Song by Song

Latest Episodes:

Rain Dogs, Big Time, Tom Waits [154] Oct 10, 2018

Show notes

Slightly blown away by this reinterpretation of Waits's mid-80s classic, Martin and Sam join in by celebrating this eastern-Europe/klezmer dance number. We also take some more time to discuss sticking to or pulling away from the strict rhythm of the lyrics, and the shape and meaning of words vs the aesthetic of vocal sound.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Rain Dogs, Big Time, Tom Waits (1988)

We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

Big Black Mariah, Big Time, Tom Waits [153] Oct 08, 2018

Show notes

Our man-on-the-street Eric Molinsky returns to revisit Big Black Mariah, talking about lyric comprehension and the quality of Waits's voice in relation to bed frames and animated characters.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Big Black Mariah, Big Time, Tom Waits (1988)

Strange Weather, Big Time, Tom Waits [152] Oct 03, 2018

Show notes

Helen Zaltzman returns for the second new track from Big Time, this time dealing with the dull mundanity of cloudy days. The Marianne Faithfull version and the klezmer style in this track are discussed, as well as other representations of weather through the work of Ann Peebles.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Strange Weather, Big Time, Tom Waits (1988) I Can't Stand The Rain, I Can't Stand The Rain, Ann Peebles (1973/1974)

Falling Down, Big Time, Tom Waits [151] Sep 26, 2018

Show notes

For the first of the two original tracks on Big Time, Sam and Martin welcome back friend/wife of the show Helen Zaltzman, for discussions ranging from how it affects breakfast time, similarities to the work of Michael Douglas, and the fundamental question as to why this studio track is included on a live album. We also debate the subject and object of the lyrics, and the tone of condemnation in this song as compared to Waits's earlier work.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Falling Down, Big Time, Tom Waits (1988) I Can't Stand Up For Falling Down, Get Happy, Elvis Costello & The Attractions (1980)

Way Down In The Hole, Big Time, Tom Waits [150] Sep 19, 2018

Show notes

Episode 150! We made it! … if by "it", you mean a round number of episodes, and if by "we" you mean Sam, Martin and returning guest Lily Sloane. In this landmark episode we go back to talk about Way Down In The Hole for the 7th (8th?) and final time, discussing again question of the appropriation of black culture, the use of money in the language of Waits's preacher character, and Lily's random Tom Waits sightings.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Way Down In The Hole, Big Time, Tom Waits (1988)

Yesterday is Here, Big Time, Tom Waits [149] Sep 17, 2018

Show notes

Live and in-person, Martin and Sam welcome back Helen Sadler to discuss the general feel of live albums vs studio equivalents, and the presentation of music to different audiences simultaneously.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Yesterday Is Here, Big Time, Tom Waits (1988)

Straight To The Top, Big Time, Tom Waits [148] Sep 12, 2018

Show notes

Looking back to the Rhumba version of this track from Franks Wild Years, Sam and Martin feel their way through an excellent version of a song that has little appeal for either of them. We also discuss some of the physicality of Waits's live performance, and how that informs the performance.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Straight To The Top, Big Time, Tom Waits (1988)

Cold Cold Ground, Big Time, Tom Waits [147] Sep 10, 2018

Show notes

Lacking a guest this episode, Martin and Sam debate similarities and differences between live and studio versions, including some of the musical effects of changing counts, back-singing of phrases, and how these techniques help reinterpret the songs of Fleetwood Mac.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Cold Cold Ground, Big Time, Tom Waits (1988)

Underground, Big Time, Tom Waits [146] Sep 05, 2018

Show notes

Philippa Spanos, our first guest from Swordfishtrombones, takes another look at Underground on Big Time, which seems to be her preferred upbeat bouncy party version. Back in the Song by Song bunker, Sam and Martin compare Disney animated corollaries, note the disparity of material and the similarity of tone on this live album, and how meaning is retained slightly better on this third track.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Underground, Big Time, Tom Waits (1988)

Red Shoes, Big Time, Tom Waits [145] Sep 03, 2018

Show notes

From her discussion with us back on Blue Valentine, we welcome back special correspondent Elizabeth Sankey to discuss the process of reinterpretation and translation of songs from studio-to-live settings. Meanwhile, elsewhere in Song by Song Towers, Martin and Sam talk about the textural shift in performances, more loss of meaning in the storytelling, as well as the brilliance of the Big Time band.

Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order.

website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com

Music extracts used for illustrative/review purposes include: Red Shoes, Big Time, Tom Waits (1988)

Our TOPPODCAST Picks

Follow Us

Stay Connected

Related Podcasts

Links

Stay Connected