Stay ConnectedTune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. A podcast from The American Scholar magazine. Hosted by Stephanie Bastek.
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The idea of “Western civilization” looms large in the popular imagination, but it’s no longer taken seriously in academia. In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won’t die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.” Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d’Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies. Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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In 1956, John Okada wrote the first Japanese-American novel, No-No Boy, a story about a Nisei draft-resister who returns home to Seattle after years in prison. It should have been a sensation: American literature had seen nothing like it before. But the book went out of print, Okada never published again, and the writer died in obscurity in 1971. That would have been the end of the story, were it not for a band of Asian-American writers in 1970s California who stumbled upon the landmark novel in a used bookshop. Frank Abe, one of the co-editors of a new book about Okada—and a friend to the “CARP boys” who discovered him—joins us to talk about the era in which No-No Boy was written and what the novel can teach us about our own moment in history. This episode originally aired in 2018.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
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Siblings Ruthie and Nathan Prillaman are classically trained musicians who have put their knowledge of counterpoint and unusual time signatures to use in their medieval-inspired folk band, Small Fools. Renaissance madrigal meets contemporary queer meme in songs like “Crying in My Subaru” (also the title of their debut EP) and “Horseradish,” inspired by the words on a pickle jar. Such strange musical pairings—the marriage of Gregorian chant with lighthearted lyrics about gnomes, for example—might sound gimmicky, but in the siblings’ hands, they somehow achieve transcendence. The Prillamans join the podcast this week to talk about Small Fools, big ideas, and which 16th-century mystics they find most inspiring.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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Russia launched its full-scale invasion of Ukraine in February 2022, but Vladimir Putin’s forces have been nibbling at the edges of the country since 2014. Or one could say that the war began “long before 2014 by way of colonial imperial politics, suppression of language cultures, mass hunger, and terror,” as the poets Carolyn Forché and Ilya Kaminsky write in the introduction to In the Hour of War, their new anthology of contemporary Ukrainian poetry. “This is a poetry marked by a radical confrontation with the evil of genocide,” they write. “Does poetry have the tensile strength to embody such a confrontation?” The anthology seeks to answer that question with the help of its diverse contributors: “soldier poets, rock-star poets, poets who write in more than one language, poets whose hometowns have been bombed and who have escaped to the West, poets who stayed in their hometowns despite bombardments, poets who have spoken to parliaments and on TV, poets who refused to give interviews, poets who said that metaphors don’t work in wartime and poets whose metaphors startle.” Forché joins us this week on the podcast to talk about the surprising “life-giving force of these poems.”
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
In certain cities, parking may seem like a scarce commodity, especially when you’re circling the block in search of it. But in the United States, there are three to eight spots for every car, depending on whom you ask. Municipal codes that dictate how much parking buildings are required to offer have changed urban density, the cost of housing, and the amount of time drivers spend on the road. In his new book, Paved Paradise, Slatestaff writer Henry Grabar makes the compelling case that the simple, rectangular parking spot has shaped the city as we know it. In the past two decades, many people have begun to question the parking paradigm and sought to banish outdated parking minimums, repurpose disused garages, and reimagine the way we use the space we’ve heretofore allotted to cars. Grabar joins the podcast this week to talk about what they’re up against, and what new world potentially awaits us.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter and Instagram @TheAmScho
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
W. E. B Du Bois is best known for his seminal collection of essays on the African-American experience, The Souls of Black Folk, and his magnum opus, Black Reconstruction in America, which reframed the story of freed slaves in the Civil War and the brief window of political promise that followed. Du Bois is less remembered for his support for America’s entry into the First World War, an endorsement that surprised many of his Black and radical allies. Moreover, he pushed for African Americans to join the ranks, in the hopes of accelerating the fight for freedom at home. He would soon regret his decision, and he spent the next two decades of his life grappling with the complex legacy of the war, and African Americans’ experience of it. As the historian Chad Williams puts it, this manuscript—called The Black Man and the Wounded World—was“Du Bois’s most significant work to never reach the public,” and the struggle to write it would irrevocably shape his politics. Williams, a professor of history and African-American studies at Brandeis University, joins the podcast to talk about his new book, The Wounded World: W. E. B. Du Bois and the First World War.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
In the 1860s, Chinese immigrants built vast stretches of railroad in the American West. But two decades later, they found themselves the targets of the first federal law restricting immigration by race and nationality: the Chinese Exclusion Act of 1882, which remained on the books until 1943. One of writer Ava Chin’s forefathers worked on the railroad, and much of her family suffered from the consequences of the Exclusion Act. The violence it enabled pushed both sides of her family east, to New York City. Chin, raised by her mother’s relatives in Queens, had grown up without meeting her father or his family—until years of research led her to a building on Mott Street where, she soon learned, both sides of her family spent decades living, squabbling, and loving. Chin’s new book, Mott Street, is the result of painstaking research across continents and oceans, into oral and written records, to trace five generations of Chinese-American history.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
There are mass graves all over Latin America, but the concentration of dead and disappeared in Guatemala and Argentina is staggering: more than 200,000 killed by the state in Guatemala’s 36-year conflict, known simply as “La Violencia;” up to 30,000 disappeared by the Argentine military dictatorship over the course of its reign of terror in the 1970s and ’80s. How does a country reckon with crimes against humanity? How do the families of the missing find the truth? “Forensic exhumation is practiced at the crossroads of two ways of thinking about the body,” anthropologist Alexa Hagerty writes, “as a scientific object to be analyzed for evidence of crimes against humanity, and as a subject, an individual, someone loved and mourned.” In her new book, Still Life with Bones, Hagerty documents her training with forensic teams in Guatemala and Argentina, where members have devoted their lives to unearthing the bones of the disappeared, reconstructing not only their skeletons but the stories of their lives.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
A visit from Aunt Flo, being on the rag, riding the crimson wave, girl flu, even the red wedding … menstruation is something that half of the world’s population experiences for a week at a time, for years on end, and yet we struggle to talk about it directly. But the uterus is capable of incredible things, as anthropologist Kate Clancy explains in her new book, Period: The Real Story of Menstruation: menstrual fluid contains chemicals that repair tissue, the cervix contains crypts for storing sperm for later use, and periods might even be the body’s way of improving its inner architecture. But shockingly, doctors viewed periods as useless—even toxic—well into the 20th century, and some still believe that it’s unsafe to swim with a tampon in (it’s not). Clancy, a professor of anthropology at the University of Illinois Urbana-Champaign, joins the podcast to challenge uterine myths, expose the eugenic roots of gynecology, and bring a feminist perspective to that special time of the month.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
On March 20, 2003, the United States invaded Iraq, and shortly thereafter, Ghaith Abdul-Ahad became an accidental journalist. Originally trained as an architect, he fell in as a translator with a group of foreign journalists, then as a photographer and war reporter for The Guardian and The Washington Post. In his new book, A Stranger in Your Own City, Abdul-Ahad documents the devastation of Baghdad, from the sanctions of the 1990s to the aftermath of Saddam Hussein’s fall. Punctuating his account are revealing interviews with his fellow Iraqis—Sunni commanders, schoolteachers, old high school friends, insurgents of every stripe—about the war and its effects, which continue to shape life in the region years after the American withdrawal.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
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