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Get the Culture Gabfest and all of Slate’s culture coverage here.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: ©2019 The Slate Group
This week Steve is joined by Slate senior editor Allegra Frank and Slate staff writer Karen Han. The group first discusses Cruella, starring Emma Stone. Next, they discuss the television adaption of Colson Whitehead’s novel The Underground Railroad. Finally, the group is joined by Slate’s Hit Parade host Chris Molanphy to dive into Olivia Rodrigo’s breakout album Sour.
In Slate Plus, the panel shares their experiences going back to movie theaters.
Email us at culturefest@slate.com.
Podcast production by Cameron Drews. Production assistance by Rachael Allen.
Outro music: "I Want a Change" by The Big Let Down
Endorsements
Allegra: Doomin’ Sunby Bachelor, Jay Som, & Palehound
Karen: The perfume company Snif
Steve: Robyn Hitchcock & Emma Swift’s cover of “Motion Pictures” by Neil Young
Further Reading
“Cruella Shouldn’t Work, but It Mostly Does” by Karen Han for Slate
“Why Olivia Rodrigo’s ‘Good 4 U’ Is Rock’s First Hot 100 No.1 in Years” by Chris Molanphy for Slate
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On today’s episode, Madison and Rachelle examine a case of mistaken identity. One of TikTok’s best features is its algorithm, which specializes in surfacing videos seemingly tailor-made for the user. That is, until the algorithm gets an idea about the user that’s very, very wrong. They discuss why TikTok is convinced Madison is an ex-Mormon and Rachelle is a Marvel fanatic, and then field a number of listener voicemails about all the hilarious and sometimes alarming ways TikTok has gotten them wrong, too.
Podcast production by Daniel Schroeder and Derek John.
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On this week’s show, Working producer Cameron Drews talks to Erin Tomasello, casting director for the Netflix reality show The Circle. In the interview, Erin explains what it’s like to work on the casting team for shows like The Bachelor, Fear Factor, America’s Got Talent, and more. Then she discusses the casting process for The Circle and lays out what she and the casting producers are looking for in potential contestants. She also offers tips for anyone who’s thinking about applying to be on the show (which you can do at thecirclecasting.com).
After the interview, co-hosts June Thomas and Isaac Butler talk to Cameron about the rise of politeness and good sportsmanship on reality shows, and then Cameron asks June and Isaac for some creative advice.
In the exclusive Slate Plus segment, Erin talks about how she got into reality show casting and what it’s like to work as a freelancer in the TV industry.
Podcast production by Cameron Drews.
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and the Culture Gabfest—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus.
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On today’s episode, Rachelle is joined by producer Daniel Schroeder to discuss the online legacy of Keeping Up With the Kardashians. After 14 years and 20 seasons, the series is finally coming to a close, so Daniel and Rachelle look back at its infamous origins, trace the show’s evolving relationship with social media, and look ahead to what life might be like for all of us after the series goes off the air.
Podcast production by Daniel Schroeder and Derek John.
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In Part 2 of this episode of Hit Parade, Chris Molanphy continues his analysis of Milli Vanilli, the musical act that many of us who were around in 1989 listened to more than they might admit. They also have quite a legacy: a blend of pop, dance and rap that now seems commonplace but was still relatively novel then. If you’ve danced to Europop that fronts like hip-hop, you’re living in a world Milli Vanilli helped create.
Chris Molanphy continues to break down the history of Milli Vanilli mastermind Frank Farian’s musical career: from his burst of Billboard chart success, to the storied past of the Best New Artist Grammy award. From MTV News to Behind the Music, the Milli Vanilli story has been told and retold. But the Billboard chart feats achieved by Rob and Fab, and their accomplices, reveal just how addicted America was to their music—and maybe, how they won that Grammy.
Hit Parade episodes are now split into two parts, released two weeks apart. For the full episode right now, sign up for Slate Plus and you'll also get The Bridge, our Trivia show and bonus deep dive. Click here for more info.
Podcast production by Asha Saluja with help from Rosemary Belson.
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On the Spoiler Special podcast, Slate critics discuss movies, the occasional TV show, and, once in a blue moon, another podcast, in full spoiler-filled detail. This week, Slate’s movie critic Dana Stevens is joined by Slate staff writer, Dana Stevens, to spoil Cruella, the new Disney live-action origin story for one of it’s most infamous villains, Cruella de Vil.
Who was Cruella before she became the Cruella we all know and hate? This teen-friendly backstory holds the answers.
Note: As the title indicates, this podcast contains spoilers galore.
Email us at spoilers@slate.com.
Podcast production by Morgan Flannery.
Hosts
Dana Stevens is Slate’s movie critic.
Karen Han isstaff writer at Slate and you can read her review here.
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This week Steve, Dana, and Julia discuss HBO Max’s film Those Who Wish Me Dead, starring Angelina Jolie. Next, the panel is joined by Slate books critic Laura Miller to dive into a strange publishing trend—where literary criticism meets self-help. Finally, Slate’s technology editor Jon Fisher talks with the hosts about M.O.D.O.K., Hulu’s latest series on the Marvel character.
In Slate Plus, the hosts open up about their schedules, productivity, and hacks for cultural consumption in response to a listener question.
Email us at culturefest@slate.com
Podcast production by Cameron Drews. Production assistance by Rachael Allen.
Endorsements
Dana: A series of films by Lois Weber on the Criterion Channel
Julia: A new daily news podcast from the L.A. Times called The Times: Daily news from the L.A. Times
Steve: The restaurant Feast & Floret in Hudson, New York
Further Reading
“Enough With Literature as Self-Improvement!” by Laura Miller in Slate
https://slate.com/culture/2021/03/wonderworks-angus-fletcher-review.html
Outro music: "200 Dont's" by Conditional
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On today’s episode, Madison and Rachelle open with High Speed Downloads on two viral stories: the photos of Tessa Thompson, Rita Ora, and Taika Waititi sharing an apparent three-way kiss, and the journey of the woman who live-tweeted her cross-country flight to pursue a man who might be just not that into her. Then they examine how the song “Castaways” from the Nickelodeon show The Backyardigans has become so popular on TikTok that it topped the Spotify Viral 50 chart. Where did this trend begin, and what does it say about TikTok as a nostalgia factory?
Podcast Production by Daniel Schroeder and Derek John.
Support ICYMI and listen to the show with zero ads. Sign up to become a Slate Plus member for just $1 for your first month.
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This week, host Isaac Butler talks to dialect coach Samara Bay, who helps film and TV actors learn new accents. In the interview, Samara describes her coaching process and explains the importance of combining good dialect work with good acting. Then she teaches Isaac how to speak in an Irish accent.
After the interview Isaac and co-host June Thomas discuss Samara’s tactful way of providing feedback and the distinction between “cheerleading” and “flattering.”
In the exclusive Slate Plus segment, Samara talks about one particular movie that she loved working on.
Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.
Podcast production by Cameron Drews.
If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and the Culture Gabfest—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus.
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On today’s episode, Rachelle and Madison chronicle the long, complicated life of Shrek online. They argue that the film, which premiered in 2001, was primed to become an internet meme before Shrek fans even got their hands on it. And then they explain all the different iterations, some funny and some downright creepy, of Shrek content that have kept the green ogre alive on the web for 20 years.
You can check out the Shrek syllabus here.
Podcast production by Daniel Schroeder and Derek John.
Support ICYMI and listen to the show with zero ads. Sign up to become a Slate Plus member for just $1 for your first month.
Learn more about your ad choices. Visit megaphone.fm/adchoices