while her father was steward from 1619 to 1630. There the young Anne Dudley read Virgil, Plutarch, Livy, Pliny, Suetonius, Homer, Hesiod, Ovid, Seneca, and Thucydides as well as Spenser, Sidney, Milton, Raleigh, Hobbes, Joshua Sylvester's 1605 translation of Guillaume du Bartas's Divine Weeks and Workes, and the Geneva version of the Bible. In general, she benefited from the Elizabethan tradition that valued female education. In about 1628—the date is not certain—Anne Dudley married Simon Bradstreet, who assisted her father with the management of the Earl's estate in Sempringham. She remained married to him until her death on September 16, 1672. Bradstreet immigrated to the new world with her husband and parents in 1630; in 1633 the first of her children, Samuel, was born, and her seven other children were born between 1635 and 1652: Dorothy (1635), Sarah (1638), Simon (1640), Hannah (1642), Mercy (1645), Dudley (1648), and John (1652).Although Bradstreet was not happy to exchange the comforts of the aristocratic life of the Earl's manor house for the privations of the New England wilderness, she dutifully joined her father and husband and their families on the Puritan errand into the wilderness. After a difficult three-month crossing, their ship, the Arbella, docked at Salem, Massachusetts, on July 22, 1630. Distressed by the sickness, scarcity of food, and primitive living conditions of the New England outpost, Bradstreet admitted that her "heart rose" in protest against the "new world and new manners." Although she ostensibly reconciled herself to the Puritan mission—she wrote that she "submitted to it and joined the Church at Boston"—Bradstreet remained ambivalent about the issues of salvation and redemption for most of her life.
-bio via Poetry Foundation
For further reading: a picture book about Bradstreet by one of her descendants
Today’s poem by John Greenleaf Whittier, though potentially universal in its application, is ostensibly about Daniel Webster, who alienated abolitionists with his support of the Fugitive Slave Bill in 1850.
Whittier (December 17, 1807 – September 7, 1892) was an American Quaker poet and advocate of the abolition of slavery in the United States. Frequently listed as one of the fireside poets, he was influenced by the Scottish poet Robert Burns. Whittier is remembered particularly for his anti-slavery writings, as well as his 1866 book Snow-Bound.
-bio via Wikipedia
Today’s poem is Dana Gioia’s interpretive spin on a Rilke poem about (among other things) poetics.
Dana Gioia is an internationally acclaimed poet and writer. Former California Poet Laureate and Chairman of the National Endowment for the Arts, Gioia was born in Los Angeles of Italian and Mexican descent. The first person in his family to attend college, he received a B.A. and M.B.A. from Stanford and an M.A. from Harvard in Comparative Literature. For fifteen years he worked as a businessman before quitting at forty-one to become a full-time writer.
His surname is pronounced Joy-a.
-bio via DanaGioia.com
Sylvia Plath (October 27, 1932 – February 11, 1963) was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize in Poetry in 1982, making her the fourth to receive this honour posthumously.
-bio via Wikipedia
John Keats was born in London on 31 October 1795, the eldest of Thomas and Frances Jennings Keats’s four children. Although he died at the age of twenty-five, Keats had perhaps the most remarkable career of any English poet. He published only fifty-four poems, in three slim volumes and a few magazines. But over his short development he took on the challenges of a wide range of poetic forms from the sonnet, to the Spenserian romance, to the Miltonic epic, defining anew their possibilities with his own distinctive fusion of earnest energy, control of conflicting perspectives and forces, poetic self-consciousness, and, occasionally, dry ironic wit.
Although he is now seen as part of the British Romantic literary tradition, in his own lifetime Keats would not have been associated with other major Romantic poets, and he himself was often uneasy among them. Outside his friend Leigh Hunt‘s circle of liberal intellectuals, the generally conservative reviewers of the day attacked his work as mawkish and bad-mannered, as the work of an upstart “vulgar Cockney poetaster” (John Gibson Lockhart), and as consisting of “the most incongruous ideas in the most uncouth language” (John Wilson Croker). Although Keats had a liberal education in the boy’s academy at Enfield and trained at Guy’s Hospital to become a surgeon, he had no formal literary education. Yet Keats today is seen as one of the canniest readers, interpreters, questioners, of the “modern” poetic project-which he saw as beginning with William Wordsworth—to create poetry in a world devoid of mythic grandeur, poetry that sought its wonder in the desires and sufferings of the human heart. Beyond his precise sense of the difficulties presented him in his own literary-historical moment, he developed with unparalleled rapidity, in a relative handful of extraordinary poems, a rich, powerful, and exactly controlled poetic style that ranks Keats, with the William Shakespeare of the sonnets, as one of the greatest lyric poets in English.
-bio via Poetry Foundation
Poet Christina Rossetti was born in 1830, the youngest child in an extraordinarily gifted family. Her father, the Italian poet and political exile Gabriele Rossetti, immigrated to England in 1824 and established a career as a Dante scholar and teacher of Italian in London. He married the half-English, half-Italian Frances Polidori in 1826, and they had four children in quick succession: Maria Francesca in 1827, Gabriel Charles Dante (famous under the name Dante Gabriel but always called Gabriel by family members) in 1828, William Michael in 1829, and Christina Georgina on 5 December 1830. In 1831 Gabriele Rossetti was appointed to the chair of Italian at the newly opened King’s College. The children received their earliest education, and Maria and Christina all of theirs, from their mother, who had been trained as a governess and was committed to cultivating intellectual excellence in her family. Certainly this ambition was satisfied: Maria was the author of a respected study of Dante, as well as books on religious instruction and Italian grammar and translation; Dante Gabriel distinguished himself as one of the foremost poets and painters of his era; and William was a prolific art and literary critic, editor, and memoirist of the Pre-Raphaelite movement. Christina became one of the Victorian age’s finest poets. She was the author of numerous books of poetry, including Goblin Market and other Poems (1862), The Prince’s Progress (1866), A Pageant (1881), and The Face of the Deep (1882).
Rossetti’s poetry has never disappeared from view. Critical interest in Rossetti’s poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of this commentary focuses on gender issues in her poetry and on Rossetti as a woman poet. In Rossetti’s lifetime opinion was divided over whether she or Elizabeth Barrett Browning was the greatest female poet of the era; in any case, after Browning’s death in 1861 readers and critics saw Rossetti as the older poet’s rightful successor. The two poets achieved different kinds of excellence, as is evident in Dante Gabriel Rossetti‘s comment on his sister, quoted by William Sharp in The Atlantic Monthly (June 1895): “She is the finest woman-poet since Mrs. Browning, by a long way; and in artless art, if not in intellectual impulse, is greatly Mrs. Browning’s superior.” Readers have generally considered Rossetti’s poetry less intellectual, less political, and less varied than Browning’s; conversely, they have acknowledged Rossetti as having the greater lyric gift, with her poetry displaying a perfection of diction, tone, and form under the guise of utter simplicity.
-bio via Poetry Foundation
Today’s poem from Richard II tells “sad stories of the death of kings” and lowers the curtain on a week of Shakespearean speeches in verse.
What do the world’s greatest playwright and Rome’s greatest mama’s boy have in common? Today’s poem–Volumnia pleading with her son in the final Act of Shakespeare’s Coriolanus.
In today’s poem, the lovable cad, Sir John Falstaff, explains the dismal state of his troops (and the extra silver in his pocket). The speech is from Henry IV, Part 1, Act 4, Scene 2.
Today’s poem is the “anti-To Be or Not To Be” speech from Act 3, Scene 1 of the underrated Measure For Measure.
Today’s poem is an example of poetry we forget is poetry. Written in blank verse (unrhymed iambic pentameter), the opening prologue to Henry V calls the audience’s attention to the tension between the play’s grand and sweeping subject and the theater’s physical limitations.
Today’s poem comes from Honey and Salt, the last collection Sandburg published before his death.
“Trying to write briefly about Carl Sandburg,” said a friend of the poet, “is like trying to picture the Grand Canyon in one black and white snapshot.” His range of interests was enumerated by his close friend, Harry Golden, who, in his study of the poet, called Sandburg “the one American writer who distinguished himself in five fields—poetry, history, biography, fiction, and music.” -Poetry Foundation
Edgar Allan Poe (January 19, 1809 - October 7, 1849) was an American poet, short fiction writer, critic, and accomplished editor known for his gloomy and sometimes grisly subjects. He pioneered the detective story and is remembered as a master of Gothic and Romantic literature. His works have inspired films, themed restaurants, football teams, and at least one bizarre ritual around his grave.
Today’s poem is one of the most-anthologized works of light verse in the English language–and just plain fun.
Frank Gelett Burgess was an American artist, art critic, poet, author and humorist. An important figure in the San Francisco Bay Area literary renaissance of the 1890s, particularly through his iconoclastic little magazine, The Lark, and association with The Crowd literary group. He is best known as a writer of nonsense verse and for introducing French modern art to the United States in an essay titled "The Wild Men of Paris." Burgess coined the term "blurb."
-bio via Wikipedia
A singer-songwriter, cartoonist, screenwriter, award-winning children’s writer, and actor, Shel Silverstein grew up in Chicago. He started out as a cartoonist before turning to children’s books. Silverstein is the author and illustrator of numerous books, including The Giving Tree(1964), Where the Sidewalk Ends(1974), A Light in the Attic (1981), and Falling Up(1996). His books have been commended for their appeal to both adults and children.
Silverstein’s poems are often darkly humorous, irreverent, and populated with invented characters, such as the “Bloath” in Where the Sidewalk Ends, who dwells “[i]n the undergrowth” and “feeds upon poets and tea.” Silverstein’s poems and stories are accompanied by his simple yet energetic pen-and-ink illustrations. The Giving Tree, a fable about a lifelong relationship between a boy and a tree, has become a classic in the canon of children’s literature and has sold over five million copies.
-bio via Poetry Foundation
Kenyon published four volumes of poetry during her life: From Room to Room(1978), The Boat of Quiet Hours(1986), Let Evening Come(1990), and Constance (1993), and, as translator, Twenty Poems of Anna Akmatova(1985). Despite her relatively small output, her poetry was highly lauded by critics throughout her lifetime. As fellow poet Carol Muske remarked in the New York Times when describing Kenyon’s The Boat of Quiet Hours, “These poems surprise beauty at every turn and capture truth at its familiar New England slant. Here, in Keats’s terms, is a capable poet.” Indeed, Kenyon’s work has often been compared with that of English Romantic poet John Keats; in an essay on Kenyon for Contemporary Women Poets, Gary Roberts dubbed her a “Keatsian poet” and noted that, “like Keats, she attempts to redeem morbidity with a peculiar kind of gusto, one which seeks a quiet annihilation of self-identity through identification with benign things.”The cycles of nature held special significance for Kenyon, who returned to them again and again, both in her variations on Keats’s ode “To Autumn,” and in other pastoral verse. In Let Evening Come [from which today’s poem comes], her third published collection—and one that found the poet taking what Poetry essayist Paul Breslin called “a darker turn”—Kenyon explored nature’s cycles in other ways: the fall of light from day to dusk to night, and the cycles of relationships with family and friends throughout a long span of years brought to a close by death. Let Evening Come “shows [Kenyon] at the height of her powers,” according to Muske in a review of the 1990 volume for the New York Times Book Review, with the poet’s “descriptive skills… as notable as her dramatic ones. Her rendering of natural settings, in lines of well-judged rhythm and simple syntax, contribute to the [volume’s] memorableness.”
-bio via Poetry Foundation
Today’s poem by Lawrence Ferlinghetti is another fitting meditation at the beginning of a new year. Happy reading (and listening)!
"There is no optimistic blindness in Williams," wrote Randall Jarrell, "though there is a fresh gaiety, a stubborn or invincible joyousness."
-via Poetry Foundation
Poet, novelist, editor, and Darwin expert Philip Appleman was born in Indiana and holds degrees from Northwestern University, the University of Michigan, and the University of Lyon. He served in US Army Air Corps during World War II, and was a merchant marine after. Appleman is known for his biting social commentary and masterful command of form, and is the author of numerous volumes of poetry, three novels, and half a dozen collections of prose.
Art Seidenbaum in the Los Angeles Times described Appleman’s second novel, Shame the Devil (1981), as entertaining and provocative: “Most of our modern manners are [satirized]. ... Appleman wants to amuse and drop morals without moralizing; he’s smart enough to do it swiftly, knowing the warp of satire soon wears thin.” Appleman’s poetry similarly skewers both literary conventions and contemporary mores. With illustrations by Arnold Roth, Appleman’s collection Karma, Dharma, Pudding & Pie (2009) takes on large social issues with irreverence, wit, and formal prowess. Poet X.J. Kennedy alleges in the book’s forward, “Appleman is a master of the sonnet, the terse rhymed epigram, and even that fiendishly ingenious form, the double dactyl. To watch him sling words is to be richly regaled.” The recipient of numerous awards, including a fellowship from the National Endowment for the Arts, the Morley Award from the Poetry Society of America, and a Pushcart Prize, Appleman has served on the boards of the Poetry Society of America and the Poet’s House. He has taught at SUNY Purchase, Columbia University, and is a Distinguished Professor Emeritus at Indiana University.
Appleman’s poems and prose pieces have appeared in dozens of publications, including the Nation,the New York Times,the New Republic,the Paris Review, Poetry, and the Yale Review. He is married to the playwright Marjorie Appleman.
William Stanley (W.S.) Merwin was born in New York City in 1927 and raised in New Jersey and Scranton, Pennsylvania, the son of a Presbyterian minister. His numerous collections of poetry, his translations, and his books of prose have won praise over seven decades. Though his early poetry received great attention and admiration, Merwin would continue to alter and innovate his craft with each new book, and at each stage he served as a powerful influence for poets of his generation and younger poets. For the entirety of his writing career, he explored a sense of wonder and celebrated the power of language, while serving as a staunch anti-war activist and advocate for the environment. He won nearly every award available to an American poet, and he was named U.S. poet laureate twice. A practicing Buddhist as well as a proponent of deep ecology, Merwin lived since the late 1970s on an old pineapple plantation in Hawaii which he has painstakingly restored to its original rainforest state. Poet Edward Hirsch wrote that Merwin “is one of the greatest poets of our age. He is a rare spiritual presence in American life and letters (the Thoreau of our era).”
Merwin was once asked what social role a poet plays—if any—in America. He commented: “I think there’s a kind of desperate hope built into poetry now that one really wants, hopelessly, to save the world. One is trying to say everything that can be said for the things that one loves while there’s still time. I think that’s a social role, don’t you? ... We keep expressing our anger and our love, and we hope, hopelessly perhaps, that it will have some effect. But I certainly have moved beyond the despair, or the searing, dumb vision that I felt after writing The Lice; one can’t live only in despair and anger without eventually destroying the thing one is angry in defense of. The world is still here, and there are aspects of human life that are not purely destructive, and there is a need to pay attention to the things around us while they are still around us. And you know, in a way, if you don’t pay that attention, the anger is just bitterness.”Merwin died in March 2019 at the age of 91.
-bio via Poetry Foundation
Ring out the old year with one of The Daily Poem’s favorite poets–Richard Wilbur.
Poet, novelist, and environmentalist Wendell Berry lives in Port Royal, Kentucky near his birthplace, where he has maintained a farm for over 40 years. Mistrustful of technology, he holds deep reverence for the land and is a staunch defender of agrarian values. He is the author of over 50 books of poetry, fiction, and essays. His poetry celebrates the holiness of life and everyday miracles often taken for granted. In 2016, Berry was awarded the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle. In 2010, Barack Obama awarded him with the National Humanities Medal. Berry’s other honors include the T.S. Eliot Prize, the Aiken Taylor Award for poetry, the John Hay Award of the Orion Society, and the Richard C. Holbrooke Distinguished Achievement Award of the Dayton Literary Peace Prize. Berry’s poetry collections include This Day: Collected & New Sabbath Poems (2014), Given (2005), A Timbered Choir: The Sabbath Poems 1979-1997, Entries: Poems (1994), Traveling at Home (1989), The Selected Poems of Wendell Berry (1988), Collected Poems 1957-1982 (1985), Clearing (1977), There Is Singing Around Me (1976), and The Broken Ground (1964).
Critics and scholars have acknowledged Wendell Berry as a master of many literary genres, but whether he is writing poetry, fiction, or essays, his message is essentially the same: humans must learn to live in harmony with the natural rhythms of the earth or perish. His book The Unsettling of America: Culture and Agriculture (1977), which analyzes the many failures of modern, mechanized life, is one of the key texts of the environmental movement. Berry has criticized environmentalists as well as those involved with big businesses and land development. In his opinion, many environmentalists place too much emphasis on wild lands without acknowledging the importance of agriculture to our society. Berry strongly believes that small-scale farming is essential to healthy local economies, and that strong local economies are essential to the survival of the species and the wellbeing of the planet. In an interview with New Perspectives Quarterly editor Marilyn Berlin Snell, Berry explained: “Today, local economies are being destroyed by the ‘pluralistic,’ displaced, global economy, which has no respect for what works in a locality. The global economy is built on the principle that one place can be exploited, even destroyed, for the sake of another place.”Berry further believes that traditional values, such as marital fidelity and strong community ties, are essential for the survival of humankind. In his view, the disintegration of communities can be traced to the rise of agribusiness: large-scale farming under the control of giant corporations. Besides relying on chemical pesticides and fertilizers, promoting soil erosion, and causing depletion of ancient aquifers, agribusiness has driven countless small farms out of existence and destroyed local communities in the process. In a New Perspectives Quarterly interview Berry commented that such large-scale agriculture is morally as well as environmentally unacceptable: “We must support what supports local life, which means community, family, household life—the moral capital our larger institutions have to come to rest upon. If the larger institutions undermine the local life, they destroy that moral capital just exactly as the industrial economy has destroyed the natural capital of localities—soil fertility and so on. Essential wisdom accumulates in the community much as fertility builds in the soil.”
Dorianne Laux is the author of several collections of poetry, including What We Carry (1994), a finalist for the National Book Critics Circle Award; Smoke (2000); Facts about the Moon (2005), chosen by the poet Ai as winner of the Oregon Book Award and also a finalist for the Lenore Marshall Poetry Prize; The Book of Men (2011), which was awarded the Paterson Prize; and Only As the Day is Long: New and Selected (2019). She has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has been a Pushcart Prize winner. Laux’s free-verse poems are sensual and grounded, and they reveal the poet as a compassionate witness to the everyday. She observed in an interview for the website Readwritepoem, “Poems keep us conscious of the importance of our individual lives ... personal witness of a singular life, seen cleanly and with the concomitant well-chosen particulars, is one of the most powerful ways to do this.” Speaking of the qualities she admires most in poetry, Laux added, “Craft is important, a skill to be learned, but it’s not the beginning and end of the story. I want the muddled middle to be filled with the gristle of the living.” She was first inspired to write after hearing a poem by Pablo Neruda. Other influences include Sharon Olds, Lucille Clifton, Anne Sexton, and Adrienne Rich.Laux has taught creative writing at the University of Oregon, Pacific University, and North Carolina State University; she has also led summer workshops at Esalen in Big Sur. She is the co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Pleasures of Writing Poetry (1997). She lives in Raleigh, North Carolina, with her husband, poet Joseph Millar.
-bio via Poetry Foundation
John Mason Neale was born in London to evangelical parents. His father’s early death meant that Neale attended many different schools; he eventually earned a degree from Trinity College, Cambridge. While at Cambridge, Neale moved from an evangelical to a strongly Anglican religious orientation. He helped found the Cambridge Camden Society, which later became the Ecclesiological Society, at Cambridge in 1839; the group’s main goal was to align church architecture, decoration, and ritual with its teaching. Neale was ordained a deacon in 1841 and a priest in 1842. His role in mid-19th-century British religious history is complex: many of his innovations, including establishing the Society of Saint Margaret for the nursing of pensioners and the poor, seemed too close to Roman Catholicism for Anglican leaders of the day. Nonetheless, Neale’s literary and religious output was immense. He wrote books and pamphlets on a wide range of spiritual and material issues. Neale’s other volumes included novels, books for children, and works on church history. He penned a multivolume History of the Holy Eastern Church (1847, 1850, and a posthumous volume in 1873). Neale’s interest in Eastern Christianity led him to translate Hymns of the Eastern Church (1862), though he translated many other kinds of hymns, including from Latin, for Anglican use. Neale is best remembered as a hymnist whose collections include Hymns for Children (1843), Hymns for the Sick (1843), Carols for Christmas-tide (1853), and Carols for Easter-tide (1854). Perhaps his most famous carol is “Good King Wenceslas.” Neale’s early death, at age 48, was not widely recognized at the time; however, the archbishop of Canterbury celebrated its centenary.
-bio via Poetry Foundation
Merry Christmas from The Daily Poem!
Today’s poem is T. S. Eliot’s unconventional look at the very familiar story of the Three Wise Men.
Today’s poem is a familiar favorite, just right for the “darkest evening of the year.”
Ruth Moose is the author of Making the Bed (Main Street Rag Press, 2004) and The Sleepwaker (Main Street Rag Press, 2007). Her poetry has been published in former U.S. Poet Laureate Ted Kooser's column, "American Life in Poetry."
-bio via Poetry Foundation
Gerard Manley Hopkins is considered to be one of the greatest poets of the Victorian era. However, because his style was so radically different from that of his contemporaries, his best poems were not accepted for publication during his lifetime, and his achievement was not fully recognized until after World War I. Hopkins’s family encouraged his artistic talents when he was a youth in Essex, England. However, Hopkins became estranged from his Protestant family when he converted to Roman Catholicism. Upon deciding to become a priest, he burned all of his poems and did not write again for many years. His work was not published until 30 years after his death when his friend Robert Bridges edited the volume Poems.
-bio via Poetry Foundation
G. K. Chesterton was one of the dominating figures of the London literary scene in the early 20th century. Not only did he get into lively discussions with anyone who would debate him, including his friend, frequent verbal sparring partner, and noted Irish playwright George Bernard Shaw, but he wrote about seemingly every topic, in every genre, from journalism to plays, poetry to crime novels. "He said something about everything and he said it better than anyone else," writes Dale Ahlquist, president of the American Chester Society. Most of Chesterton's literary output was nonfiction, including thousands of columns for various periodicals, but today he is best remembered for his fictional work—a mystery series about Father Brown, a Catholic priest and amateur detective.
Chesterton's first published books were of poetry. Ian Boyd points to a "close connection between his poetry and his everyday journalism," concluding: "In this sense, T.S. Eliot's description of Chesterton's poetry as 'first-rate journalistic balladry' turns out to have been particularly perceptive, since it is a reminder about the essential character of all Chesterton's work. In his verse, as in all his writings, his first aim was to comment on the political and social questions of the day."
-bio via Poetry Foundation
Mark Doty is a poet, essayist, memoirist and author of nine books of poetry. His book Fire to Fire: New and Selected Poems won the 2008 National Book Award. He has also received other literary awards, including the Whiting Writers Award, the T. S. Eliot Prize, the National Book Critics Circle Award, two Lambda Literary Awards and the PEN/Martha Albrand Award for First Nonfiction. His poetry collection “My Alexandria” was chosen for the National Poetry Series. Doty has also received two National Endowment for the Arts fellowships, Guggenheim and Rockefeller Foundation fellowships, a Lila Wallace/Readers Digest Award, and the Witter Bynner Prize. Doty’s most recent book is What Is the Grass: Walt Whitman in My Life (Norton), a memoir about his poetic relationship with Walt Whitman. Doty is a distinguished professor of English and the director of Writers House at Rutgers University.
-bio via Library of Congress
"Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can: all of them make me laugh." -Wystan Hugh Auden
December 13 is St. Lucy’s day, traditionally a day celebrating light in the midst of the darkest, coldest time of the year. Today’s poems–from Elaine Feinstein, John Donne, and Thomas Merton–all meditate on that contrast in some way. Enjoy, stay warm, and happy reading!
Thomas Hardy (born June 2, 1840 - died January 11, 1928) was born in Dorset, England. The son of a stone mason, he trained as an architect and worked in London and Dorset for ten years.
Hardy began his writing career as a novelist, publishing Desperate Remedies (Tinsley Brothers) in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D’Urbervilles (Osgood McIlvaine & Co., 1891) and Jude the Obscure (Osgood McIlvaine & Co., 1895), which are considered literary classics today, received negative reviews upon publication. He left fiction writing for poetry and published eight collections, including Poems of the Past and the Present (Harper & Bros., 1902) and Satires of Circumstance (Macmillan, 1914).
Hardy’s poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with a variety of meters and stanzaic forms. A significant influence on later poets (including Robert Frost, Wystan Hugh Auden, Dylan Thomas, and Philip Larkin), his influence has increased over the course of the twentieth century, offering a more down-to-earth, less rhetorical alternative to the more mystical and aristocratic precedent of William Butler Yeats.
Lawrence Monsanto Ferlinghetti (March 24, 1919 – February 22, 2021) was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies.
-bio via Wikipedia
Mary Jo Salter is the author of eight books of poetry including The Surveyors (2017) and, most recently Zoom Rooms: Poems (2022). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children’s book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018).
Czesław Miłosz (30 June 1911 – 14 August 2004) was a Polish-American poet, prose writer, translator, and diplomat. He primarily wrote his poetry in Polish. Regarded as one of the great poets of the 20th century, he won the 1980 Nobel Prize in Literature. In its citation, the Swedish Academy called Miłosz a writer who "voices man's exposed condition in a world of severe conflicts".
Miłosz survived the German occupation of Warsaw during World War II and became a cultural attaché for the Polish government during the postwar period. When communist authorities threatened his safety, he defected to France and ultimately chose exile in the United States, where he became a professor at the University of California, Berkeley. His poetry—particularly about his wartime experience—and his appraisal of Stalinism in a prose book, The Captive Mind, brought him renown as a leading émigré artist and intellectual.
Throughout his life and work, Miłosz tackled questions of morality, politics, history, and faith. As a translator, he introduced Western works to a Polish audience, and as a scholar and editor, he championed a greater awareness of Slavic literature in the West. Faith played a role in his work as he explored his Catholicism and personal experience. He wrote in Polish and English.
Miłosz died in Kraków, Poland, in 2004. He is interred in Skałka, a church known in Poland as a place of honor for distinguished Poles.
-bio via Wikipedia
"The spirit of the smithy is so close to the spirit of song that it has mixed in a million poems, and every blacksmith is a harmonious blacksmith. Even the village children feel that in some dim way the smith is poetic, as the grocer and the cobbler are not poetic, when they feast on the dancing sparks and deafening blows in the cavern of that creative violence.” -G. K. Chesterton
Robert or "Rabbie" Burns (born 25 January 1759, died 21 July 1796) hailed from Alloway, Scotland. Like his father, Burns was a tenant farmer. However, toward the end of his life he became an excise collector in Dumfries, where he died in 1796; throughout his life he was also a practicing poet. His poetry recorded and celebrated aspects of farm life, regional experience, traditional culture, class culture and distinctions, and religious practice. He is considered the national poet of Scotland. Although he did not set out to achieve that designation, he clearly and repeatedly expressed his wish to be called a Scots bard, to extol his native land in poetry and song.
-bio via Poetry Foundation
“Rilke’s most immediate and obvious influence has been upon diction and imagery. [He expressed ideas with] physical rather than intellectual symbols. While Shakespeare, for example, thought of the non-human world in terms of the human, Rilke thinks of the human in terms of the non-human, of what he calls Things.” -W.H. Auden
James Whitcomb Riley (born October 7, 1849; died July 22, 1916) was author of numerous beloved poetry volumes, and widely known for books such as The Old Swimmin’-Hole and ’Leven More Poems, Riley Child-Rhymes, Out to Old Aunt Mary’s, and An Old Sweetheart. Born in Indiana in 1849, he was drawn to poetry even before he was able to read. Neglectful of his studies, Riley preferred to take walks in the countryside, read books of his own choosing, and create rhymes, the first of which he sent to his young friends on home-made valentines.
A prolific writer and important contributor to children’s literature, Riley published more than 50 volumes during his lifetime, many of which were popular successes. His poetry is especially prized for its sometimes whimsical reflection of small-town America and he is remembered for his insight and humor by children and adults alike. As was noted in Indiana Authors and Their Books, 1816-1916, “No American poet—those patriarchs of New England included—has thus far caught the popular fancy, has thus far enjoyed the voluntary following, that was and is his.”
-bio via Poetry Foundation
In today’s poem, Mary Oliver helps us develop affinity for the unfamiliar.
A. E. Stallings is a poet and translator mining the classical world and traditional poetic techniques to craft works that evoke startling insights about contemporary life. In both her original poetry and translations, Stallings exhibits a mastery of highly structured forms (such as sonnets, couplets, quatrains, and sapphics) and consummate skill in creating new combinations of meter, rhyme, and syntax into distinctive, emotionally compelling verse. Trained in classical Latin and Greek and currently living in Athens, she brings a wide knowledge of Greco-Roman literature, art, and mythology to bear on her imaginative explorations of contemporary circumstances and concerns. In Hapax (2006), Stallings imbues figures and events from classical drama and mythology with a modern sensibility. "First Love," written as a multiple-choice quiz, intertwines the Persephone myth with a chilling account of infatuation, and "XII Klassikal Lymnaeryx" emphasizes the satiric edge to Greek myth through a series of limericks in witty, unexpected diction. For her ambitious translation of De Rerum Natura (The Nature of Things, 2007), Stallings rendered Lucretius's epic-length treatise on the nature of reality into rhyming fourteeners. The unusual meter and colloquial language she employs capture every cadence of Lucretius's enthusiasm for his subject while also making the complexities of his argument easily understandable. Through her technical dexterity and graceful fusion of content and form, Stallings is revealing the timelessness of poetic expression and antiquity's relevance for today.
-bio via MacArthur Foundation
Poet, Painter, Prophet–Blake “neither wrote nor drew for the many, hardly for work’y-day men at all, rather for children and angels; himself ‘a divine child,’ whose playthings were sun, moon, and stars, the heavens and the earth.” -from Alexander Gilchrist’s Life of William Blake (1863)
Richard Howard (born Oct 13, 1929, died march 31, 2022) was credited with introducing modern French fiction—particularly examples of the Nouveau Roman—to the American public; his translation of Charles Baudelaire’s Les Fleurs du Mal (1984) won a National Book Award in 1984. A selection of Howard’s critical prose was collected in the volume Paper Trail: Selected Prose 1965-2003, and his collection of essays Alone with America: Essays on the Art of Poetry in the United States since 1950 (1969) was praised as one of the first comprehensive overviews of American poetry from the latter half of the 20th century. First and foremost a poet, Howard’s many volumes of verse also received widespread acclaim; he won the 1970 Pulitzer Prize in Poetry for his collection Untitled Subjects. His other honors included the American Book Award, the Harriet Monroe Memorial Prize, the PEN Translation Medal, the Levinson Prize, and the Ordre National du Mérite from the French government. For many years, Howard was the poetry editor of the Paris Review.
Evaluations of Howard usually judge his work as a poet to be his most important contribution to contemporary American literature. However, his work has and continues to attract a wide and enthusiastic audience among readers, academics, and critics alike.
-bio via Poetry Foundation
William Procter Matthews III (November 11, 1942 – November 12, 1997) was born in Cincinnati, Ohio. He earned a BA from Yale and MFA from the University of North Carolina. The author of eleven books of poetry, Matthews earned a reputation as a master of well-turned phrases, wise sayings, and rich metaphors. Much of Matthews’s poetry explores the themes of life cycles, the passage of time, and the nature of human consciousness. His collection Time & Money (1996) won the National Book Critics Circle Award and was a finalist for the Lenore Marshall Poetry Prize. Matthews’s other honors and awards included fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, the National Endowment for the Arts, and the Lila Wallace-Reader’s Digest Fund. He was awarded the Ruth Lilly Prize in 1997.
-bio via Poetry Foundation
Happy Thanksgiving from The Daily Poem!
Today we pay tribute, with poems by Andrea Cohen and Elizabeth Alexander, to the indispensable golden wonder.
Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.
Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers.
In 1890, after this long and profitable creative partnership, Gilbert quarrelled with Sullivan and Carte concerning expenses at the Savoy Theatre; the dispute is referred to as the "carpet quarrel". Gilbert won the ensuing lawsuit, but the argument caused hurt feelings among the partnership. Although Gilbert and Sullivan were persuaded to collaborate on two last operas, they were not as successful as the previous ones. In later years, Gilbert wrote several plays, and a few operas with other collaborators. He retired, with his wife Lucy, and their ward, Nancy McIntosh, to a country estate, Grim's Dyke. He was knighted in 1907. Gilbert died of a heart attack while attempting to rescue a young woman to whom he was giving a swimming lesson in the lake at his home.
Gilbert's plays inspired other dramatists, including Oscar Wilde and George Bernard Shaw, and his comic operas with Sullivan inspired the later development of American musical theatre, especially influencing Broadway librettists and lyricists. According to The Cambridge History of English and American Literature, Gilbert's "lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since".
-bio via Wikipedia
John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate’s best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate’s many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane’s White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate’s “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate’s] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”
Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.
-bio via Poetry Foundation
In today’s poem Ted Kooser describes his ideal reader.
In today’s poems, Walt Whitman welcomes the reader.
In today’s poem, Marianne Moore (November 15, 1887 – February 5, 1972) gets candid about poetry itself.
One of American literature’s foremost poets, Marianne Moore’s poetry is characterized by linguistic precision, keen and probing descriptions, and acute observations of people, places, animals, and art. Her poems often reflect her preoccupation with the relationships between the common and the uncommon, advocate discipline in both art and life, and espouse restraint, modesty, and humor. She frequently used animals as a central image to emphasize themes of independence, honesty, and the integration of art and nature. Moore’s work is frequently grouped with poets such as H.D., T.S. Eliot, William Carlos Williams, Wallace Stevens, Ezra Pound, and, later, Elizabeth Bishop, to whom she was a friend and mentor. In his introduction to her Selected Poems (1935), Eliot wrote: “Living, the poet is carrying on that struggle for the maintenance of a living language, for the maintenance of its strength, its subtlety, for the preservation of quality of feeling, which must be kept up in every generation … Miss Moore is, I believe, one of those few who have done the language some service in my lifetime.”
-bio via Poetry Foundation
Today’s poem is Billy Collins’ take on the time-honored poetic trope: the address to the reader.
Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894) was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as Treasure Island, Strange Case of Dr Jekyll and Mr Hyde, Kidnapped and A Child's Garden of Verses.
Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life, but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in Treasure Island. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned away from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at age 44.
A celebrity in his lifetime, Stevenson's critical reputation has fluctuated since his death, though today his works are held in general acclaim. In 2018, he was ranked, just behind Charles Dickens, as the 26th-most-translated author in the world.
-bio via Wikipedia
The English writer and Anglican cleric John Donne is considered now to be the preeminent metaphysical poet of his time. He was born in 1572 to Roman Catholic parents, when practicing that religion was illegal in England. His work is distinguished by its emotional and sonic intensity and its capacity to plumb the paradoxes of faith, human and divine love, and the possibility of salvation. Donne often employs conceits, or extended metaphors, to yoke together “heterogenous ideas,” in the words of Samuel Johnson, thus generating the powerful ambiguity for which his work is famous. After a resurgence in his popularity in the early 20th century, Donne’s standing as a great English poet, and one of the greatest writers of English prose, is now assured.
-bio via Poetry Foundation
Barbara Ras was born in New Bedford, Massachusetts, and has lived in Costa Rica, Colombia, California, and Texas. She is the author of The Last Skin (2010), winner of the best poetry award from the Texas Institute of Letters; One Hidden Stuff (2006); and Bite Every Sorrow (1998), which was selected by C.K. Williams for the Walt Whitman Award. Of Bite Every Sorrow, C.K. Williams wrote, “the book is a demonstration of what might be called a morality of inclusiveness, a Whitmanesque commitment to the wisdom of the individual case rather than the general type. And along with so much rich soul-work, there is a remarkable poetic skill. Ras structures poems with a zaniness and an unpredictable cunning, and her verbal expertise and lucidity are as bright and surprising as her knowledge of the world is profound.”Ras is the recipient of numerous awards including the Kate Tufts Discovery Award and a Guggenheim fellowship. She has taught at the Warren Wilson MFA Program for Writers. Currently she directs the Trinity University Press in San Antonio, Texas.
Ayodeji Malcolm Guite (/ɡaɪt/; born 12 November 1957) is an English poet, singer-songwriter, Anglican priest, and academic. Born in Nigeria to British expatriate parents, Guite earned degrees from Cambridge and Durham universities. His research interests include the intersection of religion and the arts, and the examination of the works of J. R. R. Tolkien, C. S. Lewis and Owen Barfield, and British poets such as Samuel Taylor Coleridge. He was a Bye-Fellow and chaplain of Girton College, Cambridge, and associate chaplain of St Edward King and Martyr, Cambridge. On several occasions, he has taught as visiting faculty at several colleges and universities in England and North America.
Guite is the author of Sounding the Seasonsand four other books of poetry, including two chapbooks and three full-length collections, as well as several books on Christian faith and theology, and Mariner, a critical biography of Coleridge. Guite has a decisively simple, formalist style in poems, many of which are sonnets, and he stated that his aim is to "be profound without ceasing to be beautiful". Guite performs as a singer and guitarist fronting the Cambridgeshire-based blues, rhythm and blues, and rock band Mystery Train.
During his lifetime, Ogden Nash (born August 19, 1902; died May 19, 1971) was the most widely known, appreciated, and imitated American creator of light verse, a reputation that has continued after his death. Few writers of light or serious verse can claim the same extensive dissemination of their poems that Nash’s works enjoy, both with and without citation of the author. Certain Nash lines, such as “If called by a panther, / Don’t anther” and “Candy / Is dandy, / But liquor / Is quicker” have become bits of popular American folklore. As Nash remarked in a late verse, the turbulent modern world has much need for the relief his whimsy offers: “In chaos sublunary / What remains constant but buffoonery?” Nash’s peculiar variety of poetic buffoonery combines wit and imagination with eminently memorable rhymes.
Any attempt to place Nash’s work in the context of other American humorous writing, or the humor of any other country, for that matter, tends initially to highlight his singularity. George Stevens notes this particularity. “Nash was not the only writer who could make frivolity immortal. But he was unique—not at all like Gilbert or Lear or Lewis Carroll, still less like his immediate predecessors in America: Dorothy Parker, Margaret Fishback, Franklin P. Adams. By the same token, he was and remains inimitable—easy to imitate badly, impossible to imitate well.”
-bio via Poetry Foundation
Charles-Camille Saint-Saëns (/sæ̃ˈsɒ̃(s)/ 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and piano prodigy of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886).
-bio via Wikipedia
Remember, Remember – November 5 was Guy Fawkes Day, an occasion full of complicated remembrances. We mark the day with a traditional English lyric and a November meditation from Malcolm Guite.
We will turn the clocks back this weekend–in fact, many clocks will turn themselves back–and there is no better occasion to meditate with Robert B. Shaw on the ways we keep time and are kept by it.
Stevens moved to Connecticut in 1916, having found employment at the Hartford Accident and Indemnity Co., where he became vice president in 1934. He had also begun to establish an identity for himself outside the worlds of law and business. His first book of poems, Harmonium (Alfred A. Knopf), published in 1923, exhibited the influences of both the English Romantics and the French Symbolists, and demonstrated a wholly original style and sensibility: exotic, whimsical, and infused with the light and color of an Impressionist painting. Today’s poem comes from that early collection.
For the next several years, Stevens focused on his business career. He began to publish new poems in 1930, however. In the following year, Knopf released a second edition of Harmonium, which included fourteen new poems, but excluded three of the decidedly weaker ones.
More than any other modern poet, Stevens was concerned with the transformative power of the imagination. Composing poems on his way to and from the office and in the evenings, Stevens spent his days behind a desk at his office, and led a quiet, relatively uneventful life.
Though now considered one of the major American poets of the twentieth century, Stevens did not receive widespread recognition until the publication of The Collected Poems of Wallace Stevens (Knopf, 1954), just a year before his death. His other major works include The Necessary Angel (Alfred A. Knopf, 1951), a collection of essays on poetry; Notes Towards a Supreme Fiction (The Cummington Press, 1942); The Man With the Blue Guitar (Alfred A. Knopf, 1937); and Ideas of Order (The Alcestis Press, 1935).
-bio via Poets.org
Billy Collins spent his tenure as U.S. Poet Laureate launching the Poetry 180 initiative to increase American high school students’ exposure to poetry. In today’s poem he remembers what it was like to be young (and not so young).
Poet and critic Robert B. Shaw earned a BA from Harvard University, where he studied with Robert Lowell, and a PhD from Yale University. Influenced by Elizabeth Bishop and Philip Larkin, Shaw’s wry and plainspoken formal verse is often grounded in, or sprung from, the debris of daily life. He is the author of several collections of poetry, including Solving For X (2002), which won the Hollis Summers Poetry Prize; Below the Surface (1999); and The Wonder of Seeing Double (1988). His criticism appears widely in such places as the New York Times Book Review, and he has also published a critical study of poets John Donne and George Herbert, The Call of God: The Theme of Vocation in the Poetry of Donne and Herbert (1981). Shaw has received Shenandoah’s James Boatwright III Prize for Poetry as well as fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Since 1983, Shaw has taught at Mount Holyoke College as the Emily Dickinson Professor of English.
-bio via Poetry Foundation
Edward Estlin (E.E.) Cummings was born in Cambridge, Massachusetts. He attended the Cambridge Latin High School, where he studied Latin and Greek. Cummings earned both his BA and MA from Harvard, and his earliest poems were published in Eight Harvard Poets (1917). As one of the most innovative poets of his time, Cummings experimented with poetic form and language to create a distinct personal style. A typical Cummings poem is spare and precise, employing a few key words eccentrically placed on the page. Some of these words were invented by Cummings, often by combining two common words into a new synthesis. He also revised grammatical and linguistic rules to suit his own purposes, using such words as “if,” “am,” and “because” as nouns, for example, or assigning his own private meanings to words. Despite their nontraditional form, Cummings’ poems came to be popular with many readers. “No one else,” Randall Jarrell claimed, “has ever made avant-garde, experimental poems so attractive to the general and the special reader.” By the time of his death in 1962 Cummings held a prominent position in 20th-century poetry. John Logan in Modern American Poetry: Essays in Criticism called him “one of the greatest lyric poets in our language.” Stanley Edgar Hyman wrote in Standards: A Chronicle of Books for Our Time: “Cummings has written at least a dozen poems that seem to me matchless. Three are among the great love poems of our time or any time.” Malcolm Cowley admitted in the Yale Review that Cummings “suffers from comparison with those [poets] who built on a larger scale—Eliot, Aiken, Crane, Auden among others—but still he is unsurpassed in his special field, one of the masters.”
-bio via Poetry Foundation
Today’s poem is by Dylan Marlais Thomas, born October 27, 1914 in the Welsh seaport of Swansea, Wales. Thomas attended the Swansea Grammar School, where he received all of his formal education. As a student he made contributions to the school magazine and was keenly interested in local folklore. Having declared at the age of eight that he was a poet, he began writing early and published his first book of poetry, 18 Poems (1934), when he was not yet twenty years old. After leaving school, Thomas supported himself as an actor, reporter, reviewer, scriptwriter, and with various odd jobs.
By 1938 Thomas’s reputation was growing the United Kingdom, yet he was still basically unknown in the United States until a poem of his appeared in the 1938 anthology New Directions in Poetry and Prose, and two of his earlier poetry volumes were published by James Laughlin under the title The World I Breathe (1939).
During World War II, Thomas wrote radio scripts for the Ministry of Information and documentaries for the British government. After the war he became a commentator on poetry for the British Broadcasting Corporation (BBC). Thomas continued writing poems, stories, essays, and plays, and in 1950 made the first of four reading tours through the United States, during which he gave more than one hundred poetry readings. In these appearances he half recited, half chanted the lines in what became known as his famous “Welsh singing” voice and inspired generations of modern poets to begin reading their poems in public.
Following the extraordinary success of his just-published Collected Poems, Thomas began his final tour of the United States on October 16, 1953. He collapsed at the Chelsea Hotel and fell into a coma on November 5. He died four days later in St. Vincent’s Hospital at the age of thirty-nine. Thomas was buried in the graveyard of St. Martin’s Church, Laugharne, Wales. He is best known for poems like “Do not go gentle into that good night” and the poetic prose work, A Child’s Christmas in Wales.
-bio via New Directions Press
Christine Perrin is the director of writing at Messiah College and has taught literature and creative writing at Johns Hopkins University, with Gordon College’s Orvieto Program, through the Pennsylvania Arts Council to students of all ages, and at the local classical school where her children attended. She consults with classical schools in curriculum development and faculty development in poetry and writing, and speaks regularly at the CiRCE Institute as well as the Society for Classical Learning conferences. She is a two-time recipient of the PA Arts Council Artists Fellowship and a Bread Loaf Writer’s Conference Fellowship.
Perrin is the author of Bright Mirror, a collection of her own poetry, and of The Art of Poetry, a textbook for middle and high school students. Her work also appears in various journals, including The New England Review, Image, TriQuarterly, Blackbird, Christianity and Literature, and The Cresset.
-Bio via Classical Academic Press
Today being St. Crispin’s Day, it seems only right to share, once again, one of the most famous speeches in English literature—Henry V’s “Crispin’s Day” speech which was given prior to the battle of Agincourt, as penned by Shakespeare in his history, Henry V.
Today’s poem is by Carl August Sandburg (January 6, 1878 – July 22, 1967), an American poet, biographer, journalist, and editor. He won three Pulitzer Prizes: two for his poetry and one for his biography of Abraham Lincoln. During his lifetime, Sandburg was widely regarded as "a major figure in contemporary literature", especially for volumes of his collected verse, including Chicago Poems (1916), Cornhuskers (1918), and Smoke and Steel(1920).[2] He enjoyed "unrivaled appeal as a poet in his day, perhaps because the breadth of his experiences connected him with so many strands of American life".[3] When he died in 1967, President Lyndon B. Johnson observed that "Carl Sandburg was more than the voice of America, more than the poet of its strength and genius. He was America."[4]
—Bio via Wikipedia
Today’s poem is by an anonymous poet but it artfully commemorates the life and death of a great historical figure.
Today’s poem is by Samuel Taylor Coleridge (/ˈkoʊlərɪdʒ/ KOH-lə-rij;[1] 21 October 1772 – 25 July 1834), an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd.
He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief".[2] He had a major influence on Ralph Waldo Emersonand American transcendentalism.
—Bio via Wikipedia
Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator. His original works include the poems "Paul Revere's Ride", "The Song of Hiawatha", and "Evangeline". He was the first American to completely translate Dante Alighieri's Divine Comedy and was one of the fireside poets from New England.
Longfellow wrote many lyric poems known for their musicality and often presenting stories of mythology and legend. He became the most popular American poet of his day and had success overseas. He has been criticized for imitating European styles and writing poetry that was too sentimental.
—Bio via Wikipedia
Today’s poem is by Michael Dana Gioia (/ˈdʒɔɪ.ə/; born December 24, 1950), an American poet, literary critic, literary translator, and essayist.
Since the early 1980s, Gioia has been considered part of the literary movements within American poetry known as New Formalism, which advocates the continued writing of poetry in rhyme and meter, and New Narrative, which advocates the telling of non-autobiographical stories. Gioia has also argued in favor of a return to the past tradition of poetry translators replicating the rhythm and verse structure of the original poem.
Gioia has published five books of poetry and three volumes of literary criticism as well as opera libretti, song cycles, translations, and over two dozen literary anthologies. Gioia's poetry has been anthologized in The Norton Anthology of Poetry, The Oxford Book of American Poetry, and several other anthologies. His poetry has been translated into French, German, Italian, Spanish, Russian, Romanian, Bulgarian, Chinese, and Arabic. Gioia published translations of poets such as Eugenio Montale and Seneca the Younger.
—Bio via Wikipedia
Today’s poems are by Oscar Fingal O'Fflahertie Wills Wilde[a] (16 October 1854 – 30 November 1900), an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray.
—Bio via Wikipedia
Today’s poem is by Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889), an English poet and Jesuit priest, whose posthumous fame places him among leading English poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature. Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.
—bia via Wikipedia
Today’s poem is by Theodore Huebner Roethke (/ˈrɛtki/ RET-kee;[1] May 25, 1908 – August 1, 1963), an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind,[2] and posthumously in 1965 for The Far Field.[3][4] His work was characterized by its introspection, rhythm and natural imagery.
Roethke was praised by former U.S. Poet Laureate and author James Dickey as "in my opinion the greatest poet this country has yet produced."[5] He was also a respected poetry teacher, and taught at the University of Washington for fifteen years. His students from that period won two Pulitzer Prizes for Poetry and two others were nominated for the award. "He was probably the best poetry-writing teacher ever," said poet Richard Hugo, who studied under Roethke.
— bio via Wikipedia
Today’s poem is by John Ronald Reuel Tolkien CBE FRSL (/ˈruːl ˈtɒlkiːn/, ROOL TOL-keen;[a] 3 January 1892 – 2 September 1973), an English writer and philologist. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.
From 1925 to 1945, Tolkien was the Rawlinson and Bosworth Professor of Anglo-Saxon and a Fellow of Pembroke College, both at the University of Oxford. He then moved within the same university to become the Merton Professor of English Language and Literature and Fellow of Merton College, and held these positions from 1945 until his retirement in 1959. Tolkien was a close friend of C. S. Lewis, a co-member of the informal literary discussion group The Inklings. He was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.
—Bio via Wikipedia
Today’s poem is by Robert Lee Frost (March 26, 1874 – January 29, 1963), an American poet. His work was initially published in England before it was published in the United States. Known for his realistic depictions of rural life and his command of American colloquial speech,[2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Frequently honored during his lifetime, Frost is the only poet to receive four Pulitzer Prizes for Poetry. He became one of America's rare "public literary figures, almost an artistic institution".[3] He was awarded the Congressional Gold Medal in 1960 for his poetic works. On July 22, 1961, Frost was named poet laureate of Vermont.
—Bio via Wikipedia
Today’s poem is dedicated to my son, Coulter, who turns twelve today.
Joseph Rudyard Kipling (/ˈrʌdjərd/ RUD-yərd; 30 December 1865 – 18 January 1936)[1] was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work.
Kipling's works of fiction include the Jungle Book duology (The Jungle Book, 1894; The Second Jungle Book, 1895), Kim (1901), the Just So Stories (1902) and many short stories, including "The Man Who Would Be King" (1888).[2] His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.[3] His children's books are classics; one critic noted "a versatile and luminous narrative gift".[4][5]
—Bio via Wikipedia
Jane Kenyon (May 23, 1947 – April 22, 1995) was an American poet and translator. Her work is often characterized as simple, spare, and emotionally resonant. Kenyon was the second wife of poet, editor, and critic Donald Hall who made her the subject of many of his poems.
—Bio via Wikipedia
Today’s poem is by Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965), a poet, essayist, publisher, playwright, literary critic and editor.[1] Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry. Through his trials in language, writing style, and verse structure, he reinvigorated English poetry. He also dismantled outdated beliefs and established new ones through a collection of critical essays.[2]
Eliot first attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" from 1914 to 1915, which, at the time of its publication, was considered outlandish.[5] It was followed by The Waste Land(1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943).[6] He was also known for seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the 1948 Nobel Prize in Literature, "for his outstanding, pioneer contribution to present-day poetry".[7][8]
-Bio via Wikipedia
Today’s poem is by Thomas Gray (26 December 1716 – 30 July 1771), an English poet, letter-writer, classical scholar, and fellow at Pembroke College, Cambridge. He is widely known for his Elegy Written in a Country Churchyard,published in 1751.[1]
Gray was a self-critical writer who published only 13 poems in his lifetime, despite being very popular. He was even offered the position of Poet Laureate in 1757 after the death of Colley Cibber, though he declined.[2] His writing is conventionally considered to be pre-Romantic but recent critical developments deny such teleological classification.
—Bio via Wikipedia
Today’s poem is by Pablo Neruda (/nəˈruːdə/;[1] Spanish pronunciation: [ˈpaβlo neˈɾuða] ⓘ; born Ricardo Eliécer Neftalí Reyes Basoalto; 12 July 1904 – 23 September 1973) a Chilean poet-diplomat and politician who won the 1971 Nobel Prize in Literature.[2] Neruda became known as a poet when he was 13 years old, and wrote in a variety of styles, including surrealist poems, historical epics, political manifestos, a prose autobiography, and passionate love poems such as the ones in his collection Twenty Love Poems and a Song of Despair (1924).
—Bio via Wikipedia
Today’s poem is by Frédéric-Louis Sauser (1 September 1887 – 21 January 1961),[1] better known as Blaise Cendrars, a Swiss-born novelist and poet who became a naturalized French citizen in 1916. He was a writer of considerable influence in the European modernist movement.
—Bio via Wikipedia
Today’s poem is by Roald Dahl[a] (13 September 1916 – 23 November 1990), a British popular author of children's literatureand short stories, a poet, and wartime fighter ace.[1][2] His books have sold more than 300 million copies worldwide.[3][4] Dahl has been called "one of the greatest storytellers for children of the 20th century".[5]
Dahl's short stories are known for their unexpected endings, and his children's books for their unsentimental, macabre, often darkly comic mood, featuring villainous adult enemies of the child characters.[10][11] His children's books champion the kindhearted and feature an underlying warm sentiment.[12][13] His works for children include James and the Giant Peach, Charlie and the Chocolate Factory, Matilda, The Witches, Fantastic Mr Fox, The BFG, The Twits, George's Marvellous Medicine and Danny, the Champion of the World. His works for older audiences include the short story collections Tales of the Unexpected and The Wonderful Story of Henry Sugar and Six More.
—bio via Wikipedia
Today’s poem is by Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965), a poet, essayist, publisher, playwright, literary critic and editor.[1] Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry. Through his trials in language, writing style, and verse structure, he reinvigorated English poetry. He also dismantled outdated beliefs and established new ones through a collection of critical essays.[2]
Eliot first attracted widespread attention for his poem "The Love Song of J. Alfred Prufrock" from 1914 to 1915, which, at the time of its publication, was considered outlandish.[5] It was followed by The Waste Land (1922), "The Hollow Men" (1925), "Ash Wednesday" (1930), and Four Quartets (1943).[6] He was also known for seven plays, particularly Murder in the Cathedral (1935) and The Cocktail Party (1949). He was awarded the 1948 Nobel Prize in Literature, "for his outstanding, pioneer contribution to present-day poetry".[7][8]
—Bio via Wikipedia
Today’s poem is by Mary Jane Oliver (September 10, 1935 – January 17, 2019) , an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild. It is characterized by a sincere wonderment at the impact of natural imagery, conveyed in unadorned language. In 2007, she was declared to be the country's best-selling poet.
—Bio via Wikipedia
Today’s poem is by Elizabeth Barrett Browning (née Moulton-Barrett; 6 March 1806 – 29 June 1861), an English poet of the Victorian era, popular in Britain and the United States during her lifetime.
In the 1840s, Elizabeth was introduced to literary society through her distant cousin and patron John Kenyon. Her first adult collection of poems was published in 1838, and she wrote prolifically between 1841 and 1844, producing poetry, translation, and prose. She campaigned for the abolition of slavery, and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth.
Elizabeth's volume Poems (1844) brought her great success, attracting the admiration of the writer Robert Browning. Their correspondence, courtship, and marriage were carried out in secret, for fear of her father's disapproval. Following the wedding, she was indeed disinherited by her father. In 1846, the couple moved to Italy, where she would live for the rest of her life. They had a son, known as "Pen" (Robert Wiedeman Barrett Browning) (1849–1912). Pen devoted himself to painting until his eyesight began to fail later in life; he also built up a large collection of manuscripts and memorabilia of his parents; however, since he died intestate, it was sold by public auction to various bidders, and scattered upon his death. The Armstrong Browning Libraryhas tried to recover some of his collection, and now houses the world's largest collection of Browning memorabilia.[3] Elizabeth died in Florence in 1861.[1][4] A collection of her last poems was published by her husband shortly after her death.
Elizabeth's work had a major influence on prominent writers of the day, including the American poets Edgar Allan Poe and Emily Dickinson. She is remembered for such poems as "How Do I Love Thee?" (Sonnet 43, 1845) and Aurora Leigh(1856).
—Bio via Wikipedia
Today’s poem is by Wendell Erdman Berry (born August 5, 1934), an American novelist, poet, essayist, environmental activist, cultural critic, and farmer.[1] Closely identified with rural Kentucky, Berry developed many of his agrarian themes in the early essays of The Gift of Good Land (1981) and The Unsettling of America (1977). His attention to the culture and economy of rural communities is also found in the novels and stories of Port William, such as A Place on Earth (1967), Jayber Crow (2000), and That Distant Land (2004).
He is an elected member of the Fellowship of Southern Writers, a recipient of The National Humanities Medal, and the Jefferson Lecturer for 2012. He is also a 2013 Fellow of The American Academy of Arts and Sciences and, since 2014, a member of the American Academy of Arts and Letters.[2] Berry was named the recipient of the 2013 Richard C. Holbrooke Distinguished Achievement Award.[3] On January 28, 2015, he became the first living writer to be inducted into the Kentucky Writers Hall of Fame.[4]
— Bio via Wikipedia
Today’s poem is by Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013), an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowelldescribed him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinskyhas stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]
—Bio via Wikipedia
Today’s poem is by Rita Frances Dove (born August 28, 1952), an American poet and essayist. From 1993 to 1995, she served as Poet Laureate Consultant in Poetry to the Library of Congress. She is the first African American to have been appointed since the position was created by an act of Congress in 1986 from the previous "consultant in poetry" position (1937–86). Dove also received an appointment as "special consultant in poetry" for the Library of Congress's bicentennial year from 1999 to 2000.[1] Dove is the second African American to receive the Pulitzer Prize for Poetry, in 1987, and she served as the Poet Laureate of Virginia[2] from 2004 to 2006. Since 1989, she has been teaching at the University of Virginia in Charlottesville, where she held the chair of Commonwealth Professor of English from 1993 to 2020; as of 2020, she holds the chair of Henry Hoyns Professor of Creative Writing.[3]
—Bio via Wikipedia
Today’s poem is by Zbigniew Herbert (IPA: [ˈzbiɡɲɛf ˈxɛrbɛrt] (listen); 29 October 1924 – 28 July 1998), a Polish poet, essayist, drama writer and moralist. He is one of the best known and the most translated post-war Polish writers.[1][2] While he was first published in the 1950s (a volume titled Chord of Light was issued in 1956), soon after he voluntarily ceased submitting most of his works to official Polish government publications. He resumed publication in the 1980s, initially in the underground press. Since the 1960s, he was nominated several times for the Nobel Prize in Literature.[3] His books have been translated into 38 languages.[4]
Herbert claimed to be a distant relative of the 17th-century Anglo-Welsh poet George Herbert.[5]
—Bio via Wikipedia
Today’s poem is by William James Collins, aka Billy Collins, (born March 22, 1941) is an American poet who served as the Poet Laureate of the United States from 2001 to 2003.[1] He was a Distinguished Professor at Lehman College of the City University of New York, retiring in 2016. Collins was recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004 through 2006. In 2016, Collins was inducted into the American Academy of Arts and Letters.[2] As of 2020, he is a teacher in the MFA program at Stony Brook Southampton.
— Bio via Wikipedia
Today’s poem is by Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849), an American writer, poet, author, editor, and literary critic who is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism and Gothic fiction in the United States, and of American literature.[1] Poe was one of the country's earliest practitioners of the short story, and is considered the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.[2] He is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career.[3]
—Bio via Wikipedia
Today’s poem is by Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886), an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry.[2] Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.[3]
While Dickinson was a prolific writer, her only publications during her lifetime were 10 of her nearly 1,800 poems, and one letter.[4] The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation.[5] Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends, and also explore aesthetics, society, nature, and spirituality.[6]
—Bio via Wikipedia
Today’s poem is by Philip Arthur Larkin CH CBE FRSL (9 August 1922 – 2 December 1985), an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947), and he came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse(1973).[1] His many honours include the Queen's Gold Medal for Poetry.[2] He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
—Bio via Wikipedia
Today’s poem is by Thomas Lux (December 10, 1946 – February 5, 2017), an American poet who held the Margaret T. and Henry C. Bourne, Jr. Chair in Poetry at the Georgia Institute of Technology and ran Georgia Tech's "Poetry @ Tech" program.[1][2] He wrote fourteen books of poetry.[3]
—Bio via Wikipedia
Today’s poem is by Seamus Justin Heaney MRIA (/ˈʃeɪməs ˈhiːni/; 13 April 1939 – 30 August 2013), an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]
—Bio via Wikipedia
Today’s poem is by John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) , an American poet and art critic.[2] Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age."[3] Langdon Hammer, chair of the English Department at Yale University, wrote in 2008, "No figure looms so large in American poetry over the past 50 years as John Ashbery" and "No American poet has had a larger, more diverse vocabulary, not Whitman, not Pound."[4] Stephanie Burt, a poet and Harvard professor of English, has compared Ashbery to T. S. Eliot, calling Ashbery "the last figure whom half the English-language poets alive thought a great model, and the other half thought incomprehensible".[5]
—Bio via Wikipedia
Today’s poem is by Matthea Harvey, the author of five books of poetry—If the Tabloids are True What Are You?, Of Lamb (an illustrated erasure with images by Amy Jean Porter), Modern Life (a finalist for the National Book Critics Cirlcle Award and a New York Times Notable Book), Sad Little Breathing Machine and Pity the Bathtub Its Forced Embrace of the Human Form. She has also published two children’s books, Cecil the Pet Glacier, illustrated by Giselle Potter and The Little General and the Giant Snowflake, illustrated by Elizabeth Zechel. She teaches poetry at Sarah Lawrence and lives in Brooklyn.Snowflake (2009), illustrated by Elizabeth Zechel. In 2017, Harvey was awarded a Guggenheim Fellowship.
—Bio via MattheaHarvey.info
Today’s poem is by Theodore J. Kooser (born 25 April 1939)[1], an American poet. He won the Pulitzer Prize in Poetry in 2005. He served as Poet Laureate Consultant in Poetry to the Library of Congress from 2004 to 2006.[2] Kooser was one of the first poets laureate selected from the Great Plains,[3] and is known for his conversational style of poetry.[4]
—bio via Wikipedia
Today’s poem is by Edward John Moreton Drax Plunkett, 18th Baron of Dunsany FRSL (/dʌnˈseɪni/; 24 July 1878 – 25 October 1957, usually Lord Dunsany) was an Anglo-Irish writer and dramatist. Over 90 volumes of fiction, essays, poems and plays appeared in his lifetime,[1]: 29 (I.A.92) and a modest amount of material was published posthumously. He gained a name in the 1910s as a great writer in the English-speaking world. Best known today are the 1924 fantasy novel, The King of Elfland's Daughter, and his first book, The Gods of Pegāna, which depicts a fictional pantheon. Many critics feel his early work laid grounds for the fantasy genre.
—bio via Wikipedia
Today’s poem is by Priscilla Denise Levertov (24 October 1923 – 20 December 1997), a British-born naturalised American poet.[3] She was a recipient of the Lannan Literary Award for Poetry. Levertov wrote and published 24 books of poetry, and also criticism and translations. She also edited several anthologies. Among her many awards and honours, she received the Shelley Memorial Award, the Robert Frost Medal, the Lenore Marshall Prize, the Lannan Award, a grant from the National Institute of Arts and Letters, and a Guggenheim Fellowship.
—Bio via Wikipedia
Today’s poem is by Robert Morgan (born 1944), an American poet, short story writer, and novelist. He studied at North Carolina State University as an engineering and mathematics major, transferred to the University of North Carolina at Chapel Hill as an English major, graduating in 1965, and completed an MFA degree at the University of North Carolina Greensboro in 1968. He has taught at Cornell University since 1971, and was appointed Professor of English in 1984.[1]
—Bia via Wikipedia
Today’s poem is by Mary Jane Oliver (September 10, 1935 – January 17, 2019), an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild. It is characterised by a sincere wonderment at the impact of natural imagery, conveyed in unadorned language. In 2007, she was declared to be the country's best-selling poet.
—Bia via Wikipedia
Today’s poem is by Pablo Neruda (/nəˈruːdə/;[1] Spanish: [ˈpaβlo neˈɾuða] (listen))(born Ricardo Eliécer Neftalí Reyes Basoalto; 12 July 1904 – 23 September 1973), a Chilean poet-diplomat and politician who won the 1971 Nobel Prize in Literature.[2] Neruda became known as a poet when he was 13 years old, and wrote in a variety of styles, including surrealist poems, historical epics, political manifestos, a prose autobiography, and passionate love poems such as the ones in his collection Twenty Love Poems and a Song of Despair (1924).
—Bio via Wikipedia
Today’s poem is by Thomas Merton OCSO (January 31, 1915 – December 10, 1968), an American Trappist monk, writer, theologian, mystic, poet, social activist and scholar of comparative religion. On May 26, 1949, he was ordained to the Catholic priesthood and given the name "Father Louis".[1][2] He was a member of the Abbey of Our Lady of Gethsemani, near Bardstown, Kentucky, living there from 1941 to his death.
Merton wrote more than 50 books in a period of 27 years,[3] mostly on spirituality, social justice and a quiet pacifism, as well as scores of essays and reviews. Among Merton's most enduring works is his bestselling autobiography The Seven Storey Mountain (1948). His account of his spiritual journey inspired scores of World War II veterans, students, and teenagers to explore offerings of monasteries across the US.[4][5] It is on National Review's list of the 100 best nonfiction books of the century.[6]
—Bio via Wikipedia
Today’s poem is by Donald Andrew Hall Jr.[1] (September 20, 1928 – June 23, 2018), an American poet, writer, editor and literary critic. He was the author of over 50 books across several genres from children's literature, biography, memoir, essays, and including 22 volumes of verse. Hall was a graduate of Phillips Exeter Academy, Harvard, and Oxford.[2] Early in his career, he became the first poetry editor of The Paris Review (1953–1961), the quarterly literary journal, and was noted for interviewing poets and other authors on their craft.
On June 14, 2006, Hall was appointed as the Library of Congress's 14th Poet Laureate Consultant in Poetry (commonly known as "Poet Laureate of the United States").[3] He is regarded as a "plainspoken, rural poet," and it has been said that, in his work, he "explores the longing for a more bucolic past and reflects [an] abiding reverence for nature."[4]
—Bio via Wikipedia
Today’s poem is by Walter Whitman Jr. (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892), an American poet, essayist, and journalist. He is considered one of the most influential poets in American history. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse.[1]
Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until his death in 1892.
His poetry often focused on both loss and healing. On the assassination of Abraham Lincoln, who Whitman greatly admired, he authored two poems "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd", and gave a series of lectures on Lincoln.
—Bio via Wikipedia
Today’s poem is by Emma Lazarus (July 22, 1849 – November 19, 1887), an American author of poetry, prose, and translations, as well as an activist for Jewish and Georgist causes. She is remembered for writing the sonnet"The New Colossus", which was inspired by the Statue of Liberty, in 1883.[1] Its lines appear inscribed on a bronze plaque, installed in 1903,[2] on the pedestal of the Statue of Liberty.[3] Lazarus was involved in aiding refugees to New York who had fled antisemitic pogroms in eastern Europe, and she saw a way to express her empathy for these refugees in terms of the statue.[4] The last lines of the sonnet were set to music by Irving Berlin as the song "Give Me Your Tired, Your Poor" for the 1949 musical Miss Liberty, which was based on the sculpting of the Statue of Liberty (Liberty Enlightening the World). The latter part of the sonnet was also set by Lee Hoiby in his song "The Lady of the Harbor" written in 1985 as part of his song cycle "Three Women".
Lazarus was also the author of Poems and Translations (New York, 1867); Admetus, and other Poems(1871); Alide: An Episode of Goethe's Life (Philadelphia, 1874); Poems and Ballads of Heine (New York, 1881); Poems, 2 Vols.; Narrative, Lyric and Dramatic; as well as Jewish Poems and Translations.[5]
—Bio via Wikipedia
Today’s poem is by Walter Whitman Jr. (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892), an American poet, essayist, and journalist. He is considered one of the most influential poets in American history. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse.[1]
Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until his death in 1892.
His poetry often focused on both loss and healing. On the assassination of Abraham Lincoln, who Whitman greatly admired, he authored two poems "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd", and gave a series of lectures on Lincoln.
—Bio via Wikipedia
Today’s poem is Thomas Lux (December 10, 1946 – February 5, 2017), an American poet who held the Margaret T. and Henry C. Bourne, Jr. Chair in Poetry at the Georgia Institute of Technology and ran Georgia Tech's "Poetry @ Tech" program.[1][2] He wrote fourteen books of poetry.[3]
—Bio via Wikipedia
Today’s poem is by Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886), an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry.[2] Despite Dickinson's prolific writing, only ten poems and a letter were published during her lifetime. After her younger sister Lavinia discovered the collection of nearly 1800 poems, Dickinson's first volume was published four years after her death. Until Thomas H. Johnson published Dickinson's Complete Poems in 1955,[130] Dickinson's poems were considerably edited and altered from their manuscript versions. Since 1890 Dickinson has remained continuously in print.
—Bio via Wikipedia
Today’s poem is by Francis Russell "Frank" O'Hara (March 27, 1926 – July 25, 1966), an American writer, poet, and art critic. A curator at the Museum of Modern Art, O'Hara became prominent in New York City's art world. O'Hara is regarded as a leading figure in the New York School, an informal group of artists, writers, and musicians who drew inspiration from jazz, surrealism, abstract expressionism, action painting, and contemporary avant-garde art movements.
—Bio via Wikipedia
Today’s poem is by Alicia Elsbeth Stallings (born July 2, 1968), an American poet, translator, and essayist.
Stallings has published five books of original verse: Archaic Smile (1999), Hapax (2006), Olives (2012), Like (2018), and This Afterlife (2022). She has published verse translations of Lucretius's De Rerum Natura (The Nature of Things) and Hesiod's Works and Days, both with Penguin Classics, and a translation of The Battle of the Frogs and the Mice.
She has been awarded the Willis Barnstone Translation Prize, a Guggenheim Fellowship,[2] a MacArthur Foundation Fellowship[3] and has been a finalist for the Pulitzer Prize for Poetry[4] and the National Book Critics Circle Award.[5] Stallings is a Fellow of the American Academy of Arts & Sciences.[6] On June 16, 2023, she was named the University of Oxford's 47th Professor of Poetry.[7][8]
—Bio via Wikipedia
Today’s poem is by Musō Soseki (夢窓 疎石, 1275 – October 20, 1351), a Rinzai Zen Buddhist monk and teacher, and a calligraphist, poet and garden designer. The most famous monk of his time, he is also known as Musō Kokushi (夢窓国師, "national [Zen] teacher Musō"), an honorific conferred on him by Emperor Go-Daigo.[1] His mother was the daughter of Hōjō Masamura (1264–1268), seventh Shikken (regent) of the Kamakura shogunate.
—Bio via Wikipedia
Today’s poem is by Scott Cairns. Cairns is the author of ten collections of poetry, one collection of translations of Christian mystics, one spiritual memoir (now translated into Greek and Romanian), a book-length essay on suffering, and co-edited The Sacred Place with Scott Olsen, an anthology of poetry, fiction and nonfiction. It won the inaugural National Outdoor Book Award (Outdoor Literature category) in 1997. He wrote the libretto for "The Martyrdom of Saint Polycarp", an oratorio composed by JAC Redford, and the libretto for "A Melancholy Beauty", an oratorio composed by Georgi Andreev. Cairns's poems have appeared in journals including The Atlantic Monthly, The Paris Review, The New Republic, Image, and Poetry, and have been anthologized in Upholding Mystery (Oxford University Press, 1996), Best Spiritual Writing (Harper Collins, 1998 and 2000), and Best American Spiritual Writing (Houghton Mifflin, 2004, 2005, and 2006).
—Bio via Wikipedia
Today’s poem is by Kathleen Norris (born July 27, 1947), an American poet and essayist. She is the author Dakota: A Spiritual Geography, The Cloister Walk (1996), The Quotidian Mysteries: Laundry, Liturgy and "Women's Work" (1998), and other books.
Today’s poem is by Theodore Huebner Roethke (/ˈrɛtki/ RET-kee;[1] May 25, 1908 – August 1, 1963), an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind,[2] and posthumously in 1965 for The Far Field.[3][4] His work was characterized by its introspection, rhythm and natural imagery.
Roethke was praised by former U.S. Poet Laureate and author James Dickey as "in my opinion the greatest poet this country has yet produced."[5] He was also a respected poetry teacher, and taught at the University of Washington for fifteen years. His students from that period won two Pulitzer Prizes for Poetry and two others were nominated for the award. "He was probably the best poetry-writing teacher ever," said poet Richard Hugo, who studied under Roethke.
—Bio via Wikipedia
Today’s poem is by Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)[1], a 17th-century English lyric poet and Anglican cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".
—Bio via Wikipedia
Today’s poem is by William Butler Yeats[a] (13 June 1865 – 28 January 1939), an Irish poet, dramatist, writer and politician. One of the foremost figures of 20th-century literature, he was a driving force behind the Irish Literary Revival and became a pillar of the Irish literary establishment who helped to found the Abbey Theatre. In his later years, he served two terms as a Senator of the Irish Free State. Yeats was awarded the Nobel Prize in Literature in 1923.
—Bio via Wikipedia
Today poem is by Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973[1]), a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[2][3][4]
—Bio via Wikipedia
Today’s poem is by Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894), a Scottish novelist, essayist, poet and travel writer. He is best known for works such as Treasure Island, Strange Case of Dr Jekyll and Mr Hyde, Kidnapped and A Child's Garden of Verses.
-Bio via Wikipedia
Today’s poem is by Gwendolyn Elizabeth Brooks (June 7, 1917 – December 3, 2000), an American poet, author, and teacher. Her work often dealt with the personal celebrations and struggles of ordinary people in her community. She won the Pulitzer Prize for Poetry on May 1, 1950, for Annie Allen,[1] making her the first African American to receive a Pulitzer Prize.[2][3]
-Bio via Wikipedia
Robert L. Hass (born March 1, 1941) is an American poet. He served as Poet Laureate of the United Statesfrom 1995 to 1997.[1] He won the 2007 National Book Award[2] and shared the 2008 Pulitzer Prize[3] for the collection Time and Materials: Poems 1997–2005.[4] In 2014 he was awarded the Wallace Stevens Awardfrom the Academy of American Poets.[5]
Bio via Wikipedia
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Sponsor link: circeinstitute.org/books
Today’s poem is by Christian Wiman, an American poet and editor born in 1966 and raised in the small west Texas town of Snyder.[1] He graduated from Washington and Lee University and has taught at Northwestern University, Stanford University, Lynchburg College in Virginia, and the Prague School of Economics. In 2003, he became editor of the oldest American magazine of verse, Poetry,[2] a role he stepped down from in June 2013.[3] Wiman is now on the faculty of Yale University, where he teaches courses on Religion and Literature at Yale Divinity School[4] and the Yale Institute of Sacred Music.[5]
Bio via Wikipedia
Today’s poem is by John Edward Masefield OM (/ˈmeɪsˌfiːld, ˈmeɪz-/; 1 June 1878 – 12 May 1967), an English poet and writer, and Poet Laureate from 1930 until 1967. Among his best known works are the children's novels The Midnight Folk and The Box of Delights, and the poems The Everlasting Mercy and "Sea-Fever".
Bio via Wikipedia
Today’s poem is by James Raymond Daniels (born 1956 in Detroit, Michigan), an American poet and writer. He lives in Pittsburgh with his wife, the writer Kristin Kovacic. Daniels was on the faculty of the creative writing program at Carnegie Mellon University in Pittsburgh, Pennsylvania, from 1981-2021, where he was the Thomas Stockham BakerUniversity Professor of English. He taught in the low-residency MFA Program from 2007-2021. He currently teaches in the Alma College low-residency MFA Program.
The majority of Daniels' papers are held in Michigan State University Libraries Special Collections.
Daniels' literary works have been recognized and highlighted at Michigan State University in their Michigan Writers Series.[2] He won the inaugural Brittingham Prize in Poetry in 1985 from the University of Wisconsin–Madison. He was educated at Alma College and Bowling Green State University.
Bio via Wikipedia.
Today is Memorial Day so in this episode we present three notable poems from among the many memorable poems of the World War I era. Memory eternal to all of the brave men and women who gave up their lives in service of their country.
Today’s poem is by Ursula Kroeber Le Guin (née Kroeber; /ˈkroʊbər lə ˈɡwɪn/ KROH-bər lə GWIN;[1] October 21, 1929 – January 22, 2018), an American author best known for her works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series.
Bio via Wikipedia
Today poem is from Sir John Betjeman CBE (/ˈbɛtʃəmən/; 28 August 1906 – 19 May 1984), an English poet, writer, and broadcaster. He was Poet Laureate from 1972 until his death. He was a founding member of The Victorian Society and a passionate defender of Victorian architecture, helping to save St Pancras railway station from demolition. He began his career as a journalist and ended it as one of the most popular British Poets Laureate and a much-loved figure on British television.
Bio via Wikipedia
Today’s poem is by Paul Laurence Dunbar (June 27, 1872 – February 9, 1906), an American poet, novelist, and short story writer of the late 19th and early 20th centuries . . . Dunbar became the first African-American poet to earn national distinction and acceptance. The New York Times called him "a true singer of the people – white or black."[35] Frederick Douglass once referred to Dunbar as, "one of the sweetest songsters his race has produced and a man of whom [he hoped] great things."[36]
Bio via Wikipedia
Today’s poem comes from American poet Jane Kenyon, who would have been seventy-five today had she not died in 1995 at the age of forty-seven.
Her work is often characterized as simple, spare, and emotionally resonant. Kenyon was the second wife of poet, editor, and critic Donald Hall who made her the subject of many of his poems.
Bio via Wikipedia.
What better way to bring back The Daily Poem than with a poem by one of my favorite poets, Seamus Heaney.
Heaney was an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4] Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]
(Bio via Wikipedia)
After a too-long hiatus, The Daily Poem is coming back with new episodes every week day, starting Monday, May 22.
As a small taste, click play to hear a wonderful poem from the great English poet, Cecil Day Lewis, and a little about what to expect from the show’s re-launch.
Joy Harjo (/ˈhɑːrdʒoʊ/ HAR-joh; born May 9, 1951) is an American poet, musician, playwright, and author. She is the incumbent United States Poet Laureate, the first Native American to hold that honor. She is also only the second Poet Laureate Consultant in Poetry to serve three terms. Harjo is a member of the Muscogee Nation (Este Mvskokvlke) and belongs to Oce Vpofv (Hickory Ground).[1] She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA degree at the University of Iowa in its creative writing program.
Bio via Wikipedia
Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English writer of romantic, devotional and children's poems, including "Goblin Market" and "Remember". She also wrote the words of two Christmas carols well known in Britain: "In the Bleak Midwinter", later set by Gustav Holst, Katherine Kennicott Davis, and Harold Darke, and "Love Came Down at Christmas", also set by Darke and other composers. She was a sister of the artist and poet Dante Gabriel Rossetti II and features in several of his paintings.
Bio via Wikipedia
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William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language".[2] His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced".[3] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[4]
Bio via Wikipedia
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Caroline Mellor contributes regularly to The Green Parent magazine and her work has also been featured in Rebelle Society, Scribe, Elephant Journal, the Brighton Argus, Permaculture Magazine, Medium and the Viva group.
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Theodore J. Kooser (born 25 April 1939)[1] is an American poet. Pulitzer Prize in Poetry, 2005. He served as Poet Laureate Consultant in Poetry to the Library of Congress from 2004 to 2006.[2]Kooser was one of the first poets laureate selected from the Great Plains,[3] and is known for his conversational style of poetry.[4]
Bio via Wikipedia
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Seamus Justin Heaney MRIA (/ˈʃeɪməs ˈhiːni/; 13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4]Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]
Bio via Wikipedia
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Louise Elisabeth Glück (/ɡlɪk/, GLICK;[1][2] born April 22, 1943) is an American poet and essayist. She won the 2020 Nobel Prize in Literature, whose judges praised "her unmistakable poetic voice that with austere beauty makes individual existence universal".[3] Her other awards include the Pulitzer Prize, National Humanities Medal, National Book Award, National Book Critics Circle Award, and Bollingen Prize. From 2003 to 2004, she was Poet Laureate of the United States.
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Today's poem is an Easter-themed poem by an anonymous 10th century poet.
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Tyree Daye is a poet from Youngsville, North Carolina, and a Teaching Assistant Professor at UNC-Chapel Hill. He is the author of two poetry collections River Hymns 2017 APR/Honickman First Book Prize winner and Cardinal from Copper Canyon Press 2020. Daye is a Cave Canem fellow. Daye won the 2019 Palm Beach Poetry Festival Langston Hughes Fellowship, 2019 Diana and Simon Raab Writer-In-Residence at UC Santa Barbara, and is a 2019 Kate Tufts Finalist. Daye most recently was awarded a 2019 Whiting Writers Award.
Bio via Tyree.work.
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Wendy Cope OBE (born 21 July 1945) is a contemporary English poet. She read history at St Hilda's College, Oxford. She now lives in Ely, Cambridgeshire, with her husband, the poet Lachlan Mackinnon.
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Amy Gerstler (born 1956) is an American poet. She won a Guggenheim Fellowship[1] as well as the National Book Critics Circle Award.[2]
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William James Collins (born March 22, 1941) is an American poet, appointed as Poet Laureate of the United States from 2001 to 2003.[1][2] He is a Distinguished Professor at Lehman College of the City University of New York (retired, 2016). Collins was recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004 through 2006. In 2016, Collins was inducted into the American Academy of Arts and Letters.[3] As of 2020, he is a teacher in the MFA program at Stony Brook Southampton.
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John Koethe (born December 25, 1945) is an award-winning American poet, essayist and professor of philosophy at the University of Wisconsin–Milwaukee.[1]
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James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, short story writer, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, most famously stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.
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Howard Nemerov (March 1, 1920 – July 5, 1991) was an American poet. He was twice Poet Laureate Consultant in Poetry to the Library of Congress, from 1963 to 1964 and again from 1988 to 1990.[1] For The Collected Poems of Howard Nemerov (1977), he won the National Book Award for Poetry,[2] Pulitzer Prize for Poetry,[3] and Bollingen Prize.
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Margaret Hasse (born 1950, in South Dakota), is a poet and writer who has lived and worked in Minnesota since graduating from Stanford University in 1973. Three of her collections of poems have been published: Milk and Tides (Nodin Press, 2008), In a Sheep's Eye, Darling (Milkweed Editions, 1988), and Stars Above, Stars Below (New Rivers Press, 1984.) Milk and Tides was a finalist for a 2009 Minnesota Book Award and won the Midwestern Independent Publishers' Association award in poetry.
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Marianne Craig Moore (November 15, 1887 – February 5, 1972) was an American modernist poet, critic, translator, and editor. Her poetry is noted for formal innovation, precise diction, irony, and wit.
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George William Russell (10 April 1867 – 17 July 1935) who wrote with the pseudonym Æ (often written AE or A.E.), was an Irish writer, editor, critic, poet, painter and Irish nationalist. He was also a writer on mysticism, and a central figure in the group of devotees of theosophy which met in Dublin for many years.
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Paul J. Pastor is a writer and editor living in Oregon. His writings on spirituality and culture blend a love of the Christian Scriptures with wide-ranging interests in literature, ecology, philosophy, and art, and a unique intimacy with the natural world. His work engages timeless ideas that speak boldly to the wounds and possibilities of our age.
Paul’s writing is widely recognized for its beauty and depth, and has won numerous awards, including from the Maggie Awards, the Evangelical Press Association, and the Christian Book Association.
Bio via PaulJPastor.com
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Louise Erdrich (/ˈɜːrdrɪk/ ER-drik;[1] born Karen Louise Erdrich, June 7, 1954)[2] is an American author of novels, poetry, and children's books featuring Native American characters and settings.
Erdrich is widely acclaimed as one of the most significant writers of the second wave of the Native American Renaissance. She has written 28 books in all, including fiction, non-fiction, poetry, and children's books. In 2009, her novel The Plague of Doves was a finalist for the Pulitzer Prize for Fictionand received an Anisfield-Wolf Book Award.[4] In November 2012, she received the National Book Award for Fiction for her novel The Round House.[5] She is a 2013 recipient of the Alex Awards. She was awarded the Library of Congress Prize for American Fiction at the National Book Festival in September 2015.[6] In 2021, she was awarded the Pulitzer Prize for Fiction for her novel The Night Watchman.[7]
Bio via Wikipedia
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Lyuba Yakimchuk was born in Pervomaisk, Luhansk oblast, in 1985. She is a Ukrainian poet, screenwriter, and journalist. She is the author of several full-length poetry collections, including Like FASHION and Apricots of Donbas, and the film script for The Building of the Word. Yakimchuk’s awards include the International Slavic Poetic Award and the international “Coronation of the Word” literary contest. Her writing has appeared in magazines in Ukraine, Sweden, Germany, Poland, and Israel. She performs in a musical and poetic duet with the Ukrainian double-bass player Mark Tokar; their projects include Apricots of Donbas and Women, Smoke, and Dangerous Things. Her poetry has been performed by Mariana Sadovska (Cologne) and improvised by vocalist Olesya Zdorovetska (Dublin). Yakimchuk also works as a cultural manager. In 2012, she organized the “Semenko Year” project dedicated to the Ukrainian futurists, and she curated the 2015 literary program Cultural Forum “Donkult” (2015). She was a scholar in the “Gaude Polonia” program of the Ministry of Culture and National Heritage (Poland). In 2015, Kyiv’s New Timemagazine listed Yakimchuk among the one hundred most influential cultural figures in Ukraine.
Bio via Academic Studies Press
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Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973[1]) was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[2][3][4]
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W.S. Merwin received many honors, including the Pulitzer Prize for Poetry in 1971 and 2009;[2] the National Book Award for Poetry in 2005,[3] and the Tanning Prize—one of the highest honors bestowed by the Academy of American Poets—as well as the Golden Wreath of the Struga Poetry Evenings. In 2010, the Library of Congress named him the 17th United States Poet Laureate.[4][5]
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Jericho Brown (born April 14, 1976) is an American poet and writer. Born and raised in Shreveport, Louisiana, Brown has worked as an educator at institutions such as University of Houston, San Diego State University, and Emory University. His poems have been published in The Nation, New England Review, The New Republic, Oxford American, and The New Yorker, among others. He released his first book of prose and poetry, Please, in 2008. His second book, The New Testament, was released in 2014. His 2019 collection of poems, The Tradition, garnered widespread critical acclaim.
Brown has won several accolades throughout his career, including a Whiting Award, an American Book Award, an Anisfield-Wolf Book Award, and the Pulitzer Prize for Poetry.[1][2]
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John B. Balaban (born December 2, 1943)[1] is an American poet and translator, an authority on Vietnamese literature.[2]
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Philip Arthur Larkin CH CBE FRSL (9 August 1922 – 2 December 1985) was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947), and he came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse (1973).[1] His many honours include the Queen's Gold Medal for Poetry.[2] He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
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Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973[1]) was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[2][3][4]
Bio via Wikipedia
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Emily Jane Brontë (/ˈbrɒnti/, commonly /-teɪ/;[2] 30 July 1818 – 19 December 1848)[3] was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. She also published a book of poetry with her sisters Charlotte and Annetitled Poems by Currer, Ellis and Acton Bell with her own poems finding regard as poetic genius. Emily was the second-youngest of the four surviving Brontë siblings, between the youngest Anne and her brother Branwell. She published under the pen name Ellis Bell.
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Robert Herrick (baptised 24 August 1591 – buried 15 October 1674)[1] was a 17th-century English lyric poet and Anglican cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".
Bio via Wikipedia
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Joseph Rudyard Kipling (/ˈrʌdjərd/ RUD-yərd; 30 December 1865 – 18 January 1936)[1] was an English journalist, short-story writer, poet, and novelist. He was born in British India, which inspired much of his work.
Kipling's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including "The Man Who Would Be King" (1888).[2] His poems include "Mandalay" (1890), "Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), "The White Man's Burden: The United States and the Philippine Islands" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.[3] His children's books are classics; one critic noted "a versatile and luminous narrative gift."[4][5]
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Maurice Manning (born 1966) is an American poet. His first collection of poems, Lawrence Booth's Book of Visions, was awarded the Yale Younger Poets Award, chosen by W.S. Merwin.[1] Since then he has published four collections of poetry (with Houghton Mifflin Harcourt and Copper Canyon Press). He teaches English and Creative Writing at Transylvania University in Lexington, Kentucky, where he oversees the Judy Gaines Young Book Award, and is a member of the poetry faculty of the Warren Wilson College MFA Program for Writers.[2]
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Lucy Shaw has published ten volumes of poetry (several still in print) and numerous non-fiction books, and has edited and collaborated on multiple other works, including several with Madeleine L'Engle.[6] Her poems are widely anthologized.[1] Shaw usually works in free verse, and typically her poems are quite short, less than a page. Nevertheless, in tone and content, she affiliates most readily with the transcendental poets, often finding in natural details and themes the touch of the eternal or other-worldly.[citation needed].
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Edwin Arlington Robinson (December 22, 1869 – April 6, 1935) was an American poet. Robinson won the Pulitzer Prize for Poetry on three occasions and was nominated for the Nobel Prize in Literature four times.[2]
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Maya Angelou (/ˈændʒəloʊ/ (
listen) AN-jə-loh;[1][2] born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American poet, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees.[3] Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings(1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
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Born in Waterloo, Iowa, poet and choreographer Harmony Holiday is the daughter of Northern Soul singer/songwriter Jimmy Holiday. Her father died when she was five, and she and her mother moved to Los Angeles. Holiday earned a BA in rhetoric at the University of California, Berkeley and an MFA at Columbia University. She is the author of Negro League Baseball (2011), winner of the Fence Books Motherwell Prize; Go Find your Father/A Famous Blues (Ricochet Editions, 2013), a “dos-a-dos” book featuring poetry, letters, and essays; and Hollywood Forever (Fence Books, 2017), which she is turning into an afroballet. She is currently working on a biography of Abbey Lincoln and an epic called M a a f A (Fence, 2020), an exploration of reparations and the body.
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Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline. He was the first American to translate Dante Alighieri's Divine Comedy and was one of the fireside poets from New England.
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Li-Young Lee (李立揚, pinyin: Lǐ Lìyáng) (born August 19, 1957) is an American poet. He was born in Jakarta, Indonesia, to Chinese parents.[1] His maternal great-grandfather was Yuan Shikai, China's first Republican President,[2] who attempted to make himself emperor. Lee's father, who was a personal physician to Mao Zedong while in China, relocated his family to Indonesia, where he helped found Gamaliel University. In 1959 the Lee family fled Indonesia to escape widespread anti-Chinese sentiment and after a five-year trek through Hong Kong and Japan, they settled in the United States in 1964. Li-Young Lee attended the University of Pittsburgh, the University of Arizona, and the State University of New York at Brockport.
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Richard Purdy Wilbur (March 1, 1921 – October 14, 2017) was an American poet and literary translator. One of the foremost poets of his generation, Wilbur's work, composed primarily in traditional forms, was marked by its wit, charm, and gentlemanly elegance. He was appointed the second Poet Laureate Consultant in Poetry to the Library of Congress in 1987 and received the Pulitzer Prize for Poetry twice, in 1957 and 1989.[1]
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Thomas Hardy OM (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth.[1] He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.
While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.[2]
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Ursula Askham Fanthorpe, CBE, FRSL (22 July 1929 – 28 April 2009) was an English poet, who published as U. A. Fanthorpe. Her poetry comments mainly on social issues.
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Elinor Morton Wylie (September 7, 1885 – December 16, 1928) was an American poet and novelist popular in the 1920s and 1930s. "She was famous during her life almost as much for her ethereal beauty and personality as for her melodious, sensuous poetry."[1]
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William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet, writer, and physician closely associated with modernism and imagism.
In addition to his writing, Williams had a long career as a physician practicing both pediatrics and general medicine. He was affiliated with Passaic General Hospital, where he served as the hospital's chief of pediatrics from 1924 until his death. The hospital, which is now known as St. Mary's General Hospital, paid tribute to Williams with a memorial plaque that states "We walk the wards that Williams walked".[1]
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Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (/ˌsæntiˈænə, -ˈɑːnə/;[2] December 16, 1863 – September 26, 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the US from the age of eight and identified himself as an American, although he always retained a valid Spanish passport.[3] At the age of 48, Santayana left his position at Harvard and returned to Europe permanently.
Santayana is popularly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it",[4] "Only the dead have seen the end of war",[5] and the definition of beauty as "pleasure objectified".[6] Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.[7] Santayana was a broad-ranging cultural critic spanning many disciplines. He was profoundly influenced by Spinoza's life and thought; and, in many respects, was a devoted Spinozist.[8]
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Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973[1]) was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[2][3][4]
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Mary Jane Oliver (September 10, 1935 – January 17, 2019) was an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild. It is characterised by a sincere wonderment at the impact of natural imagery, conveyed in unadorned language. In 2007, she was declared to be the country's best-selling poet.
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Ayodeji Malcolm Guite (/ɡaɪt/; born 12 November 1957) is an English poet, singer-songwriter, Anglican priest, and academic. Born in Nigeria to British expatriate parents, Guite earned degrees from Cambridge and Durham universities. His research interests include the intersection of religion and the arts, and the examination of the works of J. R. R. Tolkien, C. S. Lewis, Owen Barfield, and British poets such as Samuel Taylor Coleridge. He was a Bye-Fellow and chaplain of Girton College, Cambridge and associate chaplain of St Edward King and Martyr in Cambridge. On several occasions, he has taught as visiting faculty at several colleges and universities in England and North America.
Guite is the author of five books of poetry, including two chapbooks and three full-length collections, as well as several books on Christian faith and theology. Guite has a decisively simple, formalist style in poems, many of which are sonnets, and he stated that his aim is to "be profound without ceasing to be beautiful".[1] Guite performs as a singer and guitarist fronting the Cambridgeshire-based blues, rhythm and blues, and rock band "Mystery Train".[2]
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Philip Edward Thomas (3 March 1878 – 9 April 1917) was a British poet, essayist, and novelist. He is considered a war poet, although few of his poems deal directly with his war experiences, and his career in poetry only came after he had already been a successful writer and literary critic. In 1915, he enlisted in the British Army to fight in the First World War and was killed in action during the Battle of Arras in 1917, soon after he arrived in France.
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James Harrison (December 11, 1937 – March 26, 2016) was an American poet, novelist, and essayist. He was a prolific and versatile writer publishing over three dozen books in several genres including poetry, fiction, nonfiction, children’s literature, and memoir. He wrote screenplays, book reviews, literary criticism, and published essays on food, travel, and sport. Harrison indicated that, of all his writing, his poetry meant the most to him.[1]: 1 He published 24 novellas during his lifetime and is considered "America’s foremost master"[2] of that form. His first commercial success[1]: 5 came with the 1979 publication of the trilogy of novellas, Legends of the Fall, two of which were made into movies.
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William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language".[2] His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced".[3] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[4] While he lived in London his entire life, except for three years spent in Felpham,[5] he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God"[6] or "human existence itself".[7]
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Jamaal May is an American poet from Detroit.[1][2] May was included in the Best American Poetry anthology from 2014. May lived in Detroit, where he taught poetry in public schools. He received an MFA from Warren Wilson College.[3] May has taught at the Vermont College of Fine Arts, and was a fellow at the Kenyon Review between 2014 and 2016.[4][5] May cites Vievee Francis, another poet from Detroit, as an influence and mentor. His work has appeared in The Believer, Poetry, and Ploughshares.[1][6] His debut book, Hum, was favorably reviewed by HTML Giant and other publications.[7][8]
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Ivan Sergeyevich Turgenev (English: /tʊərˈɡɛnjɛf, -ˈɡeɪn-/;[1] Russian: Иван Сергеевич Тургенев[note 1], IPA: [ɪˈvan sʲɪrˈɡʲe(j)ɪvʲɪtɕ tʊrˈɡʲenʲɪf]; 9 November [O.S. 28 October] 1818 – 3 September 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West.
His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism. His novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction.
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Kara Jackson is a singer/songwriter, musician, and writer from Oak Park, Illinois. Jackson served as the third National Youth Poet Laureate from 2019– 2020. She is the author of Bloodstone Cowboy.
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Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (/rəˈzɛti/),[1] was an English poet, illustrator, painter, and translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Huntand John Everett Millais. Rossetti was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
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Robert Laurence Binyon, CH (10 August 1869 – 10 March 1943) was an English poet, dramatist and art scholar. Born in Lancaster, England, his parents were Frederick Binyon, a clergyman, and Mary Dockray. He studied at St Paul's School, London and at Trinity College, Oxford, where he won the Newdigate Prize for poetry in 1891. He worked for the British Museum from 1893 until his retirement in 1933. In 1904 he married the historian Cicely Margaret Powell, with whom he had three daughters, including the artist Nicolete Gray.
Moved by the casualties of the British Expeditionary Force in 1914, Binyon wrote his most famous work "For the Fallen", which is often recited at Remembrance Sunday services in the UK, Australia, New Zealand and Canada. In 1915, he volunteered as a hospital orderly in France and afterwards worked in England, helping to take care of the wounded of the Battle of Verdun. He wrote about these experiences in For Dauntless France. After the war, he continued his career at the British Museum, writing numerous books on art.
He was appointed Norton Professor of Poetry at Harvard University in 1933. Between 1933 and his death in 1943, he published his translation of Dante's Divine Comedy. His war poetry includes a poem about the London Blitz, "The Burning of the Leaves", regarded by many as his masterpiece.
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Wendell Erdman Berry (born August 5, 1934) is an American novelist, poet, essayist, environmental activist, cultural critic, and farmer.[1] He is an elected member of the Fellowship of Southern Writers, a recipient of The National Humanities Medal, and the Jefferson Lecturer for 2012. He is also a 2013 Fellow of The American Academy of Arts and Sciences. Berry was named the recipient of the 2013 Richard C. Holbrooke Distinguished Achievement Award.[2] On January 28, 2015, he became the first living writer to be inducted into the Kentucky Writers Hall of Fame.[3]
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Sara Teasdale (August 8, 1884 – January 29, 1933) was an American lyric poet. She was born Sarah Trevor Teasdale in St. Louis, Missouri, and used the name Sara Teasdale Filsinger after her marriage in 1914.[1 In 1918 she won a Pulitzer Prize for her 1917 poetry collection Love Songs.
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Naomi Shihab Nye (Arabic: نعومي شهاب ناي; born March 12, 1952) is a poet, songwriter, and novelist. She was born to a Palestinian father and an American mother. She began composing her first poem at the age of six and has published or contributed to over 30 volumes. Her works include poetry, young-adult fiction, picture books, and novels.[1] Although she calls herself a "wandering poet", she refers to San Antonio as her home. She says a visit to her grandmother in the West Bank village of Sinjil was a life-changing experience. Nye received the 2013 NSK Neustadt Prize for Children's Literature in honor of her entire body of work as a writer,[2] and in 2019 the Poetry Foundation designated her the Young People's Poet Laureate for the 2019–21 term.[3]
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Bryana Joy is a writer, poet, and full-time artist who believes in the subtle power of Story to challenge and change us. In 2018, she launched the Letters From The Sea Tower, a handmade monthly subscription letter full of watercolor sketches, paintings, and snippets of glory from the Great Books. Her poetry has appeared in over two dozen literary magazines, including Beloit Poetry Journal, Chestnut Review, and Blue Earth Review. In her shop, she offers original watercolor paintings, travel sketches, poetry workshops, poetry subscriptions, poetry feedback, and illustrated literary fine art prints. Bryana takes delight in Celtic art, snail mail, thunderstorms, loose-leaf tea, green countrysides, and the music of Johann Sebastian Bach. She has lived in Turkey, East Texas, and England, and currently resides in Eastern Pennsylvania with her husband. You can follow her work on Instagram, Twitter, and Facebook.
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Sir Walter Scott, 1st Baronet FRSE FSAScot (15 August 1771 – 21 September 1832), was a Scottish historical novelist, poet, playwright, and historian. Many of his works remain classics of both English-language literature and Scottish literature. Famous titles include the novels Ivanhoe, Rob Roy, Waverley, Old Mortality (or The Tale of Old Mortality), The Heart of Mid-Lothian and The Bride of Lammermoor, and the narrative poems The Lady of the Lake and Marmion.
Although primarily remembered for his extensive literary works and his political engagement, Scott was an advocate, judge and legal administrator by profession, and throughout his career combined his writing and editing work with his daily occupation as Clerk of Session and Sheriff-Depute of Selkirkshire.
A prominent member of the Tory establishment in Edinburgh, Scott was an active member of the Highland Society, served a long term as president of the Royal Society of Edinburgh (1820–1832) and was a vice president of the Society of Antiquaries of Scotland (1827–1829).[1]
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William Carlos Williams (September 17, 1883 – March 4, 1963) was an American poet, writer, and physician closely associated with modernism and imagism.
In addition to his writing, Williams had a long career as a physician practicing both pediatrics and general medicine. He was affiliated with Passaic General Hospital, where he served as the hospital's chief of pediatrics from 1924 until his death. The hospital, which is now known as St. Mary's General Hospital, paid tribute to Williams with a memorial plaque that states "We walk the wards that Williams walked".[1]
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Elinor Morton Wylie (September 7, 1885 – December 16, 1928) was an American poet and novelist popular in the 1920s and 1930s. "She was famous during her life almost as much for her ethereal beauty and personality as for her melodious, sensuous poetry."[1]
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John Keats (31 October 1795 – 23 February 1821) was an English poet prominent in the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley, although his poems were in publication for only four years before he died of tuberculosis at the age of 25.[1] They were indifferently received by critics in his lifetime, but his fame grew rapidly after his death.[2] By the end of the century he had been placed in the canon of English literature and become the inspiration for the Pre-Raphaelite Brotherhood, with a strong influence on many writers; the Encyclopædia Britannica described one ode as "one of the final masterpieces". Jorge Luis Borges called his first encounter with Keats's work an experience that he felt all of his life.[3] It had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through emphasis on natural imagery. Today his poems and letters remain among the most popular and analysed in English literature. Especially acclaimed are "Ode to a Nightingale", "Ode on a Grecian Urn", "Sleep and Poetry" and the sonnet "On First Looking into Chapman's Homer".
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Seamus Justin Heaney MRIA (/ˈʃeɪməs ˈhiːni/; 13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator. He received the 1995 Nobel Prize in Literature.[1][2] Among his best-known works is Death of a Naturalist (1966), his first major published volume. Heaney was and is still recognised as one of the principal contributors to poetry in Ireland during his lifetime. American poet Robert Lowell described him as "the most important Irish poet since Yeats", and many others, including the academic John Sutherland, have said that he was "the greatest poet of our age".[3][4]Robert Pinsky has stated that "with his wonderful gift of eye and ear Heaney has the gift of the story-teller."[5] Upon his death in 2013, The Independent described him as "probably the best-known poet in the world".[6]
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Woodrow Wilson Guthrie (/ˈɡʌθri/; July 14, 1912 – October 3, 1967) was an American singer-songwriter, and one of the most significant figures in American folk music.
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Alun Lewis (1 July 1915 – 5 March 1944) was a Welsh poet. He is one of the best-known English-language poets of the Second World War.[1][2]
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Theodore Huebner Roethke (/ˈrɛtki/ RET-kee;[1] May 25, 1908 – August 1, 1963 ) was an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind,[2] and posthumously in 1965 for The Far Field.[3][4] His work was characterized by its introspection, rhythm and natural imagery.
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William James Collins (born March 22, 1941) is an American poet, appointed as Poet Laureate of the United States from 2001 to 2003.[1][2] He is a Distinguished Professor at Lehman College of the City University of New York (retired, 2016). Collins was recognized as a Literary Lion of the New York Public Library (1992) and selected as the New York State Poet for 2004 through 2006. In 2016, Collins was inducted into the American Academy of Arts and Letters.[3] As of 2020, he is a teacher in the MFA program at Stony Brook Southampton.
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Marge Piercy (born March 31, 1936) is an American progressive activist and writer. Her work includes Woman on the Edge of Time; He, She and It, which won the 1993 Arthur C. Clarke Award; and Gone to Soldiers, a New York Times Best Seller and a sweeping historical novel set during World War II. Piercy's work is rooted in her Jewish heritage, Communist social and political activism, and feminist ideals.
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Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry.[2]
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John Keats (31 October 1795 – 23 February 1821) was an English poet prominent in the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley, although his poems were in publication for only four years before he died of tuberculosis at the age of 25.[1] They were indifferently received by critics in his lifetime, but his fame grew rapidly after his death.[2] By the end of the century he had been placed in the canon of English literature and become the inspiration for the Pre-Raphaelite Brotherhood, with a strong influence on many writers; the Encyclopædia Britannica described one ode as "one of the final masterpieces". Jorge Luis Borges called his first encounter with Keats's work an experience that he felt all of his life.[3] It had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through emphasis on natural imagery. Today his poems and letters remain among the most popular and analysed in English literature. Especially acclaimed are "Ode to a Nightingale", "Sleep and Poetry" and the sonnet "On First Looking into Chapman's Homer".
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John Meade Haines (June 29, 1924 – March 2, 2011) was an American poet and educator who had served as the poet laureate of Alaska.
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Mary Jane Oliver (September 10, 1935 – January 17, 2019) was an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild. It is characterised by a sincere wonderment at the impact of natural imagery, conveyed in unadorned language. In 2007 she was declared to be the country's best-selling poet.
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Michael Dana Gioia (/ˈdʒɔɪ.ə/; born December 24, 1950) is an American poet, literary critic, literary translator, and essayist.
Gioia was born into a working class family of Mexican and Sicilian descent and grew up attending Roman Catholic parochial schools in Hawthorne and Gardena, California. After becoming the first member of his family to attend college, Gioia graduated from both Stanford University and Harvard University. He spent the first fifteen years of his literary career writing at night while working as a senior executive for General Foods in New York City. Since the early 1980s, Gioia has been considered part of the literary movements within American poetry known as New Formalism, which advocates the continued writing of poetry in rhyme and meter, and New Narrative, which advocates the telling of non-autobiographical stories. In opposition to what was then the common practice of translating formal poetry into free verse, Gioia has argued in favor of a return to the past tradition of replicating the rhythm and verse structure of the original poem. Gioia has also published his own translations of poets such as Eugenio Montale and Seneca the Younger.
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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist, publisher, playwright, literary critic and editor.[2] Considered one of the 20th century's major poets, he is a central figure in English-language Modernist poetry.
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Elizabeth (Joan) Jennings CBE (18 July 1926 – 26 October 2001[1]) was an English poet. Regarded as traditionalist rather than an innovator, Jennings is known for her lyric poetry and mastery of form.[2] Her work displays a simplicity of metre and rhyme shared with Philip Larkin, Kingsley Amis and Thom Gunn, all members of the group of English poets known as The Movement.[2] She always made it clear that, whilst her life, which included a spell of severe mental illness, contributed to the themes contained within her work, she did not write explicitly autobiographical poetry. Her deeply held Roman Catholicism coloured much of her work.[2]
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Amy Lawrence Lowell (February 9, 1874 – May 12, 1925) was an American poet of the imagist school, which promoted a return to classical values. She posthumously won the Pulitzer Prize for Poetry in 1926.
--Bio via Wikipedia
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John Robinson Jeffers (January 10, 1887 – January 20, 1962) was an American poet, known for his work about the central California coast. Much of Jeffers's poetry was written in narrative and epic form. However, he is also known for his shorter verse and is considered an icon of the environmental movement.
--Bio via Wikipedia.
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Adrian Rice is from Belfast, Northern Ireland. He graduated from the University of Ulster with a BA in English & Politics, and an MPhil in Anglo-Irish Literature. He has delivered writing workshops, readings, and lectures throughout Europe and the United States. He is the author of numerous poetry collections, including The Mason’s Tongue, which was shortlisted for the Christopher Ewart-Biggs Memorial Literary Prize, and nominated for the Irish Times Prize for Poetry.
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Jane Kenyon (May 23, 1947 – April 22, 1995) was an American poet and translator. Her work is often characterized as simple, spare, and emotionally resonant. Kenyon was the second wife of poet, editor, and critic Donald Hall who made her the subject of many of his poems.
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Thomas Hardy OM (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth.[1] He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.
While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.[2]
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Lieutenant-Colonel John McCrae (November 30, 1872 – January 28, 1918) was a Canadian poet, physician, author, artist and soldier during World War I, and a surgeon during the Second Battle of Ypres, in Belgium. He is best known for writing the famous war memorial poem "In Flanders Fields". McCrae died of pneumonia near the end of the war.
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Walter Whitman (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.[1]
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Sir Derek Alton Walcott, KCSL, OBE, OCC (23 January 1930 – 17 March 2017) was a Saint Lucian poet and playwright. He received the 1992 Nobel Prize in Literature.[1] He was the University of Alberta's first distinguished scholar in residence, where he taught undergraduate and graduate writing courses. He also served as Professor of Poetry at the University of Essex from 2010 to 2013. His works include the Homeric epic poemOmeros (1990), which many critics view "as Walcott's major achievement."[2] In addition to winning the Nobel Prize, Walcott received many literary awards over the course of his career, including an Obie Award in 1971 for his play Dream on Monkey Mountain, a MacArthur Foundation "genius" award, a Royal Society of Literature Award, the Queen's Medal for Poetry, the inaugural OCM Bocas Prize for Caribbean Literature,[3] the 2011 T. S. Eliot Prize for his book of poetry White Egrets[4] and the Griffin Trust For Excellence in Poetry Lifetime Recognition Award in 2015.
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Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him among the foremost Victorian poets. His poems are noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax. His career began well, but shrank for a time. The long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but in 1840 Sordellowas seen as wilfully obscure. His renown took over a decade to return, by which time he had moved from Shelleyan forms to a more personal style. In 1846 Browning married the older poet Elizabeth Barrett and went to live in Italy. By her death in 1861 he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading British poet. He continued to write prolifically, but his reputation today rests mainly on his middle period. By his death in 1889, he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work formed in his lifetime and survived in Britain and the United States into the 20th century.
Bio via Wikipedia
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Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him among the foremost Victorian poets. His poems are noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax. His career began well, but shrank for a time. The long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but in 1840 Sordello was seen as wilfully obscure. His renown took over a decade to return, by which time he had moved from Shelleyan forms to a more personal style. In 1846 Browning married the older poet Elizabeth Barrett and went to live in Italy. By her death in 1861 he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading British poet. He continued to write prolifically, but his reputation today rests mainly on his middle period. By his death in 1889, he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work formed in his lifetime and survived in Britain and the United States into the 20th century.
Bio via Wikipedia
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Joy Harjo (/ˈhɑːrdʒoʊ/ HAR-joh; born May 9, 1951) is an American poet, musician, playwright, and author. She is the incumbent United States Poet Laureate, the first Native American to hold that honor. She is also only the second Poet Laureate Consultant in Poetry to serve three terms. Harjo is a member of the Muscogee Nation (Este Mvskokvlke) and belongs to Oce Vpofv (Hickory Ground).[1] She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA at the University of Iowa in its creative writing program.
--Bio via Wikipedia
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William Butler Yeats[a] (13 June 1865 – 28 January 1939) was an Irish poet, dramatist, prose writer and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others.
Bio via Wikipedia
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Natasha Trethewey (born April 26, 1966) is an American poet who was appointed United States Poet Laureate in 2012 and again in 2013.[1] She won the 2007 Pulitzer Prize in Poetryfor her 2006 collection Native Guard,[2] and she is a former Poet Laureate of Mississippi.[3]
Bio via Wikipedia
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Theodore J. Kooser (born 25 April 1939)[1] is an American poet. Pulitzer Prize in Poetry, 2005. He served as Poet Laureate Consultant in Poetry to the Library of Congress from 2004 to 2006.[2]Kooser was one of the first poets laureate selected from the Great Plains,[3] and is known for his conversational style of poetry.[4]
Bio via Wikipedia.
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Eva Saulitis was intitally trained as a marine biologist and has studied the killer whales of Prince William Sound, Kenai Fjords and the Aleutian Islands and is the author and co-author of numerous scientific publications. Dissatisfied with the objective language and rigid methodology of science, she later turned to creative writing – poetry and the essay – to develop another language with which to address the natural world. Saulitis’ most recent book publications include Into Great Silence: A Memoir of Discovery and Loss among Vanishing Orcas (nonfiction), Many Ways to Say It(poetry), and Leaving Resurrection: Chronicles of a Whale Scientist (nonfiction). Her essays and poems have appeared in numerous literary journals, including Crazyhorse, Prairie Schooner, Quarterly West, Northwest Review, Alaska Quarterly Review, Sow’s Ear Poetry Review, Cimarron Review, Carnet de Route, Seattle Review, and Kalliope. She lives in Homer, Alaska, where she teaches creative writing at Kenai Peninsula College, at the Kachemak Bay Writers’ Conference, and in the Low-Residency MFA Program of the University of Alaska Anchorage.
This biography was drawn from Saulitis' profile at Orion Magazine.
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Sharon Olds (born November 19, 1942) is an American poet. Olds won the first San Francisco Poetry Center Award in 1980,[1] the 1984 National Book Critics Circle Award,[2] and the 2013 Pulitzer Prize in Poetry.[3] She teaches creative writing at New York University and is a previous director of the Creative Writing Program at NYU.[4]
-Bio via Wikipedia
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John Keats (/kiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was prominent in the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley, though his poems were in publication for only four years before he died of tuberculosis at the age of 25.[1] They were not generally well received by critics in his lifetime, but his fame grew rapidly after his death.[2] By the end of the century he had been placed within the canon of English literature and had become the inspiration for the Pre-Raphaelite Brotherhood, with a strong influence on many writers; the Encyclopædia Britannica described one ode as "one of the final masterpieces". Jorge Luis Borges called his first encounter with Keats' work an experience that he felt all of his life.[3] It had a style "heavily loaded with sensualities", notably in the series of odes. It was typical of the Romantics to accentuate extreme emotion through emphasis on natural imagery. Today his poems and letters remain among the most popular and analysed in English literature. Especially acclaimed are "Ode to a Nightingale", "Sleep and Poetry" and the famous sonnet "On First Looking into Chapman's Homer".
-- Bio via Wikipedia.
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Today's poem is by the Bard are from the final lines of Love's Labours Lost, one of his lesser-known comedies.
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Chase Twichell (born August 20, 1950)[1] is an American poet, professor, publisher, and, in 1999, the founder of Ausable Press. Her most recent poetry collection is Things as It Is (Copper Canyon Press, 2018). Horses Where the Answers Should Have Been [2] (Copper Canyon Press, 2010) earned her Claremont Graduate University's prestigious $100,000 Kingsley Tufts Poetry Award.[3][2] She is the winner of several awards in writing from the New Jersey State Council on the Arts, the American Academy of Arts and Letters and The Artists Foundation. Additionally, she has received fellowships from both the Guggenheim Foundation and the National Endowment for the Arts. Her poems have appeared in literary journals and magazines including The New Yorker, Field, Ploughshares, The Georgia Review, The Paris Review, Poetry, The Nation, and The Yale Review.[4]
-bio via Wikipedia
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Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright.
Encouraged to read the classics at home, she was too rebellious to make a success of formal education, but she won poetry prizes from an early age, including the Pulitzer Prize in 1923, and went on to use verse as a medium for her feminist activism. She also wrote verse-dramas and a highly-praised opera, The King's Henchman. Her novels appeared under the name Nancy Boyd, and she refused lucrative offers to publish them under her own name. - Bio via Wikipedia.
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William Carlos Williams (September 17, 1883 – March 4, 1963) was a Puerto Rican-American[1] poet, writer, and physician closely associated with modernism and imagism.
In addition to his writing, Williams had a long career as a physician practicing both pediatrics and general medicine. He was affiliated with Passaic General Hospital, where he served as the hospital's chief of pediatrics from 1924 until his death. The hospital, which is now known as St. Mary's General Hospital, paid tribute to Williams with a memorial plaque that states "We walk the wards that Williams walked".[2] - Bio via Wikipedia
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Grace Schulman (born Grace Jan Waldman, 1935, New York City) is an American poet. She received the 2016 Frost Medal for Distinguished Lifetime Achievement in American Poetry, awarded by the Poetry Society of America. In 2019, she was inducted as member of the American Academy of Arts and Letters. - Bio via Wikipedia
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Charlotte Mary Mew (15 November 1869 – 24 March 1928) was an English poet whose work spans the eras of Victorian poetry and Modernism. - Bio via Wikipedia.
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Laurence Edward Alan "Laurie" Lee, MBE (26 June 1914 – 13 May 1997) was an English poet, novelist and screenwriter, who was brought up in the small village of Slad in Gloucestershire.
His most notable work is the autobiographical trilogy Cider with Rosie (1959), As I Walked Out One Midsummer Morning (1969), and A Moment of War (1991). The first volume recounts his childhood in the Slad Valley. The second deals with his leaving home for London and his first visit to Spain in 1935, and the third with his return to Spain in December 1937 to join the Republican International Brigades.
Bio via Wikipedia.
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Today's poem is an Easter-themed poem from Rosalie Grayer.
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The Dream of the Rood is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. Rood is from the Old English word rōd 'pole', or more specifically 'crucifix'. Preserved in the 10th-century Vercelli Book, the poem may be as old as the 8th-century Ruthwell Cross, and is considered as one of the oldest works of Old English literature.
-From Wikipedia:
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Let's kick off April with the world's greatest poems.
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Alfred Edward Housman (/ˈhaʊsmən/; 26 March 1859 – 30 April 1936), usually known as A. E. Housman, was an English classical scholar and poet. His cycle of poems, A Shropshire Lad wistfully evoke the dooms and disappointments of youth in the English countryside.[1] Their simplicity and distinctive imagery appealed strongly to Edwardian taste, and to many early 20th-century English composers both before and after the First World War. Through their song-settings, the poems became closely associated with that era, and with Shropshire itself.
Housman was one of the foremost classicists of his age and has been ranked as one of the greatest scholars who ever lived.[2][3] He established his reputation publishing as a private scholar and, on the strength and quality of his work, was appointed Professor of Latin at University College London and then at the University of Cambridge. His editions of Juvenal, Manilius and Lucan are still considered authoritative. - Bio via Wikipedia
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Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer,[2] philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox".[3] Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."[4]
Chesterton created the fictional priest-detective Father Brown,[5] and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox"Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.[7] - Bio via Wikipedia
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Charlotte Mary Mew (15 November 1869 – 24 March 1928) was an English poet whose work spans the eras of Victorian poetry and Modernism. - Bio via Wikipedia.
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William Wordsworth (7 April 1770 – 23 April 1850) was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Wordsworth's magnum opus is generally considered to be The Prelude, a semi-autobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published by his wife in the year of his death, before which it was generally known as "the poem to Coleridge".
Wordsworth was Poet Laureate from 1843 until his death from pleurisy on 23 April 1850.
-- Bio via Wikipedia.
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Today's episode features two poems by the great contemporary poet, Rhina Espaillat, both of which were recently published in Plough quarterly.
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In honor of the Ideas of March (yesterday), today's poem is Brutus' speech from act III, scene II of Julius Caesar, Shakespeare's wonderful play.
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listen) ANN-jəl-oh;[1][2] born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American poet, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees.[3] Angelou is best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim. - Bio via Wikipedia. Hosted on Acast. See acast.com/privacy for more information.
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Hilda Doolittle (September 10, 1886 – September 27, 1961) was an American poet, novelist, and memoirist, associated with the early 20th-century avant-garde Imagist group of poets, including Ezra Pound and Richard Aldington. She published under the pen name H.D.
Bio via Wikipedia
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Howard Nemerov (February 29, 1920 – July 5, 1991) was an American poet. He was twice Poet Laureate Consultant in Poetry to the Library of Congress, from 1963 to 1964 and again from 1988 to 1990.[1] For The Collected Poems of Howard Nemerov (1977), he won the National Book Award for Poetry,[2] Pulitzer Prize for Poetry,[3] and Bollingen Prize.
Nemerov was brother to photographer Diane Nemerov Arbus and father to art historian Alexander Nemerov, Professor of the History of Art and American Studies at Stanford University.
Bio via Wikipedia
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In today's episode, David shares three poems by the great Richard Wilbur, who was born 100 years ago today.
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Bio via Britannica.com:
Edna St. Vincent Millay, (born February 22, 1892, Rockland, Maine, U.S.—died October 19, 1950, Austerlitz, New York), American poet and dramatist who came to personify romantic rebellion and bravado in the 1920s.
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Today's poem is for those snowed in and ready for spring.
Bio via Wikipedia:
Philip Arthur Larkin CH CBE FRSL (9 August 1922 – 2 December 1985) was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947), and he came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and he edited The Oxford Book of Twentieth Century English Verse (1973).[1] His many honours include the Queen's Gold Medal for Poetry.[2] He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.
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Yesterday was W.H. Auden's birthday, so here's one of his great ones.
Bio via Wikipedia:
Wystan Hugh Auden (/ˈwɪstən ˈhjuː ˈɔːdən/; 21 February 1907 – 29 September 1973) was an Anglo-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".[1][2][3]
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A poem dedicated to this long, cold winter.
Nancy Willard (June 26, 1936 – February 19, 2017)[1] was an American writer: novelist, poet, author and occasional illustrator of children's books. She won the 1982 Newbery Medal for A Visit to William Blake's Inn.[2] - Bio via Wikipedia.
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Wilson is a poet and critic of contemporary poetry, whose work appears regularly in such magazines and journals as First Things, The Wall Street Journal, The Hudson Review, Modern Age, The New Criterion, Dappled Things, Measure, The Weekly Standard, Front Porch Republic, The Raintown Review, National Review, and The American Conservative.
He has published ten books, including six books and chapbooks of poetry. Among his volumes are: The Vision of the Soul: Truth, Goodness, and Beauty in the Western Tradition (CUA, 2017); the major critical study, The Fortunes of Poetry in an Age of Unmaking (Wiseblood, 2015); and a monograph, The Catholic Imagination in Modern American Poetry (both Wiseblood Books, 2014). His most recent books are The Strangeness of the Good (Angelico, 2020) and the poetic sequence, The River of the Immaculate Conception (Wiseblood, 2019).
-Bio via JamesMatthewWilson.com
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Kate Baer is a #1 New York Times bestselling author and poet based on the East Coast. She has been featured in publications such as Harper’s Bazaar, Vogue.com, Entertainment Weekly, and Literary Hub. Her first book, What Kind Of Woman, is out now with HarperCollins. -Bio via KateBaer.com.
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In recognition of President's Day, today's poem is in the posthumous voice of Abraham Lincoln, as imagined by Kentucky poet Maurice Manning.
Kentucky poet Maurice Manning has published five books of poetry, including The Common Man, which was one of three finalists for the 2011 Pulitzer Prize in Poetry. His first collection, Lawrence Booth’s Book of Visions, was selected for the 2000 Yale Series of Younger Poets. He has had works in publications including The New Yorker, Washington Square, The Southern Review, Poetry, Shenandoah, and The Virginia Quarterly Review. - Bio via Transy.edu.
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Joshua Alan Sturgill is the author of As Far As I Can Tell.
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This week we're sharing Luci Shaw's advent and Christmas-themed poems with you. Up next: "Advent Visitation. "
Biography from LuciShaw.com
Luci Shaw was born in 1928 in London, England, and has lived in Canada, Australia and the U.S.A. A 1953 high honors graduate of Wheaton College in Illinois, she became co-founder and later president of Harold Shaw Publishers, and since 1988 has been a Writer in Residence at Regent College, Vancouver, Canada.
A charter member of the Chrysostom Society of Writers, Shaw is author of eleven volumes of poetry including Sea Glass: New & Selected Poems (WordFarm, 2016), Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace (InterVarsity Press, 2016), Polishing the Petoskey Stone (Shaw, 1990), Writing the River (Pinon Press, 1994/Regent Publishing, 1997), The Angles of Light (Waterbrook, 2000), The Green Earth: Poems of Creation (Wm. B. Eerdmans, 2002), has edited three poetry anthologies and a festschrift, The Swiftly Tilting Worlds of Madeleine L’Engle, (Shaw, 1998). Her most recent books are What the Light Was Like (Word Farm), Accompanied by Angels(Eerdmans), The Genesis of It All (Paraclete), and Breath for the Bones: Art, Imagination & Spirit (Nelson). Her poetic work and essays have been widely anthologized. Shaw has authored several non-fiction prose books, including Water My Soul: Cultivating the Interior Life (Zondervan) and The Crime of Living Cautiously (InterVarsity). She has also co-authored three books with Madeleine L’Engle, WinterSong (Regent), Friends for the Journey (Regent), and A Prayer Book for Spiritual Friends (Augsburg/Fortress).
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This week we're sharing Luci Shaw's Christmas-themed poems with you. Up first, a poem that suits this week's astronomical happenings!
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Today (December 10th) is Emily Dickinson's birthday so in honor of the great poet, here's a sampling of some of her work.
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Thirteenth United States Poet Laureate (2004–2006) Ted Kooser is a retired life insurance executive who lives on acreage near the village of Garland, Nebraska, with his wife, Kathleen Rutledge. He is a visiting professor at the University of Nebraska, where he teaches poetry and nonfiction writing. His collection Delights & Shadows was awarded the Pulitzer Prize in Poetry in 2005. His poems have appeared in The Atlantic Monthly, The Hudson Review, The Antioch Review, The Kenyon Review, and dozens of other literary journals. His memoir, Local Wonders: Seasons in the Bohemian Alps, a Barnes & Noble Discover finalist, also won the 2002 Friends of American Writers Award and ForeWord Magazine’s gold medal recognition for autobiographical writing. He is the author of eight full-length collections of poetry, nine chapbooks and special editions, and Braided Creek, a collaboration with Jim Harrison, published by Copper Canyon Press in 2003. Kindest Regards: New and Selected Poems was published by Copper Canyon Press in 2018. --Bio via Copper Canyon Press.
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Today's poem is by "William Wordsworth, (born April 7, 1770, Cockermouth, Cumberland, England—died April 23, 1850, Rydal Mount, Westmorland), English poet whose Lyrical Ballads (1798), written with Samuel Taylor Coleridge, helped launch the English Romantic movement." --bio from Britannica.com.
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Today's poem comes from one of the more famous passages of religious writing -- Song of Songs, chapter 8.
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On today's show: two sonnets from Sally Thomas for autumn. You can read them here: https://www.plough.com/en/topics/culture/poetry/two-sonnets-sally-thomas
--
Sally Thomas is a poet, fiction writer, essayist, and teacher. She was born in Memphis, Tennessee, in 1964, holds a Bachelor of Science degree from Vanderbilt University, and has pursued graduate coursework in English and creative writing at the University of Memphis and the University of Utah. She has taught in both the high-school and university classroom, as well as in online programs for homeschooled high-school students. Additionally, she has served as poet-in-residence in various elementary, middle, and high-school settings in the United States and Great Britain, where she lived from 1999 to 2003.
She lives with her theologian husband and the youngest two of their four children in North Carolina. A home educator and advocate for the Charlotte Mason educational philosophy, as well as a working writer, she is available for reading or speaking engagements at literary or home-education events. Sally’s most recent book is Motherland: Poems (Able Muse, 2020). Twitter: @SallyThomasNC
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Rhina P. Espaillat has published ten full-length books and three chapbooks, comprising poetry, essays, and short stories, in both English and her native Spanish, and translations from and into both languages. Her work appears in many journals, anthologies, and websites, and has earned national and international awards, including the T. S. Eliot Prize in Poetry, the Richard Wilbur Award, the Howard Nemerov Prize, the May Sarton Award, the Robert Frost “Tree at My Window” Prize for translation, several honors from the New England Poetry Club, the Poetry Society of America, the Ministry of Culture of the Dominican Republic, and a Lifetime Achievement Award from Salem State College.
Espaillat’s most recent publications are two poetry collection in English titled Playing at Stillness and Her Place in These Designs; a book of Spanish translations titled Oscura fruta/Dark Berries: Forty-Two Poems by Richard Wilbur; and a book of Spanish translations titled Algo hay que no es amigo de los muros/Something There Is That Doesn’t Love a Wall: Forty Poems by Robert Frost. She is a frequent reader, speaker and workshop leader, and is active with the Powow River Poets, a literary group she cofounded in 1992.
-Bio via rhinaespaillat.com.
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Alice Cary (b. April 26, 1820, Mount Healthy, near Cincinnati, Ohio, U.S.—d. February 12, 1871, New York, New York) and Phoebe Cary (b. September 4, 1824, Mount Healthy, near Cincinnati, Ohio, U.S.—d. July 31, 1871, Newport, Rhode Island) were also noted for their involvement in the women’s rights movement. --Bio via Britannica.com
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Today's poem is Billy Collins' "The Names"--a poem written in honor of those who tragically lost their lives on September 11, 2001.
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Mary Oliver was born on September 10, 1935, in Maple Heights, Ohio. Her honors include an American Academy of Arts & Letters Award, a Lannan Literary Award, the Poetry Society of America's Shelley Memorial Prize and Alice Fay di Castagnola Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. Oliver held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College until 2001. She lived for over forty years in Provincetown, Massachusetts, with her partner Molly Malone Cook, a photographer and gallery owner. After Cook's death in 2005, Oliver later moved to the southeastern coast of Florida. Oliver died of cancer at the age of eighty-three in Hobe Sound, Florida, on January 17, 2019. --Bio from Poetry.org
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Luci Shaw was born in 1928 in London, England, and has lived in Canada, Australia and the U.S.A. A 1953 high honors graduate of Wheaton College in Illinois, she became co-founder and later president of Harold Shaw Publishers, and since 1988 has been a Writer in Residence at Regent College, Vancouver, Canada.
Shaw is a frequent retreat facilitator and leads writing workshops in church and university settings. She has lectured in North America and abroad on topics such as art and spirituality, the Christian imagination, poetry-writing, and journal-writing as an aid to artistic and spiritual growth.
A charter member of the Chrysostom Society of Writers, Shaw is author of eleven volumes of poetry including Sea Glass: New & Selected Poems (WordFarm, 2016), Thumbprint in the Clay: Divine Marks of Beauty, Order and Grace (InterVarsity Press, 2016), Polishing the Petoskey Stone (Shaw, 1990), Writing the River (Pinon Press, 1994/Regent Publishing, 1997), The Angles of Light (Waterbrook, 2000), The Green Earth: Poems of Creation (Wm. B. Eerdmans, 2002), has edited three poetry anthologies and a festschrift, The Swiftly Tilting Worlds of Madeleine L’Engle, (Shaw, 1998). Her most recent books are What the Light Was Like (Word Farm), Accompanied by Angels(Eerdmans), The Genesis of It All (Paraclete), and Breath for the Bones: Art, Imagination & Spirit (Nelson). Her poetic work and essays have been widely anthologized. Shaw has authored several non-fiction prose books, including Water My Soul: Cultivating the Interior Life (Zondervan) and The Crime of Living Cautiously (InterVarsity). She has also co-authored three books with Madeleine L’Engle, WinterSong (Regent), Friends for the Journey (Regent), and A Prayer Book for Spiritual Friends (Augsburg/Fortress).
Shaw is poetry editor and a contributing editor of Radix, as quarterly journal published in Berkeley, CA, that celebrates art, literature, music, psychology, science and the media, featuring original poetry, reviews and interviews. For more information about Radix, click on Radixmag.com. She is also poetry and fiction editor of Crux, an academic journal published quarterly by Regent College, Vancouver, Canada.
She and her husband John Hoyte live in Bellingham, Washington and are members of St. Paul’s Episcopal Church. She loves sailing, tent camping, knitting, gardening, and wilderness photography.
--bio found at lucishaw.com
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Hayden Carruth was born Aug. 3, 1921 in Waterbury, Conn., U.S. and died Sept. 29, 2008, Munnsville, N.Y. He was American poet and literary critic best known for his jazz-influenced style and for works that explore mental illness. --Brittanica.com
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Mary Jo Salter is the author of eight books of poetry, most recently The Surveyors (2017). She is also a lyricist whose song cycle “Rooms of Light: The Life of Photographs" was composed by Fred Hersch. Her children’s book The Moon Comes Home appeared in 1989; her play Falling Bodies premiered in 2004. She is also a co-editor of The Norton Anthology of Poetry (4th edition, 1996; 5th edition, 2005; 6th edition, 2018).
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Today's poem is Marilyn Chin's "Turtle Soup."
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Today's poem is Louise Bogan's "The Alchemist."
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Today's poem is Louise Bogan's "The Alchemist."
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Today's poem is Robert Herrick's "The Argument of his Book."
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Today's poem is Donald Justice's "The Evening of the Mind."
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Today's poem is Percy Shelley's "Mont Blanc."
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Today's poem is Billy Collins' "Aristotle."
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Today's poem is Ted Hughes' "The Thought Fox." Happy birthday to Ted Hughes.
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Today's poem is Lewis Carroll's "A Pig-Tale."
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Today's poem is Edward Thomas' "Liberty."
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Today's poem is R. S. Thomas' "I Was Vicar of Large Things."
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Today's poem is Elizabeth Bishop's "A Summer's Dream."
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Today's poem is from John of Gaunt's soliloquy in Shakeapeare's Richard II.
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In honor of his 86th birthday, today's poem is Wendell Berry's "To My Mother."
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Today's poem is Rachel Richardson's "Shearwater."
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Today's poem is Charlotte Turner Smith's "Huge Vapours Brood Above the Clift'd Shore."
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Today poem is Franz Wright's "Auto-Lullaby." This episode also includes information on our next kids poetry competition!
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Today's poem is Lynda Hull's "Insect Life of Florida."
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Today would have been Stanley Kunitz 115 birthday, so today's poem is one of his most famous poems,"The Layers."
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Today's poem is Billy Collins' "The Lanyard" (thanks to Karen Swallow Prior for the recommendation).
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Today's poem is Wendell Berry's "early in the year by my friend's gift."
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Today's poem is Emily Dickinson's "Of Bronze and Blaze."
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Today's poem is Robert Frost's "The Tuft of Flowers."
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Today's poem is William Cullen Bryant's "Summer Winds."
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Today's poem is Camille Dungy's "Trophic Cascade."
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Today's poem is Malcolm Guite's "The Singing Bowl" -- a poem about gratitude.
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Today's poem is Kimberly Johnson's "Big Finish."
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Today's poem is Gerard Manley Hopkins' "As Kingfishers Catch Fire" (with a little assist from fellow-poet, Maurice Manning).
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Today's poem is Natasha Tretheway's "Family Portrait."
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Today's poem is Luci Shaw's "Tenting, Burr Trail, Long Canyon, Escalante."
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Today poem is Sarah Teasale's "The Answer."
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Today's poem is Li-Young Lee's "From Blossoms."
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Today's poem is by Stanley Kunitz, whose birthday is later this month, and it's called "The Long Boat."
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Today's poem is Wendell Berry's "How to Be a Poet," another poem in the ars poetica tradition.
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Today's poem is Emma Lazarus' "The New Colossus," the poem you will find inscribed on the base of the Statue of Liberty.
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Today's Fourth of July-themed poem is Longfellow's "The Midnight Ride of Paul Revere." Happy Independence Day!
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Today's episode features four haiku from Japanese haiku-master, Kobayashi Issa (sometimes known simply as Issa), who lived from 1763-1828.
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Today's poem is Walt Whitman's "A July Afternoon by the Pond" -- a poem we've been waiting to read here for a while.
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Today's poem is Czesław Miłosz's "Ars Poetica," one of many poems through history that have directly contemplated the purpose and art of poetry through poetry itself.
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Today's poem is by Lucille Clifton, whose birthday was June 27, and it's called "Blessing the Boats."
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Today's poem is Galway Kinnell's "St. Francis and the Sow."
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Today's poem is Ryan Wilson's "Xenia" -- a thoughtful poem about ancient concepts and contemporary art-making.
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Today's poem(s) are a pair by contemporary poet, Jill Kress Karn: "Holy" and "Unfinished Madonna."
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Today's poem is Amy Clampitt's "Lindenbloom," shared in recognition of the 100th anniversary of her birth.
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Today's poem is Ted Kooser's delightful summer poem, "A Summer Afternoon with Clouds" from his book, Kindest Regards.
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Today's poem is John Clare's "Summer Moods" - a good poem for longer, hotter days.
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Today's poem isMaya Angelou's "I Still Rise."
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Today's poem is a spiritual called "Many Thousand Gone" (also known as "No More Auction Block").
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Today's poem is Paul Laurence Dunbar's heartbreaking poem, "We Wear the Mask."
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Today's poem is Countee Cullen's "To the Swimmer."
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Today's poem is Jean Toomer's "Harvest Song."
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Today's poem is Gwendolyn Brooks' heartbreaking and beautiful poem, "The Children of the Poor."
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Today's poem is Robert Hayden's "Frederick Douglass."
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Today's poem is Nikki Giovanni's "Rosa Parks".
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Today's poem is Langston Hughes' "Let America Be America Again."
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Today's poem is Paul Laurence Dunbar's "Sympathy," an important poem worth knowing during these days of protest.
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Garden week continues with E. Nesbit's "The Despot." A poem that takes a different approach than many other garden-themed poems.
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Garden week on continues with W.H. Auden's poem, "Their Lonely Betters."
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Now that summer is here, it's garden week here at The Daily Poem! Each poem selected will have to do with the themes of gardens and gardening. Up first if Andrew Marvell's very famous seventeenth century poem, "The Garden."
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Today's poem is by Robert Frost, the great American poet, and it's called "Acquainted with the Night."
If you like this episode please be sure to rate and review wherever you get podcasts.
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Today's episode is from Mark Van Doren and Heidi White and Tim McIntosh join David to discuss it briefly .
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Today's poem is Walt Whitman's "A Noiseless Patient Spider" -- a wonderful poem for memorization.
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Today's poem is delivered with the help of a special guest, Jeremiah Kern, and it's Bayard Taylor's "A Night with a Wolf."
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Katherine Larson is a poet and a molecular biologist, a fascinating combination that shows up in today's poem, "Metamorphoses."
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Today's poem is one I found when reading Robert Hass' book, A Little Book on Form. It's called "poem with lines in any order" and its by Robert Pinsky.
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Today's poem is John Clare's "The Nightingale's Nest" -- a poem that was unpublished and unknown until 1979.
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Today's poem is Gerard Manley Hopkins' "Spring."
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Today's poem is from the great Ted Kooser, and its called "Abandoned Farmhouse."
If you like this poem be sure to rate and review wherever you get podcasts.
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Today's poem is Thomas Merton's "Elegy for the Monastery Barn." Thanks to Heidi White for filling in for David today.
If you like this episode please be sure to rate and review wherever you listen to podcasts.
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Today's poem is from the great Irish poet, Seamus Heaney, and it's called "The Railway Children."
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Today's poem is Emily Dickinson's "Hope is the thing with feathers".
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Today's episode features a special guest who joined David to discuss William Blake's "The Tyger" -- a poem which reminds him of Calvin and Hobbes!
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Today is Heidi White's birthday so it seemed only right to give her a chance to share one of her favorite poems. So today she fills in for David and reads R.S Thomas' "90th Birthday." Happy Birthday to Heidi!
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Today's poem, on this rainy day in the South, is Williamm Carlos Williams' "Spring Storm" -- a good poem for chilly April days.
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Today's poem is a late Richard Wilbur poem called "The Reader." Remember to rate and review if you like this episode.
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Today's episode features a passage from Matthew Zapruder's book, Why Poetry, about the value and work of poetry in times of crisis.
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Today's poem is James Matthew Wilson's "Through the Water."
Remember, if you like this episode you can rate and review it wherever you subscribe to podcasts.
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Today's poem is Scott Cairns' "Daily Sacrifice" -- a poem for the Eastern Orthodox listeners among us, who are remembering Good Friday today.
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Today's poem is W.H. Davies' "Leisure" -- a poem worth keeping in mind during this strange time of isolation.
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Today's poem is a great poem for spring: Mary Oliver's "This Morning".
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Today's episode features a poem by W.S. Merwin called "Finding a Teacher" as well as a few special guests who help discuss it.
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Today's poem is Wendell Berry's "An Anniversary" -- from his 1971 collection, The Country of Marriage.
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The Daily Poem is back, just in time for Easter! Today's poem is A.E. Stallings' "Dyeing the Easter Eggs."
Thanks for your patience. If you like this episode, please be sure to rate and review wherever you get podcasts.
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Today poem is by one of our greatest contemporary poets, Dana Gioia. It's called "Words."
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Today's poem is W.H. Auden's dramatic poem, "The Fall of Rome" -- one of the more memorable poems of the last century.
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Today's poem is by the English Romantic poet, John Clare, and it's called "First Sight of Spring." Remember to rate and review wherever you listen to podcasts.
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Today's poem is Robert Hass' "Heroic Simile" - a poem that poets tend to love.
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Today's poem is Howard Nemerov's "Learning the Trees" shared in commemoration of his 100th birthday which was on February 29th.
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Today's poem is Lewis Carroll's nonsense poem, "Jabberwocky."
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Today's poem is Richard Lovelace's "To Althea, from Prison" - a classic from the seventeenth century.
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Today's poem is by the great contemporary formalist, Ryan Wilson, and it's called "For a Dog."
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Today's poem is Wendell Berry's "A Purification."
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Today's poem is Ted Kooser's "Deep Winter."
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Today's poem is Lisel Mueller's "Monet Refuses the Operation."
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Today's poem is Mary Oliver's "Gethsemane," a good poem for kicking off the Lenten season.
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Today's poem is William Carlos Williams' "The Term" -- with an assist from Wendell Berry.
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Today's poem is Edward Thomas' "February Afternoon."
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Today's poem is a brief passage from act 1, scene 5 of Shakespeare's Romeo and Juliet (it was just Valentine's Day after all).
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It's Valentine's Day so it makes sense to read a poem about a tragic romance. So here's Edgar Allan Poe's "Annabel Lee."
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Today's poem is from Sally Thomas' new collection, Motherland, out now from Able Muse Press. It's called "Obscure Constellation in Winter."
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Today's poem is Maurice Mannings" "An Old Track in the Woods."
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Today's poem--another near the anniversary of her death--is Elizabeth Bishop's "The Map."
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Today's poem is Elizabeth Bishop's "The Moose" (happy birthday to her!).
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Today's poem is Stanley Kunitz' "The Round." Text below. Remember to rate and review the podcast wherever you listen to podcasts.
Light splashed this morning
on the shell-pink anemones
swaying on their tall stems;
down blue-spiked veronica
light flowed in rivulets
over the humps of the honeybees;
this morning I saw light kiss
the silk of the roses
in their second flowering,
my late bloomers
flushed with their brandy.
A curious gladness shook me.
So I have shut the doors of my house,
so I have trudged downstairs to my cell,
so I am sitting in semi-dark
hunched over my desk
with nothing for a view
to tempt me
but a bloated compost heap,
steamy old stinkpile,
under my window;
and I pick my notebook up
and I start to read aloud
the still-wet words I scribbled
on the blotted page:
"Light splashed . . ."
I can scarcely wait till tomorrow
when a new life begins for me,
as it does each day,
as it does each day.
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Today's poem is A.E. Housman's "Loveliest of Trees." Remember to rate and review wherever you get podcasts!
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Today's poem is George Gordon Byron's (aka Lord Byron) "Stanzas Written on the Road Between Florence and Pisa."
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Today's poem is Louise Bogan's "Men Loved Wholly Beyond Wisdom." And remember, when you rate and review the podcast you help us spread the word!
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Today poem is John Greenleaf Whittier's ballad, "The Changeling."
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Today's poem is Robert Frost's "Design."
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Today's poem is Robert Frost's "The Oven Bird". Frost died on January 29, 1963.
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Today's poem is W.B. Yeats' "The Second Coming," perhaps his most famous poem. Remember if you like this show, it helps us spread the word when you rate and review wherever you listen to podcasts.
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Yeats-Week continues with his poem "Adam's Curse."
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It's William Butler Yeats week (or least part of the week), and today's poem is his mysterious poem, "The Song of Wandering Aengus."
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Today's poem is Christina Rosetti's "Birthday."
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Today's poem is Trumbull Stickney "Mnemosyne." If you like this show, please be sure to and review wherever you're listening.
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Today's poem is Louise Bogan's "Women." Remember to rate and review if you like this show!
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Today's poem is Robert Bridges' "London Snow."
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Today's poem is Robert Hayden's "Those Winter Sundays." Remember: rate, review, spread the word.
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Today's poem is one of the great elegies of the twentieth century, W.H. Auden's "In Memory of W.B. Yeats."
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Today's poem is Richard Wilbur's "Orchard Trees, January." Remember, rate and review to show some love.
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Today's poem is Emily Dickinson's "the sky is low, the clouds are mean."
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David is back following a case of the winter flu! Today's poem is Karl Shapiro's "California Winter."
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Today's poem is Shel Silverstein's "Sick." Thanks to Heidi White for filling in for David while he recovers from being sick.
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David Kern is sick so Heidi White is filling in today. The poem is George Mackay Brown's "Epiphany Poem."
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Today's poem is Helen Hunt Jackson's "New Years Morning." Happy New Year from all us!
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Today's end-of-the-year poem is Edna Saint Vincent Millay's "When the Year Grows Old." Happy New Year!
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Today's poem for the day after Christmas is T.S. Eliot's "The Journey of the Magi." Remember, if you like this podcast it goes a long way when you rate and review it wherever you get podcasts.
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As has become our tradition, here is a Christmas Eve poem for you, Clement Moore's "A Visit from Saint Nicholas." Merry Christmas!
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Today's Christmas-themed poem is Robert Bridges' "Noel: Christmas Eve 1913." Merry Christmas from The Daily Poem!
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Today's poem is Emily Bronte's "The night is darkening round me"--a poem for the shortest day of the year.
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Today's poem is W.S. Merwin's "A Leaf Falling in Winter."
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Today's poem is Robert Louis Stevenson's "Christmas at Sea." Remember, rate and review wherever you listen to podcasts to help us spread the word.
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Today on the show, David shares two poems that act as interesting companion pieces: "Joseph," by G.K. Chesterton, and "The Mother of God," by William Butler Yeats.
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Today's poem is Wallace Stevens' "The Snow Man." Don't forget the deadline for the competition for our younger listeners is 12/31!
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Today's poem is Emily Dickinson's "I should not dare to leave my friend." Happy birthday week to Emily Dickinson!
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Today's poem is Elinor Wylie's "Silver Filigree." Thanks for bearing with us through some technical issues this week. They will be fixed for next week!
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Today's poem is Longfellow's "Christmas Bells." Remember, when you rate and review the show wherever you access podcasts you help the spread the word.
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Today's poem is Donald Hall's very weird and interesting poem, "The Snow." Remember, if you like this show it helps out when you rate and review it wherever you get podcasts.
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Today's poem is Gail Mazur's "Ice". Remember, you can help the show out by rate and reviewing it wherever you get podcasts.
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Today's poem is Gjertrud Schnackenberg's "Advent Calendar." Remember, if you like this podcast: rate, review, spread the word.
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Today is my son's seventh birthday, so today's poem are dedicated to him. And they're both about playing the violin.
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Today's poem is Gjertrud Schnackenberg's "The Paperweight."
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We're back! Today's poem is John Clare's "Winter Walk."
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Today's poem is Charlotte Mew's "A Quoi Bon Dire"
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Today's poem is Ogden Nash's "The Tale of Custard the Dragon" -- with a little bit of news about another competition for our younger listeners, this time one that will involves drawing!
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Today's poem is Richard Wilbur's "Crows Nests" -- another great poem for these cooler days. Remember, rate, review, subscribe.
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Today's poem is Thomas Hardy's "During Wind and Rain." Remember to rate and review the show if you're enjoying it.
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Today's poem is Carolyn Kizer's "Parents' Pantoum." Remember to rate and review the show if you're enjoying it.
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Today's poem is Gwyn Harwood's "A Game of Chess." Remember to rate and review the podcast.
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Today's poem is James Whitcomb Riley's "When the Frost Is on the Pun'kin."
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Today's poem is the very famous poem by Robert Frost: "Stopping by Woods on a Snowy Evening."
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Today's poem is Ted Kooser's "Splitting an Order."
I like to watch an old man cutting a sandwich in half,
maybe an ordinary cold roast beef on whole wheat bread,
no pickles or onion, keeping his shaky hands steady
by placing his forearms firm on the edge of the table
and using both hands, the left to hold the sandwich in place,
and the right to cut it surely, corner to corner,
observing his progress through glasses that moments before
he wiped with his napkin, and then to see him lift half
onto the extra plate that he had asked the server to bring,
and then to wait, offering the plate to his wife
while she slowly unrolls her napkin and places her spoon,
her knife and her fork in their proper places,
then smoothes the starched white napkin over her knees
and meets his eyes and holds out both old hands to him.
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Today's poem is Edna Saint Vincent Millay's "God's World."
O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!
Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.
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Today's poem is Robert Penn Warren's "Heart of Autumn."
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Today's poem is Scott Cairns' "Which Tribe, Which River?"
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Today's poem is Maurice Manning's "Thee Art of Poetry," from his great new collection, Railsplitter.
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Today's poem is Robert Herrick's "Delight in Disorder."
A sweet disorder in the dress
Kindles in clothes a wantonness;
A lawn about the shoulders thrown
Into a fine distraction;
An erring lace, which here and there
Enthrals the crimson stomacher;
A cuff neglectful, and thereby
Ribands to flow confusedly;
A winning wave, deserving note,
In the tempestuous petticoat;
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me, than when art
Is too precise in every part.
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Today's poem is Phyllis McGinley's "November."
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Today's poem is Thomas Hardy's "Last Week in October."
The trees are undressing, and fling in many places—
On the gray road, the roof, the window-sill—
Their radiant robes and ribbons and yellow laces;
A leaf each second so is flung at will,
Here, there, another and another, still and still.
A spider's web has caught one while downcoming,
That stays there dangling when the rest pass on;
Like a suspended criminal hangs he, mumming
In golden garb, while one yet green, high yon,
Trembles, as fearing such a fate for himself anon.
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Today's poem is Richard Wilbur's "October Maples, Portland." Remember: rate, review, spread the word.
The leaves, though little time they have to live,
Were never so unfallen as today,
And seem to yield us through a rustled sieve
The very light from which time fell away.
A showered fire we thought forever lost
Redeems the air. Where friends in passing meet,
They parley in the tongues of Pentecost.
Gold ranks of temples flank the dazzled street.
It is light of maples, and will go;
But not before it washes eye and brain
With such a tincture, such a sanguine glow
As cannot fail to leave a lasting stain.
So Mary’s laundered mantle (in the tale
Which, like all pretty tales, may still be true),
Spread on the rosemary-bush, so drenched the pale
Slight blooms in its irradiated hue,
They could not choose but to return in blue.
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Today's poem is Edith Wharton's "The Autumn Sunset." Remember: rate and review to spread the word.
I
Leaguered in fire
The wild black promontories of the coast extend
Their savage silhouettes;
The sun in universal carnage sets,
And, halting higher,
The motionless storm-clouds mass their sullen threats,
Like an advancing mob in sword-points penned,
That, balked, yet stands at bay.
Mid-zenith hangs the fascinated day
In wind-lustrated hollows crystalline,
A wan Valkyrie whose wide pinions shine
Across the ensanguined ruins of the fray,
And in her hand swings high o’erhead,
Above the waster of war,
The silver torch-light of the evening star
Wherewith to search the faces of the dead.
II
Lagooned in gold,
Seem not those jetty promontories rather
The outposts of some ancient land forlorn,
Uncomforted of morn,
Where old oblivions gather,
The melancholy unconsoling fold
Of all things that go utterly to death
And mix no more, no more
With life’s perpetually awakening breath?
Shall Time not ferry me to such a shore,
Over such sailless seas,
To walk with hope’s slain importunities
In miserable marriage? Nay, shall not
All things be there forgot,
Save the sea’s golden barrier and the black
Close-crouching promontories?
Dead to all shames, forgotten of all glories,
Shall I not wander there, a shadow’s shade,
A spectre self-destroyed,
So purged of all remembrance and sucked back
Into the primal void,
That should we on the shore phantasmal meet
I should not know the coming of your feet?
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Today's poem is R.S. Thomas' "Welsh Landscape". Remember: rate, review, subscribe.
To live in Wales is to be conscious
At dusk of the spilled blood
That went into the making of the wild sky,
Dyeing the immaculate rivers
In all their courses.
It is to be aware,
Above the noisy tractor
And hum of the machine
Of strife in the strung woods,
Vibrant with sped arrows.
You cannot live in the present,
At least not in Wales.
There is the language for instance,
The soft consonants
Strange to the ear.
There are cries in the dark at night
As owls answer the moon,
And thick ambush of shadows,
Hushed at the fields’ corners.
There is no present in Wales,
And no future;
There is only the past,
Brittle with relics,
Wind-bitten towers and castles
With sham ghosts;
Mouldering quarries and mines;
And an impotent people,
Sick with inbreeding,
Worrying the carcase of an old song.
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Today's poem is Julia Ward Howe's familiar refrain, "The Battle Hymn of the Republic."
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Today's poem is by the great English poet, John Clare, and it's called "Badger." Remember, when you rate and review the show it helps out a lot!
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Today's poem is from C.S. Lewis and is presented by our old friend, S.D. Smith. Remember: rate and review to spread the word!
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Today's poem is Lewis Carroll's "Mad Gardener's Song." Remember: You can help the show by rating and reviewing and spreading the word.
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Today's poem -- with an assist from the late Harold Bloom -- is Jones Very's "New Birth." Remember: you can help the podcast out when you rate and review.
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Today's poem is Stephen Vincent Benet's "Christopher Columbus."
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Today's poem is Charlotte Turner Smith's "Written in October (1797)."
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Today's poem is Ted Hughes' "The Seven Sorrows."
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Today's poem is Robert Penn Warren's "Boy Wandering in Sims Valley" -- ready by poet and guest contributor, Maurice Manning.
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Today's poem is Robert Frost's "After Apple Picking" -- perhaps the quintessential autumn poem.
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Today's poem is part 5 of Shelley's "Ode to the West Wind", thus completing our journey through this great poem this week. Remember, subscribe, rate, review.
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Today's poem is part 4 of Percy Shelley's "Ode to the West Wind." Remember: subscribe, rate, review.
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Today's poem is part three of Shelley's classic, "Ode to the West Wind."
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Today's poem continues our foray into Shelley's beloved poem, "Ode to the West Wind." It's time for part 2.
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Today's poem is part one of Shelley's "Ode to the West Wind." Each day this week we will dive into one of the five parts of this famous poem.
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Today's poem is "The Fire of Driftwood" by Henry Wadsworth Longfellow.
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Today's poem is Shakespeare's Sonnet 30, "When to the sessions of sweet silent thought . . . ". Remember: rate and review!
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Good morning! Today's poem is Edna Saint Vincent Millay's "Autumn Chant."
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Today's poem is Gerard Manley Hopkins' "Spring and Fall." Remember: when you rate and review the podcast is helps us out!
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Today's poem is Louise Bogan's "Putting to Sea." Remember: when you rate and/or review the show it helps us out quite a bit.
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Today poem is Howard Nemerov's "The Dying Garden." Remember: subscribe, rate, review to help us spread the word!
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Today's poem is Alberto Rios' "Don't Go Into the Library." Remember, if you like this show rate and review and help us spread the word!
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Today's poem is John Keats' "To Autumn," which just had its 200th anniversary last week. Remember: you can help us out by rating and reviewing the show!
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Today's poem is William Butler Yeats' "The Wild Swans at Coole." Remember to rate and review!
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Today's poem is Jo Harjo's "Perhaps the World Ends Here." Remember, if you like this show you can help us spread the word by rating and the reviewing it wherever you get your podcasts.
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Today's poem is Zbigniew Herbert's "A Journey". Remember you can help us spread the word about the podcast by rating and reviewing it wherever you get your podcasts.
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Today's poem is "Summer Begins to Have the Look" by the inimitable Emily Dickinson. If you like this show please spread the word by subscribing, rating, and reviewing!
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Today's poem is Mary Jo Salter's delightful, "Half a Double Sonnet." If you like this show please be sure to rate, review, and spread the word!
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Today's poem is another summer poem, Christina Rossetti's "Summer Is Ended." Remember if you like the pod, we could use your help. Rate and review wherever you get podcasts.
Here is the text:
Summer Is Ended - by Christina Rossetti
To think that this meaningless thing was ever a rose,
Scentless, colourless, this!
Will it ever be thus (who knows?)
Thus with our bliss,
If we wait till the close?
Though we care not to wait for the end, there comes the end
Sooner, later, at last,
Which nothing can mar, nothing mend:
An end locked fast,
Bent we cannot re-bend.
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Today's poem is A.E. Stallings' delightful "Listening to Peter and the Wolf with Jason Aged Three." If you like this podcast, please remember to rate and review it.
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Today's poem is Rhina Espaillat's wonderful "Bilingual/Bilingue."
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Today's poem is Francis Thompson's "In no Strange Land." Remember to rate and review the podcast!
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Today's featured poem is Howard Nemerov's "Elegy for Summer." Remember: subscribe, rate, review!
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Today's poem, "Personal Helicon," concludes Seamus Heaney week here on The Daily Poem. Remember, if you like this show: rate and review!
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It's Seamus Heaney week on the podcast, and today's poem is called "Two Lorries", from a 1996 collection. Remember: subscribe, rate, review!
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Seamus Heaney week continues with "Digging" -- another of his essential earlier poems. Remember: subscribe, rate, review!
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It's Seamus Heaney week on The Daily Poem and it kicks off with his first big poem: "Death of a Naturalist."
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Today's poem is Emily Dickinson's "As Imperceptibly as Grief." Remember: subscribe, rate, review!
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Today's poem is John Donne's "Twickenham Garden." Remember you can help the podcast out by subscribing, rating, and reviewing wherever you get pods.
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Today's poem is Elizabeth Jennings' "Act of the Imagination." Remember, rate, review, subscribe.
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Today's poem is A.E. Housman's "When Summer's End Is Nighing." Remember: subscribe, rate, review!
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Today's poem is Robert Frost's "Hyla Brook." Remember: subscribe, rate, review!
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Today's poem is Seamus Heaney's "Blackberry Picking" -- another great poem for late summer. Remember, if you like this show help us spread the word by rating and reviewing!
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Today's poem is "Still Life with Low Cloud and Mist" by Scott Cairns and from his new collection, Anaphora.
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Today's poem s Tennyson's "Ulysses" -- a poem shared by request. Remember: rate and review!
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Today's poem is called "As Though a Seed" and it is by Joshua Alan Sturgill. Remember: we could always use your help. Rate and/or review the show and help us spread the word.
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Today's poem is by Robert Penn Warren and it's called "August Moon." If you like this show please rate and review!
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Today's poem is Amy Lowell's "Dog Days." Remember: subscribe, rate, review!
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Today's poem is Alice Meynell's "The Rainy Summer." If you like this show remember: rate and review!
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Today's poem is Langston Hughes' "Summer Nights." If you like this show, please make sure to rate and review!
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Happy birthday to Donald Justice! Today's poem is his "there is a gold light in certain old paintings." If you like this podcast please rate or review the show!
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If you like this podcast remember to rate + review! Today's poem is Charles Causley's "I am the Great Sun."
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Today's poem is Maurice Mannings "A Brief Refutation...."
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Today's poem is Jane Kenyon's "Three Songs at the End of Summer."
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Today's poem is a sonnet by Edna St. Vincent Millay called "Euclid Alone Has Looked on Beauty Bare."
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The Daily Poem is back! Happy birthday to Wendell Berry, one of our favorite poets. In recognition, today's poem is his, "A Poem on Hope."
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Today's poem is William Butler Yeats' "The Cap and Bells." Remember: subscribe, rate, review!
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Today's poem is Ted Kooser's "So This is Nebraska." And remember to subscribe, rate, and review!
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Today's poem is Elizabeth Bishop's "The Flood."
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Today's poem is Shakespeare's "the quality of mercy is not strained" speech, delivered by Portia in act IV, scene I of The Merchant of Venice. Remember: subscribe, rate, review!
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Today's poems is W.H. Auden's "Epitaph of Tyrant." Remember to subscribe, rate, and review!
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Today's poem is Richard Wilbur's "My Father Paints the Summer."
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Today's poem is W.S. Merwin's "Learning a Dead Language."
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Today's poem is Samuel Taylor Coleridge's "Frost at Midnight."
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Today's poem is William Wordsworth's "it is a beauteous evening."
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Today's poem is A.E. Stallings' "Empathy."
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Today's poem is Henry David Thoreau's "Summer Rain."
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Today's poem is David Wagoner's "Falling Asleep in the Garden."
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Today's poem is another great summer poem: Gerard Manley Hopkins' "Pied Beauty."
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Today's poem is Rhina Espaillat's "Look Long Enough,"
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Today's poem is John Keats' Petrarchan sonnet, "On the Grasshopper and the Cricket."
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Today's poem is Richard Wilbur's "The Writer."
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Today's poem is Siegfried Sassoon's "Everyone Sang."
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Today's poem is Frank O'Hara's "Having a coke with you."
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Today's poem (read by Joshua Gibbs who is filling in for David) is Robert Wrigley's "Horseflies."
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Today's poem is Thomas Lux's "A Little Tooth" -- presented by guest host, Joshua Gibbs.
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Today's summer-themed poem is aptly name "Summer Poem," by Mary Oliver.
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Today's poem is Emily Dickinson's "I died for beauty - but was scarce."
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Today's poem is John Masefield's popular poem "Sea Fever."
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Today's summer-themed poem is Howard Nemerov's "Trees."
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Today's poem is Wallace Stevens' "The House Was Quiet and the World Was Calm."
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Today's poem is Phyllis McGinley's "June in the Suburbs."
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Today's poem is Denise Levertov's "The Secret."
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Today's poem is the folksong "Oh My Darling Clementine."
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Today's poem is Wendell Berry's "The Vacation."
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Today's poem is Wallace Stevens' "Gallant Chateau."
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Today's poem is D.H. Lawrence's "A Baby Running Barefoot."
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We have a new memorization contest + a new folk song/poem.
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Today's poem, inspired by yesterday's De La Mare poem, is Edgar Allan Poe's "To Helen."
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Today's poem is Walter de la Mare's "The Listeners."
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Today's poem is Wendell Berry's "Her First Calf."
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Today's poem is Jane Kenyon's "Not Here".
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Today's Mother's Day-themed poem is Langston Hughes' "Mother to Son."
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Today's poem is a folk song called "Starving to Death on a Government Claim."
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Today's poem is Paul Quenon's "The Mad Monk's Amibition."
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Today's poem is Christine Perrin's "The Book of Nature."
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Today's poem is Rhina Espaillat's "Links."
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Today's poem is Adrienne Rich's "Diving into the Wreck."
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Today's poem is Louis MacNeice's "To Posterity."
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Today's poem is the folk song, A Home on the Range.
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Today's poem is for a listener named Jill, who requested this poem recently. It's "Fern Hill," by the great Welsh poet, Dylan Thomas.
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Today's poem (read by a special guest) is Shakespeare's Sonnet #73.
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Today's poem is William Wordsworth's "Composed upon Westminster Bridge, September 3, 1802"
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Today's poem is William Blake's "London."
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Today's poem is "Skylark" by Percy Shelley.
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Today poem is John Updike's "Seven Stanzas for Easter."
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Today's Good Friday-themed poem is "Good Friday" by Christina Rossetti.
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It's time for another poem dedicated the our younger listeners, so today's poem is Ernest Thayer's comic poem, "Casey at the Bat."
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Today's poem is "Workshop" by the great Dominican poet, Rhina Espaillat.
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In honor of Notre Dame Cathedral, today's poem is Willa Cather's "Paris."
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Today's poem is Gerard Manley Hopkins' "Pied Beauty."
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Today's poem is Stevie Smith's "Black March."
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Today's poem is John Donne's "At the Round Earth's Imagin'd Corners."
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Today's poem is by Edwin Arlington Robinson's "Miniver Cheevy."
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Today's poem, another one for spring is e.e. cummings' [in just-].
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Today's poem is Elinor Wylie's "Wild Peaches."
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Today's poem is a nonsense poem by Edward Lear, "Yonghy Bonghy Bo."
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Today's poem is Richard Wilbur's "A Storm in April."
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Today's poem is "Quid Pro Quo," from Paul Mariani.
Please note: adults should probably listen to this particular poem first before they listen with children. A rare, but sometimes worthwhile occassion on this podcast.
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Today's poem features some wonderful lines from book one of Emily Wilson's recent translation of the Odyssey.
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Today's poem is Janet Lewis' poem, "Remembered Morning."
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Today's poem is William Wordsworth's pastoral poem, "Lines Written in Early Spring."
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Today's poem is "Spring" by Mary Oliver.
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Today's show features Robert Frost's poem "Putting in the Seed."\
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Today's show features a few more poems from the great W.S. Merwin who died last Friday.
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Today's poem is another one by the great W.S. Merwin, who died last Friday. It's called 'The Morning."
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Today's poem is W.S. Merwin's "For the Anniversary of My Death."
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Today's poem is Louis MacNeice's "Snow."
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Today's poem is A.E. Housman's "The Loveliest Tree".
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Welcome back to The Daily Poem. Today's poem is Sara Teasdale's "Barter."
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Welcome to The Daily Poem. Today's poem is Malcolm Guite's "Ash Wednesday."
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Welcome back to Th Daily Poem. Today's poem is T.S. Eliot's "The Love Song of J. Alfred Prufrock."
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Welcome back to The Daily Poem. Today's poem is a lovely passage from Henry Howard's sixteenth-century translation of the Aeneid.
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Welcome back to The Daily Poem. Today's poem is Richard Wilbur's "March," in honor of his birthday, which was today, 99 years ago.
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Welcome back to The Daily Poem! Today's show reveals the winners of our most recent contest winners.
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Welcome back to The Daily Poem! Today's poem is Anne Bradstreet's "The Author to Her Book."
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Welcome back to The Daily Poem! Today's poem is Jane Kenyon's "Let Evening Come."
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Welcome back to The Daily Poem. Today's poem is from Shakespeare's Julius Caesar.
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Welcome back to The Daily Poem, where today we are commemorating the anniversary of W.H. Auden's birthday with his poem "If I Could Tell You."
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Welcome back to The Daily Poem. Today's poem is Thomas Kinsella's "Mirror in February."
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Welcome to the Daily Poem. Today's poem is Donald Justice's "Pantoum of the Great Depression."
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Welcome back to The Daily Poem. Today's poem is "Christine Perrin's "Reading Telemachus."
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Welcome back to The Daily Poem. Today's poem is George Herbert's "The Pulley."
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Welcome back to The Daily Poem (and happy Valentine's Day!). This poem is from act 1, scene 5 of Shakespeare's Romeo and Juliet.
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Welcome back to The Daily Poem. Today's poem is James Schuyler's "February 13, 1975."
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Welcome to The Daily Poem. Today's poem is Sylvia Plath's "Two Lovers and a Beachcomber", which we're sharing in commemoration of her death, which was February 11th, 1963.
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Welcome back to The Daily Poem! Today's show features two winter-themed poems from William Carlos Williams.
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Welcome back to The Daily Poem! Today's poem is Natasha Tretheway's "Limen."
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Welcome back to The Daily Poem. Today's poem is Emily Dickinson's "There Is a Certain Slant of Light."
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Welcome back to The Daily Poem! Today's poem (in honor of the New England Patriots winning the Super Bowl) is Robert Frost's "The Wood Pile."
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Welcome back to The Daily Poem. Today's poem is Wallace Stevens' "Final Soliloquy of the Interior Paramour," which was published in The Collected Poems of Wallace Stevens in 1954.
This episode mentions Matthew Zapruder's excellent book, Why Poetry, which you can buy now at matthewzapruder.com.
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Welcome to the Daily Poem. Today's poem is William Butler Yeats' "The Wild Swans at Coole."
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Welcome back to The Daily Poem. Today's poem is William Butler Yeats' "The Second Coming."
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Welcome to The Daily Poem. Today's poem is Longfellow's "Snowflakes".
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Welcome to The Daily Poem. Today's poem is W.S. Merwin's "To a Leaf Falling on Snow."
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Welcome back to The Daily Poem. Today's poem is Sara Teasdale's "There Will Come Soft Rains."
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Welcome to The Daily Poem. Today's poem is A.E. Stallings' "Cast Irony" from her new collection, Like.
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Welcome back to The Daily Poem. Today's poem is Paul Laurence Dunbar's "Sympathy."
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Welcome back to The Daily Poem. Today's poem is Maurice Manning's "On Silence."
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Welcome to The Daily Poem. Today's poem is Elizabeth Barrett Browning's "The Musical Instrument."
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Welcome to The Daily Poem. Today's poem is J.R.R. Tolkien's "The Road Goes Ever On and On." Plus we announce the next memorization contest for the young listeners!
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Welcome to The Daily Poem. Today's poem is Dylan Thomas' "Do Not Go Gently."
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Welcome to The Daily Poem. Today's poem is W.S. Merwin's "Fox Sleep."
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Welcome to The Daily Poem. Today's poem is William Morris' "A Garden by the Sea."
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Welcome to The Daily Poem. Today's poem is Tennyson's "The Lady of Shallott."
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Welcome to The Daily Poem. Today's poem is Lord Byrons' "So We'll Go No More a Roving."
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Welcome to the Daily Poem. Today's poem is Elizabeth Bishop's "Twelfth Morning, or What You Will."
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Welcome to The Daily Poem. Today's poem is Malcolm Guite's "Epiphany."
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Welcome to The Daily Poem. Today's poem is Phyllis McGinley's "Twelfth Night."
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Welcome back to The Daily Poem. Today's poem is William Carlos Williams' "Burning the Christmas Greens."
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Welcome to The Daily Poem. Today's poem is from W.H. Auden's "For the Time Being."
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Welcome to The Daily Poem. Today's poem is T.S. Eliot's "The Journey of the Magi" - with an assist from Andrew Kern, who is filling in for David.
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Welcome to The Daily Poem. Today's poem is William Butler Yeat's "The Mother of God."
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Welcome to The Daily Poem. Today's poem is Dorothy Parker's "The Maid-Servant At The Inn."
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Merry Christmas and welcome to The Daily Poem! Today's poem is Langston Hughes' "Shepherd’s Song at Christmas".
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Welcome to The Daily Poem (and Merry Christmas)! Today's poem is Clement Clarke Moore's "A Visit from Saint Nick."
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Welcome to The Daily Poem. Today's poem is Lord Tennyson's "Ring Out, Wild Bells" from his long poem, In Memoriam.
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Welcome to The Daily Poem. Today shows features three Christmas poems from Phyllis McGinley.
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Welcome to The Daily Poem. Today's poem is Wendell Berry's "Our Christmas Tree."
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Welcome to The Daily Poem. Today's poem is Richard Wilbur's "A Christmas Hymn."
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Welcome to The Daily Poem. Today's poem is John Keats' "Ode on a Grecian Urn."
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Welcome to The Daily Poem. Today's poem is Thomas Hardy's "The Darkling Thrush."
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Welcome to The Daily Poem. Today's poem is E.E. Cummings' "[i carry your heart with me(i carry it in]".
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Welcome to The Daily Poem. Today's poem is Billy Collins' "Snow Day."
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Welcome to The Daily Poem. Today's poem is Christina Rossetti's "In the Bleak Midwinter."
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Welcome to The Daily Poem. Today's poem is Mary Oliver's "The Black Walnut Tree."
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Welcome to The Daily Poem. Today's episode is Emily Dickinson's "A Narrow Fellow in the Grass."
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Welcome to The Daily Poem. Today's poem is William Wordsworth's "I wandered lonely as a cloud."
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Welcome to The Daily Poem. Today poem is W.H. Auden's "The Shield of Achilles."
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Welcome to The Daily Poem. Today's poem is Wendell Berry's "Manifesto: The Mad Farmer Liberation Front."
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Welcome to The Daily Poem. Today's poem is James Matthew Wilson's "The Scar of Odysseus."
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Welcome to The Daily Poem. Today's poem is Wilfred Owen's "Dulce et Decorum Est."
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Welcome to The Daily Poem. Today's poem is John McRae's "In Flanders Fields."
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Welcome to The Daily Poem. Today's poem is Rupert Brooke's "The Solider."
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Welcome to The Daily Poem. Today's poem is Billy Collins' "Love."
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Welcome to The Daily Poem. Today's poem is Edna St. Vincent Millay's "What lips my lips have kissed, and where, and why."
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Welcome to The Daily Poem. Today's poem is William Shakespeare's "to be or not to be" Soliloquy.
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Welcome back to the Daily Poem. Today's poem is John Milton's "When I Consider How My Light Is Spent."
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Welcome to The Daily Poem. Today poem is Edward Lear's "The Jumblies."
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Welcome to the Daily Poem. Today's poem is Luci Shaw's "Mary's Song."
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Welcome to The Daily Poem. Today's poem is Wallace Stevens' "The Idea of Order at Key West."
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Welcome to The Daily Poem. Today's poem is John Keats' “Bright star, would I were stedfast as thou art.”
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Welcome to The Daily Poem. Today's poems are by Robert Louis Stevenson and recited by our contest winners!
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Welcome to The Daily Poem. Today's poem is Elizabeth Bishop's "One Art."
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Welcome to The Daily Poem. Today's poem is an excerpt from Part III of Longfellow's "The Song of Hiawatha."
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Welcome to The Daily Poem. Today's poem is Alfred Noyes' "The Highwayman."
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Welcome to The Daily Poem. Today's poem is Edgar Allen Poe's "The Raven."
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Welcome to The Daily Poem. Today's poem is Edna St. Vincent Millay's "The Little Ghost."
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Welcome to The Daily Poem. Today's poem is Elizabeth Bishop's "The Fish."
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Welcome to The Daily Poem. Today's poem is Robert Frost's "Mending Wall."
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Welcome to The Daily Poem. Today's poem is W.H. Auden's "The Unknown Citizen."
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Welcome to The Daily Poem. Today's poem is Christina Rossetti's "Shut Out."
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Welcome to The Daily Poem. Today's poem is William Carlos William's "The Red Wheelbarrow" - with some comments about the poem by Wendell Berry.
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Welcome to The Daily Poem. Today's poem is Scott Cairns' "Early Frost."
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Welcome to The Daily Poem. Today's poem is Robert Louis Stevenson's "My Shadow." Plus some news about a contest for kids!
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Welcome to The Daily Poem. Today's poem is Richard Wilbur's "Love Calls Us to the Things of This World."
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Welcome to The Daily Poem. Today's poem is William Shakespeare's Sonnet 116.
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Welcome to The Daily Poem. Today's poem is John Donne's "Death Be Not Proud" (Sonnet X).
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Welcome to The Daily Poem. Today's episode features William Butler Yeats' "Sailing to Byzantium."
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Welcome to The Daily Poem. Today's episode features Langston Hughes' "A Negro Speaks of Rivers."
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Welcome to The Daily Poem. Today's episode features John Keats' "To Autumn."
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Welcome to The Daily Poem. Today's poem is Gail Mazur's "Baseball."
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Welcome to The Daily Poem. Today's poem is A.A. Milne's "At the Zoo."
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Welcome back to The Daily Poem. Today's poem is George Herbert's "Love III."
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Welcome to The Daily Poem. Today's poem is William Blake's "The Tyger."
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Welcome to The Daily Poem. Today's episode features Wendell Berry's Sabbath poem #2 from 1980, found in the 2012 collection, This Day.
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Welcome to The Daily Poem. Today's poem is Mary Oliver's "Tasting the Wild Grapes" from her Pulitzer Prize winning collection, American Primitive.
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Welcome to The Daily Poem. Today's poem is Thomas Gray's "Ode on the Death of a Favourite Cat Drowned in a Tub of Goldfishes."
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Welcome to The Daily Poem. Today's poem is Robert Frost's "After Apple Picking" - the perfect poem to memorize this time of year.
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Welcome to The Daily Poem. Today's poem, presented by guest-reader, Matt Bianco, is William Wordsworth's "My Heart Leaps."
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Welcome to The Daily Poem. Today's poem is Rainer Maria Rilke's "Autumn Day."
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Welcome to The Daily Poem. Today's poem is "God's Grandeur," by Gerard Manley Hopkins.
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Welcome back to The Daily Poem. Today's poem is Samuel Taylor Coleridge's "Kubla Kahn".
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Welcome back to The Daily Poem. Today's poem is T.S. Eliot's "Preludes."
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Welcome to The Daily Poem. Today's poem is Longfellow's "The Tide Rises, the Tide Falls."
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Welcome to The Daily Poem. Today's poem is "Dover Beach" by Matthew Arnold (and read by a guest reader).
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Welcome to The Daily Poem. Today's poem is Robert Browning's "Meeting at Night."
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Welcome to The Daily Poem. Today's poem is "Ozymandias" by Percy Shelley.
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Welcome to The Daily Poem.
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Welcome to The Daily Poem. Today's poem is Lewis Carroll's "Jabberwocky."
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Welcome to The Daily Poem. Today's poem is William Butler Yeats' "The Lake Isle of Innisfree."
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Welcome to The Daily Poem. Today's poem is Emily Dickinson's "I Heard a Fly Buzz When I Died."
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Welcome to The Daily Poem. Today's poem is the famous Agincourt Speech from Henry V, written by William Shakespeare.
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Welcome to The Daily Poem. Today's poem is "Annabelle Lee" by Edgar Allan Poe.
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Welcome to The Daily Poem. Today's poem is Rudyard Kipling's "If."
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Welcome to The Daily Poem. Today's poem is William Wordsworth's "The World Is Too Much with Us."
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Today’s poem is George Gordon Byron’s She Walks in Beauty.
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Welcome to The Daily Poem. Today's poem is The Road Not Taken, by Robert Frost.
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Welcome to The Daily Poem. Today's poem is William Shakespeare's Sonnet #18.
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Join David Kern and Matt Bianco for a brief look at The Daily Poem. New episodes coming August 27th!
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