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    Arts

    Talk Art

    Actor Russell Tovey and gallerist Robert Diament host Talk Art, a podcast dedicated to the world of art featuring exclusive interviews with leading artists, curators & gallerists, and even occasionally their talented friends from other industries like acting, music and journalism. Listen in to explore the magic of art and why it connects us all in such fantastic ways. Follow the official Instagram @TalkArt for images of artworks discussed in each episode and to follow Russell and Robert’s latest art adventures.


    Hosted on Acast. See acast.com/privacy for more information.

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    Copyright: © Robert Diament and Russell Tovey

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    Latest Episodes:
    Jack Pierson Jun 13, 2024
    Show notes

    For his first exhibition in London in over 20 years, New York-based artist Jack Pierson presents a new series of works at Lisson Gallery that explores love, kinship, celebration, poetry, youth, and identity. Pierson diverted from the path of documentary photographers that he studied with in Boston, and was instead drawn to punk-influenced performativity, embracing non-linear, spontaneous compilations that prioritise the expression of individual freedoms over existing narratives. He has since, through a multi-disciplinary practice, challenged conventional hierarchies by commingling mediums equally. Featuring his signature word sculptures, photographs, YELLOW ARRAY, MALE ARRAY, FEMALE ARRAY, DRAWING ARRAY (all 2024), and a series of folded photographic works, a journey through the exhibition invites viewers into a world where narratives, intimate and autobiographical, interact with those distinctly universal and inclusive.


    A yellow hue echoes throughout the exhibition – a shift from Pierson’s typical blue, pink and grayscale themes – the centrepiece of this being YELLOW ARRAY (2024). A coalescence of archival pigment prints, C-type prints, cylindrical magnets, folded pigment prints, found posters, galvanized metal, paper, spray and watercolour paint, these large-scale compositions, spanning ten by fifteen-foot panels, intricately incorporate magazine pages, photographs, drawings, vintage poster and other ephemera, both personal and unfamiliar. Pierson's meticulous process of addition and rearrangement of diverse components – either produced by Pierson himself or discovered during his travels – mirrors that of a collector; each material is afforded a prominent presence within the whole.


    Pierson is acclaimed for his evocative word-sculptures and installations created by re-appropriating commercial signage and large-scale vintage lettering. The first word sculpture in the exhibition is titled PETER BLAKE (2024), named after the leading English visual artist who, having created the design for multiple iconic musical records including The Beatles' 1967 album ‘Sgt. Pepper's Lonely Hearts Club Band’ and the 2012 Brit Award statuette, became a key figure in the pop art movement. Pierson’s sculpture embodies the connection between the two artists – one which began in the 1960s when the young artist first encountered the work of Peter Blake distributed in the media. Years later, the artists would meet, with Blake inviting Pierson to visit his studio – an encounter that left a lasting impression on both. Blake himself was inspired to create a series of word sculptures bearing Pierson’s name: Appropriating Jack Pierson, Copying Jack Pierson and Borrowing from Jack Pierson (all 2002).


    While Pierson has been profoundly inspired by the work of Peter Blake – his own sculptural homage suggesting echoes of the playful and colourful arrangements of Blake’s work – this is the first time he has reciprocated this creative exchange by producing a word piece that directly references this history. Peter Blake also carries the legacy of the transformative period of cultural exchange between the UK and US in the 1960s, intertwining personal history with wider cultural influences. The exchange between Pierson and Blake serves as a testament to the power of artistic inspiration and collaboration, transcending time and distance to create connections within the ever-evolving landscape of contemporary art.


    Follow @JackPierson9 and @Lisson_Gallery

    Hosted on Acast. See acast.com/privacy for more information.


    Nathanaëlle Herbelin Jun 06, 2024
    Show notes

    We meet artist Nathanaëlle Herbelin to discuss her major solo show in Paris. A constant visitor to the Musée d’Orsay’s collections since childhood, Herbelin has been invited to put her canvases and sources of inspiration into perspective. An heiress to Les Nabis (active in Paris from 1888-1900), the artist brings their favorite subjects – daily life, domestic interiors and intimacy – up to date in resolutely contemporary compositions.


    The presentation of her work at the Musée d’Orsay is very much in line with one of the focuses of the museum’s cultural project, which consists of extending “Orsay’s polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d’Orsay’s interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections.

    The Spring 2024 temporary exhibition will show how the artist delicately follows the path of the Nabis. Although the artist's subtle brushstrokes, chromatic palette, and preferred motifs may bring to mind Pierre Bonnard, Édouard Vuillard, or Félix Vallotton, other figurative details bring us back to a more contemporary reality: the elements of modern life (cellphones and electronic power cables) that can be seen in her updated genre scenes, and the way she brings present-day issues into these compositions. Hence, the intimacy of the maternal body at her toilette may present the model in the act of depilating, or the whole genre is called into question by the transposition of a male sitter naked in the bathtub; another canvas even presents an intimate scene centered on female pleasure, or a couple depicted in the bedroom are illuminated by the midnight blue light of a portable computer set on the knees of a figure sitting up in bed.


    Born in Israel in 1989 to a French father and an Israeli mother, Nathanaëlle Herbelin has always been drawn to make work that reflects her position within and between the two cultures. Her works contain subtle hints—both in subject matter and form—as windows into a world imbued with a quiet melancholy. Herbelin encourages the viewer to slow down, as a way of embracing the intimacy involved in viewing art. She has developed a formal style unique within the contemporary tendency towards figurative painting. Certain patterns and colours appear more defined than others in the softened memories that she so delicately captures. Earth tones give the works a quality evocative of a reverie and her loose brushwork recalls post-impressionist techniques. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes.

    This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique.


    Follow @NathanaelleHerbelin and @MuseeOrsay

    Thanks to @XavierHufkens and @GalerieJousseEnterprise

    Hosted on Acast. See acast.com/privacy for more information.


    Jennifer Higgie and Chloe Stead, presented by Sotheby's Jun 03, 2024
    Show notes

    We meet author/art critic Jennifer Higgie and Sotheby’s Chloe Stead to discuss the inspiring new exhibition ‘London: An Artistic Crossroads’ which has just opened at Sotheby’s New Bond Street and runs until 5th July 2024. #AD / this episode is presented by Sotheby’s.


    Sotheby's, in partnership with Art UK and twelve museums across the country, are staging a month-long exhibition, open to the public and free of charge, shining a spotlight on the UK as a centre of creative cross-pollination.


    The exhibition, ‘London: An Artistic Crossroads’, brings together an assemblage of remarkable works by artists who passed through or settled in the UK during their lifetime. The earliest of the works is a vivacious portrait by Flemish artist Marcus Gheeraerts the Younger, who became one of the most sought-after portraitists in England during the 16th century. It is joined by a vibrant landscape by André Derain, for whom London was a place of explosive transformation, as well as an iconic

    Composition by Piet Mondrian who, out of fear of German invasion and encouraged by Ben Nicholson, left Paris for Hampstead in 1938. Lucian Freud, Francis Bacon and Dame Lucie Rie are included in the line up, all émigrés, Freud from metropolitan Germany, Bacon from rural Ireland and Rie from Vienna, in addition to Frank Bowling, R.B. Kitaj and Dame Magdalene Odundo, among others.


    The exhibition coincides with NG200 - the Bicentenary celebrations of London's National Gallery - which it is intended to complement. As the National Gallery launches its National Treasures programme, where 12 of the nation’s most iconic and well-loved paintings from the collection are lent to 12 venues across the UK, this exhibition does the reverse: bringing 12 works from major regional collections together in the capital city.


    The National Gallery has long provided a source of inspiration for creatives, who look to its rich collection to further enhance their own practices. Many of the artists presented in Sotheby’s exhibition publicly acknowledged the museum’s influence over their own styles and practice, including Bacon, Freud (the subject of a landmark National Gallery exhibition – ‘New Perspectives’ – in 2022/23), Kitaj (who selected paintings for ‘The Artist’s Eye’ exhibition at the National Gallery in 1980), Bowling and Auerbach, who was even invited to show his interpretations of some of the National Gallery’s paintings in 1995.


    Jennifer Higgie is an Australian writer. Previously the editor of Frieze magazine, and the presenter of Bow Down, a podcast about women in art history, she is the author of a 2021 book on women’s self-portraits, 'The Mirror & The Palette: Rebellion, Revolution & Resistance, 500 Years of Women's Self Portraits'. Her latest book 'The Other Side: Women, Art and the Spirit World', was published in 2023. Jennifer has been a judge of the Paul Hamlyn Award, the Turner Prize and the John Moore’s Painting Prize.


    Chloe Stead is Global Head of Private Sales, Old Masters Paintings for Sotheby's. She actively works with collectors, institutions, and dealers in buying and selling works of art internationally.


    Follow @Jennifer_Higgie and to learn more about the exhibition visit: @Sothebys


    ‘London: An Artistic Crossroads’ is open now and runs until 5th July at Sotheby’s New Bond Street.

    Learn more: https://www.sothebys.com/en/articles/twelve-artistic-treasures-meet-in-london

    Hosted on Acast. See acast.com/privacy for more information.


    KAWS May 30, 2024
    Show notes

    We meet KAWS aka Brian Donnelly to discuss his three major institutional exhibitions all opening in 2024. The first show has just opened at The Andy Warhol Museum, Pittsburgh and is the first time that Donnelly's work has been aligned with Warhol. Followed by the Parrish Art Museum this summer, and The Drawing Center, set to open in Autumn.


    In celebration of its 30th anniversary, The Warhol presents KAWS + Warhol, the first exhibition to examine the dark themes present in the work of both artists. From skulls to car crashes, both artists deploy their signature bright colors and pop culture references while also presenting the lurid spectacle of death. The dark undercurrents in the work of KAWS and Warhol are magnified and brought into plain sight by presenting the two artists together for the first time.


    KAWS will also respond to Warhol’s embrace of commercialism by presenting a new series of paintings, sculptures, and installations related to his recent commission with General Mills which inserted his signature characters into the packaging for some of America’s most loved cereal boxes including Reese’s Puffs, Count Chocula, and Boo-Berry. The cereal works will be juxtaposed with Warhol’s iconic Brillo Boxes and his lesser-known series of paintings for children.


    In response to The Warhol’s new initiative The Pop District, KAWS will also present a monumental wooden sculpture in Pop Park, directly across from the museum and visible from its entrance space.


    In July, The Parrish Art Museum will be presenting a major solo exhibition devoted to the artist KAWS, including a wide array of sculptures and paintings. This exhibition marks the first KAWS survey on the East End of Long Island.


    In October, The Drawing Center, New York will open ‘The Way I See It: Selections from the KAWS Collection Since’. Since the mid 1990s, the artist KAWS (Brian Donnelly) has collected over 3,000 works on paper by a wide variety of artists, ranging from Abstract Expressionist painter Willem de Kooning to graffiti writer Dondi. His collection is particularly rich in drawings by self-taught artists, historical and contemporary, comic artists, and graffiti artists. It contains masterpieces by Adolf Wölfli, Martín Ramírez and Helen Rae, extraordinary sketchbooks pages by legendary graffiti writers like Lee Quiñones, comics by Robert Crumb and Rick Griffin, and a cache of drawings by Chicago Imagist artists including Jim Nutt, and Gladys Nilsson, among many others. For this exhibition, KAWS will curate a selection of more than two hundred drawings from his collection in an exhibition of his own design that will occupy the entirety of The Drawing Center’s gallery spaces.


    Follow @KAWS on Instagram.


    This is our second episode with KAWS and we strongly recommend you visit his 3 exhibitions in 2024. Learn more @TalkArt


    Visit KAWS x WARHOL, now open: https://www.warhol.org/exhibition/kaws-warhol/


    Visit KAWS X Drawing Center, from October 2024: https://drawingcenter.org/exhibitions/kaws-collection


    Visit KAWS x Parrish Art Museum, from July 2024: https://parrishart.org/exhibitions/kaws/

    Hosted on Acast. See acast.com/privacy for more information.


    Shaqúelle Whyte May 23, 2024
    Show notes

    We meet artist Shaqúelle Whyte to explore his current solo exhibition at Pippy Houldsworth Gallery in London.


    Whyte imagines fictional environments in his paintings, creating an enigmatic atmosphere that contributes to his psychoanalytic approach. The painted medium is paramount for the artist whose broad, loosely rendered brushstrokes are mirrored in his expansive compositions, in which time and space expand and contract across the canvas. Although non-linear, narrative plays a central role in Whyte’s work, which sees him carry certain motifs over from one painting to the next. These recurring details contribute to the sense of theatre that pervades his work; Whyte directs his subjects as though they are actors and his canvas a stage.


    Despite excluding himself from the work representationally, the stories he crafts reflect his everyday life and innermost thoughts. The figures in Whyte’s paintings act as conduits for his subconscious. Giving form to thought through paint, he generates a sense of introspection through his characters’ often averted or guarded faces. At once enigmatic and familiar, Whyte’s paintings evoke the surreal and shape the ephemeral, ultimately leaving his world open to the viewer’s own interpretation.


    Shaqúelle Whyte (b. 2000, Wolverhampton) lives and works in London. He received a BA in Fine Art from the Slade School of Fine Art and an MA at the Royal College of Art. He is currently exhibiting his first solo show with Pippy Houldsworth Gallery, Yute, you’re gonna be fine. Recent group shows include Present Tense, Hauser & Wirth, Somerset (2024); Buffer, Guts Gallery, London (2022); Seasons in the City, curated by Artuner, Palazzo Capris, Turin (2022); Showstopper, Saatchi Gallery, London (2022); and WHAT NOW?, PM/AM Gallery, London (2022). Whyte has taken part in residencies at The Fores Project, London (2022); AM/PM, London (2022); and the Denise Israel Scholarship, Rome (2021), amongst others.


    Follow @Shaq.Whyte and @PippyHouldsworthGallery


    Visit the final weekend of Shaqúelle Whyte's solo exhibition. Last chance! His show runs until this Saturday 25th May: https://www.houldsworth.co.uk/exhibitions/147-shaquelle-whyte-yute-youre-gonna-be-fine/press_release_text/

    Hosted on Acast. See acast.com/privacy for more information.


    Cork Street Galleries with Louisa Buck May 20, 2024
    Show notes

    #AD - New Talk Art special episode! We meet legendary art critic Louisa Buck for a tour of Cork Street Galleries, to visit galleries including Alison Jacques, Tiwani Contemporary, Frieze No.9 Cork St, Waddington Custot, Goodman Gallery, Stephen Friedman, Marianne Holtermann and Flowers Gallery. We discover their current exhibitions but also explore the history of this iconic art street in London’s W1.


    London Gallery Weekend, the biggest gallery weekend event in the world, returns for its fourth edition from Friday 31 May to Sunday 2 June 2024 uniting the city’s network of world-class galleries for a three-day programme of exhibitions and events. With more than 130 participating galleries – ranging from established galleries to emerging spaces and featuring 16 new participants – London Gallery Weekend demonstrates the vibrancy and variety of the London gallery scene.


    Cork Street Banner Commission


    Cork Street Galleries is pleased to announce Sir John Akomfrah as the artist for its Cork Street Galleries Banners Commission 2024, which will be unveiled on Cork Street for London Gallery Weekend. Akomfrah's new work, The Secret Life of Memorable Things (2024) follows on from the artist’s presentation at the Venice Biennale, Listening All Night To the Rain, commissioned by the British Council for the British Pavilion, and continues to investigate themes and motifs that explore memory and the personality (ties) of the object, in a new form.

    The commission comprises five lines of double-sided banners across Cork Street, with three banners per line and a total of 30 individual artworks, with one exhibition running from north to south of the street and another exhibition south to north.


    Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! #CorkStreetGalleries


    Follow Louisa Buck on her new Instagram @LouBuck01


    For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com

    Hosted on Acast. See acast.com/privacy for more information.


    Sir Elton John and David Furnish May 16, 2024
    Show notes

    Talk Art exclusive! We meet Sir Elton John and David Furnish to discuss their epic, brand new exhibition Fragile Beauty. Opening this weekend, Saturday, 18 May 2024 at the V&A South Kensington.


    An unparalleled selection of the world's leading photographers, telling the story of modern and contemporary photography. Discover iconic images across subjects such as fashion, celebrity, reportage and the male body. This exclusive episode was recorded in person at the South of France home of Elton & David.


    Showcasing over three hundred rare prints from 140 photographers, Fragile Beauty is a major presentation of twentieth- and twenty-first-century photography, on loan from the private collection of Sir Elton John and David Furnish. Selected from over seven thousand images, the photographs—many of which are on public display for the first time—are era-defining images that explore both the strength and vulnerability inherent to the human condition.


    Over the past 30 years, Sir Elton John and David Furnish have carefully built an unrivalled collection of photography. Remarkable in its range and depth, it's a who's who of photographer and subject ranging across disciplines from fashion and film to landscape and reportage.


    This interview is also included in the accompanying new book which presents 150 of the most important photographs from artists including Diane Arbus, Richard Avedon, Nan Goldin, David LaChapelle, Robert Mapplethorpe, Tyler Mitchell, Zanele Muholi, Helmut Newton, Cindy Sherman, Andy Warhol and Ai Weiwei. Featuring an afterword from Sam Taylor-Johnson and an in-depth interview with Sir Elton John and David Furnish by Russell Tovey and Robert Diament, as well as curatorial insights into themes within the collection - Fragile Beauty shares images that are beautiful, dynamic, striking, sometimes disturbing but always inspiring. Buy the book from Waterstone’s, the V&A gift shop or wherever you buy your books.


    Follow @VAMuseum @EltonJohn @DavidFurnish


    Visit: https://www.vam.ac.uk/exhibitions/fragile-beauty-photographs-from-the-sir-elton-john-and-david-furnish-collection


    Buy tickets from the V&A, £20.

    Exhibition runs from 18th May 2024 – 5th January, 2025

    Victoria & Albert Museum, London

    www.vam.ac.uk


    Special thanks to Elton & David, their collection Director & curator Newell Harbin, and their wonderful team at Rocket. Thank you to the incredible V&A curator Lydia Caston and the entire museum team including Rebecca Fortey.

    Hosted on Acast. See acast.com/privacy for more information.


    Oisín McKenna May 09, 2024
    Show notes

    We meet writer Oisín McKenna to discuss his debut novel Evenings and Weekends which is released today!


    We discuss Oisín‘s passion for spoken word and performance art and discover his early years inspired by artists like David Hoyle, Penny Arcade, Taylor Mac or Lucy McCormick. We learn how museums like the National Gallery, Dublin improved his life, the impact of his art teacher, and his love of the work of Caravaggio, Doris Salcedo, Oscar Wilde and Wolfgang Tillmans. We explore the relationship between art, class, and sexuality, and how this has inspired his writing.


    Oisín makes work about love, money, health and history. He’s interested in the ways that political, economic and social conditions shape how we act, think, and feel at particular places and times. He writes about the mundane details of people’s daily lives in order to tell a bigger story about the world.


    “I still don't know that many writers but I know a lot of artists. Most of the conversations I have about artistic processes are with visual artists rather than writers, and I feel my process is more influenced by a visual art approach than by a literary one. The book is very concerned with aesthetics, particularly architectural aesthetics, and it pays a lot of attention to the built landscape of post-war Britain - I would say this attention is informed somewhat by a visual arts approach.”


    Oisín McKenna was born in Dublin and lives in London. He was awarded the Next Generation Bursary from the Arts Council of Ireland to write Evenings and Weekends and it was developed with further funding from Arts Council England. Evenings and Weekends has been awarded a 2022 London Writers Award and in 2017, Oisín was named in the Irish Times as one of the best-spoken word artists in the country. He has written and performed four theatre shows, including ADMIN, an award-winning production at Dublin Fringe 2019, and has written for outlets including the Irish Times on issues such as gentrification and the alienation of Dublin’s youth.


    Buy Oisin's new book now https://www.waterstones.com/book/evenings-and-weekends/ois-n-mckenna/9780008604172


    Follow @Ois_McK91 & @4thEstateBooks

    Hosted on Acast. See acast.com/privacy for more information.


    Leilah Babirye May 02, 2024
    Show notes

    We meet artist Leilah Babirye to discuss her inspiring multidisciplinary practice, her major solo show at Yorkshire Sculpture Park and new sculptures in the Venice Biennale 2024.


    Transforming everyday materials into objects that address issues surrounding identity, sexuality and human rights, the artist fled her native Uganda to New York in 2015 after being publicly outed in a local newspaper. In spring 2018 Babirye was granted asylum with support from the African Services Committee and the NYC Anti-Violence Project.


    Composed of debris collected from the streets of New York, Babirye’s sculptures are woven, whittled, welded, burned and burnished. Her choice to use discarded materials in her work is intentional – the pejorative term for a gay person in the Luganda language is ‘abasiyazi’, meaning sugarcane husk. “It’s rubbish,” explains Babirye, “the part of the sugarcane you throw out.” The artist also frequently uses traditional African masks to explore the diversity of LGBTQI identities, assembling them from ceramics, metal and hand-carved wood; lustrous, painterly glazes are juxtaposed with chiselled, roughly-textured woodwork and metal objects associated with the art of blacksmithing. In a similar vein, Babirye creates loosely rendered portraits in vivid colours of members from her community.


    Describing her practice, Babirye explains: “Through the act of burning, nailing and assembling, I aim to address the realities of being gay in the context of Uganda and Africa in general. Recently, my working process has been fuelled by a need to find a language to respond to the recent passing of the anti-homosexuality bill in Uganda.”


    For her Yorkshire Sculpture Park solo, Babirye spent the summer of 2023 at YSP making a clan of seven larger-than-life-size figures in wood and five coloured ceramics. Supported by YSP’s technical team, the seven sculptures were carved using a chainsaw and chisels from trees that had reached the end of their life on site. The artist describes being guided by the wood itself, sketching the initial forms directly onto the sectioned tree for carving. Once carved, the figures are refined and their surfaces sanded to highlight the grains of the tree. The sculptures are then burned a deep black, the charring once used to make the works ‘disappear’ but which is now a gesture of celebrating their beauty. Details of the sculptures are treated with a blowtorch before the surfaces are carefully waxed to acknowledge the skin of the piece and the tree from which it came. The final stage is one Babirye calls ‘taking the girls to the salon’, in which found elements complete the sculptures, including bicycle chains, nails and copper from a dismantled boiler, as well as redundant stainless steel teapots.


    Follow @BabiryeSculptor and @YSPsculpture


    Visit: https://ysp.org.uk/profile/leilah-babirye


    Leilah Babirye: Obumu (Unity) runs at Yorkshire Sculpture Park until Sunday 8th September 2024.

    https://ysp.org.uk/whats-on/exhibitions/leilah-babirye-obumu-unity


    Her work is also part of the Venice Biennale 2024


    Thanks to YSP, Stephen Friedman Gallery and Gordon Robichaux.

    Hosted on Acast. See acast.com/privacy for more information.


    Pet Shop Boys Apr 25, 2024
    Show notes

    New @TalkArt! We meet the PET SHOP BOYS to explore their new album NONETHELESS!!!


    Recorded in London’s Kings Cross, we chat to Neil Tennant and Chris Lowe about their history as the UK’s most successful pop duo, their mutual love of art, collaborations with artists throughout their 40 year career including Derek Jarman, Eric Watson, Wolfgang Tillmans, and most recently Tim Walker, plus we explore Neil’s interest in the Arts & Crafts movement, and for collecting & living with art.


    This feature-length exclusive episode celebrates today’s release (April 26th 2024) of their incredible new album Nonetheless, via Parlophone Records. This is their 15th studio album, and since releasing their debut single back in 1984 they’ve gone on to sell more than 50 million records worldwide.


    ‘Nonetheless’ features 10 brand new tracks and is available now digitally and in various physical formats, including CD, black vinyl, clear vinyl, grey vinyl and cassette. Recorded and mixed in London last year, the album is the duo’s first with producer James Ford at his studio in East London. The orchestra and backing vocals were recorded at The Church studio in North London.


    This is one of our favourite PSB albums they’ve made! Be sure to download or buy it now. The album also sees the duo return to Parlophone, the label which released their iconic and massively successful material spanning 1985 – 2012.


    🔗 Follow @PetShopBoys on Instagram.

    Visit: https://www.petshopboys.co.uk

    Hosted on Acast. See acast.com/privacy for more information.


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