Stay ConnectedTune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. A podcast from The American Scholar magazine. Hosted by Stephanie Bastek.
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The concept of equality has been with us since the founding of the United States, and it's been revised and fought over and debated for about as long, from the Civil War and the Fourteenth Amendment to the culture wars and the legalization of same-sex marriage. But not every argument for equality that is brought up in a court of law goes well. In fact, equality arguments often backfire, ending up affirming inequality: Dred Scott v. Sandford, Plessy v. Ferguson, Korematsu v. United States … or just last year, Trump v. Hawaii. Losing the battle in court for an abstract concept like equality has tangible consequences for people on the ground, from trans soldiers to Iranian kids seeking lifesaving medical treatment. But what if there’s a way to fight for equal treatment without sending current laws backsliding? American University law professor Robert Tsai joins us on the podcast to argue for what he calls “practical equality.”
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
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On Sunday, Black Panther made history as the first superhero movie with a Best Picture Oscar nomination. And though it didn’t win that one, the film did win the most Oscars in the history of superhero movies. Given those historic firsts, and the inevitable onslaught of superhero movies that 2019 will bring, we're revisiting one of the first episodes from the podcast. Professor and comic book fan Ramzi Fawaz joined us to talk about origin stories, the X-Men, and what the queerness of the original mutant family can tell us about comic book heroes today.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Emily Bernard has offered her essays to The American Scholar since 2005, when we published “Teaching the N-Word.” She's written a lot of essays since then, essays that prove their etymology: the French word essayer—to try. She tries on different ways of thinking about what it means to be black, or the mother of daughters adopted from Ethiopia, or married to a white man, or the American daughter of a Trinidadian father. She joins us on the podcast to sort through the questions—and some of the answers—that form the heart of her new collection, Black Is the Body.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Alain Mabanckou is an award-winning Congolese essayist, novelist, and poet with a string of darkly funny books to his name. His work pokes at taboos and the borders between literary traditions with glee and irreverence—while subverting what it means to be an African writer, educated in Congo-Brazzaville and in France, now living and writing in America. His second novel, Broken Glass, is narrated by a former schoolteacher turned drunk, also named Broken Glass, who records the irregular lives of the regulars at his local bar, Credit Gone West. It’s a potent apéritif for the dark humor of his work—just mind you don’t drink too deep.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Opiates have gone by many names in their millennia-long entanglement with humans, in an ever-refined chain of pleasure: poppy tears, opium, heroin, morphine. With the advent of synthetic opiates like fentanyl, we’re seeing addiction and devastation on a scale unmatched in the 5,000-year history of the drug—but also a return to some of the same patterns and failed attempts at regulation that have haunted our efforts to control it. Cultural historian Lucy Inglis tells the painful, pain-fighting story of opium, and how its history is really our history—from trade and war to medicine and money.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
In the past 30 years, electronic dance music (or EDM) has gone from underground culture to a global phenomenon. Journalist Matthew Collin drew on the British rave scene for his earlier work—a book called Altered State. But in the 20 years since that book came out, and even in the time it took to write it, EDM and its culture have completely transformed. The tunes on the radio and the DJs who put on giant shows in places like Ibiza look—and sound—very different from the originators of the genre, like the musicians who invented acid house in 1980s Chicago. Collin traveled around the world to figure out whether the EDM of today still holds onto its liberating roots—or whether commercialization killed the music.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
The Snow Maiden—not to be confused with the Snow Queen, Snow White, or Frosty the Snow Man—is a popular Slavic folktale about an elderly couple and a miraculous child born from snow. In addition to being a charming story about the passing of seasons, it references a number of folk rituals, from jumping over fires on the summer solstice to mock funerals marking the Yuletide. Philippa Rappoport, a lecturer in Russian culture at George Washington University, explains how folktales and rituals overlap, and reads aloud her own version of this wintry tale.
This is our last episode of the year, and we want to hear from you about 2019! If there are any subjects or guests you would especially like to hear on the show, send us an email at podcast@theamericanscholar.org. And, of course, help us find more listeners by rating us on iTunes and telling all your friends.
Go beyond the episode:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
The modern American home is a wilderness: there are thousands of species of insects, bacteria, fungi, and plants that lurk in our floorboards, on our counters, and inside our kitchen cabinets—not to mention the microbes that flavor our food itself. The trouble with wilderness, however, is that humans always want to tame it. Cleaning, bleaching, sterilizing, and killing the organisms in our homes has had unintended—and dangerous—consequences for our health and the environment. Biologist Rob Dunn, a professor in the department of applied ecology at North Carolina State University, joins us to impart some manners about how to welcome these formerly unknown guests into our homes.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
Opera has a bad rap: it's stuffy, long, convoluted, expensive, weird … and at the end of the day, who really understands sung Italian anyway? The barriers aren’t just financial: there are hundreds of years of musical history at work, along with dozens of arcane terms that defy pronunciation. But opera has been loved by ardent fans for centuries, and the experience of seeing it—once you know what to listen for—can be sublime. So we asked Vivien Schweitzer, a former classical music and opera critic for The New York Times, to teach us how to listen to opera.
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Songs sampled during the episode:
For a taste of contemporary opera's eclecticism, here are three examples:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
You've probably seen the photographs that Lynsey Addario has taken, even if you don't necessarily know her name. For more than 20 years, she’s covered life in conflict zones around the world, from Afghanistan under the Taliban and the U.S. invasion of Iraq and its aftermath, to the genocide in Darfur and maternal death in the Philippines—too much suffering, in too many places, to name, or even imagine. But in her images, Addario captures the small joys, too, of the ordinary experiences lived between the cracks of war: children playing, young couples getting married, births, deaths, cooking, going to the movies, even sleeping. In the contrast between these ordinary moments and their extraordinary, often brutal circumstances, Addario manages the impossible, and holds together all the fragments of human life she's witnessed in her two decades of conflict photography.
Visit our episode page for a slideshow of Lynsey Addario’s work.
Go beyond the episode:
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
Our theme music was composed by Nathan Prillaman.
Hosted on Acast. See acast.com/privacy for more information.
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