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Get the Culture Gabfest and all of Slate’s culture coverage here.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: ©2019 The Slate Group
Slate staffers Sam Adams and Laura Miller spoil The Haunting of Bly Manor.
An American governess (Victoria Pedretti) signs on two care for two orphaned children in a remote English mansion. But she finds the house is haunted by a malevolent presence, and the children may be as well. Sam Adams and Laura Miller break down Netflix’s followup to The Haunting of Hill House, which takes its inspiration from Henry James’ The Turn of the Screw and his other classic ghost stories.
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Hit Parade is back for non-Slate Plus listeners! Upcoming episodes will be split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive into our subjects. slate.com/hitparadeplus.
Producers and songwriters have a major impact on how a finished pop song sounds, and feels. But it’s possible no hitmaking mastermind—not even Phil Spector—has had a more specific pop sound than Jim Steinman. His songs have an unmistakable signature: pounding pianos, revving motorcycles, sometimes literal thunder. And power-vocalists singing passionate lyrics that don’t always make sense but always sound like the fate of the world depends on this song.
Chris Molanphy tells the story of a fervent, headstrong songwriter who fused with a singer who called himself Meat Loaf, creating a blockbuster song cycle called Bat Out of Hell. Steinman then went on to spread his pomp-rock to other artists: Bonnie Tyler’s “Total Eclipse of the Heart.” Air Supply’s “Making Love Out of Nothing at All.” Celine Dion’s “It’s All Coming Back to Me Now.” Every song sounded like a hallelujah chorus and a Broadway show—even though Steinman’s actual Broadway show was a notorious flop. But nothing keeps Jim Steinman down. Forever’s gonna start tonight.
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This week Dana, Steve, and Julia talk about Kirsten Johnson's new documentary, Dick Johnson is Dead, in which Johnson documents her father's experience with dementia. Then the hosts are joined by LA Times television editor Matt Brennan to discuss Luca Guadagnino's HBO series We Are Who We Are. And finally, Slate's pop critic Jack Hamilton joins the show to talk about Eddie Van Halen and the appeal of screeching guitar solos.
Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.
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When Jane Fonda granted us an interview to talk about her famous workout tape, things didn't go as planned.
On part one of a special two-part Decoder Ring, we explore the decades-long friendship of Jane Fonda and Leni Cazden, the relationship that birthed the workout that changed the world. It's a story of creation, regret, fame, forgiveness, trauma, survival, politics, and exercise. In two weeks, we return with part two: the story of the bestselling VHS tape of all time.
Slate Plus members get ad-free podcasts and bonus episodes of shows like Dear Prudence and Slow Burn. Sign up now to listen and support our work.
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This week, host June Thomas talks to novelist, critic, and co-host of Working Rumaan Alam about his new novel Leave the World Behind, which has already garnered critical acclaim and a nomination for the National Book Award. In the interview, Rumaan talks about the origins of the novel, his writing process, and how he was able to craft memorable characters despite being, in his words, “face blind.”
After the interview, June and co-host Isaac Butler talk about the prophetic nature of Leave the World Behind and Rumaan’s approach to character development.
In Slate Plus, Rumaan recommends a piece of short fiction to give listeners a taste of his work. He also talks about works of art that have inspired him and shares an anecdote about Denzel Washington.
Send your questions about creativity and any other feedback to working@slate.com.
Podcast production by Cameron Drews.
To listen to Teamistry, the podcast about teams who work together in new and unexpected ways, click here: https://link.chtbl.com/teamistry?sid=podcast.working
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. It’s only $35 for the first year, and you can get a free two-week trial. Sign up now to help support our work.
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This week, Stephen Metcalf and Julia Turner are joined by guest-host Laura Miller, Slate's books and culture columnist, to discuss the new Gloria Steinem biopic, The Glorias. Then they're joined by New Yorker writer Lauren Collins who helps them decide if there's anything to like about Darren Star's new Netflix series, Emily in Paris. For their final segment, the hosts frame the president's COVID-19 diagnosis as part of a narrative arc.
In Slate Plus, Laura Miller recommends books to read this fall.
Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.
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This week, host Isaac Butler cracks the code of the heist film genre with Phil Alden Robinson, director of the 1992 cult classic Sneakers. In the interview, Phil talks about Sneakers’ nine-year writing process, the film’s alternate endings, and how he landed a cast of cinema legends, including Robert Redford and Sidney Poitier, to portray his meticulously crafted characters.
After the interview, Isaac and co-host June Thomas talk about Phil’s ability to strive for perfection while also being a super nice guy.
In Slate Plus, Phil talks about his favorite heist movies.
Send your questions about creativity and any other feedback to working@slate.com.
Podcast production by Cameron Drews.
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on Working. It’s only $35 for the first year, and you can get a free two-week trial. Sign up now to help support our work.
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On the Spoiler Special podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. This week, Slate’s Marissa Martinelli and Laura Miller spoil Enola Holmes.
Enola, who likes to remind people that her name spelled backwards is ‘alone,’ wakes up to find her mother missing. While Enola is determined to investigate her mother’s disappearance, it’s up to Mycroft and Sherlock to figure out what to do with their little sister. Can Enola outwit her intelligent brothers and break free from the stuffy, proper future Mycroft sets out for her?
Plus, Marissa and Laura delve into other, more transgressive, Holmes stories with female protagonists.
You can read Laura Miller’s review here.
Note: As the title indicates, this podcast contains spoilers galore.
Email us at spoilers@slate.com.
Podcast production by Rosemary Belson.
Slate Plus members get ad-free podcasts and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.
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Hit Parade is back for non-Slate Plus listeners! Upcoming episodes will be split into two parts, released two weeks apart. For full episodes on the day of release, sign up for Slate Plus and you'll also get The Bridge, our trivia show and deep dive into our subjects. slate.com/hitparadeplus.
In part two of our one-hit wonders show, we propose three rules to identify a one-hit wonder, which is not as easy as it sounds: Dexys Midnight Runners? They’re a one-hit wonder. Men Without Hats? Nope, not fair. Lou Reed? Yes. Marky Mark? No. In this episode, Chris breaks it all down, explaining why “Take on Me” is a pop classic but A-ha are still only one-hitters in America.
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This week on the Culture Gabfest, Stephen Metcalf, Dana Stevens, and Julia Turner discuss the Netflix film My Octopus Teacher. Next, they chat about the legacy and ending of Keeping Up With the Kardashians (check out the Gabfest’s 2011 conversation about the Kardashians here). Finally, the panel is joined by Slate staff writer Aaron Mak to analyze the latest episode of Reply All on QAnon.
On Slate Plus, the hosts discuss how they try to balance work and family.
Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.
Outro Music: The Red Light Special by Matt Large
Podcast production by Cameron Drews. Production assistance by Rachael Allen.
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