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    Music

    That’s Not Spit, It’s Condensation!

    “That’s Not Spit, It’s Condensation” is a weekly podcast with conversations and discussions about all things music. In it, we’ll peel back the layers of what makes great musicians great, hoping to inspire others to achieve their maximum potential.http://thatsnotspit.com

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    Copyright: ℗ & © 2020 That's Not Spit, It's Condensation!

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    Latest Episodes:
    #80: Keith Benjamin Oct 07, 2020
    Show notes

    Keith Benjamin joined the UMKC Conservatory of Music and Dance as professor of trumpet in 1989 with a Doctor of Musical Arts and a Performer’s Certificate from the Eastman School of Music. While in New York, he performed with the Rochester Philharmonic and held principal chairs in three other orchestras. Current orchestra positions include principal trumpet in the Colorado MahlerFest, guest principal trumpet in Orchestra Iowa, and extra trumpet for the Kansas City Symphony.

    In addition to orchestral playing, Benjamin is an active recitalist and chamber musician, and is first trumpet in the Missouri Brass Quintet. His recitals frequently feature contemporary music, and he has commissioned and premiered numerous works, including compositions of Samuel Adler, James Mobberley, Peter Hamlin, Stephen David Beck, Eugene O’Brien, and many others. Recital and concert appearances in Boston, San Francisco, Los Angeles, Chicago, Dallas, and more than 35 states are “traveling” highlights, and Kansas City also affords him the opportunity to have a lively professional career as a commercial, studio, and lead trumpet player; recent performances have been with Ben Folds, Peter Gabriel, and Idina Menzel. Benjamin has presented master classes and clinics at dozens of universities and colleges in the United States and overseas.

    Benjamin is partnered with Los Angeles organist Melody Steed in Clarion, a trumpet and organ duo that emphasizes twentieth-century music. The duo has released two CD recordings on Gothic Records; the second recording, Clarion: New Vintage, is comprised of five commissioned American works. The duo completed a highly successful performance tour of Hungary in summer 2006. Plans for a third CD recording of all commissions are in place, with new works by Adler and Mobberley, as well as commissions from Steven Bryant, Anthony Plog, and Adam Schoenberg.

    Benjamin is an artist-clinician for the Selmer/Bach companies. He makes his home in Kansas City with his wife Jennifer and their two sons, Duncan and Rowan.

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    #79: Stay Strong, Be Kind To Yourself, and Never Stop Growing Sep 30, 2020
    Show notes

    In this episode, I dive into the meaning behind my sign off for my podcast episodes, YouTube video, blog posts, and more. I hope it can serve as an encouragement to you!

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    #78: Jason Haaheim Sep 23, 2020
    Show notes

    www.jasonhaaheim.com
    Jason Haaheim (pronounced HAW-heim) was appointed a Principal Timpanist of the Metropolitan Opera Orchestra in 2013. In addition to performances at New York's Lincoln Center and Carnegie Hall, Mr. Haaheim can be seen and heard performing with the MET Orchestra on television, international radio, and Live in HD movie theater broadcasts. Mr. Haaheim is on faculty at the NYU Steinhardt School of Music and the Bard Conservatory of Music. A sought-after clinician, Mr. Haaheim gives masterclasses both nationally and internationally, and is the founder of the Northland Timpani Summit, the Deliberate Practice Bootcamp, and the Artful Timpani Auditioning seminar. He is also a frequent coach for The Orchestra Now (TON), the Carnegie Hall National Youth Orchestra (NYO), and the New York Youth Symphony (NYYS).

    Mr. Haaheim’s guest principal timpanist engagements have included the All Star Orchestra, the Seoul Philharmonic, the Mostly Mozart Festival Orchestra, and the Milwaukee Symphony. He is the principal timpanist of the Lakes Area Music Festival, and has also been a resident artist of the Twickenham Festival. Prior to the Met, Mr. Haaheim was principal timpanist of the Southwest Michigan Symphony and the Civic Orchestra of Chicago, and he performed regularly as timpanist with the Madison Symphony, Illinois Symphony, Peoria Symphony, Fort Wayne Philharmonic, and the Illinois Philharmonic.

    Mr. Haaheim began studying piano in 4th grade, adding percussion studies in 5th grade. He holds a bachelor of arts degree with a double major in honors-music-performance and physics from Gustavus Adolphus College (St. Peter, MN); he also holds a master’s degree in electrical engineering from UC-Santa Barbara. Influential teachers have included John Tafoya (Indiana University, National Symphony), Dean Borghesani (Milwaukee Symphony), Jonathan Haas (Aspen Music Festival, NYU), and Robert Adney (Gustavus Adolphus College, MacPhail Music School). While auditioning and freelancing, Mr. Haaheim worked as a Senior Research and Development Engineer at NanoInk, a Chicago-area tech company. In this capacity, he gave invited talks on nanotechnology, authored multiple peer-reviewed publications, and was granted numerous patents. In 2017, this dual-career path was highlighted in an interview with Melissa Block on NPR’s Weekend Edition.

    Active in many musical areas, Mr. Haaheim has also performed extensively as a chamber musician and jazz drummer. He collaborated with Yo-Yo Ma in a Civic Orchestra / Silk Road Ensemble performance, and recorded the premiere of Augusta Read Thomas’s “Terpsichore’s Dream” with members of the Chicago Symphony. Mr. Haaheim has performed with Chicago’s ensemble dal niente, and premiered Ryosuke Yagi’s “Mirrors…for timpani” with the UCSB Ensemble of Contemporary Music. Other projects have included drumming for the jazz-fusion quartet “The J3 Intent” and the alt-country band “The Lost Cartographers.” At Gustavus, Mr. Haaheim was selected for the honors recital and won first place in the orchestra’s concerto competition. Extra-musical interests include backpacking and hiking, rock climbing, and both downhill and cross-country skiing.

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    #76: Matt Bronstein Sep 09, 2020
    Show notes

    matthew@axiombrass.com - Matt's email address for people to reach out
    www.brasslegacy.com - home page for Brass Legacy
    www.brasslegacy.com/opus2number2 - newest publication
    www.brasslegacy.com/past-publications - past publications (including Matt's injury article in op. 2 no. 1)
    www.axiombrass.com - Axiom's website to donate or purchase CDs
    Matthew Bronstein, born and raised in Agoura Hills, CA, received his bachelor’s degree in Horn performance from Roosevelt University in Chicago, where he studied with Dale Clevenger, the long-time principal horn of the Chicago Symphony Orchestra. A highly praised freelancer in the Chicagoland area, he spent two years as a regular member of the Civic Orchestra of Chicago and has performed with the symphony orchestras of Chicago, Montreal, Milwaukee, and North Carolina, as well as the Lyric Opera of Chicago, the Grant Park Music Festival Orchestra, and the Chicago Philharmonic Orchestra. His versatility has allowed him to perform with the Chicago Jazz Ensemble and Chicago Jazz Philharmonic, while also working on multiple jazz and pop recordings with such recording studios as Hinge Inc., Engine Studios, and Transient Sound Inc. His attended summer festivals include the Spoleto Music Festival, the Midsummer Chamber Music Festival, Tanglewood Music Center, the Music Academy of the West, and the Round Top Music Festival. Matthew is an avid sports fan and plays in the Midwest Suburban Baseball league on the Chicago River Bandits.

    Matthew performs exclusively with the Blackbinder automatic scroll app for iPads.

    Matthew performs exclusively on Mutec Mutes.

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    #75: Josh Jones Sep 02, 2020
    Show notes

    Josh's website - www.drummojo.com
    Josh's Instagram - www.instagram.com/joshjonesdrums
    A native of Chicago, Illinois, Josh Jones started hitting things at age 2 and received his first drum set at age 3. Josh began his formal studies in percussion with the Percussion Scholarship Program under the direction of Chicago Symphony member Patricia Dash, and Chicago Lyric Opera member Douglas Waddell. He earned his Bachelor’s in Music from DePaul School of music and was the orchestra fellow of both the Detroit and Pittsburgh symphonies. Before his appointment to the Kansas City Symphony, he was the principal percussionist of the Calgary Philharmonic Orchestra. Josh has been featured at Carnegie Hall, on radio and television, and has had two short documentaries made about his musical development and experience. He also authored a percussion method book series, “Spatial Studies for Hitting Things”, and writes musical and philosophical blogs on his website, drummojo.com. Josh really enjoys giving back to the community as well as mentoring young musicians and traveling.

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    #74: Austin Pancner Aug 26, 2020
    Show notes

    Austin's Website - https://www.thefunctionalmusician.com
    Austin's Instagram - https://www.instagram.com/the_functional_musician/
    Austin Pancner is an Indiana-based bass trombonist dedicated to solo, chamber, and orchestral performance. Austin serves as the principal bass trombone of the Terra Haute Symphony Orchestra, has appeared regularly with regional orchestras in Indiana, and has performed as a soloist with regional bands across Indiana and Wisconsin. In 2018, he was an American Trombone Workshop Division III finalist.

    As a teacher, Austin runs an active middle school and high school low brass studio. His students have seen success at ISSMA state solo and ensemble and several have gone on to be accepted into prestigious undergraduate music programs.

    Currently, Austin is pursuing a Doctor of Music in bass trombone at Indiana University. Before switching to bass trombone, he received a Performers Diploma and a Master of Music degree from Indiana University as well as a Bachelor of Music at Carthage College. Notable teachers include Denson Paul Pollard, Carl Lenthe, Pete Ellefson, Dee Stewart, and Paul Von Hoff.

    Outside of music, Austin enjoys pursuing topics in musician health and wellness. He holds certifications in personal training and corrective exercise from the National Academy of Sports Medicine, a nutrition coach certification from Precision Nutrition, and is currently working on a Functional Movement System certification. With these certifications, Austin offers resources to help musicians build the tools needed to build an indestructible posture and prolong their performing careers.

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    #73: Maya Stone Aug 19, 2020
    Show notes

    Maya Stone is a champion of music. She has commissioned and premiered several works by American composers. Recent projects include solo bassoon in Black Gospel Music, which includes collaborating with the composers Raymond Wise, Mark Lomax and William Menefield.

    Stone gives recitals and master classes around the U.S. regularly. She has been a member of the Sphinx Orchestra since 2008, and won the second bassoon position with the Huntsville Symphony in 2007. She has played at the International Double Reed Society Conference, and performs regularly with orchestras around the South East. She is also a member of the Rushes Ensemble, which performs Michael Gordon’s piece of the same name; and Chatterbird, an alternative new music group that is unique to the Nashville, TN region.

    Dr. Stone maintains an active teaching schedule whether in the academic or private setting. She held full-time professorships at universities in Tennessee, Ohio and Missouri from 2004-2013. For Spring 2019, she is an adjunct professor at the University of Alabama in Huntsville. She also teaches a private studio of woodwind students in Nashville and Huntsville.

    In addition to teaching and freelancing, Maya enjoys serving on the Regional Orchestra Players Association (ROPA) Executive Board as a Member At Large. She has served as the ROPA Delegate for the Huntsville Symphony Orchestra Players Association, and currently serves as the Alternate Delegate.

    Dr. Stone received her D.M.A. in bassoon performance from the University of Texas at Austin in 2010, an M.M. in bassoon performance and woodwind specialty from Michigan State University in 2003, and a B.M. in music education from SUNY Potsdam in 2001. Her teachers include Kristin Wolfe Jensen, Barrick Stees, and Frank Wangler.

    Maya moved back to the South East a few years ago, and is thrilled to be living there again. She loves the green, rolling hills, the mountains, and the crisp sun so prevalent in the region.

    You can follow Maya on her facebook music page: www.facebook.com/mayastonestudio.

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    #72: Winning The Job: Grant Johnson Aug 12, 2020
    Show notes

    Minnesota native, Grant Johnson, joined the Pittsburgh Symphony as Assistant Librarian in 2019. He came to Pittsburgh after serving two years as Assistant Librarian with the Phoenix Symphony. Johnson has also held positions with the Minnesota Bach Ensemble and Aspen Music Festival. Additionally, he has worked in the libraries of the Cleveland Orchestra, Minnesota Orchestra, National Symphony Orchestra, and St Paul Chamber Orchestra. Johnson is an active member of the Major Orchestra Librarians’ Association (MOLA).

    Grant Johnson’s musical career began at an early age, starting violin at age four, piano at six, and organ in college. At age ten he became a member of the renowned Minnesota Boychoir, and with them toured and recorded extensively. As a violinist Johnson has played with many orchestras, including the Phoenix Symphony, and was concertmaster for multiple orchestras while in school at the University of Minnesota. With a passion for early music and historically informed performances, Johnson specializes in baroque organ music and has appeared as a featured performer for the American Guild of Organists.

    An avid supporter of the arts, Johnson was Vice President of the Young Musicians of Minnesota, an organization dedicated to promoting and supporting classical music for young musicians. With them, he has been published and featured as a guest on Minnesota Public Radio.

    In his free time, Johnson likes to stay active and enjoy the outdoors. His hobbies include rock climbing, Nordic skiing, trail running, cycling, tennis, and birding. He also likes to cook, travel, and attempting to golf.

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    #71: Jarrett McCourt Aug 05, 2020
    Show notes

    Crisis Textline - text 741741 to be connected with someone to talk to anytime, day or night
    National Suicide Prevention Hotline - 1-800-273-8255
    Jarrett’s playing has been called “magnificent” by the Palm Beach Daily News and “warm, romantic and seamless” by the South Florida Classical Review. Jarrett has performed with a number of different high-level ensembles, including the Chicago Symphony Orchestra, the Detroit Symphony Orchestra, l’Orchestre Symphonique de Montreal, the National Arts Centre Orchestra, the Calgary Philharmonic Orchestra, the Charleston Symphony Orchestra, the Flint Symphony Orchestra, the Ann Arbor Symphony, and the Windsor Symphony Orchestra. Additionally, Jarrett has performed under classical conductors such as Michael Tilson Thomas, Robert Spano, Simon Rattle, Susanna Mälkki and Peter Eötvös, as well as alongside jazz heavyweights such as Esperanza Spalding, Wayne Bergeron and Nicholas Payton.

    Jarrett has won several international competitions, including the New World Symphony Concerto Competition, the Marta Hidy Competition for Brass in Toronto, and concerto competitions across Canada and the U.S. Most notably, he won the top prize in the brass category of the Orchestre Symphonique de Montreal’s prestigious Standard Life Competition in 2014, becoming the first tubist to do so in the competition’s 75-year history. Additionally, Jarrett was a finalist in the XVI Tchaikovsky Competition (the inaugural year for brass participants) in St. Petersburg, Russia, and the only North American tubist to participate in the live rounds. Jarrett has performed as a soloist with the New World Symphony, the Albany Symphony Orchestra, the Windsor Symphony Orchestra, Orchestra Toronto, the University of Western Ontario Wind Ensemble and Jazz Ensemble, and the London Concert Band. During the summers, Jarrett has performed with the Verbier Festival Orchestra, the Lucerne Festival Academy Orchestra, National Repertory Orchestra, the Spoleto USA Festival Orchestra, the Aspen Festival Orchestra and the Symphony Orchestra Academy of the Pacific. Jarrett was recently a guest on the popular Brass Junkies podcast, speaking largely about ways to improve one’s mental health as a musician in the 21st century. In his spare time, Jarrett volunteers with the Crisis Text Line, a global not-for-profit organization providing free crisis intervention and suicide prevention via SMS message.

    As an educator, Jarrett was formerly on faculty at New World School of the Arts at Miami Dade College, and has also served on faculty at the National Youth Orchestra of the United States and at Expressions Music Academy in Troy, Michigan.

    He earned a Bachelor of Music (Tuba Performance) with a minor in Ethics at the University of Western Ontario in London, Ontario in 2013 and two Masters degrees (one in Tuba Performance and the other in Chamber Music) at the University of Michigan in 2015. His principal teachers have been Brent Adams, Dennis Nulty, Fritz Kaenzig, Craig Knox, Warren Deck and Gene Pokorny. Jarrett is a Miraphone Artist and performs on the 1281 Petrushka F Tuba.

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    #70: Greg Hix Jul 29, 2020
    Show notes

    Born and raised in San Diego, Greg Hix currently serves as the Artist Liaison for the San Francisco Symphony. Prior to that, he was the Manager of Artistic Operations for the Grand Teton Music Festival in Jackson Hole, WY. He was a full-time member of the Civic Orchestra of Chicago, the training orchestra of the Chicago Symphony, where he was able to sub on several occasions. He has an MM in horn performance from Northwestern University, where he studied with Gail Williams, Bill Barnewitz, and Jon Boen. Greg also holds a BA in horn performance from UCLA where he studied with Brian O’Connor, Christopher Cooper, and Patrick Sheridan.

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