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Get the Culture Gabfest and all of Slate’s culture coverage here.
Hosted on Acast. See acast.com/privacy for more information.
Copyright: ©2019 The Slate Group
Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.
Shazna Nessa of The Wall Street Journal joins Felix and Emily to talk about the 1963 Bengali film, The Big City. They talk about how the feminist themes resonate today, what makes it an “art house” film, and why the ending seems like a low point, but doesn’t feel like one.
Email: slatemoney@slate.com
Podcast production by Cheyna Roth
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This week, host Karen Han talks to artist and designer Dan-ah Kim, whose work includes the picture book The Grandmasters Daughter and multiple graphic design projects for film and television. In the interview, Dan-ah discusses her traditional style of working and explains how she adapted her work to the picture book form. Then she talks about her graphic design work for the HBO series The Gilded Age.
After the interview, Karen and co-host Isaac Butler discuss martial arts and the difficult work of balancing personal projects with a day job.
In the exclusive Slate Plus segment, Dan-ah talks about dabbling in the world of fashion design.
Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.
Podcast production by Cameron Drews.
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April Fool’s Day is every brand’s favorite holiday. Social media and PR teams get to make all the jokes their marketing department can come up with and face few repercussions. But it’s not all fun and games. On the show today, Rachelle and Madison talk about what nonsense the brands are up to this year, why we’re so easily taken in by internet hoaxes, and how skepticism can harden into something darker.
Podcast production by Daniel Schroeder.
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The early ’70s was a great time for R&B queens on the charts: Roberta Flack. Dionne Warwick. Patti LaBelle. Chaka Khan. They had come through the ’60s—Dionne as a smooth pop-and-B star, Patti as a girl-group frontwoman, Roberta as a cabaret pianist—and found themselves in a new decade with limitless possibilities. Flack turned folk songs into chart-topping, Grammy-winning R&B. Warwick shifted from Brill Building pop to Philly soul. LaBelle threw her insane voice at rock, funk and glam. And a relative newcomer, Rufus frontwoman Chaka Khan, followed in their footsteps, commanding the band and converting to disco, then electro. By the ’80s, all four women were ready for a major chart victory lap.
Join host Chris Molanphy as he traces four parallel careers that expanded the definition of soul from the ’60s through the ’80s and beyond. These soul sisters, flow sisters, bold sisters…killed us softly, walked on by and were, finally, every woman.
Podcast production by Kevin Bendis.
Host
Chris Molanphy
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On this week’s Spoiler Specials, Slate’s movie critic Dana Stevens is joined by Slate’s Jeffrey Bloomer and Dan Kois to spoil Deep Water.
The film opens with marital unease between Vic Van Allen (Ben Affleck) and his wife Melinda (Ana de Armas). Melinda has constant flirtations that Vic moodily tolerates … until he doesn’t.
Note: As the title indicates, this podcast contains spoilers galore.
Email us at spoilers@slate.com.
Podcast production by Cleo Levin
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Chris Rock is back on tour, days after Will Smith struck him and won his first Oscar in the same night. While the Academy strongly condemned Smith, several Black stars and writers have publicly defended him, or even applauded him for standing up for his wife. On today’s episode of A Word, Jason Johnson talks with entertainment journalist Chris Witherspoon about how race is playing out in the debate over what happened, and what should happen next.
Guest: Chris Witherspoon, entertainment journalist and founder/CEO of @PopViewers.
Podcast production by Sam Kim
You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for just $1 for your first month.
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On this week’s episode of The Waves, the co-host of Slate’s internet culture podcast ICYMI, Rachelle Hampton sits down with Slate associate editor and romance author, Marissa Martinelli to talk about romance novels and, of course, the television show Bridgerton. In the first half, they dig into the longstanding race and gender politics at play within the romance writing community and gatekeeping, why we need more Short Kings and Fat Women in romance, and of course…Fabio. Then they get into the Netflix phenomenon, Bridgerton and talk about the problematic dynamics the show didn’t sort out when it “solved” racism, why making Daphne pretty ruined season one for Rachelle, and how season two kinda, sorta, almost cured some of the problems of season one.
In Slate Plus, are corsets feminist?
Recommendations:
Marissa: The romance novel book club podcast, Hot and Bothered.
Rachelle: Season one of Netflix’s Virgin River.
Further Reading:
Dangerous Books for Girls by Maya Rodale
“Inside the List” by Gregory Cowels
“How Bridgerton Touches on Colonialism in India” by Desiree Ibekwe
“The Biggest Changes Between Bridgerton Season 2, and The Steamy, Ridiculous Book It’s Based On” by Marissa Martinelli
“Under the Covers” by Anne Wallentine
“One Romance Novelist’s Fight for Diverse Love Stories” by Rachelle Hampton
Podcast production by Cheyna Roth with editorial oversight by Shannon Palus and June Thomas.
Send your comments and recommendations on what to cover to thewaves@slate.com
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On Sunday night, Will Smith slapped Chris Rock during the Oscars live broadcast after Rock made a joke about Jada Pinkett Smith. As soon as the internet figured out the slap wasn’t a bit, Twitter was deluged with takes. On today’s episode, Madison and Rachelle discourse about the discourse, discussing the neverending online take machine, how media narratives are shaped, and why we were all wondering if the slap was even real.
Podcast production by Daniel Schroeder.
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This week, the panel begins by breaking down everything that went down during the weirdest Oscars ever. Then, the panel is joined by author, professor, and Slate’s pop critic, Jack Hamilton, to discuss Adam McKay’s over-stylized docudrama about the 1980s Lakers, Winning Time: The Rise of the Lakers Dynasty. Finally, the panel is joined by Slate senior writer Mark Joseph Stern to discuss Disney CEO Bob Chapek and his response to Florida’s “Don’t Say Gay” bill.
In Slate Plus, the panel discusses Oscars fashion.
Email us at culturefest@slate.com.
Endorsements
Dana: Bill McGlaughlin’s syndicated five-week-long series on WFMT public radio, Latin Carnival. McGlaughlin sits at the piano while he DJs, guiding us through a journey of Latin carnival music from the Middle Ages to current day. Listen before it expires!
Julia: Two pieces of great Oscars coverage from the LA Times. FIrst: Greg Braxton’s commentary, “With the slap, Smith tarnished a night of pride for Black Hollywood—and his legacy.” Second: Mary McNamara’s column, “Will Smith’s slap overshadows a historic night for women at the 2022 Oscars.”
Steve: The Cure! But more specifically, three different covers of their song “Just Like Heaven.” One by the Scottish synth-pop group CHVRCHES alongside English musician, Robert Smith. Another by the rock band Dinosaur Jr.. And a third by American singer-songwriters Christian Lee Hutson and Shamir and (also check out his song “Lose This Number”).
Podcast production by Cameron Drews. Production assistance by Nadira Goffe.
Outro music is “Backwards" by Staffan Carlen.
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Welcome to Slate Money Goes to the Movies, a miniseries in which Felix Salmon, Emily Peck, and a different guest each week discuss popular business-themed movies.
Author and businessman, Ben Horowitz joins Felix and Emily to talk about the quietest Quentin Tarantino movie, Jackie Brown. They get into Ordell Robbie’s bad retirement plan, the romance of Jackie Brown and Max Cherry, and why you need to re-watch it when you’re old.
Email: slatemoney@slate.com
Podcast production by Cheyna Roth
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