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    Arts

    The Archive Project

    In partnership with Oregon Public Broadcasting, Literary Arts is building a retrospective of some of the most engaging talks from the world’s best writers over the first 40 years of Portland Arts & Lectures in Portland.

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    Latest Episodes:
    Chimamanda Ngozi Adichie (Rebroadcast) May 13, 2020
    Show notes

    In March 2019, Chimamanda Ngozi Adichie joined thousands of book-lovers for the culminating lecture of the Multnomah County Library’s Everybody Reads program. Starting in January, readers across the county took part in reading and discussing Adichie’s novel Americanah and her book-length essay We Should All Be Feminists. In this episode, Adichie discusses her journey as a writer—from her earliest memories in her hometown of Nsukka, Nigeria to her American college experiences and beyond. Throughout her story, at least one thing is constant: a persistent hunger for and desire to create literature that celebrates the stories of the unsung, to reach a higher, clearer truth through fiction. Adichie is at once an impressive artist and a disarming speaker, imbuing even the sternest of lessons with wit and warmth. Tender and honest, Adichie’s words are sure to resonate with readers, writers, feminists, and dreamers of all ages and persuasions.

    A Nigerian-born artist whose influence spans continents and genres, Chimamanda Ngozi Adichie has received worldwide acclaim as an author, poet, playwright, and speaker. She is the recipient of a MacArthur Foundation Fellowship, and her work has been recognized with the O. Henry Prize, the National Book Critics Circle Award (fiction), and the PEN Pinter Prize, among many other distinctions.

    Adichie is the author of three novels, Purple Hibiscus, Half of a Yellow Sun, and Americanah; a short story collection, The Thing around Your Neck; the essay We Should All Be Feminists (2014, based on a widely viewed talk at TEDxEuston in 2012); and Dear Ijeawele, Or a Feminist Manifesto in Fifteen Suggestions.


    Terrence McNally May 06, 2020
    Show notes

    In this episode of The Archive Project, playwright Terrence McNally traces the arc of his career with humor and passion—from a boyhood in New York and Texas, the special influence of a high school English teacher, mentorship by Elaine May—to the peaks (and valleys) of a career that spanned five decades. McNally explores what it is that ignites a person’s interest in the arts, and how crucial it is to have teachers/mentors/family members encourage and nurture that interest, especially in children. He also speaks to the unique magic of theatre as a collaborative art form that has the power to meaningfully engage audiences.

    “It’s not a question of being different. It’s being yourself. Because, if we are ourselves, we automatically are different from everybody else. That’s what we really want from one another: To be authentic.”

    “A new play is a delicate thing. Trying to get a new play to work is like trying to grow orchids in Alaska… in February.”

    “The arts, to me, are a very simple expression of our humanity and who we are and what we want to tell one another.”

    Terrence McNally was an American playwright, librettist, and screenwriter. Described as “one of the greatest contemporary playwrights the theater world has yet produced,” McNally was inducted into the American Theater Hall of Fame in 1996. He received the 2019 Tony Award for Lifetime achievement, the Dramatists Guild Lifetime Achievement Award in 2011, and the Lucille Lortel Lifetime Achievement Award. In 2018, he was inducted into the American Academy of Arts and Letters, the highest recognition of artistic merit in the United States. He received the Tony Award for Best Play for Love! Valour! Compassion! and Master Class, as well as the Tony Award for Best Book of a Musical for Kiss of the Spider Woman and Ragtime. His other accolades included an Emmy Award, two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Obie Awards, and three Hull-Warriner Awards. McNally died of complications from COVID-19 in March 2020.

    Read our “Adventures in Analogue” blog post for a behind-the-scenes look at the creation of this episode.


    Dangerous Love: Desire & Obsession (Rebroadcast) Apr 22, 2020
    Show notes

    This episode features an event from the 2019 Portland Book Festival called Dangerous Love: Desire & Obsession. The event’s panel includes some of the greatest poets at work today: Diannely Antigua, Jericho Brown, Malcolm Tariq, and was moderated by Erika Stevens.

    The conversation explores what poetry is, what it can do, and who it is for. Through their writings, these poets engage with our most urgent issues and speak powerfully about an individual experience of race, class, power, sexual orientation, and gender identity. Antigua, Brown, and Tariq each write with urgency, passion, anger, and joy. And in conversation, they perform a vital function by approaching all of our most essential challenges from a perspective fundamentally different from our news cycle, and from our polarized political discourse. Through poetry they are able to give us a new and surprising perspective on experiences and issues that we may otherwise feel are intractable. They are what we need to advance the conversation.

    “I feel like I’m always sitting around with my rage and with my fears. And I feel like the only reason my rage and my fears don’t lead me to do particularly violent things is because I can be honest with myself about the fact that they’re there, and I can talk to them [through poetry].” – Jericho Brown

    Diannely Antigua is a Dominican American poet and educator, born and raised in Massachusetts. Her debut collection Ugly Music (YesYes Books, 2019) was the winner of the Pamet River Prize. A graduate of the MFA program at NYU, she was awarded a Global Research Initiative Fellowship to Florence, Italy. She is the recipient of additional fellowships from CantoMundo, Community of Writers, and the Fine Arts Work Center Summer Program. Her poems can be found in Washington Square Review, Bennington Review, The Adroit Journal, and elsewhere. Her heart is in Brooklyn.

    Jericho Brown is the recipient of a Whiting Writers’ Award and fellowships from the John Simon Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Endowment for the Arts. Brown’s first book, Please (2008), won the American Book Award. His second book, The New Testament (2014), won the Anisfield-Wolf Book Award and was named one of the best of the year by Library Journal, Coldfront, and the Academy of American Poets. His 2019 collection, The Tradition (Copper Canyon Press), was a National Book Award finalist. His poems have appeared in Buzzfeed, The Nation, The New York Times, The New Yorker, The New Republic, Time, and The Pushcart Prize Anthology, and several volumes of The Best American Poetry anthologies. He is an associate professor and the director of the Creative Writing Program at Emory University in Atlanta.

    Malcolm Tariq is from Savannah, Georgia, and is the author of Extended Play, winner of the 2017 Gertrude Press Poetry Chapbook Contest. His debut poetry collection is Heed the Hollow (Graywolf Press). A graduate of Emory University, Tariq has a PhD in English from the University of Michigan. He lives in New York.

    Erika Stevens is senior editor at Coffee House Press, and was previously in acquisitions at the University of Georgia Press and the University Press of Florida. She has taught in the Graduate Program in Book Publishing at Portland State, and she does manuscript consulting, coaching, and developmental editing under the name of Quick Bread Editorial.


    Malcolm Gladwell: Talking to Strangers (Rebroadcast) Apr 15, 2020
    Show notes

    In this episode of The Archive Project, Malcolm Gladwell joins Literary Arts executive director, Andrew Proctor, for an onstage discussion at the 2019 Portland Book Festival. Gladwell shares his latest book, Talking to Strangers: What We Should Know About the People We Don’t Know, which is a powerful examination of our interactions with strangers—and why they often go wrong. As a writer, Gladwell is interested in exploring the hidden, counterintuitive stories and the unseen forces that shape our choices, our lives, and who we are. In this discussion, he dives deeper into the risks it takes to engage with some of the most contentious issues of our time, and how we approach the tough moments.

    Malcolm Gladwell is the author of five New York Times bestsellers–The Tipping Point, Blink, Outliers, What the Dog Saw, and David and Goliath. He is also the co-founder of Pushkin Industries, an audio content company that produces the podcasts Revisionist History, which reconsiders things both overlooked and misunderstood, and Broken Record, where he, Rick Rubin, and Bruce Headlam interview musicians across a wide range of genres. Gladwell has been included in the TIME 100 Most Influential People list and touted as one of Foreign Policy‘s Top Global Thinkers. His latest book is Talking to Strangers: What We Should Know About the People We Don’t Know.


    Amor Towles (Rebroadcast) Apr 08, 2020
    Show notes

    In this episode of The Archive Project, Amor Towles discusses his celebrated second novel, A Gentleman in Moscow, in front of a live audience in Portland, Oregon. In the talk, Towles shares the creative origins of the novel and treats the listener to a lively lesson on Russian history and, in particular, the history of the landmark Metropol Hotel. A Gentleman in Moscow begins in 1922, when Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. It is at once a romance, a socioeconomic commentary, a history of Russia from the Bolshevik Revolution to the Cold War, a rumination on the meaning of family and home, and an exploration of the power of literature.

    Born and raised in the Boston area, Amor Towles graduated from Yale University and received an MA in English from Stanford University. His first novel, Rules of Civility, published in 2011, was a New York Times bestseller and was named by The Wall Street Journal as one of the best books of 2011. His second novel, A Gentleman in Moscow, published in 2016, was also a New York Times bestseller and was named as one of the best books of 2016 by the Chicago Tribune, The Washington Post, The Philadelphia Inquirer, the San Francisco Chronicle, and NPR. His work has been translated into more than thirty-five languages. Having worked as an investment professional for more than twenty years, Mr. Towles now devotes himself full time to writing in Manhattan, where he lives with his wife and two children.


    Ta-Nehisi Coates in conversation with Renée Watson (Rebroadcast) Apr 01, 2020
    Show notes

    Ta-Nehisi Coates, National Book Award-winning author of bestselling nonfiction titles Between the World and Me, The Beautiful Struggle, and We Were Eight Years in Power, shares from and discusses his debut novel, The Water Dancer, with fellow writer Renée Watson. The Water Dancer explores the story of Hiram Walker, a gifted young man born into bondage on a plantation in the American South. In this discussion, recorded in front of a live audience in Portland, Oregon, Coates speaks about America’s cultural history and its role in our current sociopolitical climate, as well as his own career and his process of writing this book.

    “I don’t want to bear witness to art that is solicitous of me. I come to art to see the person express something that’s deep, deep inside and being pulled out and rendered in some kind of beautiful fashion. And so, the first thing I would say [to young, aspiring writers] is write for yourselves.” — Ta-Nehisi Coates

    Ta-Nehisi Coates is a distinguished writer in residence at NYU’s Arthur L. Carter Journalism Institute. He is the author of the bestselling books The Beautiful Struggle, We Were Eight Years in Power, and Between the World And Me, which won the National Book Award in 2015. Ta-Nehisi is a recipient of a MacArthur Fellowship. He is also the current author of the Marvel comics The Black Panther and Captain America. The Water Dancer is his first novel.

    Renée Watson is the New York Times bestselling, Newbery Honor and Coretta Scott King Author Award-winning author of the novels Piecing Me Together, This Side of Home, What Momma Left Me, Betty Before X, co-written with Ilyasah Shabazz, and two picture books: Harlem’s Little Blackbird and A Place Where Hurricanes Happen. Renée is the founder of I, Too, Arts Collective, a nonprofit committed to nurturing underrepresented voices in the creative arts. She lives in New York City.


    George Packer (Rebroadcast) Mar 25, 2020
    Show notes

    In this episode, The Atlantic staff writer George Packer discusses his recent biography, Our Man: Richard Holbrooke and the End of the American Century. Richard Holbrooke, a diplomat and activist who served under numerous American presidents, has been described as a brilliant, utterly self-absorbed almost-great man who possessed almost inhumane energy and appetites. In this lecture, Packer details his process of writing the biography and provides the audience with insights into this complicated and contradictory man’s life while more broadly exploring the nature of power and the lives of those who hold it. It’s a keen look at the arc of our country’s recent political history that sheds important light on where we find ourselves today.

    “The more I thought about it, the more I realized: This is what I need. I need to write a book that doesn’t sound like a biography. I need to write a book that sounds like a novel… I thought of this book like a yarn, like a long night’s yarn in which you sit down with the narrator and he tells you the story of Holbrooke.” — George Packer

    George Packer is a staff writer at The Atlantic and the author of The Unwinding: An Inner History of the New America, which was a New York Times best seller and winner of the 2013 National Book Award. His other nonfiction books include The Assassins’ Gate: America in Iraq, a finalist for the 2006 Pulitzer Prize, and Blood of the Liberals, winner of the 2001 Robert F. Kennedy Book Award. He is also the author of two novels and a play, Betrayed, winner of the 2008 Lucille Lortel Award, and the editor of a two-volume edition of the essays of George Orwell.


    Margaret Atwood in conversation with Omar El Akkad (Rebroadcast) Mar 18, 2020
    Show notes

    This episode of The Archive Project features a conversation recorded live at the Keller Auditorium in Portland, Oregon between Margaret Atwood, acclaimed novelist, poet, literary critic, and activist, and Omar El Akkad. Atwood visited Portland to celebrate the publication of The Testaments, the sequel to her acclaimed dystopian novel The Handmaid’s Tale, which was originally published in 1985. Their conversation spans the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal story, 34 years later.

    “It annoys me when people say ‘it could never happen here’. There’s no such thing. ‘It’ could always happen ‘here’, wherever ‘here’ is, given the circumstances.” — Margaret Atwood

    Margaret Atwood, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid’s Tale, her novels include Cat’s Eye, short-listed for the 1989 Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and MaddAddam. She is the recipient of the Los Angeles Times Innovator’s Award, and lives in Toronto.

    Omar El Akkad was born in Cairo, Egypt and grew up in Doha, Qatar until he moved to Canada with his family. He is an award-winning journalist and author who has traveled around the world to cover many of the most important news stories of the last decade. His reporting includes dispatches from the NATO-led war in Afghanistan, the military trials at Guantànamo Bay, the Arab Spring revolution in Egypt and the Black Lives Matter movement in Ferguson, Missouri. He is a recipient of Canada’s National Newspaper Award for investigative reporting and the Goff Penny Memorial Prize for Young Canadian Journalists, as well as three National Magazine Award honorable mentions. His debut novel is American War, for which he won the Oregon Book Award for Fiction. He lives in Portland, Oregon.


    Lit Crawl 2019 Mar 11, 2020
    Show notes

    This special episode of The Archive Project is broken up into three sections, each from events that took place during Lit Crawl Portland on November 8, 2019. Lit Crawl is an eclectic mix of literary events staged in nontraditional locations. From poetry readings in bars to literary trivia and karaoke in hotel lobbies, Lit Crawl seeks to unite readers and writers in a single night jam-packed with literary fun and surprising mash-ups.

    The episode opens with an impassioned spoken word poem written and performed by DeAngelo Gillispie. We then drop in on an event hosted by Counterpoint Press wherein Dao Strom shares from her novella collection, The Gentle Order of Girls and Boys, that centers the experiences of Vietnamese women in the contemporary landscape. Strom is joined by Jenny M. Chu and Amy Lam for a poem recitation, then she performs an original song. Lastly, we visit an event hosted by The Rumpus, Corporeal Writing, and YesYes Books that features readings from Diannely Antigua, Steph Cha, Ross Gay, and Matt Hart.

    Diannely Antigua is a Dominican American poet and educator, born and raised in Massachusetts. Her debut collection Ugly Music was the winner of the Pamet River Prize. A graduate of the MFA program at NYU, she was awarded a Global Research Initiative Fellowship to Florence, Italy. She is the recipient of additional fellowships from CantoMundo, Community of Writers, and the Fine Arts Work Center Summer Program. Her poems can be found in Washington Square Review, Bennington Review, The Adroit Journal, and elsewhere. Her heart is in Brooklyn.

    Steph Cha, author of the Juniper Song crime trilogy, is now the Noir Editor at The Los Angeles Review of Books and a contributing book reviewer for The Los Angeles Times. Her most recent book is Your House Will Pay. She lives in Los Angeles with her husband and two basset hounds.

    Jenny M. Chu was born and raised in Portland, Oregon by way of immigrant parents from Saigon and Hong Kong. She’s an older sister to a little brother. In life, she is the Community Engagement Manager at Write Around Portland. In life, she thinks and writes. In life, her creative work is intermittently public. In life, her creativity is omnipresent. She often seeks the horizon on a clockless day.

    Ross Gay is the author of three books of poetry, including Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award. Catalog was also a finalist for the 2015 National Book Award in Poetry, the Ohioana Book Award, the Balcones Poetry Prize, the Hurston-Wright Legacy Award, and it was nominated for an NAACP Image Award. His most recent book is The Book Of Delights. He is a founding board member of the Bloomington Community Orchard, a non-profit, free-fruit-for-all food justice and joy project. Gay has received fellowships from Cave Canem, the Bread Loaf Writer’s Conference, and the Guggenheim Foundation. He teaches at Indiana University.

    DeAngelo Gillispie hails from Atlanta, Georgia and has been a part of the spoken word community for the past two decades. He’s performed and hosted his own events at spoken word gatherings around the country as well as internationally. DeAngelo is also one of three authors of a published novel at nineteen years old, titled “Down South Poets Vol. 1”. On the surface, he’s a simple man but the love of the English art and his fellow man compels him to spread the good word and fight the good fight.

    Matt Hart is the author of seven books of poems, including Radiant Action, Radiant Companion, and Everything Breaking/For Good. Hart’s poems, reviews, and essays have appeared in The Academy of American Poets online, Big Bell, Gulf Coast, Harvard Review, Jam Tarts Magazine, jubilat, Kenyon Review online, Lungfull!, and POETRY, among others. After earning his BS in Philosophy from Ball State University in 1992, Hart recorded and toured as lead vocalist for the LOOKOUT! Records band Squirtgun. In 2001, Hart earned an MFA in Poetry from the Warren Wilson MFA Program for Writers. His awards include a Pushcart Prize, a 2013 individual artist grant from The Shifting Foundation, and fellowships from both the Bread Loaf Writers’ Conference and the Warren Wilson College MFA Program for Writers. He lives in Cincinnati where he is Associate Professor in Creative Writing and the Chair of Liberal Arts at the Art Academy of Cincinnati.

    Amy Lam is a writer and editor based in Portland, Oregon. She is a contributing editor and cohost of Backtalk podcast at Bitch Media, the editorial assistant at diaCRITICS, and the former editorial lead at On She Goes exploring the world of women of color and travel. She is a Kundiman fellow and received an MFA from the University of Mississippi where she was the John & Renee Grisham fellow. Her work has appeared and is forthcoming in Tin House, Gay Mag, Pacifica Literary Review, Utne Reader, and Papercutter.

    Dao Strom is the author of a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else, an experimental memoir, We Were Meant To Be a Gentle People, a song cycle, East/West, and two books of fiction, Grass Roof, Tin Roof and The Gentle Order of Girls and Boys. She has received awards from the Creative Capital Foundation, RACC, the NEA, and others. She was born in Vietnam, grew up in the Sierra Nevada foothills of California, and is now based in Portland.


    Susan Orlean Mar 04, 2020
    Show notes

    In this episode of The Archive Project, journalist and bestselling author, Susan Orlean, talks about what kinds of topics spark her interest and her process of researching and writing The Library Book. Orlean shares the two kinds of stories that she is drawn to as a writer: Stories of new discoveries, and stories that are hiding in plain sight. The Library Book combines both of these qualities. On April 29, 1986, Los Angeles’s Central Library burned in a mysterious fire. 400,000 books were destroyed in the blaze, 700,000 more were damaged, and the library shut down for seven years. The Library Book explores this heartbreaking story and, more broadly, the deep, meaningful impact that libraries have on societies and humanity as a whole. Orlean shares how she stumbled upon this remarkable story and reads a selection from the book.

    “There is something about libraries—something about books—that is connected so much more deeply than I ever imagined. I thought, someone should write a book about that.”

    “There is some way that we feel connected to books that’s not logical, it’s not rational, but it’s been a feature of human experience since we first began writing.”

    Susan Orlean has been a staff writer at The New Yorker since 1992. She is the author of seven books, including Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in upstate New York.


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