Hello again, Soonish listeners! You might remember that in the final episode of Soonish last year, I said I'd be back in the podcast feed one last time to tell you about a new audio project I've been working on. Well, today I'm finally launching a new show I'm calling Turning Corners. It's full of inspiring stories about people in the Four Corners states of New Mexico, Arizona, Utah, and Colorado who are working to bridge old divides, heal the land, and make life better.
If you liked Soonish, I think you'll like this new show too, so I'm dropping the first full episode into this feed for your listening pleasure. If you'd like to stay on a listener, please take a minute to find Turning Corners in your favorite podcast app and hit follow or subscribe. You can also get the show delivered directly to your email inbox by signing up for a free subscription at turningcorners.org.
For this episode, I went inside Santa Fe’s Georgia O’Keeffe Museum to talk with artists and curators about a daring new exhibit called “Tewa Nangeh/Tewa Country.” It’s an act of community storytelling, meant to both illuminate and soften some of the old boundaries and tensions between indigenous artists and the Anglo art establishment O’Keeffe represented.
The exhibit features the work of a dozen artists from the six Tewa-speaking pueblos of northern New Mexico. All express in different ways their love of the vibrant land their people have inhabited for hundreds or thousands of years—and all grapple with the way O’Keeffe, still America’s most famous female artist, repeatedly framed the landscape around Ghost Ranch and Abiquiu as an empty, silent realm that she alone could properly interpret.
“It’s my private mountain,” O’Keeffe once said of Tsi-p’in or Cerro Pedernal, the striking flat-topped mountain visible from her home. “It belongs to me. God told me that if I painted it enough, I could have it.”
In point of fact, the mountain is on U.S. Forest Service land, and is the site of Tsi-p’in-owinge, a ruin that was the ancestral home of the people of Nambe, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque pueblos. So O’Keeffe’s quote—even if it was meant in a poetic or tongue-in-cheek way—rings in modern indigenous ears as a provocation.
And indeed, for Jason Garcia, the Santa Clara Pueblo artist who co-curated the Tewa Nangeh exhibit, it served as an organizing theme. He worked with curator Bess Murphy at the O’Keeffe Museum and with the contributing artists to gently but irrevocably overturn the idea that any one artist can speak for an entire region.
For more show notes, images from the exhibit, and a full transcript, please go to https://www.turningcorners.org/p/whose-private-mountain-pueblo-artists
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Jason Garcia, who also goes by Okuu Pin (Turtle Mountain), is an artist from Santa Clara Pueblo in New Mexico who specializes in clay tiles and printmaking. He co-curated of the Tewa Nangeh/Tewa Country exhibit (2025-2026) at the Georgia O’Keeffe Museum. Garcia’s work documents the ever-changing cultural landscape of his home, including cultural ceremonies, traditions, and stories, and also draws on 21st-century popular culture, comic books, and technology. Garcia’s juxtaposition of traditional and contemporary materials and techniques connects him to his Ancestral past, landscape, and cultural knowledge. He studied fine arts at the University of New Mexico (Bachelor’s, 1998) and the University of Wisconsin (MFA, 2016).
Bess Murphy, PhD, is the Luce Curator of Art and Social Practice at the Georgia O’Keeffe Museum in Santa Fe, New Mexico. She joined the O’Keeffe Museum in 2022, and Tewa Nangeh/Tewa Country, which she co-organized with Jason Garcia, is her first curated show at the museum. She earned a bachelor’s degree from Bard College and a PhD from the University of Southern California, and from 2015 to 2022 she was the creative director and curator of the Ralph T. Coe Center for the Arts in Santa Fe.
Michael Namingha is a photographer and silkscreen artist who hails from Ohkay Owingeh Pueblo in New Mexico and the Hopi tribe in Arizona. His work, which often features surrealistically altered images of the natural landscape, has been featured in solo and group exhibitions at galleries and museums around the world, from New Mexico to Arizona, California, Indiana, Maine, Minnesota, New Jersey, New York, Texas, and Virginia, as well as Canada, Germany, and Japan. He splits his time between Santa Fe and Brooklyn, where his studio is located. He studied strategic design and management at the Parsons School of Design.
Wade Roush, PhD, is the creator and host of Turning Corners. He’s an MIT- and Harvard-trained freelance science and technology journalist, editor, and audio producer who has written for publications such as Science, MIT Technology Review, Xconomy, and Scientific American. From 2017 to 2025 he produced the tech-and-culture podcast Soonish. He’s the co-founder of the Hub & Spoke audio collective, the author of Extraterrestrials from the MIT Press, and the editor or co-editor of three volumes of hard science fiction: Twelve Tomorrows (2018), Tasting Light (2022), and Starstuff (2025).
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