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That Shakespeare Life — History
That Shakespeare Life

Hosted by Cassidy Cash, That Shakespeare Life takes you behind the curtain and into the real life of William Shakespeare.

Latest Episodes:

English Accents with Valerie Fridland Oct 03, 2022

Show notes

One of the most common issues with Shakespare's plays is understanding the language. He used not only words that have fallen out of fashion for today's English language, but the pronunciation and even colloquial expressions, cultural references, and some jokes we find in the plays are all so far removed from the way we talk today that it can be hard to understand what's going on, especially if you're just trying to read the plays instead of seeing them performed. At least in the theater you have context clues to help you. If you are also someone who finds Shakespeare's language hard to follow, then not only are you in good company, but this is the episode for you. It's true that Shakespeare's language is difficult, and it turns out the history of linguistics and the development of the English language can explain why. During Shakespeare's lifetime is when English went through a major change called the Great Vowel Shift, and was being influenced by key events going on at the time. Here today to share with us how languages grow, and explain some of the phrases, words, and even pronunciation that was unique to English for Shakespeare's lifetime, is our guest and professor of linguistics in the English department at University of Nevada, Reno, Valerie Fridland.

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Acrobats and Tumblers with Clare McManus Sep 26, 2022

Show notes

In Shakespeare's Love's Labour's Lost, he writes about a tumbler wearing colours in their hoop. This reference is to a specific act of theater performance called tumbling. If you've already studied the all-male stage we know Shakespeare had at his theater, you may be tempted to think that tumblers were men. However, as the research of the project Engendering the Stage aims to bring to light, historical records for Shakespeare's lifetime show that in terms of the theatre industry as a whole for the late 16th and early 17th century, theater performance was far from all male. In fact, women were not only prominent players in public performance, but they weren't entirely excluded on the basis of religion and morality, either, because we have records of distinguished women from one of the strictest religious sects in England, the Puritans, acting on stage in full costume. To help us unpack this conundrum and explore this world of the travelling street performers where elaborate and complicated feats of acrobatics, tight-rope walking, tumbling and even trapeze acts would have taken place using women at center stage, we welcome author of Women on the Renaissance Stage and contributor to the Engendering the Stage project, Professor Clare McManus.

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Sweetbreads with Neil Buttery Sep 19, 2022

Show notes

When I'm not recording That Shakespeare Life, I'm usually researching for DIY History, my YouTube channel where I look into games, recipes, and crafts for Shakespeare's lifetime that you can do at home. In preparing a new episode, I was going through Hugh Plat's Good Housewives Jewel, a cookbook that was written in 1596-1597. One recipe that caught my eye called for "sweet bread." I ambitiously decided to try and make this recipe, thinking I would be diving into a cake, or perhaps some version of loaf bread. However, as I started to research the ingredients, I was surprised to discover this "sweet bread" wasn't bread at all but instead "sweet bread" was actually the 16th century phrase for the pancreas of a cow. Discovering that sweet bread was not at all a bread, but instead an organ meat, was the moment I decided we definitely needed to know more about this surprising food, and to do that, we needed to bring in an expert, which is why I reached out to our friend and returning guest to That Shakespeare Life, expert food historian, Neil Buttery,Neil joins us today to share the history and a few recipes for how to cook 16th century sweet bread.

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Susanna's Garden with Ailsa Grant Ferguson Sep 12, 2022

Show notes

When you visit Stratford Upon Avon, you can stop in and see a place called Hall's Croft. It is right down the road from Shakespeare's Birthplace and is the house where William Shakespeare's oldest daughter, Susanna, lived with her husband, John Hall. John Hall was a physician in Stratford Upon Avon, and is thought to have influenced, if not outright advised, Shakespeare on the many uses of medicinal plants we see come up in his plays. A new study being led by our guest this week, Ailsa Grant Ferguson, not only aims to shed light on the kinds of plants that might have been used there at Hall's Croft, but looks to literally re-plant them. In a project funded by the Arts and Humanities Research Council, partnering with the Shakespeare Birthplace Trust in collaboration with the University of Brighton, Susanna's Garden project will plant a sensory, wellbeing garden based on the plants used for women's health by John Hall and probably Susanna in Stratford Upon Avon that includes the same plants Ailsa's research reveals would have been used there by the Hall family to treat family and friends in the bard's hometown. The exciting thing about this garden is not only the opportunity to see historic plants come literally back to life, but as Ailsa Grant Ferguson joins us today to share, this garden research project specifically explores Susanna's role in medical care as she worked alongside her husband as a healer.

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Armadillos with Peter Mason Sep 05, 2022

Show notes

Armadillos are a fascinating animal, and for the 16th century they were an object of luxury. Many members of the nobility in 16th century England made a hobby out of collecting wild and exotic specimens of animals that were being discovered and brought to Europe by explorers, travelers, and naturalists who were keen to record all the world's animals. One animal that was new to Shakespeare's England during his lifetime was the armadillo. One prime example of the armadillo in the culture of the 16th century is the armadillo featured in a piece of embroidery by Mary Queen of Scots. Our guest this week, Peter Mason, writes about this specific armadillo in his article, Mary's Armadillo for New World Objects of Knowledge: A Cabinet of Curiosities. Peter joins us this week to share the history of the armadillo, where it came from originally, how it arrived in Europe, and the many difference variances from scales to fur that encompass the depictions of the armadillo we find from Shakespeare's lifetime.

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Curse Words with John Spurr Aug 29, 2022

Show notes

Forsooth and by the saints, we are exploring curse words today from Shakespeare's lifetime. The changeover from Catholic to Protestant England may have changed the way people worshipped but it didn't change the strongly religious influence of the English language, including their swear words. Today our guest, John Spurr joins us to help us expolre all the expressions of emphasis, oath, and cursing that appear in Shakespeare's plays so that we can understand the history behind why they are there, what they mean, and what kinds of words were considered bad language for Shakespeare's lifetime.

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Fireworks with Simon Werrett Aug 22, 2022

Show notes

The technology of explosions to celebrate or mark an occasion of jubilation that we know today as fireworks was a new thing for Shakespeare's lifetime. Shakespeare mentions the word "firework" only twice in his works, once in relation to a fight in Henry VIII and another time in relation to a show or pageant in Love's Labour's Lost. Our guest this week, Simon Werrett is the author of a book on the history and science behind fireworks and he joins us today to share exactly how they worked for Shakepeare's lifetime, which celebrations were held using fireworks, and what the people of 16th century England thought about this wild and exotic light display.

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Fireworks with Simon Werrett Aug 22, 2022

Show notes

The technology of explosions to celebrate or mark an occasion of jubilation that we know today as fireworks was a new thing for Shakespeare's lifetime. Shakespeare mentions the word "firework" only twice in his works, once in relation to a fight in Henry VIII and another time in relation to a show or pageant in Love's Labour's Lost. Our guest this week, Simon Werrett is the author of a book on the history and science behind fireworks and he joins us today to share exactly how they worked for Shakepeare's lifetime, which celebrations were held using fireworks, and what the people of 16th century England thought about this wild and exotic light display.

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Dragons with Carolyne Larrington Aug 15, 2022

Show notes

When William Shakespeare talks about dragons in his plays, he mentions these creatures as fire-breathing, flying, cave dwelling, night stalking, fearsome fighters in over 20 references across his works. In today's interview we are going to explore the real history of dragons in Shakespeare's lifetime by asking whether there were real creatures that could have been defined as dragons, similar to how Rhinoceros and Narwhal were called "unicorns." Here to share with us the popular legends about dragons and the place of these creatures in the general pop culture mindset of the Elizabethan Era is our guest and author of Dragons and their Origins for English Heritage, Carolyne Larrington.

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Hobby Horses with Natalia Pikli Aug 08, 2022

Show notes

When you hear the term "hobby horse" you may be tempted to recall images of toy wooden horses that children laugh and play on. For Shakespeare's lifetime, however, this term refers to a particular kind of dance that featured in popular celebrations like May Day and Morris dances. The hobby horse dance was a characterized and often costumed representation of a person riding a horse, and it was a staple feature of these celebratory dances. Our guest this week has written extensively about the history of the hobby horse and where they would have appeared in Shakespeare's lifetime. We are delighted to welcome Professor at Eotvos Lorand University of Budapest and the author of Shakespeare's Hobby-Horse and Early Modern Popular Culture, Dr. Natalia Pikli.

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