The 500 with Josh Adam Meyers

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DistroKid Artist Of The Week: Brigitte Calls Me Baby

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191 - The Stooges - Fun House - Greg Fitzsimmons Oct 09, 2024

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Fun House was the second studio album from the Stooges. While it wasn’t commercially successful, it had a tremendous cult following in what would become an emerging punk rock scene later on in the 1970s and early 1980s. Greg Fitzsimmons makes his first appearance since 2020 to talk about the album and one of the more unique singing voices, Iggy Pop.

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DistroKid Artist Of The Week: The Youth Ahead

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192 - Flying Burrito Brothers - Gilded Palace of Sin - Kenny Wayne Shepherd & Wayne Federman Oct 02, 2024

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-The Flying Burrito Brothers helped forge the connection between rock and country with their 1969 debut album, The Gilded Palace of Sin. What they lacked in longevity, they made up for with a big influence in rock and country music. Long-time blues guitarist Kenny Wayne Shepherd and friend of The 500 Wayne Federman discuss Gram Parsons and more with Josh.

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DistroKid Artist Of The Week: Yarn

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193 - Green Day - Dookie - Jordan Jensen Sep 25, 2024

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Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie

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DistroKid Artist Of The Week: Face to Face

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194 - Lou Reed - Transformer with Penn Jillette Sep 18, 2024

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“Transformer” is considered an influential landmark of the glam rock genre, which includes Lou Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, and prostitution. Penn Jillette is considered one of the iconic magicians of our time and joins The 500 to talk about Lou’s career from the Velvet Underground and beyond.

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DistroKid Artist Of The Week: John-Allen Weiss

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195 - John Mayall & The Bluesbreakers - Blues Breakers with Eric Clapton (The “Beano” Album”) Sep 11, 2024

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John Mayall and the Bluesbreakers served as a rite of passage for guitar players who would go on to be a part of other major bands. Eric Clapton was one of those legendary members who passed through the band. Joe Bonamassa and Wayne Federman join this week’s episode, discuss “Blues Breakers with Eric Clapton, " and geek out over guitars.

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DistroKid Artist Of The Week: Walter Trout

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196 - Nuggets: Original Artyfacts from the First Psychedelic Era - 1965-1968 - Lenny Kaye & Morty Coyle Sep 04, 2024

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Nuggets was a compilation of some of the earliest psychedelic and garage rock from the late 1960s. Before he joined Patti Smith as her guitarist, Lenny Kaye was a music critic in the New York scene and collected these Artyfacts from the first psychedelic era. DJ Morty Coyle also weighs in one of the pivotal collection released in the early 1970s.

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DistroKid Artist Of The Week: Kikagaku Moyo

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197 - R.E.M. - Murmur - Adam Pally Aug 28, 2024

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R.E.M.’s 1983 debut album “Murmur” contained the blueprint for much of what music would sound like in the coming years. Josh and this week’s guest, Adam Pally, discuss tracks like “Radio Free Europe” and “Talk About The Passion”, breaking down the vocal influence Michael Stipe had, and ranking the band’s place among great American musicians.

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Trailer To Adam’s New Series “The Throwback” on Peacock

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DistroKid Artist Of The Week: The Ocean Blue

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198 - Little Walter - The Best Of Little Walter - James Adomian Aug 21, 2024

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The Best of Little Walter is a foundational piece of blues rock that inspired artists like Led Zeppelin, The Rolling Stones, and Eric Clapton. Little Walter revolutionized live harmonica playing (both in style and technologically). Comedian & Impressionist James Adomian returned to the podcast to discuss the album and jam with JAM on the hand harmonica.

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DistroKid Artist Of The Week: Tommy Newport

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199 - The Strokes - Is This It - Paul Scheer Aug 14, 2024

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The Strokes' first full-length album, Is This It, was a pivotal moment in the sound of guitar rock in a new millennium. Comedian & Actor Paul Scheer makes his debut on The 500 to talk about his connection to the New York-based band, their very different upbringings in the greater NYC area, and tracks like “Last Nite”, “The Modern Age”, and the title track.

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