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    Arts

    TCI Transmissions

    The Creative Independent (TCI) is a growing resource of emotional and practical guidance for all types of artists. TCI Transmissions offers an auditory taste of TCI—each Transmission will be an experimental soundscape of collected ideas, voices, and other snippets to help you think, create, and expand.

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    Latest Episodes:
    A pep talk for doing it yourself Jun 25, 2020
    Show notes

    A pep talk from Ziemba’s René Kladzyk for musicians planning to self release, and others who suffer from separation anxiety when releasing their creative work into the world.

    TCI IRL: Quarantine Supercut May 01, 2020
    Show notes

    "Quarantine Supercut" Assembled and produced by Drew Daniel Mastered by Jeff Carey Created in conjunction with The Creative Independent and Kickstarter “Quarantine Supercut” was built from the submissions of many people who responded to a public call for field recordings of the sounds of life under quarantine. The first week there were forty sounds sent to the Creative Independent, the second week sixty more, the third week another eighty more. On top of that, as word spread about the project even more people began to email me directly with their sounds, and many people sent multiple files; by the deadline, roughly two hundred participants had sent me about three hundred sounds total. There are submissions from across the United States (New York to Kentucky, California to the Carolinas), and from across the planet: there were submissions from Italy, Germany, Mexico, Czech Republic, India, Kenya and many anonymous and untitled submissions of unknown origin. Though I eliminated submissions that were recordings of music, I tried to use as many submissions as I could. I used EQ to try to clean up and focus each sound, but I did not otherwise process or manipulate these sounds. Sometimes, a single sound is heard in isolation. At other times, I decided to cluster and overlay the sounds into distinct areas (at its densest there are twelve separate layers playing simultaneously). The piece is divided into an indoor section and an outdoor section, with subthemes (cooking, pets, childcare, working from home, online learning, wildlife/birds, coughs, public announcements). Sometimes the threat of the coronavirus is front and center; sometimes it’s far in the background. The emotional response to sound is subjective and varies from listener to listener, but I hear many different attitudes towards quarantine within these recordings; domestic calm, annoyance, dread, humor, and the sound of making do. I’m grateful to The Creative Independent for asking me to do this, and to everyone who took part in the project and trusted me with their sounds. While creating the piece, I struggled with the conclusion: how long will this go on? How will it end? Ultimately, I chose recordings of a passing train, and of neighbors talking to each other across the distance of a balcony. I wanted to remind us of the fragile social links that persist even in the midst of isolation. Assembled at home in Baltimore under quarantine, 2020; mastering by Jeff Carey

    Quarantine Supercut (Edit) May 01, 2020
    Show notes

    "Quarantine Supercut" Assembled and produced by Drew Daniel Mastered by Jeff Carey Created in conjunction with The Creative Independent and Kickstarter “Quarantine Supercut” was built from the submissions of many people who responded to a public call for field recordings of the sounds of life under quarantine. The first week there were forty sounds sent to the Creative Independent, the second week sixty more, the third week another eighty more. On top of that, as word spread about the project even more people began to email me directly with their sounds, and many people sent multiple files; by the deadline, roughly two hundred participants had sent me about three hundred sounds total. There are submissions from across the United States (New York to Kentucky, California to the Carolinas), and from across the planet: there were submissions from Italy, Germany, Mexico, Czech Republic, India, Kenya and many anonymous and untitled submissions of unknown origin. Though I eliminated submissions that were recordings of music, I tried to use as many submissions as I could. I used EQ to try to clean up and focus each sound, but I did not otherwise process or manipulate these sounds. Sometimes, a single sound is heard in isolation. At other times, I decided to cluster and overlay the sounds into distinct areas (at its densest there are twelve separate layers playing simultaneously). The piece is divided into an indoor section and an outdoor section, with subthemes (cooking, pets, childcare, working from home, online learning, wildlife/birds, coughs, public announcements). Sometimes the threat of the coronavirus is front and center; sometimes it’s far in the background. The emotional response to sound is subjective and varies from listener to listener, but I hear many different attitudes towards quarantine within these recordings; domestic calm, annoyance, dread, humor, and the sound of making do. I’m grateful to The Creative Independent for asking me to do this, and to everyone who took part in the project and trusted me with their sounds. While creating the piece, I struggled with the conclusion: how long will this go on? How will it end? Ultimately, I chose recordings of a passing train, and of neighbors talking to each other across the distance of a balcony. I wanted to remind us of the fragile social links that persist even in the midst of isolation. Assembled at home in Baltimore under quarantine, 2020; mastering by Jeff Carey

    TCI Transmission 09: Give Everybody Everything: The Financial Life of Bernadette Mayer Apr 18, 2019
    Show notes

    This episode came out of a conversation inspired by our study on the financial state of artists today, and was produced by Rachel James and The Organist (a podcast created by McSweeney’s and KCRW) in collaboration with TCI. You can also find it on The Organist’s website.

    TCI Transmission 08: Guided studio soundscapes for experimentation and new media Mar 15, 2019
    Show notes

    This Transmissions episode features an experimental mixtape created by visual artist, writer and podcaster, Sean J Patrick Carney. It is designed for the studio artist who feels trapped in a cycle of producing the same work over and over again. Find track titles for each soundscape and timestamps at https://thecreativeindependent.com/archive/#filter=.sort-transmission.

    TCI Transmission 07: Carried by currents that care Jan 24, 2019
    Show notes

    This episode features a guided meditation for re-centering your sense of self with curator Jacqueline Mabey, and is part of our new series called Conditions. This meditation is accompanied by an essay, written by Jacqueline, called “The Spiritual Hunt,” which you can read at thecreativeindependent.com.

    TCI Transmission 06: Lonnie Holley on the possibility in a zillion grains of sand Nov 05, 2018
    Show notes

    This episode features excerpts of a longer interview by Michelle Lhooq with Lonnie Holley. Lonnie is an African-American visual artist and musician. He was born on February 10, 1950 in Birmingham, Alabama and has devoted his life to the practice of improvisational creativity. Visit thecreativeindependent.com for a full transcript.

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