The Bulwark Goes to Hollywood

Latest Episodes:

Ryan Faughnder on Paramount's Big Changes Jul 20, 2024

Show notes

This week I’m being rejoined by the Los Angeles Times’s Ryan Faughnder to discuss the sale of Paramount to David Ellison. What does this mean for the various arms of Viacom? Then we discussed the collapse of Redbox and the state of the box office. If you enjoyed this episode, please sign up for Ryan’s newsletter, The Wide Shot, here. It’s free! And if you enjoyed this episode, share it with a friend!

Jennifer Esposito on 'Fresh Kills' Jul 13, 2024

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On this week’s episode I’m joined by Jennifer Esposito, the director, writer, and star of Fresh Kills, a mob movie told from the perspective of mob wives and mob daughters. We discussed her career in the movies and how that helped prep her to stand behind the camera, why it’s hard to find audiences for original movies telling stories aimed at adults, how social media is helping build a base of support, and the powerfully feral performance of Odessa A’zion. You can watch Fresh Kills right now from the comfort of your own home on your preferred VOD provider. And if you enjoyed this episode, please share it with a friend!

Nielsen's Ratings Evolution Jul 06, 2024

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Often, when people discuss television viewing these days they’ll conclude their chat with something like “But we just don’t know what people are watching.” That is an increasingly outdated view of the data, however. On this week’s episode, I’m joined by Dierdre Thomas, the Chief Product Officer for Nielsen’s Audience Measurement business unit. We talked about the evolution of Nielsen’s business measuring market share, how the company captures what people are watching and where, and how overall viewing habits have changed in the streaming age.

Documenting 'How to Rob a Bank' Jun 29, 2024

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On this week’s episode, I’m joined by Stephen Robert Morse and Seth Porges, the producers and directors of How to Rob a Bank. Streaming now on Netflix, the true-crime doc’s subject, Scott Scurlock (aka, the Hollywood Bandit), calls to mind Point Break in his commitment to living his life however he pleased and funding it through criminal activities. But, as Porges told me in our interview, How to Rob a Bank is also a subversion of the cinematic trope of the noble bank robber, a rejection of that idealized vision of criminality. It’s a reminder that what filmmakers portray has some impact on how we see—and take part in—the world. If you enjoyed this episode, make sure to watch their movie. And if you enjoyed this episode, share it with a friend!

We're All 'Theatre Kids' Jun 22, 2024

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On this week’s episode, I’m joined by John DeVore, author of Theatre Kids: A True Tale of Off-Off Broadway. In addition to discussing his life in the arts and the different species of theatre children—from the stage to politics to religion, theatre kids come in all shapes and size—we also talked a bit about the evolution of media in the post-9/11, pre-iPhone age. And we went back to one of my favorite topics: why no one can behave themselves in public these days! Get off our lawns! If you enjoyed this episode, you should pick up a copy of John’s book; it’s a quick read with just the right amount of melancholy. And please share this episode with a friend!

Celebrating Bruce Willis Jun 15, 2024

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On this week’s episode, I’m rejoined by Sean O’Connell to discuss his new book, Bruce Willis: Celebrating the Cinematic Legacy of an Unbreakable Hollywood Icon. Breaking down Willis’s career—which has been sadly cut short following his diagnosis of aphasia—by comedies, action movies, work with auteurs, and “Die Hards,” the book is an exhaustive look at, mostly, the highs (and some of the lows) of Willis’s career. If you enjoyed this episode, please share it with a friend!

Don't Panic About Movie Theaters (Yet) Jun 08, 2024

Show notes

On this week’s episode, I invited David Poland on so he could talk us all of the ledge about the state of theatrical exhibition. And while he didn’t quite do that—his opening words: “It’s, it’s bad! Things are bad”—he did highlight why things aren’t necessarily disastrous and how both the studios and the exhibitors can help get everything back on track. If you enjoyed this episode, please share it with a friend!

Bobby Miller on his film, 'The Cleanse,' finally getting a Blu-ray release. May 24, 2024

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This week, I’m joined by Bobby Miller, the writer/director of The Cleanse, to talk about the film’s long and winding path to a Blu-ray release. (You can buy it at Amazon or for five bucks less at the great DiabolikDVD.) We discussed getting that film made, the struggle to secure a release, and why owning a physical copy of a movie packed with special features like commentary tracks and making-of docs is a real thrill for a filmmaker who grew up absorbing the extras on features like Boogie Nights. We also discussed his voice-directing and editing work and why he wrote a novel. If you enjoyed this episode, please check out Bobby’s movie. And make sure to share it with a friend!

Documenting January 6 May 18, 2024

Show notes

On this week’s episode, I’m joined by Sean Fine and Andrea Nix-Fine to discuss their searing look at the assault on the Capitol on January 6 perpetrated by supporters of Donald Trump attempting to disrupt the peaceful transfer of power. We discussed how they got their footage, why the events are being memory-holed by embarrassed Republican politicians, and how you can help spread the word about this documentary so people aren’t allowed to forget what, and who, they’re supporting when they support Donald Trump. If this interview gets your blood boiling like it got mine boiling, you can watch The Sixth on your VOD provider of choice. And if you enjoyed this episode, please share it with a friend.

On the Great Albert Brooks May 11, 2024

Show notes

I’m thrilled to have Adrienne LaFrance of The Atlantic on the show this week to discuss her profile of Albert Brooks and more generally celebrate his greatness. From movies like Broadcast News and Defending Your Life, to voicework on The Simpsons and Finding Nemo, to his under-appreciated villainy in Drive, Brooks’s talents have wowed multiple generations of moviegoers and TV watchers.

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