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    Music

    That’s Not Spit, It’s Condensation!

    “That’s Not Spit, It’s Condensation” is a weekly podcast with conversations and discussions about all things music. In it, we’ll peel back the layers of what makes great musicians great, hoping to inspire others to achieve their maximum potential.http://thatsnotspit.com

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    Copyright: ℗ & © 2020 That's Not Spit, It's Condensation!

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    Latest Episodes:
    #39: My First Year Of Podcasting Recap Dec 15, 2019
    Show notes

    In this episode, we'll reflect on finishing one full year of podcasting. This past year has been one of the most fulfilling years of my life, and this podcast is absolutely the genesis of much of the good I've experienced. I begin by talking about why I started the podcast, the struggles at the beginning of the process (I even include a clip of the very first thing I ever recorded), and talk about how in order to get better at doing something, you have to actually start doing it. The connections I've made through the podcast are ones that I never would have made without this project as well. I hope you enjoy listening to my reflection of the first year of "That's Not Spit, It's Condensation!"

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    #38: Freeway Philharmonic: Jared Rodin Dec 08, 2019
    Show notes

    Jared Rodin came to Indiana from Chicago, were he had been a student of Frank Crisafulli and Arnold Jacobs to earn the MM degree from Indiana University studying with Keith Brown and Lewis Van Haney. He earned his BM from Southern Illinois University at Carbondale under the tutelage of Gene Stiman and Mel Jernigan of the St. Louis Symphony.
    Active as a clinician and soloist, Jared has commissioned and premiered many works for the bass trombone including "Morph"(1993 with the Indianapolis Chamber Orchestra) by Ken Kugler, "Concerto"(1998) by Frank Glover, "Beneath The Surface"(1997) by Steve Allee and another "Concerto"(1998) by Stan Adams. Jared has presented three concerts of music for trombone and strings with the Indianapolis String Quartet at the the Indianapolis Arts Garden. He has been soloist and clinician at Cincinnati College-Conservatory, University of New Mexico and the Hochscule fur Musik in Trossingen, Germany and directed three masterclasses at the Northwestern University School of Music this past spring.
    A faculty member of The International Trombone Camp, held annually in the province of Cuneo, Italy, Jared has performed as Guest Artist in recital and with notable trombonists Joe Alessi, Ron Barron, Michael Mulcahy and Charles Vernon. Additional works have been premiered in Europe including "Remembrance" and "Welcome to the Skeleton Circus" by Frank Glover, and others with the "Seraphim Trombone Quartet" at the A-DEvantgarde Festival in Munich, Germany.
    Principal Trombonist with the Indianapolis Chamber Orchestra, Jared is a frequent guest of the Indianapolis Symphony Orchestra and other regional orchestras including the Ft. Wayne Philharmonic and the symphonies of Marion, Muncie and Anderson. This past winter he invited to perform with Chicago's famed "Music of the Baroque". He was also bass trombonist with the Italian National Radio Orchestra of Turin, Italy for two seasons.
    A versatile musician, Jared has performed with artists diverse as Frank Sinatra, Natalie Cole, jazz trombonists Slide Hampton and Kai Winding, "The Who", and toured the US and Canada with entertainers Henry Mancini, Andy Williams, Johnny Mathis and Perry Como. Familiar with the orchestra pit, Jared has played hundreds of Broadway shows, opera and ballet in Indianapolis. As a recording artist, Jared has performed on numerous big band recordings, twice having been featured soloist.
    Jared is Instructor of Trombone at Butler University, having held similar positions at Ball State and Purdue Universities.

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    #37: Paul Huang Dec 01, 2019
    Show notes

    Recipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed Mr. Huang as "an artist with the goods for a significant career" following his recital debut at the Kennedy Center.

    This summer, Mr. Huang made highly acclaimed debut at Bravo!Vail Music Festival stepping in for violinist Anne-Sophie Mutter in the Mozart’s Violin Concerto No.4 with Chamber Orchestra Vienna-Berlin. Recent and forthcoming engagements include his recital debut at the Lucerne Festival in Switzerland, Aspen Music Festival, as well as appearances with the Mariinsky Orchestra with Valery Gergiev (St. Petersburg's White Nights Festival), Berliner Symphoniker with Lior Shambadal (Philharmonie Berlin debut), Detroit Symphony with Leonard Slatkin, Houston Symphony with Andres Orozco-Estrada, Orchestra of St. Luke's with Carlos Miguel Prieto, Seoul Philharmonic, Baltimore Symphony and Grant Park Festival Orchestra with Markus Stenz, North Carolina Symphony and Charlotte Symphony with Gemma New, Buffalo Philharmonic with JoAnn Falletta, Pacific Symphony with Carl St. Clair, National Symphony Orchestra of Taiwan with ShaoChia Lu and the Taipei Symphony with Jahja Ling (both in Taipei and on a U.S. tour). 2019-20 season will also see Mr. Huang giving the German premiere of Tan Dun’s Violin Concerto “Fire Ritual” with the Nuremberg Symphony with Kahchun Wong and appearances in the U.S. with the Tucson Symphony, New Mexico Philharmonic, Long Beach Symphony, Brevard Symphony, and Mobile Symphony.

    Recital and chamber music performances this season will include Mr. Huang’s recital debut for People’s Symphony Concerts in New York, a recital tour across North America and Taiwan with pianist Helen Huang, as well as his debut at the Wolf Trap in Washington D.C. He will also return to Camerata Pacifica in Santa Barbara and the Chamber Music Society of Lincoln Center for three separate tours in the U.S., Europe, and the Far East.

    Mr. Huang's recent recital engagements included Lincoln Center's "Great Performers" series and return engagement at the Kennedy Center where he premiered Conrad Tao's "Threads of Contact" for Violin and Piano during his recital evening with pianist Orion Weiss. He also stepped in for Midori with Leonard Slatkin and the Detroit Symphony to critical acclaim. Mr. Huang has also made debuts at the Wigmore Hall, Seoul Arts Center, and the Louvre in Paris.


    His first solo CD, Intimate Inspiration, is a collection of favorite virtuoso and romantic encore pieces released on the CHIMEI label. In association with Camerata Pacifica, he recorded "Four Songs of Solitude" for solo violin on their album of John Harbison works. The album was released on the Harmonia Mundi label in fall 2014.

    A frequent guest artist at music festivals worldwide, he has performed at the Seattle, Music@Menlo, Caramoor, Bridgehampton, La Jolla, Santa Fe, Moritzburg, Kissinger Sommer, Sion, Orford Musique, and the PyeongChang Music Festival in Korea. His chamber music collaborators have included Gil Shaham, Cho-Liang Lin, Nobuko Imai, Mischa Maisky, Jian Wang, Frans Helmerson, Lynn Harrell, Yefim Bronfman, and Marc-Andre Hamelin.

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    #36: Freeway Philharmonic: Jennifer Marotta Nov 15, 2019
    Show notes

    Jennifer Marotta is an Adjunct Assistant Professor of Trumpet at the University of Southern California Thornton School of Music. An active freelance musician based in Los Angeles, she regularly performs with the Los Angeles Philharmonic, San Francisco Symphony, San Diego Symphony, Los Angeles Opera, Los Angeles Chamber Orchestra, Los Angeles Master Chorale, and the St. Louis Symphony.

    Marotta is currently a member of the Grand Teton Music Festival and the Music of the Baroque in Chicago. She was a member of “The President’s Own” United States Marine Band from 2001 to 2005.

    Originally from Naperville, Illinois, she earned her Bachelor of Music degree from Northwestern University and her Master of Music degree from DePaul University.

    Marotta was a visiting trumpet professor at UCLA in 2016 and was Assistant Professor of Trumpet at Kennesaw State University from 2006 to 2012. She was also a visiting professor at Illinois State University in 2006 and was an artist-in-residence at Emory University from 2006 to 2010.

    Jennifer, along with her husband Thomas Hooten, is the most recent editor for Arban’s Complete Conservatory Method for Trumpet, published by Carl Fischer. She serves on the board for the International Women’s Brass Conference and is the editor for their bi-annual newsletter.

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    #35: Winning the Job: Aubrey Foard and Nick Platoff Nov 08, 2019
    Show notes

    http://www.aubreyfoard.com/artist-bio.html - Aubrey's bio
    https://miamimusicfestival.com/nick-platoff - Nick's bio
    Mastering engineer - Brandon Jochum

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    #34: Terry Rush Nov 01, 2019
    Show notes

    Terry R. Rush just retired from 35 years as a high school orchestra, band and jazz band instructor. His last position was Instrumental Music Director at Lincoln Southwest High School. He was the Director of Instrumental Music at Lincoln High School for twenty-five years. His groups have traveled to Florida, Colorado, California, Kansas, Missouri, Illinois and London, England as well as performing at the State Bandmasters Association State Convention numerous times. Prior to teaching at Lincoln High School, Mr. Rush taught at Pius X High School for five years. He has been a member of the Lincoln Symphony for 40 seasons and the Lincoln Municipal Band for 42 years serving as principal trombone as well as guest soloist. In 2001 Mr. Rush was appointed Assistant Director of the Lincoln Municipal Band. In 2002 he was appointed Assistant Music Director of the Lincoln Youth Symphony which has traveled to China, Hungary, Austria, the Czech Republic and Italy during his tenure.

    Mr. Rush serves as a low brass, jazz, marching and concert band clinician, has directed several conference honor bands as well as an adjudicator and guest soloist throughout the Midwest and has adjudicated for the Youth Music of the World International Band, Jazz Band and Orchestra Festival in Maastricht Holland in April of 1999. Mr. Rush was recently appointed by Youth Music of the World as Executive Director of the Nebraska All Star Band for the annual London New Years Day Parade and Executive Director of the Nebraska Honor Chamber Orchestra to participate in the annual London New Years Day Parade and Music Festival.

    Mr. Rush is a past officer on the board of the Nebraska State Bandmasters Association. He is a past winner of the Donald A. Lenz Outstanding Nebraska Bandmaster, recipient of the John Philip Sousa Foundation National Legion of Honor Award and the Nebraska National Guard Medal of Freedom for his support to military music programs. Mr. Rush is the 2010 recipient of the Lincoln Symphony Golden Baton Award.

    Mr. Rush and his wife Jacqueline, also a band director with Lincoln Public Schools, have three children, Ben, a Computer Developer and Programmer, Stacey, recently out of the United States Army Music program and Rob, an Iraqi Veteran stationed at Fort Benning, GA with the United States Army.

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    #33: Jena Vangjel Oct 22, 2019
    Show notes

    In this episode, Jena Vangjel tells me the story of how she was forced to take a month off of practicing the trumpet because she had to have her thyroid removed. Jena and I dig down deep to find out what lessons she learned from taking so much time off, and what we all can learn from her.
    Jena Vangjel, a native of Kansas City, Missouri, is a freelance trumpeter in Baton Rouge and the surrounding area. She has performed with the New World Symphony, the Alabama Symphony, the Charleston Symphony, the Louisiana Philharmonic, and the Los Angeles Philharmonic Orchestra, among others. She is incredibly passionate about how music can create community, and works extensively with Street Symphony—a Los Angeles-based non-profit that brings high-level classical performances to the city’s most underserved citizens. Vangjel is a founding member of the Los Angeles Brass Quintet and is a member of the internationally acclaimed Fountain City Brass Band. She holds a Master of Music degree in Trumpet Performance from The Colburn School in Los Angeles, CA, and a Bachelor of Music degree from the University of Missouri-Kansas City Conservatory.

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    #32: The 3 F's Of Orchestral Success Oct 15, 2019
    Show notes

    In this episode, we are going to discuss three things that I believe are essential to being successful as an orchestral musician: flexibility, focus, and fun. I chose these topics as ones that aren't as often discussed as things like being prepared, being on time, etc.
    Mastering engineer - Brandon Jochum

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    #31: Freeway Philharmonic: Jamie Whitmarsh Oct 08, 2019
    Show notes

    In this episode, I speak with Jamie Whitmarsh, a freelance percussionist and composer in the Oklahoma City area. He discuss building a freelance career, as well as how to start your own large ensemble, and the challenges associated with that.
    Here are some links Jamie gave me to share:
    Composer Diversity Database

    https://www.composerdiversity.com/composer-diversity-database

    A fantastic tool to discover new music. There are so many new pieces out there that could change your life, this is one way to find some of them. You can search for pretty much anyone who isn’t a straight, white male, and select different instrumentation or genres.


    New Music Box

    https://nmbx.newmusicusa.org/

    This is a great way to stay plugged into the modern world of music. So many great articles are written, with lively discussions in the comments.


    Oklahoma Modern Music Collective

    https://www.okmmc.org/

    OKMMC is dedicated to bringing the music of OUR time to audiences everywhere. We believe that the music being written now can be accessible, relevant, and relatable to everyone. Several ensembles are part of this - Duo Rodinia (clarinet and percussion), Great Plains Percussion Group (percussion collective), nu (recording chamber group), and the Oklahoma Composer’s Orchestra.


    New Music Engine

    https://www.newmusicengine.org/

    This is a great platform for composers to find new opportunities or for performers to host calls for scores/competitions. OKMMC worked with them on multiple calls for scores, and they have been incredibly helpful.
    Jamie's biography - https://www.jamiewhitmarsh.com/biography

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    #30: Jay Evans Oct 01, 2019
    Show notes

    In this episode, we're talking with Jay Evans, the principal trombonist of the Alabama Symphony Orchestra. We talk about the Grand Teton Music Festival, training for an triathlon event, what setting personal records in his musical practice, and much more. I hope you enjoy the episode!
    Mastering engineer - Brandon Jochum
    Jay Evans is currently Principal Trombonist of the Alabama Symphony Orchestra, a position he has held since October, 2000. As soloist, Jay has performed in numerous concerts including Jim Pugh's Concerto for Trombone and Nino Rota's Concerto for Trombone and Orchestra. He was also featured in a memorable concert with Olivia Newton-John and the ASO, performing on the Australian Aboriginal instrument, the Didgeridoo.

    Spending his early years in Iowa, Jay's parents were tremendously supportive of his music studies. His father, a former tuba player, would humbly quote "...and I modestly took my place as the only and only bass, and I oompahed up and down the square" in reference to his being the only tubist of the Mason City High School band, inspiring Meredith Willson, while visiting, to include these lyrics in his musical, "The Music Man."

    Jay received a Bachelor of Music degree at Morningside College in Sioux City, Iowa, while holding the position of Principal Trombone of the South Dakota Symphony Orchestra. He later received a Master of Music degree from North Texas State University, during which time he performed with the Dallas Cowboys Band. He later moved to New York City to perform monthly with the National Orchestral Association in Carnegie Hall, and frequently performed with the Metropolitan Opera, New York Philharmonic, American Symphony, New York City Opera National Company, the Springfield (MA) Symphony and Miss Saigon on Broadway.

    As a Fellow in Trombone at the Tanglewood Music Center, Jay performed with notable conductors Leonard Bernstein, Seiji Ozawa and Jeffrey Tate. He was also a participant at the Spoleto Festival Due dei Monde in Spoleto, Italy, and Charleston, SC. Jay toured extensively throughout North America, Japan and Australia with the broadway production of, The Music of Andrew Lloyd Webber in Concert, starring Michael Crawford and Sarah Brightman. And as a member of the highly acclaimed, 'Dallas Brass', Jay performed throughout the United States. Special appearances included solos with the New York Pops with Skitch Henderson in Carnegie Hall, the Philadelphia Pops with Peter Nero and the Cincinnati Pops with Erich Kunzel conducting.

    Before settling in Alabama, Jay held positions with The Lyric Opera of Chicago and the Grant Park Orchestra. He still returns regularly to perform with Chicago's Music of the Baroque, and spends summers as a member of the Grand Teton Music Festival.

    Jay Evans is currently a Low Brass Instructor at the Alabama School of Fine Arts, the University of Montevallo, and UAB, and maintains an active private teaching studio. He is a Shires Instruments Artist/Clinician.

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