Stay ConnectedTune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. A podcast from The American Scholar magazine. Hosted by Stephanie Bastek.
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Imagine there’s a place where music exists as it was first created, thousands and thousands of years ago, a place where song and dance still glued communities together across generations. That place exists: Epirus, a little pocket of northwestern Greece on the border with Albania. There, in scattered mountain villages, people still practice a musical tradition that predates Homer. In his new book, Lament from Epirus, the obsessive record collector—and Grammy-winning producer and musicologist—Christopher King goes on an odyssey to uncover Europe's oldest surviving folk music, and spins us some rare 78s.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Other music in this episode graciously provided by Christopher King.
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Were you a geek? A nerd? Did you play Magic: The Gathering, paint Warhammer miniatures, learn to speak Klingon or Elvish, or memorize whole scenes from Star Trek? If so, then good news: it might have taken a few broken eyeglasses and shoves in high school, but geek culture has finally triumphed. Dragons are cool, Star Wars has never had more fans, and everyone is geeking out over the latest sci-fi release on Netflix. How did this happen? And how have the changing demographics of geekdom affected it, for better or worse? Lifelong nerd and critic A. D. Jameson, whose geek cred is stronger than the Force itself, joins us to figure it out.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Rachel May's new book, An American Quilt, has an innocuous enough title, invoking an innocent American pastime. But sometimes ugly secrets can be hidden in the stitchwork—or even, as in the case of the quilt at the heart of May’s book, behind it. The paper-pieced quilt was stitched together from fabric basted onto hexagon-shaped paper templates. These scraps, which turned out to be letters and documents dating all the way back to 1798, tie together one family from the abolitionist North and one from the slave-owning South. This paper trail led May to stitch together the stories of the women behind the quilt, enslaved and free. In the process, she shows how dependent the “free” North was on the enslaved labor of its southern neighbor.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
When there's a gold rush on, the thing to do is not to dig. Instead, sell shovels to all the suckers who think they'll get rich digging for gold. This is one of the lessons that investigative reporter Corey Pein learned when he moved to San Francisco at the height of the Silicon Valley start-up boom. In his analogy, the gold rush is the tech boom, and the suckers are all the start-up wannabes who flock to the Bay Area for a slice of the venture capital pie. And all of us, the consumers, who fell for the excitement of the gig economy and the lure of a free social network that promised to never sell our data? We’re suckers, too.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Bobbie Ann Mason's short story “Live-Hang,” from our Spring Issue, is the story of two friends who come from different worlds. Dave and Miguel meet in the gutting room of a chicken processing plant. Both are working class, but Dave and his wife, Trish, are white U.S. citizens, while Miguel and his wife, Maria, are undocumented Mexican immigrants. Even though their jobs diverge—Dave uses a connection to get a job installing satellite dishes, while Miguel is promoted to the more dangerous live-hang room—their lives become increasingly intertwined. But then the threat of deportation arrives, and with it the potential of a family being ripped apart. Only a brave and dangerous act can keep these families together. Mason talks about how she came to write this story, and how topical it is—given the recent news about ICE arresting children in hospitals, detaining the single parents of disabled kids, separating families, and raiding workplaces like the chicken plant.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
When we talk about climate change and conservation, animals tend to steal the show. Yet the organisms whose extinction would affect us the most are actually plants. Horticulturalist Carlos Magdalena has become known as the Plant Messiah for his work using groundbreaking, left-field techniques to save endangered species. First captivated by the bogs and flowers of his native Spain, Carlos has spent much of his professional life in greenhouses and laboratories—and traveling the world, from the Amazon to Australia—to resurrect plants of all shades. And with his new book, he’s on a mission to change the way we see the flora around us by spreading the good word about green things.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Some of our best poets have the greatest range: think of Shakespeare, in all his wild permutations, or Edna St. Vincent Millay boomeranging from heartbreak to revelry. Or T. S. Eliot, who captured our bruised souls in “The Waste Land,” itemized the neuroses of unrequited love in “Prufrock, and then turned around and set to verse the antics of cats like Growltiger and Rumpleteazer. You could say that the same range exists in the best of actors—like Jeremy Irons, who’s played everyone from starry-eyed Charles Ryder to Humbert Humbert himself. Irons’s iconic voice has lent itself to animated lions and audiobooks before, but now, he joins us to talk about perhaps his most ambitious project yet: narrating the poems of T. S. Eliot.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Excerpt of “The Rum Tum Tugger” used courtesy the BBC, which owns the production copyright.
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Journalist Anna Badkhen has immersed herself in the lives of Afghan carpet weavers, Fulani cow herders in Mali, and other people often ignored or forgotten—especially in the Global North. Yet our lives are entwined with others’ across the continents, and in ways that we may not even realize. Consider, for example, the dire situation in Joal, Senegal—the subject of Badkhen’s latest book—where artisanal fishermen are facing the consequences of an ocean depleted by climate change and overfishing.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast@theamericanscholar.org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Since August 2017, in the country’s latest wave of Buddhist-on-Muslim violence, over 647,000 Rohingya refugees have fled Myanmar due to systemic violence and ethnic cleansing that has killed more than 10,000 people. Why is a religion seen as so peaceful in the West lashing out with such vehemence, and why are the Rohingya their target? And how did a seemingly local conflict erupt across the entire country? Journalist Francis Wade, who has reported in Myanmar for a decade, gives us the deep history, which stretches farther back than contemporary reports might suggest, and reveals a tangled web of interests: ultranationalist Buddhist monks, a military fearful of losing its grip on power, implicit racial hierarchies, and a democratic political party, led by Aung Sang Suu Kyi, whose very principles are called into question.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
We revisit an interview with Eugenia Cheng, the author of How to Bake Pi, who translates higher math using metaphors that even the most mathematically disinclined can comprehend: infinite layers of puff pastry, endless jars of marmalade, and deep-dish pi(e). She talks about the false dichotomy between mathematics and art, and how understanding math helps you see the world in a new light. Also, how five-year-olds sometimes pose the most difficult questions for mathematicians to answer, like: what’s a number?
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
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