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    Music

    Star Wars Music Minute

    Celebrating the music and sound of Star Wars 5 cinematic minutes at a time!

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    Latest Episodes:
    ESB 7: Musical Referee (Minutes 31-35 with Conor Power) Dec 25, 2022
    Show notes

    Film music PhD researcher Conor Power joins me for a discussion about The Empire Strikes Back minutes 31-35. We're finishing up the Battle of Hoth along with some shrill piccolos, rollicking pianos, an "extra minor" Luke theme, and a brass line that we both fancy for reasons we try to figure out. As the episode title suggests, the music in this cue seems to act like a referee keeping score between the Rebels and Empire (find out who the musical "winner" of these minutes is at the end of the episode). We also discuss the "Feminine Romantic Cliche" (FRC) as it pertains to Leia's theme and Indiana Jones and the Kingdom of the Crystal Skull.

    Timestamps:

    • 00:00 - Hello there!
    • 02:44 - Ben Burtt's AT-AT sound design.
    • 08:18 - The music acting as a referee.
    • 14:51 - Piercing shrill piccolo.
    • 22:55 - Foreshadowing the Asteroid Field.
    • 24:16 - Comm voices match visual cuts.
    • 25:51 - These pianos! ❤️
    • 34:27 - Luke's theme "extra minor."
    • 42:44 - Stark, despondent Han and Leia scene.
    • 45:12 - Why does this brass part stick out to us (in a good way)?
    • 51:30 - Why the Force theme here?
    • 1:03:08 - Tchaikovsky 4th Symphony + using spidey senses.
    • 1:09:07 - Rebels gaining the upper hand (musically).
    • 1:15:32 - Harry Potter comparison (joking chromatic string texture).
    • 1:21:48 - Leia's theme and Feminine Romantic Cliche (FRC).
    • 1:30:48 - Music + Millennium Falcon vroooom = perfection.
    • 1:33:55 - "Captain Solo! Captain Solo!" Is Threepio's line doubled?
    • 1:39:10 - Who actually wins the Battle of Hoth?
    • 1:43:59 - ESB's more subtle dynamic between Han and Leia.
    • 1:53:24 - Who wins the musical battle in these minutes?
    • 1:54:17 - SWMM Questionnaire

    Things to Check Out:

    • Dominic Sewell's analysis of 3M4/4M1 "Luke's First Crash" - https://youtu.be/dfKjTX7gpNs
    • Tchaikovsky, Symphony No. 4, 1st movement - https://youtu.be/iE9LhoKEmBk
    • Scherzo for X-Wings (John Williams) from Star Wars: The Force Awakens - https://youtu.be/xJzuanMUuS4
    • Scherzo for Motorcycle and Orchestra (John Williams) from Indiana Jones and the Last Crusade - https://youtu.be/1IFmRniWa0U
    • "Running to McGonagall" (John Williams) from Harry Potter and the Philosopher's Stone - https://youtu.be/T0SchcBWq7c
    • ("Thinking about Marion's Theme") Art of the Score Episode 1: Raiders of the Lost Ark - Part 1 - https://www.artofthescore.com.au/podcast/2017/2/16/episode-1-raiders-of-the-lost-ark-part-1
    • Art of the Score Episode 2: Raiders of the Lost Ark - Part 2 - https://www.artofthescore.com.au/podcast/2017/2/16/episode-2-raiders-of-the-lost-ark-part-2
    • ANH 18: The Swashbucklers (Minutes 86-90 with Dan Golding) - https://youtu.be/5xFFLXruO0Y
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Cues:

    • 3M4/4M1 "Luke's First Crash"
    • 4M2 "The Rebels Escape Again"

    Musical Themes:

    • 16b. Dark Side (Ostinato)
    • 10a. Imperial March (Theme)
    • 1a. Main Theme (A Section)
    • 3. Force
    • 2. Rebel Fanfare
    • 10b. Imperial March (Bridge)
    • 4. Leia

    Where are we in the soundtrack?:

    • "The Battle Of Hoth (Ion Cannon/Imperial Walkers/Beneath the"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Vivid symphonic storytelling.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • Interviews with the orchestrators.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • If Beale Street Could Talk (by Nicholas Britell)

    ---------------

    Guest: Conor Power

    • Twitter: https://twitter.com/cpower1997
    • (Article) Swashbucklers and Femme Fatales: Gender Coding in John Williams’s Score to Indiana Jones and the Kingdom of the Crystal Skull - https://revista.uclm.es/index.php/cuadernosdeinvestigacionmusical/article/view/2830

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 6: Battle of Hoth Set Theory (Minutes 26-30 with Dominic Sewell) Dec 19, 2022
    Show notes

    We're getting deep into the Battle of Hoth today! This is minutes 26-30 of The Empire Strikes Back with composer/orchestrator Dominic Sewell. The quickie topic is a primer on the anatomy and function of a score.

    To follow along with the visuals in this episode, I recommend checking out the video version (or just spot checking the areas you want to see): https://youtu.be/oOvHkaciOVk

    Timestamps:

    • 00:00 - Hello there!
    • 2:10 - What stands out to you about the Battle of Hoth?
    • 8:26 - Who is the greatest 20th century composer?
    • 10:30 - Quickie topic: Anatomy and function of a score.
    • 16:05 - Start of these minutes.
    • 18:51 - Contrapuntal fudge.
    • 28:18 - Frank Lehman's breakdown of the Battle of Hoth themes from a-z.
    • 32:46 - Cool things about octatonic scales and John Williams's use of them.
    • 45:42 - Military preparation theme (e)
    • 48:00 - "One is okay, two is memorable, three is too much."
    • 54:05 - Optimistic Walton-esque theme (h)
    • 1:01:07 - Increasing rhythm, momentum, texture before big crescendo.
    • 1:03:35 - Start of 3M3 "The Snow Battle"
    • 1:10:30 - Pitch class sets, Forte numbers, using the pitch-class set calculator. 4-19, 6-z19, 5-32, 8-28, etc...
    • 1:26:29 - “Fingers are not to be despised: they are the great inspirers, and, in contact with a musical instrument, often give birth to subconscious ideas which might otherwise never come to life.” -Stravinsky
    • 1:29:10 - Alpha chords.
    • 1:38:47 - What JW wrote about this cue in the liner notes ("bizarre, mechanical, brutal...")
    • 1:49:10 - "The rub" + Why are minor seconds and major sevenths "the same?"
    • 2:00:14 - "Into the Maw" from Solo: A Star Wars Story.
    • 2:06:13 - Cluster splurge.
    • 2:13:33 - Diverging outline.
    • 2:19:01 - Filigree, frills, and trills.
    • 2:23:41 - 6-20 classic hexatonic set.
    • 2:31:40 - Philosophical question: how do you decide the boundaries of the set you're analyzing?
    • 2:36:46 - The Hoth sequence contains nearly all of John Williams's action hallmarks.
    • 2:45:38 - SWMM Questionnaire

    References:

    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.
    • Analysis Through Composition - Principles of the Classical Style (book by Nicholas Cook) - https://searchworks.stanford.edu/view/3425258
    • Vaughan Williams: Fantasia on a theme by Thomas Tallis
    • Orb and Sceptre (William Walton) - https://youtu.be/v6qjUdaDE_Q
    • Crown Imperial March (William Walton) - https://youtu.be/1M9xZlA2zn8
    • Dominic's video intro to pitch class set theory: https://youtu.be/Am2KLFMGuvw
    • Pitch-Class Set Calculator: https://www.mta.ca/pc-set/calculator/pc_calculate.html
    • List of set classes: https://en.wikipedia.org/wiki/List_of_set_classes
    • Petrushka (Stravinsky) - https://youtu.be/jeSC0vtdn3g
    • David Matthews piece: The Golden Kingdom song cycle, "Spell of Creation" movement - https://www.fabermusic.com/shop/the-golden-kingdom-p3081
    • Mussorgsky: Night on Bald Mountain - https://youtu.be/SLCuL-K39eQ
    • Mickey Mouse (2013) series, music by Christopher Willis - https://www.youtube.com/watch?v=yNdhDq-DF8k&list=PLIUzyJZLGeBM2mB9MaXtfzCxHRZ6s8PIl
    • Mark Richards's film scoring courses: https://filmmusicnotes.com/all-courses/
    • https://en.wikipedia.org/wiki/Mickey_Mouse_(TV_series)
    • The Music of The Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores (by Doug Adams) - https://www.goodreads.com/en/book/show/8882617

    Check out Dominic Sewell's channel to see more analysis with video walkthroughs of these cues:

    • 3M2 Leia's Instructions (final segment) - https://youtu.be/DThcEWb_CoE
    • 3M3 The Snow Battle - https://youtu.be/fIHn1e521DY
    • 3M4/4M1 Luke's First Crash - https://youtu.be/dfKjTX7gpNs

    Cues:

    • 3M2 "Leia's Instructions"
    • 3M3 "The Snow Battle"
    • 3M4/4M1 "Luke's First Crash"

    Musical Themes:

    • 2. Rebel Fanfare
    • 18) Descending Heroic Tetrachords
    • 1a. Main Theme (A Section)
    • 13. Droids

    Where are we in the soundtrack?:

    • "The Battle Of Hoth (Ion Cannon/Imperial Walkers/Beneath the"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Transporting. Transforming. Transcendental.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • Dom would like to talk to John Williams about what his teachers taught him.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • Lord of the Rings - Howard Shore
    • Doctor Who (TV series) - Murray Gold
    • The Orville (TV series) - Bruce Broughton (main theme), Joel McNeely, Andrew Cottee, John Debney, and Kevin Kaska
    • Death of Stalin - Christopher Willis

    ---------------

    Guest: Dominic Sewell

    • Website: https://dominicsewell.co.uk
    • YouTube: https://www.youtube.com/c/DominicSewellMusic
    • Twitter: https://twitter.com/dominicsewell
    • Patreon: https://www.patreon.com/DominicSewellMusic

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 5: Weeds of the Reeds (Minutes 21-25 with Stephanie Manning) Dec 12, 2022
    Show notes

    In minutes 21-25 of The Empire Strikes Back, Vader sets course for the Hoth system while the Rebels prepare to defend their base. Joining me today is Stephanie Manning, a bassoonist, writer, and 2022 Fellow of the Rubin Institute for Music Criticism. We talk about the Imperial March, the contrast between Rebel and Empire music, and the bassoon's role in the orchestra.

    Sidenote: Stephanie is the first bassoonist I've had on the show, so it was high time for a thorough introduction to this often-overlooked but very present instrument that's part of the Star Wars scores.

    Check out the video version of this episode if you want to see the bassoon visuals. Once Disney accepts my copyright dispute, it will be right here on YouTube: https://youtu.be/2abkoRqBMwQ (Maddeningly, the video is currently blocked at the time of initial release. 😵‍💫)

    Timestamps:

    • 0:00 - Hello there!
    • 8:20 - Quickie Lesson: Primer to the Instruments of the Orchestra
    • 13:55 - Hard to imagine hearing the Imperial March for the first time.
    • 17:26 - "Pay attention to me" melodies.
    • 24:31 - Imperial March vs. Chopin's Funeral March.
    • 30:52 - Imperial March vs. John Philip Sousa marches.
    • 39:17 - Bassoon show and tell (range, embouchure, double reed, height comparison, how the keys work, how sound is produced)
    • 48:03 - The part where I promised there would be a timestamp.
    • 54:01 - Bassoon playing demonstration.
    • 1:00:02 - How to mic a bassoon.
    • 1:02:08 - Orchestrating bassoon.
    • 1:08:48 - What made Stephanie choose to play the bassoon? (It's not a commonly chosen instrument.)
    • 1:24:55 - Standout bassoon moments in orchestral literature.
    • 1:29:10 - End of bassoon tangent (lol) and back to the buildup of strings to the Imperial March drop.
    • 1:34:42 - Sweet, elongated string lines (Rebels) vs. short, sharp lines (Imperials).
    • 1:42:17 - Beginning of the Battle of Hoth set piece.
    • 1:50:00 - Obvious contrast between the past cue (which had lots of different moods, push-pull, rise-fall) and this cue (ramping up).
    • 2:08:38 - SWMM Questionnaire

    Things to Check Out:

    • David Bruce Composer's "history of the entire orchestra, i guess" - https://youtu.be/tNsZA6q8yH8
    • Dominic Sewell Music has done fantastic analysis on "2M4 The Imperial March - The Probe Scanner": https://youtu.be/UZaQDrN7YZU
    • Frédéric Chopin: Funeral March https://youtu.be/xt9SN7Y-z-A
    • Nikolai Rimsky-Korsakov: Scheherazade - https://youtu.be/SQNymNaTr-Y
    • Igor Stravinsky: Rite of Spring - https://youtu.be/rP42C-4zL3w
    • Bassoon solo from Tchaikovsky's 6th Symphony (soloist is Julien Hardy) - https://youtu.be/tWsy5GCsGDI
    • Body mapping for musicians: https://www.bodymap.org/recommended-reading
    • Béla Bartók: Romanian Folk Dances (soloist is Henryk Szeryng) - https://youtube.com/watch?v=a9aZU35so9A&t=175 <-- queued up to the part we were talking about
    • ANH 19: Run, Luke! Run! (Minutes 91-95 with Father David and Trevor Mowry) https://youtu.be/9FZgc1x5slg <-- Oboist Trevor Mowry also got into the weeds of the reeds.
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Cues:

    • End of 2M4 "The Probe Scanner"
    • 3M1 "Drawing The Battle Lines"
    • 3M2 "Leia's Instructions"

    Musical Themes:

    • 10a. Imperial March (Theme)
    • 24) Imperial March Vamp
    • 1a. Main Theme (A Section)

    Where are we in the soundtrack?:

    • "The Battle Of Hoth (Ion Cannon/Imperial Walkers/Beneath the"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Thematic. Intense. Lush.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • Details about the score preparation and recording process.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • The Cat Returns (by Yuji Nomi)

    ---------------

    Guest: Stephanie Manning

    • Stephanie's articles on Cleveland Classical: https://clevelandclassical.com/author/stephanie/
    • Twitter: https://twitter.com/ByStephManning

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 4: Snowspeeder Macroharmony (Minutes 16-20 with Jenn Harding) Dec 05, 2022
    Show notes

    Music theorist Dr. Jenn Harding joins Xanthe for an analysis of minutes 16-20 of The Empire Strikes Back. We talk about textural shifts, snowspeeder sound design, macroharmony, musical structure, spectrograms, math, intonation, the Leia-Han-Luke love triangle (and what the music has to say about it), and more!

    This episode is also on YouTube (with spectogram visuals): https://youtu.be/nnflnU9iecM

    Timestamps:

    • 00:00 - Hello there!
    • 04:15 - Interaction between music and sound design.
    • 06:54 - How Ben Burtt crafted the snowspeeder and snow sounds.
    • 14:07 - Mechanical-sounding perpetual motion with triumphant trumpet flourishes on top.
    • 22:58 - Weird, angular oboe melody and a massive texture shift.
    • 27:54 - No music during the impassionate kiss.
    • 32:10 - Fuzzball, nerfherder.
    • 35:10 - How Ben Burtt made the Imperial Probe Droid explosion sound.
    • 37:38 - Using math to analyze harmony, intro to macroharmony.
    • 45:16 - How would you define harmony? Harmony (abstract) and sonority
    • 48:15 - Spectograms and discrete Fourier transform (DFT). (Visual demonstration of these Star Wars minutes viewed through the spectogram)
    • 1:02:38 - Quick Tip: Orchestral listening challenge.
    • 1:06:54 - Why does knowing the harmonic landscape of something matter?
    • 1:12:45 - 12-tone scale, interval ratios, imperfect reality of intonation.
    • 1:21:20 - Dialogue causing changes in the structure of the speeder music.
    • 1:27:40 - Imperial March sounds steady but doesn't have the same motor. Accents. Why does the Imperial March sound almost... human?
    • 1:45:59 - SWMM Questionnaire

    Things Mentioned:

    • Jenn's Visual Pitch Class Vector Calculator: https://www.jenndharding.com/vectorcalculator
    • Jenn's DFT Panorama Generator: http://www.jenndharding.com/panorama
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Check out Dominic Sewell's analysis of these cues!

    • 2M2 Ben's Instructions - https://youtu.be/Dh9W98GykGs
    • 2M3 Luke's Rescue - https://youtu.be/UTFX2QjGqzQ
    • 2M4 The Imperial March - The Probe Scanner - https://youtu.be/UZaQDrN7YZU

    Musical Themes:

    • 16b. Dark Side (Ostinato)
    • 24) Imperial March Vamp
    • 10a. Imperial March (Theme)

    Cues:

    • Very end of 2M2 "Ben's Instructions"
    • 2M3 "Luke's Rescue"
    • 2M4 "The Probe Scanner"

    Where are we in the soundtrack?:

    • "The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight"
    • "Rescue from Cloud City/Hyperspace"
    • "The Imperial Probe/Aboard the Executor"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Adventure. Nostalgia. Romance.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • The sound design and its coordination with the score.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • Lord of the Rings (by Howard Shore)

    ---------------

    Guest: Dr. Jenn Harding

    • https://jenndharding.com
    • https://twitter.com/dizzyfingers42

    -----------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 3: Snowy Spectralism (Minutes 11-15 with Jacob Jahiel) Nov 28, 2022
    Show notes

    This episode is about minutes 11-15 of The Empire Strikes Back with my guest Jake Jahiel -- a musicologist, Baroque music specialist, and 2022 Fellow of the Rubin Institute for Music Criticism. Today, we're talking about the Spectralist-adjacent music of Hoth, the Force theme that sprang from the petri dish, Wagner's influence, and the music that John Williams originally wrote that got cut from this scene.

    Video version of this episode is here: https://youtu.be/hRujf84GhXM

    Timestamps:

    • 00:00 - Hello there!
    • 05:10 - Listening to the beginning of these minutes.
    • 6:31 - How Ben Burtt made Threepio's sound here.
    • 11:21 - Somber horn stinger.
    • 15:15 - What is the meaning of this fragmented Force theme?
    • 23:36 - Ligeti/Spectralist influences.
    • 30:49 - "Ben! Dagobah!"
    • 35:25 - The music that John Williams originally wrote for this scene that got cut.
    • 40:56 - Quickie Topic: Tempo
    • 55:21 - Why it's worth acknowledging Wagner's influence on Star Wars.
    • 1:03:19 - SWMM Questionnaire

    Things to Check Out:

    • Dominic Sewell's analysis of 1m3/2m1 "Luke's Escape" - https://youtu.be/xKysHgjNtmk
    • Dominic Sewell's analysis of 2m2 "Ben's Instructions" - https://youtu.be/Dh9W98GykGs
    • "Allegretto" from Beethoven's 7th Symphony (first chord) - https://youtu.be/vCHREyE5GzQ
    • György Ligeti - "Atmospheres" - https://youtu.be/RCNzwdLwA8g
    • The Empire Strikes Back sound design explained by Ben Burtt (INDEPTH Sound Design) - https://youtu.be/VUeWJKwQwsE
    • Spectral music: https://en.wikipedia.org/wiki/Spectral_music
    • Film-as-Concert-Music And the Formal Implications of 'Cinematic Listening' - https://franklehman.com/film-as-concert-music/
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Cues:

    • Very end of 1M3/2M1 "Luke's Escape"
    • 2M2 "Ben's Instructions"

    Musical Themes:

    • 3. Force
    • Possible hint of 1a. Main Theme (A Section)

    Where are we in the soundtrack(s)?:

    • "The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight"

    ----------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Unproblematic intergalactic Wagner.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • The foley work.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • Lord of the Rings trilogy (composed by Howard Shore)

    ---------------

    Guest: Jacob Jahiel

    • You can find Jake's writing on Early Music America (EMA): https://www.earlymusicamerica.org/?s=jacob+jahiel

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 2: Wampa Vision (Minutes 6-10 with Christina Ward) Nov 21, 2022
    Show notes

    This episode is about minutes 6-10 of The Empire Strikes Back, and composer-artist Christina Ward returns to the show to discuss! The YouTube version of this episode is here: https://youtu.be/xHuhO51iYuc

    Timestamps:

    • 00:00 - Hello there!
    • 02:15 - Listening to the beginning of these minutes.
    • 08:17 - Assessing the feelings behind Han and Leia's dialogue.
    • 12:28 - Slow, awkward waltz.
    • 16:41 - Threepio slander.
    • 24:32 - Irvin Kershner wanted the ESB score to be spare.
    • 29:44 - Talking through a part of the score.
    • 36:47 - Reverse-engineering the Wampa based on how the Wampa sounds.
    • 41:07 - Swarming, swirling strings rise up. Reminiscent of the Moldau (by Smetana).
    • 49:27 - Getting the notes exactly right vs. "this is an effect."
    • 55:55 - Conductors as Jedi Masters.
    • 1:02:17 - Esa Pekka Salonen and kung fu masters.
    • 1:10:53 - Tauntaun sounds.
    • 1:13:53 - Quickie topic: Dynamics.
    • 1:23:40 - SWMM Questionnaire.

    Things Mentioned:

    • Smetana - The Moldau - https://youtube.com/watch?v=BhAwqPBPIEM&t=110
    • The Soundtrack Show: The Empire Strikes Back: the Music Part I: https://www.iheart.com/podcast/105-the-soundtrack-show-29021108/episode/the-empire-strikes-back-the-music-30719133/
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Check out Dominic Sewell Music 's YouTube channel for a more in-depth cue analysis of the following cues:

    • 1m3/2m1 "Luke's Escape" - https://youtu.be/xKysHgjNtmk
    • 1m2B "The Imperial Probe" Part 2 - https://youtu.be/29teKKgKNm8

    Musical Themes:

    • 4. Leia
    • 11a. Han & Leia (A Section)
    • 13. Droids
    • 3. Force
    • 1a. Main Theme (A Section)

    Where are we in the soundtrack?:

    • "Main Title/The Ice Planet Hoth"
    • "The Wampa's Lair/Vision of Obi-Wan/Snowspeeders Take Flight"

    Cue Numbers and Names:

    • 1M2B "The Imperial Probe - Part 2" aka "New Start"
    • 1M3/2M1 "Luke's Escape"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Old answer: Heartfelt. Direct. Dramatic.
    • New answer: Droids. Hopeful. Dramatic.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • Old answer: What are the thematic relationships that tie the dark side with Imperialism, musically speaking? Similarly, what musical relationships tie the light side with rebellion and goodness?
    • New answer: What the aural representation of Chiss brainwaves, particularly Sky-walkers, would be.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • Old answer: Dune (music composed by Hans Zimmer, sound team led by Mark Mangini and Theo Green)
    • New answer: Ms. Marvel (composed by Laura Karpman) and Moon Knight (composed by Hesham Nazih)

    ---------------

    Guest: Christina Ward

    • Instagram: https://www.instagram.com/xtverse.studio/
    • Twitter: https://twitter.com/ChristinaWard00
    • Solo 15: Do You Like It? (Minutes 71-75 with Christina Ward) - https://youtu.be/YkMiwQzrteY
    • Christina joined The Band Batch for music commentary on ANDOR season 1: https://youtube.com/playlist?list=PLE4n8ygyS0MIkTsWhhs7gBmLFiQtjzAjT

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    ESB 1: The First Five Minutes of Empire (Minutes 1-5) Nov 14, 2022
    Show notes

    This episode is an introduction to the music of The Empire Strikes Back, with a special emphasis on minutes 1-5. Welcome to THE EMPIRE STRIKES BACK SEASON of Star Wars Music Minute! 🎉 (No guest today; just Xanthe.)

    Timestamps:

    • 00:00 - Hello there!
    • 01:06 - References & resources
    • 03:31 - Intro to THE EMPIRE STRIKES BACK
    • 04:46 - Scoring process
    • 08:52 - Recording process
    • 22:50 - Soundtrack hullabaloo
    • 30:14 - New musical themes
    • 36:25 - ESB Minutes 1-5
    • 1:07:47 - Season gameplan

    References:

    • Recording the Star Wars Saga - Analysis by Chris Malone (2005-2012): https://www.malonedigital.com/starwars.pdf
    • John Williams BBC Documentary (1980) - https://www.youtube.com/playlist?list=PLBCF465B155E38603
    • The Soundtrack Show: The Empire Strikes Back: the Music Part I: https://www.iheart.com/podcast/105-the-soundtrack-show-29021108/episode/the-empire-strikes-back-the-music-30719133/
    • Art of the Score: The Empire Strikes Back -- Part 1: http://www.artofthescore.com.au/podcast/2019/5/23/episode-27-the-empire-strikes-back-part-1
    • Art of the Score Episode 34: Studio Fanfares Part 1 - http://www.artofthescore.com.au/podcast/2021/7/25/episode-34-studio-fanfares-part-1
    • The Empire Strikes Back Sound Design Explained by Ben Burtt (INDEPTH Sound Design) - https://youtu.be/VUeWJKwQwsE
    • Photocopy of John Williams' Handwritten Sketch for the ESB "Finale" (Julien's Auctions page) - https://www.julienslive.com/lot-details/index/catalog/353/lot/141570
    • Dominic Sewell's analysis of The Empire Strikes Back - 1m1 Fanfare and Main Title - https://youtu.be/0OHkY5wUJI8
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.
    • 50 Hz Pilot Test Tone: https://youtu.be/bslHKEh7oZk

    Musical Themes:

    • 1a. Main Theme (A Section)
    • 1b. Main Theme (B Section)
    • 1) Starry Night Arpeggios
    • 10a. Imperial March (Theme)
    • 11a. Han & Leia (A Section)

    Where are we in the soundtrack?:

    • "20th Century Fox Fanfare"
    • "Star Wars (Main Theme)"
    • "Main Title/The Ice Planet Hoth"
    • "The Imperial Probe/Aboard the Executor"
    • "Arrival on Dagobah"

    Cues:

    • 1M1-1M2A "Main Title - The Imperial Probe - Part 1"

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    Solo 29: Interview with Baraka May (Singer on ”Chicken in the Pot”) Sep 23, 2022
    Show notes

    Baraka May has recording vocals on over 500 films, TV shows, video games, commercials, and albums. Today, we're discussing her work on "Chicken In the Pot" in Solo: A Star Wars Story! 🐔 Baraka reflects on the recording process, talks about how she approached the Huttese dialect, and talks about how she and John Powell experimented with pitch and speed-shifting in order to land on the unique "Chicken in the Pot" vocals.

    Timestamps:

    • 00:00 - Hello there!
    • 04:20 - How did Baraka get called in to sing "Chicken in the Pot?"
    • 11:09 - Baraka's training as a singer, actor, and voiceover artist. Becoming a "utility singer."
    • 17:30 - Brazilian Bossa Nova + breathy + nasal.
    • 19:27 - Recording the original demo in Sith, then changing it to Huttese.
    • 23:11 - "Chicken in the Pot" vocals were recorded in a fast tempo, then slowed down. John Powell and Baraka May played around with lots of approaches.
    • 31:39 - The pitch bending was Baraka's own improvisation + flavor. There are no microtones notated.
    • 37:10 - Baraka's friend Reid Bruton ended up singing the bass backup vocals for the film version.
    • 41:00 - "Chicken in the Pot" lyrics and translation confirmed!
    • 45:00 - The high-pitched backup vocal was achieved by singing in a character voice in a slightly lower pitch, then pitching it up a little. "Sprechstimme" = speak-sing.
    • 57:35 - How did Baraka remember her vocal placement when she went back to the studio for re-records?
    • 1:00:41 - Maintaining vocal health with a full schedule of session work.
    • 1:12:12 - What kinds of voices and styles are trendy? Baraka's favorite vocalists to emulate.
    • 1:21:31 - What was Baraka's first "Chicken in the Pot" take for John Powell like?
    • 1:26:16 - Posh Huttese.
    • 1:28:51 - SWMM Questionnaire
    • 1:35 28 - If Solo 2 happens, would Baraka be down to reprise her role as Aurodia Ventafoli ("CITP" singer)?

    Things to Check Out:

    • Video of Baraka May in the recording studio with John Powell: https://www.facebook.com/watch/?v=1945815745719721
    • Playlist of all SWMM Conversations with Star Wars musicians: https://www.youtube.com/playlist?list=PLE4n8ygyS0MLbbtk0Hzpb0Z3JlShtuf_U
    • Solo 9: Chicken in The Pot Iceberg (Minutes 41-45 with AurekFonts) - https://youtu.be/W4mqTn4oYVg

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • Otherworldly. Epic. Unexpected.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • How the collaborative relationship is between and amongst Star Wars composers. How composers navigate mixing in the old with the new.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • Lord of the Rings trilogy (composed by Howard Shore) and Edward Scissorhands (composed by Danny Elfman)

    ---------------

    Guest: Baraka May

    • Website: https://www.barakamay.com/
    • Instagram: https://www.instagram.com/barakamay/
    • IMDb: https://www.imdb.com/name/nm6970285/
    • Twitter: https://twitter.com/Barakamay

    ------------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    Solo 28: Interview with Iain Farrington (Pianist for Solo: A Star Wars Story) Sep 09, 2022
    Show notes

    Iain Farrington played piano and celeste for the Solo: A Star Wars Story soundtrack! In this episode, we listen to some of our favorite piano moments from the Solo soundtrack, and Iain talks about what it was like to record those cues. He also shares stories from the recording sessions and gives us insight into how he approaches different types of piano cues.

    Timestamps:

    • 00:00 - Hello there!
    • 00:39 - Why was the Solo score recorded in London?
    • 04:08 - "Meet Han" (piano solo toward the beginning of the film).
    • 10:55 - When Ron Howard came to the sessions.
    • 13:46 - Watching John Powell write the Elgarian Imperial March arrangement during lunch, then recording different versions.
    • 23:11 - How did Iain "get the call" to do this gig?
    • 26:16 - "L3 and the Millennium Falcon" - What it was like to play the Star Wars Main Theme on the celeste (when we meet the Millennium Falcon in the movie).
    • 41:14 - How does Iain approach recording piano with an orchestra vs. recording for a solo piano project?
    • 51:07 - "Dryden's Long, Long Fight" (romantic piano solo during Han and Qi'ra's last scene together).
    • 1:02:23 - Xanthe's random, specific questions about the recording process (how many days? headphones? what was in his monitor mix? challenges?)
    • 1:15:13 - How does Iain balance his work as a composer, arranger, and performer?
    • 1:29:27 - "I Still Call Australia Home."
    • 1:34:13 - SWMM Questionnaire.

    Things to Check Out:

    • Playlist of SWMM Conversations with Star Wars musicians: https://www.youtube.com/playlist?list=PLE4n8ygyS0MLbbtk0Hzpb0Z3JlShtuf_U
    • Mahler - 1st Symphony, 1st mvt (piano solo arranged by Iain Farrington) - https://youtu.be/ET8UNKBzUgI
    • "I Still Call Australia Home" Qantas ad: https://youtu.be/Kwfuo8ESa5E
    • Iain Farrington's "I still call Australia home" arrangement is the second track on this list: https://www.iainfarrington.com/songs.html
    • Solo 3: Imperial March Diegesis (Minutes 11-15 with Samantha Tripp) - https://youtu.be/Kj9EAuzCY68
    • Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars: https://franklehman.com/starwars/

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • That's an orchestra.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • Would love to see John Williams's original sketches for Star Wars.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • E.T. (composed by John Williams)

    ---------------

    Guest: Iain Farrington

    • Website: https://www.iainfarrington.com/
    • Twitter: https://twitter.com/IainFarrington
    • YouTube (where you can find his piano arrangements of Mahler symphonies): https://www.youtube.com/user/iainfarrington

    -----------------

    If you want to support the show and join the Discord server, consider becoming a patron! https://patreon.com/chrysanthetan

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

    Solo 27: Solo Music Department (Minutes 131-135) Aug 26, 2022
    Show notes

    Xanthe wraps up coverage of Solo: A Star Wars Story (minutes 131-135) by taking a closer look at the music and sound credits. What do sound editors, music editors, orchestra contractors, and re-recording mixers do? We'll also review the nine new leitmotifs that Solo added to the Star Wars oeuvre.

    Timestamps:

    • 00:00 - Hello there!
    • 01:27 - Music and sound end credits and what the various roles do.
    • 1:01:54 - The nine new leitmotifs from Solo.
    • 1:24:30 - Final thoughts on the film, score, and season.
    • 1:37:58 - What does Star Wars sound like (according to all the Solo season guests)?
    • 1:40:16 - SWMM Questionnaire.
    • 1:42:05 - Acknowledgements.

    References:

    • Solo Credits Wiki: https://jhmoviecollection.fandom.com/wiki/Solo:_A_Star_Wars_Story/Credits
    • Score Mixing Seminar with Shawn Murphy (Mix with the Masters): https://youtu.be/NH7qH9qbjYM
    • Sound Effects Categories - How Do You Organise Yours? (Pro Tools Expert interview with Tim Nielsen, including links to download his sound effect organizing system) - https://www.pro-tools-expert.com/home-page/2017/6/27/sound-effects-categories-how-do-you-organise-yours
    • ANH 20: Jungle Warehouse (Minutes 96-100 with Nick Norton) - https://youtu.be/Db1ZnPnfjKU
    • John Powell's vuvuzela Instagram post: https://www.instagram.com/p/BuX7nvwFz5i/
    • John Powell's Instagram post showing his orchestral template (2021): https://www.instagram.com/p/CNaPUIyBJrM/
    • Article about film music orchestrators (The Hollywood Reporter, 2007): Unsung heroes: https://www.hollywoodreporter.com/business/business-news/unsung-heroes-127344/
    • Hollywood Five Honoured by Trinity Laban - https://www.trinitylaban.ac.uk/news/hollywood-five-honoured-by-trinity-laban/
    • Being a Composers Assistant: https://www.spitfireaudio.com/editorial/features/being-a-composers-assistant/
    • 5 Cat Studios: https://5catstudios.com/
    • May the Score Be with You: Music Editor Ramiro Belgardt Returns for 'Star Wars' Reboot - https://cinemontage.org/may-score-music-editor-ramiro-belgardt-returns-star-wars-reboot/
    • Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/.

    Musical Themes:

    • 8. L3-37
    • 1. Young Han Solo (Heroic, comp. JW)
    • 2b. Young Han Solo (Searching Variant, comp. JW)
    • 6. Han & Chewie

    Where are we in the soundtrack?:

    • "Super Extra Deluxe End Credits Suite (7MEC)"

    ---------------

    STAR WARS MUSIC MINUTE QUESTIONNAIRE:

    1. In exactly 3 words, what does Star Wars sound like?

    • New answer: Intricate orchestral storytelling.
    • Previous answer: The Cosmic Force.

    2. What's something related to Star Wars music or sound that you want to learn more about?

    • New answer: The working relationship between the composer and music editor.
    • Previous answer: I'm curious about how other people experience and engage with the music of Star Wars, on both a macro and micro level. I want to know how other people are making sense of it or analyzing it with frameworks different than mine. Basically, I'm interested in doing what this podcast already gives me the excuse to do -- talk to people about Star Wars music.

    3. What's a score or soundtrack you're fond of besides anything Star Wars?

    • New answer: Moonrise Kingdom.
    • Previous answer: There Will Be Blood (composed by Jonny Greenwood)

    --------

    If you want to support the show and join the Friends of Xanthe Discord server, consider becoming a patron: https://patreon.com/chrysanthetan

    Merch store in progress: https://www.redbubble.com/people/swmusicminute

    Leave a voice message, and I might play it on the show... https://starwarsmusicminute.com/comlink

    Where else to find SWMM:

    • Twitter: https://twitter.com/StarWarsMusMin
    • YouTube: https://youtube.com/starwarsmusicminute
    • TikTok: https://www.tiktok.com/@starwarsmusicminute?
    • Instagram: https://instagram.com/starwarsmusicminute
    • Email: podcast@starwarsmusicminute.com
    • Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

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