Stay ConnectedTune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. A podcast from The American Scholar magazine. Hosted by Stephanie Bastek.
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Long before Wynton Marsalis arrived in the plush halls of Lincoln Center, jazz was often performed in far more dangerous venues. Greats like Louis Armstrong, Duke Ellington, and Billie Holiday found their footing on the stages of America’s most notorious vice districts, where big players in the mob, such as Al Capone and Mickey Cohen, called the shots. In his new book, Dangerous Rhythms, journalist T. J. English explores the complexities of this corner of the underworld, where venues like the Cotton Club explicitly upheld the racial dynamics of Jim Crow America while simultaneously providing Black musicians with otherwise unavailable opportunities. But the emerging civil rights movement disrupted this “glorified plantation system,” as English calls it, just as it eventually upended both the music and the mob.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.
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Picture the first “It Girl,” and you’re likely to imagine young, fun Clara Bow, sex symbol of the Roaring ’20s. But behind the frame is the woman who wrote It: Elinor Glyn, an English-gentlewoman-turned-Hollywood-screenwriter whose romantic novels inspired so much of the era’s glamorous aesthetic. Hilary Hallett, a professor of history at Columbia University, brings Glyn back into the spotlight in her new biography, Inventing the It Girl. Glyn’s story, like that of so many of her heroines—and unlike her contemporaries—begins after her marriage in 1892 to a spendthrift noble with a gambling problem. The blockbuster success of her scandalous 1907 sex novel, Three Weeks, catapulted her to literary stardom and, as it so often does, to Hollywood, where she worked on dozens of films and styled silent-era superstars like Rudolph Valentino and Gloria Swanson. Hallett joins the podcast to discuss how Glyn paved the way for a century of sexual, romantic, and psychological independence.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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The Pain Killer, the Penicillin, the Doctor—some cocktail menus lean heavily on the idea of “self-medication.” But for millennia, alcohol was medicine. Weak beer was safer to drink than water, and eau de vie was distilled from any number of fruits to treat colic or a cold. Though the ancient Greeks wrote at length about the medical applications of wine, even earlier uses for fermented beers and beverages appear on Sumerian tablets, Egyptian papyri, and Vedic texts. Cocktail connoisseur Camper English, who has been covering the drinks industry for more than 15 years, turns his attention to this long and storied history in Doctors and Distillers, which traces modern mixology back to its therapeutic roots.
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Camper English’s Preferred Gin & Tonic:
Keep your gin and tonic in the refrigerator for the crispest medicinal cocktail:
And for the less gin-inclined, the Chrysanthemum:
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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In Great Britain, some 3,000 villages and towns disappeared in the Middle Ages due to the effects of the Black Death alone. Zoom out on the time scale, then factor in storms and floods, economic or social shifts, climate change, and war, and the number of abandoned settlements balloons. The historian and broadcaster Matthew Green selected eight to visit in his new book, Shadowlands: A Journey Through Britain’s Lost Cities and Vanished Villages. From the mysterious Neolithic ruins of Skara Brae and the medieval city that fell off a cliff, Green takes us to the militarized STANTA villages of Norfolk and drowned Capel Celyn in the 20th century. As man-made climate change causes ever more extreme weather events and threatens to engulf our coastal cities, these places become more than a memorial to the past—but a harbinger of the future that awaits us.
Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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The Creek chief Cow Tom was born around 1810 along the west coast of Florida. He survived the Trail of Tears, served as an interpreter between the Creeks and the U.S. government, and earned the title of Mikko, or chief, for his leadership of Creek refugees during the Civil War. In 1866, he served as an adviser during the nation’s treaty negotiations with the U.S. government. This treaty, in addition to banning slavery in the five First Nations who were party to it, granted full citizenship in the Creek Nation to Black Creeks who had been accepted into the community after marriage or had been previously enslaved by their Indian owners. Mikko Cow Tom was one of those Black Creeks. When he died in 1874, he bequeathed his considerable assets, including grist mills, cattle, and land, to his family—along with Creek citizenship and a degree of social prominence that was exceedingly rare for a Black family of the time. But in 1979, the Creek Nation expelled its Black members, and to this day refuses to recognize their citizenship. In his new book, We Refuse to Forget, journalist and Northeastern University professor Caleb Gayle tells the complex story of the Creek Nation’s ongoing reckoning with identity.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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Last week’s Supreme Court ruling immediately prohibited abortion in seven states, with 23 more either moving to make it illegal or likely to. At the heart of Justice Samuel Alito’s opinion in overturning Roe v. Wade is the notion that abortion is not “deeply rooted in this nation’s history and tradition.” Since Roe was based on the 14th Amendment, Alito contends that we must consider the context in which the 14th Amendment was ratified in 1868. This week, to provide the context that Alito misrepresented, we are rerunning our interview with Tamara Dean about abortion in the 19th century, when it was common, and largely unprohibited. In the leather-bound death records of the county where Dean lives, only two abortions are mentioned, which she writes about in her essay “Safer than Childbirth.” The more common cause of death, Dean found, was giving birth. At the time, abortion was widely accepted as a means of avoiding the risks of pregnancy and childbirth. Even the Catholic Church didn’t oppose ending pregnancy before “quickening,” usually around the fourth month, because no one believed that human life existed before a woman could feel the fetus move. Tamara Dean joins the podcast to talk about what gets forgotten in the contemporary battle over abortion.
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Resources for those seeking an abortion, now or in future:
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In 19th-century America, unhappily married couples faced divorce laws that varied wildly by state. Some states only allowed suits for “divorce of room and board”—but not the end of a marriage. In New York, divorce was permitted only in cases of proven adultery; South Carolina banned it entirely. But in South Dakota, things were different, and by the 1890s, people were flocking to Sioux Falls to take advantage of the laxest divorce laws in the country. In particular, the women seeking separation caught the most attention, as historian and senior Atlas Obscura editor April White writes in her new book, The Divorce Colony. These women—usually wealthy, almost always white, and trailing newspaper reporters—dared to challenge the status quo barely a generation after married women had won the right to own property, and well before they achieved the vote.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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Today is June 16, Bloomsday, the day in 1904 on which James Joyce’s novel Ulysses takes place. But this year also marks the 100th anniversary of its publication, and to celebrate the occasion, The American Scholar asked five writers for their thoughts on Joyce’s modern masterpiece. One of them, Flicka Small, wrote about the food in the novel, from the inner organs of beasts and fowls that Leopold Bloom eats with relish to the Gorgonzola on his sandwich—not to mention Molly Bloom’s sensuous seed cake, Blazes Boylans’s suggestive peaches, and everything that Stephen Dedalus can’t afford to eat. Flicka Small came to her lectureship at University College Cork by way of her earlier career as a chef, giving her a singular perspective on the wild array of foods that appear on that famous day in Dublin, Ireland.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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Humorist Sloane Crosley is best known for her witty essay collections, such as I Was Told There’d Be Cake and Look Alive Out There, both finalists for the Thurber Prize for American Humor. Her new book is a novel, Cult Classic—a mystery, romantic comedy, and conspiracy thriller rolled into one, with a sprinkling of mind control and A Christmas Carol for good measure. We first meet the novel’s heroine, Lola, as she sneaks out of a dinner with friends in Manhattan’s Chinatown for a cigarette and unexpectedly bumps into an ex-boyfriend. The next day, she runs into another one. Then another. What for many of us would merely seem like a bizarre series of uncomfortable encounters—or a personal nightmare—turns out to be something much stranger for Lola, who discovers that her very weird week has resulted from the machinations of a group that insists it’s not a cult. Sloane Crosley joins us to talk about love, psychology, and her new novel, Cult Classic.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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Most people who dig deep into their family histories tend to uncover the usual: an unexpected great-great-aunt, a familial home halfway around the world, maybe even a secret sibling. Hollywood producer Hopwood DePree found an ancestral English estate bearing his own name. But Hopwood Hall was falling apart, having sat empty since the Second World War and becoming the victim of age and vandalism. A visit to see the 600-year-old manor—and then another—and another—inspired DePree not only to try to save the hall, but also to trade movie scripts for a hard hat and move to Manchester. He describes his—and the house’s—journey in his new book, Downton Shabby.
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Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.
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Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
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