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    Arts

    The Archive Project

    In partnership with Oregon Public Broadcasting, Literary Arts is building a retrospective of some of the most engaging talks from the world’s best writers over the first 40 years of Portland Arts & Lectures in Portland.

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    Latest Episodes:
    Everybody Reads: Mira Jacob (Rebroadcast) Mar 06, 2023
    Show notes
    The 2023 Everybody Reads title is A Tale for the Time Being by Ruth Ozeki. Join us at the Keller Auditorium on Thursday, March 16 for an evening with Ruth Ozeki. More info and tickets here.

    In this episode of The Archive Project, we bring you a talk from Mira Jacob, which was the culminating event of the 2022 Everybody Read’s program.

    Every year, the Multnomah County Library chooses one book they hope the whole city of Portland will read. Between January and April, the Library and their partner organizations, host events based around the themes of the book. And they distribute thousands of free copies—thanks to The Library Foundation—to readers of all ages from across the county. Here at Literary Arts, our role is to bring the featured author to town for a talk in front of a live audience.

    This year, the Library selected Mira Jacob’s graphic memoir Good Talk: A Memoir in Conversations.

    In 2017, Jacob started posting comics to Instagram, featuring conversations with her young son. He had a lot of questions, many of them about Michael Jackson, and she did her best to answer them honestly. That project became Good Talk. The book is about her immediate and extended family, and it’s about coming of age and living in America as a woman, as a person of color, and as an artist. It asks more questions than it answers. Celeste Ng, author of Little Fires Everywhere, said, “By turns hilarious and heart-rending, it’s exactly the book America needs at this moment.”

    The talk you are about to hear is remarkable not only for its depth of insight, but also for its range. Jacob is by turns tender, hilarious, sarcastic and sincere. Jacob talks about the deeply personal creative journey to creating Good Talk, and also explores the national context in which it was created—the killing of Michael Brown in Ferguson or the political rise of Donald Trump, for example—and how they challenged her understanding of herself, her family, and the narrative about America she’s heard her whole life.

    “The thing I love about us is that we are the animals that will [talk to each other] again and again and again with this brazen hope that this time we will be understood. And sometimes we really are understood. Sometimes we really do hear each other. Sometimes it really is a good talk.”

    Find your copy of Good Talk through
    the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Mira Jacob is the author of the critically acclaimed novel The Sleepwalker’s Guide to Dancing, and the graphic memoir Good Talk: A Memoir in Conversations. Her recent work has appeared in The New York Times Book Review, Vogue, Glamour, Tin House, Electric Literature and Literary Hub. She lives in Brooklyn.

    “[Art is] something that no one has asked you for, and yet you feel compelled to create it.”


    George Saunders & Jess Walter Feb 27, 2023
    Show notes

    In this episode of The Archive Project, we feature one of the highlights of the 2022 Portland Book Festival. It’s a conversation between two of our most accomplished fiction writers, George Saunders and Jess Walter. Their conversation is by turns hilarious, caustic, tender, and profound. Our interviewer for the event was OPB’s own Geoff Norcross, who does his usual masterful job moderating.

    Find your copy of Saunders and Walter’s books through
    the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    George Saunders is the #1 New York Times bestselling author of eleven books, including A Swim in a Pond in the Rain; Lincoln in the Bardo, which won the Booker Prize; Congratulations, by the Way; Tenth of December, a finalist for the National Book Award and winner of the inaugural Folio Award; The Braindead Megaphone; and the critically acclaimed collections CivilWarLand in Bad Decline, Pastoralia, and In Persuasion Nation. His most recent book is Liberation Day. He teaches in the creative writing program at Syracuse University.

    Jess Walter is the author of ten books, most recently the short story collection The Angel of Rome. His other nine include the national bestseller The Cold Millions and the #1 New York Times bestseller, Beautiful Ruins; The Zero, the finalist for the National Book Award; and Citizen Vince, winner of the Edgar Award. His work has been published in 35 languages and his short fiction has appeared three times in Best American Short Stories.

    Geoff Norcross is the Morning Edition host at Oregon Public Broadcasting. Before coming to Oregon, he was the program director at the NPR-affiliate KNAU in Flagstaff, Arizona. A 25-year radio veteran, Geoff has been on air in New York, Florida, Missouri, Illinois, and West Virginia. He joined OPB in 2008. Geoff has received awards from the Public Radio News Directors Inc. for best interview, the Edward R. Murrow Award for best feature reporting, and the Florida Associated Press Award for the best newscast. Geoff graduated from Bradley University with a degree in communications. Geoff lives in Portland with his wife. When he’s not on the air, you can find him rowing on the Willamette River or running and biking around the southwest hills. If you get up early enough, you might catch him hiking the nearby mountains.


    Lauren Groff Feb 20, 2023
    Show notes

    In this episode of The Archive Project, we feature Lauren Groff from a Portland Arts & Lectures event in early 2023 at the Arlene Schnitzer Concert Hall. Groff is the author of six books of fiction, the last three of which, Fates and Furies, Florida, and Matrix were all national bestsellers and all finalists for the National Book Award.

    One of the many delights in reading Groff’s books is the dramatic shift in time, place, and focus from title to title. She is not an artist writing the same book over and over. From a multi-century saga of a town and its secrets, to a boy at a hippie commune in upstate New York, to look at a modern Greek tragedy, to the wild country that is the state of Florida, and life in a medieval nunnery during the twelfth century–every time you pick up one of her books you are transported. It’s thrilling as a reader, and it speaks to Groff’s immense talent that there are thematic through-lines moving across such a diverse body of work.

    In her talk, Groff reveals the deeper undercurrents of her work and her unusual process of writing. While she professes to be “profoundly secular,” the core of her talk revolves around God, poetry, love and sexuality. She weaves in discussion of the biblical Song of Solomon, to her own biography and her spiritual journey, and the universal themes found in the work of Gerard Manley Hopkins. She manages to do all this with an incredible sense of humor and a light touch which feels, like her fiction, somehow slightly magical.

    Find your copy of Matrix through
    the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Lauren Groff is the New York Times bestselling author of four novels and two short story collections. Her 2021 novel Matrix, which Esquire described as “Incandescent… a radiant work of imagination and accomplishment,” was a National Book Award finalist and was selected by President Barack Obama as one of his favorite books of the year. Her works have won The Story Prize, the ABA Indies’ Choice Award, and France’s Grand Prix de l’Héroïne. Groff is a three-time finalist for the National Book Award and twice for the Kirkus Prize, and has been shortlisted for the National Book Critics Circle Prize, the Southern Book Prize, and the Los Angeles Times Prize. She has received fellowships from the Guggenheim Foundation and the Radcliffe Institute, and was named one of Granta’s Best of Young American Novelists. She lives in Gainesville, Florida with her husband and two sons.


    Leila Mottley, in conversation with Mitchell S. Jackson Feb 13, 2023
    Show notes

    This week’s episode of The Archive Project features a conversation from the 2022 Portland Book Festival. Portland-born writer Mitchell S. Jackson interviewed Leila Mottley about her debut novel, Nightcrawling.

    Jackson is the author of the novel The Residue Years and the nonfiction book Survival Math. He is the winner of a Whiting Award and he received the Pulitzer Prize in Feature Writing for his piece on Ahmaud Arbery. Leila Mottley is the former youth poet laureate of Oakland, California. Nightcrawling is her first book, and she was just nineteen years old when it was published last year.

    We paired Mitchell with Leila because despite their generational differences—there are thirty years between them and they are, of course, at very different points in their careers—they’ve both written novels about the beauty and the darkness that exist side-by-side in their complicated hometowns: Portland and Oakland, respectively. Leila says in the conversation about Oakland, “There is no where I feel more at home and nowhere I feel less safe,” and that those two feelings can exist at once.

    A quick note for listeners: Parts of this conversation touch on mature themes of police brutality and sexual assault that may not be suitable for all listeners.

    Find your copy of Leila & Mitchell’s books through
    the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Leila Mottley is the 2018 Oakland Youth Poet Laureate. Her work has been featured in The New York Times and Oprah Daily. She was born and raised in Oakland, where she continues to live. Nightcrawling is her first novel.

    Mitchell S. Jackson’s debut novel The Residue Years received wide critical praise. Jackson is the winner of a Whiting Award. His novel also won The Ernest J. Gaines Prize for Literary Excellence and was a finalist for The Center for Fiction Flaherty-Dunnan First Novel Prize, the PEN / Hemingway Award for Debut Fiction, and the Hurston / Wright Legacy Award. His honors include fellowships from the New York Public Library’s Cullman Center, the Lannan Foundation, the Ford Foundation, PEN America, TED, the New York Foundation for the Arts, and the Center for Fiction. His writing has been featured on the cover of the New York Times Book Review, Time Magazine, and Esquire Magazine, as well as in The New Yorker, Harpers, The New York Times Book Review, The Paris Review, The Guardian, The Washington Post Magazine, Harper’s Bazaar, and elsewhere. His nonfiction book Survival Math: Notes on an All-American Family was published in the spring of 2019 and named a best book of the year by fifteen publications, including NPR, Time Magazine, The Paris Review, The Root, Kirkus Reviews, and Buzzfeed. He teaches in the Creative Writing program at the University of Chicago.


    Boys & Girls in America: Melissa Febos & Hua Hsu Feb 06, 2023
    Show notes

    In this episode of The Archive Project, we bring you an event from the 2022 Portland Book Festival, which took place on Saturday, November 5, 2022. The hour is split into two halves of thematically related conversations. Up first, OPB’s Tiffany Camhi interviews writer Melissa Febos about her essay collection, Girlhood; in the second half of the show, OPB’s Jenn Chavez speaks with music critic and New Yorker staff writer Hua Hsu about his memoir, Stay True.

    We paired Melissa and Hua for this festival event because their books share themes of adolescence and coming of age, of exploring identity through art-making and finding your voice, and of searching for and finding your people, finding belonging and a community. Melissa and Hua each speak about how processing the large and small events and emotions of their lives through writing has been a way they understand their lives and a way to find meaning.

    They also both talk about how writing about events or traumas in their past, including revisiting writing from their younger selves, has helped them realize how their relationship to that event or trauma changes over time. I think that you hear in these conversations that for Melissa and Hua, writing about their experiences created a new compassion for their younger, messier, angrier, selves.

    Find your copy of Melissa & Hua’s books through the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Melissa Febos is the bestselling author of four books, including Girlhood—LAMBDA Award finalist and winner of the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. Her fifth book, The Dry Season, is forthcoming from Alfred A. Knopf. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, Lower Manhattan Cultural Council, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, and others. Her work has recently appeared in The Paris Review, The Sun, The New York Times Magazine, Kenyon Review, The Best American Essays, Vogue, and New York Review of Books. Febos is an associate professor at the University of Iowa and lives in Iowa City with her wife, the poet Donika Kelly.

    Hua Hsu is a staff writer at The New Yorker and an associate professor of English at Vassar College. Hsu serves on the executive board of the Asian American Writers’ Workshop. He was formerly a fellow at the New American foundation and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. He lives in Brooklyn, New York, with his family.

    Tiffany Camhi is a multimedia journalist focusing on arts, culture and environment reporting. You can hear her throughout the state of Oregon on OPB. She spent six years at KQED Public Radio in the San Francisco Bay Area as a host, producer, reporter and all-around audio gopher. Tiffany is an alumni of the City University of New York, Craig Newmark Graduate School of Journalism. When Tiffany’s not on the radio you can usually find her riding a motorcycle…or trying to figure out a way to talk about motorcycles on the radio.

    Jenn Chávez is a radio host, announcer and producer with Oregon Public Broadcasting. Jenn has been making radio in Portland for over a decade. Prior to joining OPB in 2017, she hosted and produced the local news radio show “The Five Quadrants of Portland” on XRAY-FM, reporting on issues impacting underrepresented communities. She has a BA in literature and writing from the University of California, Santa Barbara. She spent her younger days as a film-nerdy video store clerk, and remains a source of unsolicited movie recommendations.


    Tobias Wolff Jan 30, 2023
    Show notes

    This week on The Archive Project, we bring you a lecture from the 2003/2004 season of Portland Arts & Lectures, featuring renowned memoirist and short story writer Tobias Wolff. Best known for his memoirs This Boy’s Life and In Pharaoh’s Army, Wolff has also published award-winning fiction, mostly short stories, and in this lecture is discussing his 2003 novel, Old School, which was a finalist for the 2004 PEN/Faulkner Award for Fiction.

    In his lecture, Wolff explores the balance and conflict between writing memoir and writing fiction, that push and pull between autobiography and imagination, or as he says, “the pressure of the personal life on the imagined life that we write.” It’s a humorous lecture with an inviting mix of personal anecdotes and some more professorial analysis of influences like Leo Tolstoy and Flannery O’Connor–and ideal something-for-everyone kind of talk.

    Wolff went on to publish Our Story Begins: New and Selected Stories in 2008, and in 2014, Wolff was awarded the Stone Award for Lifetime Literary Achievement from Oregon State University, and in 2015 President Barack Obama presented him with the National Medal of the Arts for his contributions as an author and educator.

    “A true piece of writing is a dangerous thing. It can change your life.” – Old School

    Find your copy of Tobias Wolff’s books through the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Tobias Wolff lives in Northern California and teaches at Stanford University. He has received the Rea Award for excellence in the short story, a Los Angeles Times Book Prize, and the PEN/Faulkner Award.


    Better Worlds: A Panel on Ursula K. Le Guin’s Legacy Jan 23, 2023
    Show notes

    In this episode of The Archive Project, we feature a discussion on late writer Ursula K. Le Guin’s legacy of pacifism and environmentalism. Our moderator is Theo Downes-Le Guin, Ursula’s son and literary executor. Theo is in conversation with Oregon-based writers Juhea Kim, author of the novel Beasts of a Little Land, a finalist for the 2022 Dayton Literary Peace Prize, and Michelle Ruiz Keil, author most recently of the young adult novel Summer in the City of Roses, which was a finalist for the inaugural Ursula K. Le Guin Prize for Fiction.

    In her speech at the 2014 National Book Awards, accepting the Medal for Distinguished Contribution to American Letters, Ursula said: “Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.”

    Juhea Kim and Michelle Ruiz Keil are two of those voices that we need now. In this conversation, Juhea and Michelle discuss how they came—and returned—to Le Guin’s work, her influence on their writing, and how they are carrying her legacy forward, including the responsibility of the artist as a humanitarian.

    This conversation was recorded in front of a live audience at Literary Arts on July 15, 2022.

    “It is good to have an end to journey toward; but it is the journey that matters, in the end.” ― Ursula K. Le Guin

    Find your copy of these books through the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Ursula K. Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.

    Michelle Ruiz Keil is an author, playwright, and tarot reader with an eye for the enchanted and way with animals. She is the author of the critically acclaimed young adult novels All of Us With Wings and Summer In The City of Roses. Her writing for adults can be found most recently in Bitch, Cosmonauts Avenue, and the anthology Dispatches From Anarres: Tales in Tribute to Ursula K. Le Guin. She is a 2021 Tin House Scholar and the recipient of residencies from Hedgebrook, The Sitka Center for Art and Ecology, and the Bloedel Reserve. Born in San Francisco, Michelle has lived in Portland, Oregon for many years where she curates the fairytale reading series All Kinds of Fur and lives with her family in a cottage where the forest meets the city.

    Juhea Kim is a writer, artist, and advocate based in Portland, Oregon. Her bestselling debut novel Beasts of a Little Land was named a finalist for the 2022 Dayton Literary Peace Prize and a Best Book of 2021 by Harper’s Bazaar, Real Simple, Ms., and Portland Monthly. Her writing has been published in Granta, Slice, The Massachusetts Review, Zyzzyva, Guernica, Catapult, Times Literary Supplement, The Independent, Sierra Magazine, and elsewhere. She is the founder and editor ofPeaceful Dumpling, an online magazine at the intersection of sustainable lifestyle and ecological literature. She has received fellowship support from the Bread Loaf Environmental Writers’ Conference, the Regional Arts & Culture Council, and Virginia G. Piper Center for Creative Writing at Arizona State University. She earned her BA in Art and Archaeology from Princeton University.


    Russell Banks (Rebroadcast) Jan 16, 2023
    Show notes

    In this episode of The Archive Project, we feature a talk by Russell Banks from 1999. Banks was the author twenty-one books of fiction, nonfiction, and poetry. He was twice a nominee for the Pulitzer Prize, first in 1985 for his seminal work of fiction Continental Drift, and then again in 1998 for Cloudsplitter. The New York Times lauded his “vivid portrayals of working-class Americans grappling with issues of poverty, race, and class” and placed him “among the first ranks of contemporary novelists.”

    Banks also worked extensively in Hollywood, beginning when two of his novels—The Sweet Hereafter and Affliction—were made into feature-length movies.

    In this talk, Banks talks about the uneasy and sometimes downright hostile history between authors and Hollywood with some hilarious anecdotes. And while this tension continues today, there’s also another fascinating contemporary resonance in his talk. At the time, the digital transition in filmmaking was dramatically lowering the cost of production, allowing serious films to be made from literary fiction and nonfiction. A blossoming of these so-called indie films resulted in the late-90s and the aughts. Today, another revolution has taken hold: streaming. It too has brought us another wave of incredible novelistic narratives on the screen, but this time on what we traditionally have called TV.

    Banks’ career was long and varied and he made an incredible and enduring contribution to our national culture. Russell Banks died on January 8, 2023 at the age of 82.

    “Writing and reading literary fiction and poetry are activities almost too intimate to talk about. Literature is intimate behavior between strangers.”

    Find your copy of Russell Banks’ books through the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Russell Banks, twice a finalist for the Pulitzer Prize, was one of America’s most prestigious fiction writers, a past president of the International Parliament of Writers, and a member of the American Academy of Arts and Letters. His work has been translated into twenty languages and has received numerous prizes and awards, including the Common Wealth Award for Literature. Banks passed away in January 2023 at the age of 82.


    Amy Bloom & Michael Cunningham Jan 09, 2023
    Show notes

    In this episode of The Archive Project, we reach back to the year 2000 to highlight one of the best conversations about writing found in our archives: A special event with Amy Bloom and Michael Cunningham.

    Amy Bloom had just published a collection of stories entitled, A Blind Man Can See How Much I Love You, and Cunningham had published one his most important and bestselling novels, The Hours, just two years earlier. The Hours went on to become a movie that received nine Academy Award nominations and just last year was made into an opera that was performed in Philadelphia and New York, among other cities.

    These two old friends are among the best fiction writers at work in this county. At the time of this conversation they were both at the height of their powers, making their talk both intimate and profound. There’s not an ounce of pretension or snobbery between them; they express nothing but humility and respect for the difficulties of writing fiction. In fact, the opening question of the conversation challenges the very the reason their work even exists when Cunningham and Bloom struggle to answer: Why write? They seem to forget that there is an audience of more than 2,000 watching them, as they discuss their art and what it means to them, and what the art form might mean in the larger world.

    Find your copies of Amy Bloom & Michael Cunningham’s books through the LITERARY ARTS PAGE ON BOOKSHOP.ORG.

    Amy Bloom is the author of four novels: White Houses, Lucky Us, Away, and Love Invents Us; and three collections of short stories: Where the God Of Love Hangs Out, Come to Me (finalist for the National Book Award), and A Blind Man Can See How Much I Love You (finalist for the National Book Critics Circle Award). Her first book of nonfiction, Normal: Transsexual CEOs, Crossdressing Cops and Hermaphrodites with Attitudes, is a staple of university sociology and biology courses. Her most recent book is the widely acclaimed New York Times bestselling memoir, In Love. She has written for magazines such as The New Yorker, The New York Times Magazine, Vogue, Elle, The Atlantic, Slate, and Salon, and her work has been translated into fifteen languages. She is the Director of the Shapiro Center at Wesleyan University.

    Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, Specimen Days, By Nightfall, and The Snow Queen, as well as the collection A Wild Swan and Other Tales, and the nonfiction book Land’s End: A Walk in Provincetown. He is the recipient of a Whiting Award and a Guggenheim Fellowship, and his work has appeared in The New Yorker and The Best American Short Stories. The Hours was a New York Times bestseller, and the winner of both the PEN/Faulkner Award and the Pulitzer Prize. Raised in Los Angeles, Michael Cunningham lives in New York City, and is a senior lecturer at Yale University.


    Elaine May (Rebroadcast) Jan 02, 2023
    Show notes

    This episode of The Archive Project features notable funny woman, Elaine May, in a talk from 1997. Elaine May may be one of the most important Broadway and Hollywood stars you’ve never heard of. In 2019, The New York Times wrote a long appreciation of her in which they referred to her ability to “fuse verbal and physical comedy” as possibly singular, and called her a “criminally underappreciated filmmaker.”

    May began her career on stage doing improvised comedy with Mike Nichols in the early 1950s, helped found a comedy troupe that found the iconic Second City Improv in Chicago, became wildly famous on Broadway in the 60s, made four important films in the 70s, contributed countless films as a writer, and has had over ten plays produced as a playwright, many on Broadway.

    She is considered by many a comedic genius who was not been taken seriously enough, and that may purely be because she is a woman. In 2013, President Barak Obama awarded her a National Medal of Arts, and I have to think this award was an attempt to correct the record of her career.

    “Depth is easy. Comedy is hard.”

    Elaine May is an American comedian, screenwriter, director, and actress. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter, best known for A New Leaf (1971), The Bird Cage (1996), Primary Colors (1998), and Small Time Crooks (2000). In 2013, President Barak Obama awarded her a National Medal of Arts, and in 2019, at the age of 86, New York’s Film Forum payed tribute to her.

    “It’s so hard to say what comedy is because it’s only when you laugh. …You can immediately prove comedy because if nobody laughs, it isn’t funny.”


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