In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films.
Episode 302: Composer Anne Nikitin Discusses Her Work
Apr 11, 2022
Show notes
For the second week in a row, we welcome a female composer to Soundtracking, which is a delight, given the underrepresentation of women in the industry. Anne Nikitin's star is very much on the rise, after she made her big breakthrough working with Bart Layton on The Imposter and American Animals. She has several exciting projects on the go, including the prequel to Dangerous Liaisons.
Episode 301: Pinar Toprak On The Music Of Lost City
Apr 05, 2022
Show notes
Our latest guest on Soundtracking is a returning composer who has fast become one of the hardest working and most sought after talents in the business.
Pinar Toprak's latest efforts can be heard on the light hearted jungle romp, The Lost City, but she's also got a number of exciting projects in the pipeline and is fresh from conducting Billie Eilish and Finneas's performance of No Time To Die at the Oscars. It's an absolute delight to hear her talk about her craft.
Episode 300!!!: Joachim Trier On The Music Of The Worst Person In The World
Mar 29, 2022
Show notes
We're 300! Wow. Thanks so much for all your continued support. It means the world to us and we wouldn't be here without you. To celebrate, we're joined by a Norwegian writer/director whose wonderful film The Worst Person In The World was up for an Oscar in the Best Foreign Film category, missing out to the Japanese road movie, Drive My Car. Joachim Trier has received widespread acclaim for his black-comedy drama, which tells the story of Julie as she tries to navigate the troubled waters of her love life and career. It has an absolutely brilliant soundtrack, and you'll hear plenty of examples from it.
Episode 299: Craig Roberts On The Music Of The Phantom Of The Open
Mar 22, 2022
Show notes
We have a friend of the show returning to Soundtracking this week in the shape of Craig Roberts - who has directed a British indie film that Edith absolutely loves. The Phantom of The Open was written by Simon Farnaby, and tells the unlikely true story of Maurice Flitcroft - an excellent hoaxer and terrible golfer who posted the worst ever score recorded at an Open Championship when he contrived to take part in qualifying for the event in 1976. Mark Rylance and Sally Hawkins head a strong cast, while the film is scored by another friend of the show, Isobel Waller-Bridge.
Episode 298: Domee Shi & Lindsey Collins On The Music Of Turning Red
Mar 16, 2022
Show notes
Our latest guests on Soundtracking are Pixar animator, writer and director, Domee Shi, and producer Lindsey Collins, who's new project together is the wonderful Turning Red. Streaming now on Disney + Turning Red tells the story of a 13-year-old Chinese-Canadian student who transforms into a giant red panda when she gets into a heightened emotional state.
It's scored by our old friend Ludwig Goransson, and you will, of course, hear plenty of his music throughout the conversation.
297: Paul Thomas Anderson Talks Music
Mar 11, 2022
Show notes
We can't quite believe the run of guests we've had on Soundtracking, what with Andrew Garfield, Dave Grohl and Jonny Greenwood among those who've joined us in recent weeks. But when it comes to marrying music and film, Paul Thomas Anderson is right up there with Scorsese and Tarantino as a master of the art. His latest movie, Licorice Pizza, is not only a delight to behold, but also chock full of needle drops. He talks all things music, including his relationship with the aforementioned Mr Greenwood.
Episode 296: Jonny Greenwood On His Film Scores
Mar 07, 2022
Show notes
Legend alert! Our latest guest on Soundtracking is not only the lead guitarist, keyboardist and instrumentalist of one of the greatest bands on planet Earth, but has also transitioned with huge success into the realms of movie scoring. Jonny Greenwood has formed a formidable partnership with Paul Thomas Anderson since providing the music for There Will Be Blood, and has also worked with Lynne Ramsay, Pablo Larrain and Jane Campion - who are esteemed company indeed. He's also one of the most understated and humble people you could ever wish to meet. We'll get into his collaborations with all these great filmmakers during the course of the conversation, and sprinkle plenty of his music throughout.
Episode 295: Andrew Garfield Talks Tick, Tick, Boom
Mar 04, 2022
Show notes
We continue our bumper run of guests on Soundtracking with a man who's up for an Oscar this month in the Best Actor category. Andrew Garfield delivers a knockout performance as Jonathan Larson in Lin-Manuel Miranda's musical biopic Tick Tick Boom, as you can see for yourself on Netflix. It's always a joy chatting to him, though if you haven't seen the latest Spiderman film, we should say this interview contains a major spoiler. Amazingly, Andrew has never been required to sing for a project before, not that you'd know it.
Episode 294: Dave Grohl Talks Studio 666
Feb 28, 2022
Show notes
Rock 'n' roll royalty joins Edith for the latest episode of Soundtracking, as Dave Grohl discusses his comedy horror Studio 666 among many other things. Featuring all six members of The Foo Fighters as themselves, Studio 666 is a pretty bonkers yarn about the band recording an album in an old mansion possessed by evil spirits. As you might imagine, carnage ensues!
Episode 293: Adam McKay On The Music Of Don't Look Up
Feb 25, 2022
Show notes
We're starting a bumper run of Soundtracking episodes in the coming weeks, with two shows a week for the foreseeable future, including conversations with PTA, Dave Grohl & Jonny Greenwood. Eesh! Today, it's the turn of writer, director, producer and all round legend, Adam McKay. He is FANTASTIC company, and we have an absolute ball discussing the music in his latest film, Don't Look Up, which is scored by our dear friend, Nicholas Britell. Enjoy!
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