Stay ConnectedA Beatles podcast that goes song-by-song through every Beatles release in chronological order. We focus on the music itself, breaking down what you’re hearing and why it works.
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In this episode of The Beatles: Note by Note, Peter and Kenyon dive into "There's a Place," a track from the Beatles' debut album Please Please Me. The hosts explore the song's introspective lyrics, drawing parallels between John Lennon's emotional depth and the influence of songs like "Somewhere" from West Side Story. They discuss the song's Motown-inspired origins and its thematic connection to early Beach Boys tracks like "In My Room," highlighting Lennon's ability to craft a mental escape through music. Peter and Kenyon also reflect on the track’s "psychedelic" undertones, suggesting it foreshadows the Beatles' later exploration of transcendental meditation and altered perceptions. The episode breaks down the harmonies, led by Paul McCartney, which add an ethereal quality, and the recording process at Abbey Road Studios, noting the use of harmonica and overdubs. The hosts debate whether this could be considered the Beatles' first psychedelic lyric, underscoring the song's experimental nature despite its placement on their first album.
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In this lecture series, Kenyon breaks down the lyrics and music of There's A Place. What features indicate that John and Paul felt that this was good enough to be their next single? How does the song utilize all the techniques they've used so far on Please Please Me? Despite such a simple presentation, Kenyon reveals that The Beatles were always pushing the envelope and innovating. If you ever wanted to know more about how a Beatles song works, the lecture series is more than illuminating.
Website: https://www.notebynoteseries.com
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Peter and Kenyon explore the Beatles' rendition of "A Taste of Honey" from their debut album "Please Please Me" in this episode. Recorded on February 11, 1963, the same day as most of the album, they delve into the song's background, originally written by Bobby Scott and Rick Marlowe and famously covered by Lenny Welch. They discuss John Lennon's dismissal of the song as "a waste of money" and how Paul's vocal performance stands out. The hosts also cover the recording techniques used, including double tracking, and share insights into the song's structure and harmonies, showcasing the Beatles' early versatility.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
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In this episode, Peter and Kenyon delve into "Do You Want to Know a Secret?" from the Beatles' "Please Please Me" album. Written by John Lennon in late 1962 and inspired by Disney's "Snow White and the Seven Dwarfs" and a 1961 release by The Stereo's, the song has an intimate backstory. The hosts discuss the recording techniques, including George Harrison's lead vocals, the use of echo chambers, and examine the song's place in the Beatles' early catalog and its connection to the Liverpool music scene.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
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In this lecture series, Kenyon breaks down the lyrics and music of the Do You Want To Know A Secret. A masterclass in how to telegraph songwriting subtlties, Lennon hides dozens of chromatic motifs through the song. And, there may be a hidden message in the lyrics. If you ever wanted to know more about how a Beatles song works, the lecture series is more than illuminating.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
Instagram: https://www.instagram.com/notebynoteseries
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Peter and Kenyon explore "Baby, It's You," a track from the Beatles' debut album "Please Please Me," in this episode. Written by Burt Bacharach, Mack David, and Barney Williams, and first recorded by The Shirelles, the Beatles' version features John's soulful lead vocals and George Martin's skillful production. Recorded during the marathon session on February 11, 1963, the hosts analyze the band's approach to cover songs and the recording techniques that distinguish this track, highlighting how the Beatles made "Baby, It's You" their own.
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In this episode, Peter and Kenyon examine "Boys" from the Beatles' debut album "Please Please Me." Originally by The Shirelles, this track features Ringo Starr's first recorded lead vocal performance with the Beatles. The hosts discuss the song's history, its popularity in the band's early live shows, and the unique recording techniques used during the February 11, 1963 session. They compare the Beatles' version with The Shirelles' original and share interesting anecdotes about the album cover photoshoot and other milestones for the band.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
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Peter and Kenyon delve into "Chains," a track from the Beatles' "Please Please Me" album, in this episode. They explore the song's origins, written by Gerry Goffin and Carole King and initially performed by The Cookies. The discussion includes the Brill Building era's significance in the music industry and its influence on the Beatles. The hosts compare the Beatles' rendition with The Cookies' original, debating the merits of each, and highlight the song's role in the Beatles' live performances and recording practices.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
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In this episode, Peter and Kenyon analyze "Anna (Go to Him)" from the "Please Please Me" album. They trace the song's roots to writer Arthur Alexander and its 1962 release. Peter prefers Alexander's original version, praising its soulful quality, while Kenyon admires John Lennon's rhythmic precision and emotive delivery in the Beatles' cover. The hosts discuss the recording process, which involved a single take without overdubs, and examine the song's cultural impact, including its feature in a "Married with Children" episode.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
Instagram: https://www.instagram.com/notebynoteseries
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Peter and Kenyon explore "Misery" from the Beatles' album "Please Please Me" in this episode. They discuss the band's groundbreaking approach of writing and performing their own material and the song's origin, initially penned by John Lennon for Helen Shapiro. While Peter expresses initial indifference towards the song, Kenyon appreciates its complex musical structure and Lennon's use of half steps to evoke a sense of desolation. The hosts touch on the recording process, including George Martin's pioneering half-speed overdubbing technique, and acknowledge the song's role in cementing the Beatles' legacy.
Website: https://www.notebynoteseries.com
Patreon: https://www.patreon.com/cw/NoteByNoteSeries
Instagram: https://www.instagram.com/notebynoteseries
Hosted on Acast. See acast.com/privacy for more information.
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