Stay ConnectedEach season of American Vandal is comprised of thematically-linked conversations about literature, history, higher education, media, technology, and political economy.
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Copyright: © 2024 The American Vandal Matt Seybold, Center For Mark Twain Studies
What is literary knowledge? And, for that matter, what is literature? A survey of new literary media takes on audiobooks [5:00], BookTube and BookTok [26:00], and Wattpad [75:00]. Cast (in order of appearance): Christopher Newfield, Matt Seybold, Laura McGrath, Mark McGurl, Sarah Brouillette Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/parabooks, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is the relationship between literary criticism and media studies? How has criticism adapted to the digital revolution? These questions are considered by examining the origins of the blogosphere [5:00], its recent reemergence [17:00], the specific case of "Brittle Paper" [29:00], and strategies of adaptation within the profession [46:00]. The episode then turns to two examinations of multimedia parasitical criticism: Jacque Derrida's "Limited Inc." [60:00] and Ryan Ruby's "Context Collapse" [71:00]. Cast (in order of appearance): Ainehi Edoro, Matt Seybold, Howard Rambsy, Sheri-Marie Harrison, John Guillory, Ryan Ruby Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Parasite, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts
An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a call to depoliticize [7:00]. An epilogue to "The Chicago Fight" [17:00] and humanist criticism [24:00]. Discussion of the implicit politics of the paracademy [51:00], its emergence in response to conglomeration [56:00], and the reemergence of patronage [68:00] precede profile of Las Vegas Review of Books [81:00] and epilogue at University of Puerto Rico [100:30]. Cast (in order of appearance): Matt Seybold, Joe Locke, Bruce Robbins, John Guillory, Eddie Nik-Khah, Tom Lutz, Katie Kadue, John Hay, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Paracademy, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
The Chicago Critics won the Chicago Fight of the 1930s, but they lost the Chicago Cold War. Chicago Economics got its start dismantling the Chicago Plan. This episode covers the brief victory of the Neo-Aristotelians, the long tail of Economics Imperialism [18:30], the rivalry between economics and literary criticism [39:00], the Chicago Economists' parody of "Treasure Island" [55:00], the implicit alliance between Chicago Economics and the New Critics [60:00], and Robert Hutchins's dream of "The University of Utopia" [72:00] Cast (in order of appearance): Edward Nik-Khah, Matt Seybold, Studs Terkel, Robert Hutchins, Anna-Dorothea Schneider, Christopher Newfield, Anna Kornbluh Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
A deep dive into the Chicago Critics who inspired John Crowe Ransom's 1937 essay, "Criticism Inc.," as well as their working conditions at the University of Chicago under Robert Maynard Hutchins. His implementation of "The Chicago Plan" and the resulting "Chicago Fight" [9:00], the afterlives of the Chicago Critics in contemporary literary studies [30:00], the import of the Walgreen Hearings [49:00], and the seeding of the Chicago School of Economics. Cast (in order of appearance): Matt Seybold, Bruce Robbins, Anna-Dorothea Schneider, John Guillory, Harold Langer, Edward Nik-Khah, Robert Maynard Hutchins Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes "tactical criticism" [9:00]? Critics try to rescue close reading from the "bad politics" at its origins [38:00], endorse supplementary methods [59:00], and describe how New Criticism looks from outside the U.S. and U.K. [1:07.30]. Cast (in order of appearance): Langston Hughes, Andy Hines, Matt Seybold, Jed Esty, John Guillory, Anna Kornbluh, Christopher Newfield, Ignacio M. Sanchez Prado Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/NewCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
Last week, West Virginia University announced that it would abolish its World Languages, Literatures, & Linguistics Department, proposing to replace it with automated digital instruction. This is the apotheosis of trends going back decades. In this episode we talk about the effects of monolingual education, the case study in Ponzi Austerity at WVU [5:00], alternative paths for literary studies [11:00], the cosmopolitan cultural abundance that is sometimes overlooked by Anglophone criticism [50:00], and Matt Seybold interviews Joe Locke about "Makram" and jazz education [57:00]. Cast (in order of appearance): Jeffrey Herlihy-Mera, Ignacio M. Sanchez Prado, Matt Seybold, Joe Locke Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/GeeGordonPonzi, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
How has the systemic defunding and deprofessionalizing of humanities academia impacted literary criticism? Why is there such a flourishing culture industry if demand for cultural education is supposedly declining? We look to megatrends like U.S. hegemony, organizations like the MLA (6:30), analogues like the Eurozone Debt Crisis (19:30), mechanisms of funding and distribution (28:00), and potential futures of disruption and declinism (1:01.30). Cast (in order of appearance): Jed Esty, Matt Seybold, Anna Kornbluh, Christopher Newfield, Yanis Varoufakis Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/PonziAusterity, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is criticism? Why should it matter? Can it be saved from the gun-toting businessman? A crossover episode with the High Theory podcast connects internal and external crises (6:00), imagines confrontations with gun-toting businessmen (22:00) and sociopathic administrators (33:00), salutes the vanguard of academic labor (45:00), eulogizes the star system (59:00), demystifies the bad old days of high theory (1.13:00), and recommends "The Shush" (1.24:00). Cast (in order of appearance): Kim Adams, Matt Seybold, Saronik Bosu, John Guillory, Christopher Newfield, Bruce Robbins, Ryan Ruby, Sarah Brouillette, Katie Kadue, Kyla Wazana Tompkins, and Michelle Chihara Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/HighTheory, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
The premiere of a new series, "Criticism LTD," on the contemporary state of criticism. This episode covers proclamations of crisis from legacy media earlier this year, demands for a cosmopolitan turn in literary studies (11:15), an alleged golden age of popular criticism (28:00), and the role of para-academic publications like the Los Angeles Review of Books (54:30). Cast (in order of appearance): Matt Seybold, John Guillory, Ignacio M. Sanchez Prado, Justin Smith-Ruiu, Ryan Ruby, Michelle Chihara For episode bibliography, please visit MarkTwainStudies.com/GoldenAge, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
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