The Bulwark Goes to Hollywood

Latest Episodes:

CinemaCon in Twilight Sep 02, 2021

Show notes

Richard Rushfield, proprietor of The Ankler, returns to the show this week to fill us in on the declining fortunes of CinemaCon in an age of streamers and theater-threatening diseases. We also discuss low-budget horror and why studios seem loathe to fill their slate with surefire hits in addition to checking in on the minions celebrating the downfall of Mike Richards, Jeopardy scourge.

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Jake Tapper on Afghanistan War Classic 'The Outpost' Aug 26, 2021

Show notes

On this week’s episode Sonny is joined by Jake Tapper, CNN anchor and author of The Outpost: An Untold Story of American Valor, to talk about his book on Combat Outpost Keating and its adaptation into the defining movie of the Afghanistan War by Rod Lurie. Why did the book expand from coverage of the rare battle that saw two living Medal of Honor winners emerge to a book about the life an ill-advised and ill-placed outpost in the wilds of Afghanistan? How did the troops feel about American attention, or lack thereof, to the war effort? And what was it like seeing the story brought to life for viewers on screens big and small? After listening to the show, make sure to watch the movie (it’s on Netflix now!) and please: read the book. As the child of a military family, I can assure you it’s both heartrending and, occasionally, more than a little infuriating. But it’s a must-read to understand the War in Afghanistan from a soldier’s-level view.

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Zak Penn on 'Free Guy,' Writing Villains, and the Fate of 'PCU' Aug 19, 2021

Show notes

Very excited to have on Zak Penn this week, who, in addition to being one of the writers of Free Guy, is also a credited writer on a series of HBO classics from my younger days: Last Action Hero, PCU, and Behind Enemy Lines, among others. On this episode we talked a lot about Free Guy and the state of Hollywood’s internal struggle between IP-branded ventures and original films, but we also dove into some of his other work: What happened with the writing of Last Action Hero, the first script Penn sold; the gratifying legacy of PCU as a cult classic and the oddity of its unavailability now; and why X-Men: The Last Stand gets a bad rap. It’s a super-sized episode because we had a ton of ground to cover; if you enjoy what you hear, please share it with a friend! If this episode does well maybe we can convince the studio swells to put out that 4K Blu-ray collector’s set of PCU we’ve all been clamoring for.

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Matthew Belloni on the Changing Ways Hollywood Gets Paid Aug 12, 2021

Show notes

This week, Sonny is joined by Matthew Belloni, author of the newsletter “What I’m Hearing” for the exciting new web publication Puck.news. Formerly an entertainment lawyer and editor for The Hollywood Reporter, Matt joins the show today to talk about Scarlett Johansson’s lawsuit, the ways in which streaming economics are upending traditional compensation packages, and Disney’s new “socialism.” Are the days of superstar show runners earning hundreds of millions over? And what lies ahead for actors and audiences alike? We discuss all this and more, and if you enjoy this episode, I really cannot recommend Matt’s newsletter enough: I always learn something new when I read it, which is the nicest thing I can say about anyone’s newsletter.

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Clayton Childress Explains How Taste and Status Reinforce Each Other Aug 05, 2021

Show notes

On this week’s episode, Sonny talks to Clayton Childress, an Associate Professor in the Dept. of Sociology of University of Toronto who studies taste, decision, and meaning making in the creation, production, and reception of culture. Clayton is on to discuss a recent study he coauthored with Shyon Baumann, Craig M. Rawlings, and Jean-François Nault about the strange ways elite tastes have both grown more inclusive and more exclusive. What does it mean that those with more education say they enjoy every genre (e.g., horror) but only certain films within that genre (e.g., A24’s horror films like Hereditary or The Witch)? And what does that mean for studios trying to figure out what to make—and what to market?

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Ray Subers on Polling Moviegoers Jul 29, 2021

Show notes

On this episode of The Bulwark Goes to Hollywood, Sonny talks to Ray Subers, a vice president at NRG, which has helped Hollywood studios with polling about movies for decades. Currently, NRG’s most interesting and informative efforts have to do with polling audiences on their comfort levels with going back to theaters during the age of COVID and its variants. How are audiences feeling right now as case numbers surge? How nervous is Hollywood? Also: If you’ve ever wondered how movie studios figure out the “tracking” numbers—that is, the awareness levels for upcoming movies—that help them decide on release dates and advertising strategies, Ray’s the guy to listen to. It’s a fascinating science with stakes that involve tens of millions of dollars every single week.

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John Mass on the Future of Content Jul 22, 2021

Show notes

This week Sonny is joined by John Mass, Executive Vice President of Content Partners, LLC, to talk about the business of acquiring intellectual property and figuring out how to make the business side of show business work. We had a great chat about the future of streaming, the shifting world of windows, and the (potentially limited) future of physical media. Content Partners is the leading independent owner of major studio distributed films, televisions shows, and related participations with over 500 studio release films and more than 3,000 hours of television. The company owns many notable titles, such as 13 Going on 30, Black Hawk Down, Black Swan, and is co-owner of the CSI franchise.

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Ryan Faughnder on How Valuable You Are (to Streaming Companies) Jul 15, 2021

Show notes

This week on The Bulwark Goes to Hollywood, Sonny talks to the Los Angeles Times’s Ryan Faughnder about arr-poo (that is, RPU, or revenue per user) and how such calculations figure into the value of a subscriber, as well as all sorts of other topics. Make sure to subscribe to Ryan’s newsletter (it’s free!) if you’re into the whole “business of Hollywood” thing, which you are since you’re listening to this show. And if you enjoy this episode, share it with your friends! Everyone loves getting a new podcast to listen to.

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Richard Rushfield on the Latest Hollywood News Jul 09, 2021

Show notes

On this week’s episode we ask a very important question of The Ankler’s Richard Rushfield: Is Vin Diesel a star? Really, what does it mean to be a star these days anyway? How are the streaming wars shaping up? What’s the deal with Universal’s new pay window? And how beloved is Quentin Tarantino? All this and more on this week’s episode of The Bulwark Goes to Hollywood.

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James White on Restoring Movies for Arrow Films Jul 01, 2021

Show notes

This week, Sonny talks to James White, the Head of Restoration at Arrow Films. On this episode, we dive into the tricky nature of rescuing older films and getting them ready for appreciation on Blu-ray and UHD 4K. What is the actual mechanical process of restoring a film like? Beyond getting elements like the original negatives, how does James work with directors and cinematographers to make sure the color timing is right? What’s the deal with film grain? All that and more on this week’s episode!

By happy coincidence, Arrow happens to be having a sale right now. (I didn’t plan this, I swear!) But if you’re an American and own an out-of-region player, make sure to check out Arrow’s site for some great deals; Bring Me the Head of Alfredo Garcia, pictured above, is just £8, as is Time Bandits, about which James had a very funny story toward the end of this week’s pod. (Eight pounds is roughly eleven dollars at the moment, so it’s a good deal.) If you don’t have an out-of-region player, check out Diabolik DVD which has a bunch of their U.S. releases on sale now. Diabolik’s Jesse Nelson was a guest on this here podcast, and his store is really wonderful; if you pick anything up (like the Blu-ray of Why Don’t You Just Die, best described as Tarantino by way of Russia), tell him I sent you.

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