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Copyright: ©2019 The Slate Group
Candice Lim is joined by Slate culture writer Nadira Goffe to discuss their takeaways from Quiet on Set: The Dark Side of Kids TV, a documentary series that details the toxic work environment, child abuse and disturbing events that occurred on the set of creator Dan Schneider’s shows. Schneider was the mind behind some of Nickelodeon's most-watched programming including All That, The Amanda Show and iCarly. But several dark truths were unearthed following the arrest of two child predators who worked on his sets, along with accusations of gender discrimination, sexual harassment and alleged sexual behavior by Schneider himself. Following the docuseries’ release, former child actors have used social media to make statements and speak about their experiences on Nickelodeon sets. But has the internet’s reaction from both viewers and former child actors helped or hurt the purpose and aim of the docuseries itself?
This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton with production assistance by Jared Downing.
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In this week’s essay, John remembers dropping his son off at college, and trying to hold onto moments and feelings while you can.
Notebook Entries:
Notebook 75, page 6. September 2021:
They chose you.
Notebook 15, page 4. April 2004:
Sitting with Brice by waterfall. Throwing rocks in stream. Loading sand from dump truck and loader and back again.
References:
What Got You Here, Won’t Get You There by Marshall Goldsmith
Songwriter Nick Cave
Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
Podcast production by Cheyna Roth.
Email us at navelgazingpodcast@gmail.com
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Host
John Dickerson
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When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls?
As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own.
From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.)
Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.”
Podcast production by Kevin Bendis.
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Commentator Candace Owens’ messy fall from grace in conservative media coincided with her appearances on popular Black chat shows. That includes The Breakfast Club, led by radio host and personality Charlamagne tha God.
Once a minor social media personality who condemned Donald Trump as racist, Owens became one of the former president’s chief defenders, and a leading Black voice of anti-Black rhetoric. So is Owens saying anything new in Black media, and were those outlets doing the right thing by inviting her?
On today’s episode of A Word, Jason Johnson is joined by Michael Harriot. He’s a columnist for The Grio, and the author of Black AF History: The Un-Whitewashed Story of America. Harriot recently wrote for The Guardian, criticizing the choice to platform Owens in African American media.
In this interview and an earlier version of this episode description, we incorrectly stated and implied that Candace Owens’ interviews on Joe Budden’s podcast and The Breakfast Club happened after The Daily Wire announced her separation from the outlet on March 22. They both occurred before, with the Budden interview recording the week of February 27, and being published in mid-March. The Breakfast Club discussion was recorded on March 18 and aired on March 21. We regret the error.
Guest: Writer Michael Harriot
Podcast production by Kristie Taiwo-Makanjuola
Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen.
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In this episode, Anna Sale (host of Death Sex and Money) joins Prudie (Jenée Desmond-Harris) to answer letters from readers about how to navigate being the friend who always initiates plans, how to handle entitled stepdaughters moving into your home, and how to stop being a mean girl to other moms.
If you want more Dear Prudence, join Slate Plus, Slate’s membership program. Jenée answers an extra question every week, just for members.
Go to Slate.com/prudieplus to sign up. It’s just $15 for your first three months.
This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, and Jenée Desmond-Harris, with help from Maura Currie.
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On this week’s show, the panel is first joined by Slate business and culture writer Nitish Pahwa to discuss Monkey Man, Dev Patel’s dazzling but muddled directorial debut. The ultra-violent action flick stars Patel as Kid, a young man who works his way into a secret brothel for the super rich, hell-bent on finding the police chief who murdered his mother and exacting his revenge. It’s clearly a political statement of a film, rife with references to real-world controversies and corrupt political, religious, and pedagogical practices (all of which Nitish covers in his piece for Slate, “Monkey Man Has a Bold New Vision”). Then, the three jump into Ripley, a new eight-part Netflix series based on Patricia Highsmith’s master novel, The Talented Mr. Ripley, starring 47-year-old Andrew “Hot Priest” Scott as the titular seductive psychopath. Directed by Steven Zaillian (The Night Of, Schindler’s List, All the King’s Men) and with cinematography by Robert Elswith (Boogie Nights, There Will Be Blood, Good Night, and Good Luck), the series is shot in spectacular black-and-white and co-stars Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf. Finally, Julia Louis-Dreyfus (of Veep, Saturday Night Live, and Seinfeld fame, obviously) has a podcast, Wiser Than Me, which just entered its second season. On it, she interviews iconic older women like Jane Fonda, Carol Burnett, Bonnie Raitt, and Sally Field about the wisdom they’ve accrued and asks the question: “Well, how should I live?” While the show doesn’t fully avoid the pitfalls of the celebrity interview, secrets and things emerge within the course of a conversation and the framework itself gets to the very core of human existence.
In the exclusive Slate Plus segment, the panel answers a fittingly existential question from listener Gretel: “Wondering how you, high achievers all, balance ambition with contentment. Do you consider yourselves competitive or is your drive innate? I vacillate between pushing myself harder, striving to achieve more, and being grateful for what I have and where I am. Is contentment a noble endgame in your opinions?”
Email us at culturefest@slate.com.
Outro music: “Bollywood Star” by Jhukane Bada.
Endorsements:
Dana: Andrew Scott’s performance as Hamlet in 2017. (The full three-hour production can be watched on YouTube.)
Julia: Worn: A People’s History of Clothing by Sofi Thanhauser. An absolutely beautiful and fascinating book about the centrality of textile production throughout history.
Stephen: “Lowell, Plath, and Sexton in the Same Room” by Steve Moyer for the National Endowment for the Humanities (Spring 2024, Volume 45.)
Podcast production by Jared Downing. Production assistance by Kat Hong.
Hosts
Dana Stephens, Julia Turner, Stephen Metcalf
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As we approach the warmer months and start spending more time outside, healthy skin couldn’t be more important. So how can we best protect our body’s largest organ?
Feel free to stock up on all the products for a 10-step routine if you want. But the reality is healthy skin requires just three products. The rest is kind of BS.
This week on Well, Now we talk all things skin health with Dr. Adarsh Vijay Mudgil, a dermatologist and dermatopathologist based in New York City.
If you liked this episode, check out: Spring Cleaning Your Medicine Cabinet
Podcast production by Vic Whitley-Berry and Ahyiana Angel with editorial oversight by Alicia Montgomery.
Send your comments and recommendations on what to cover to wellnow@slate.com
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On this week’s episode, guest hosts Daisy Rosario and Madeline Duchamp break down the new lesbian caper films Drive Away Dolls and Love Lies Bleeding. They dig into the joy of queer bars, Kristen Stewart's soft butch coming out, and the newly iconic Katie O’Brien.
Podcast production by Palace Shaw.
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Magazines have fallen on hard times – especially the weekly news, fashion, and celebrity mags that once dominated newsstands. The revenue from magazine racks has plummeted in recent years, and many magazines have stopped appearing in print or shut down altogether.
And yet, there is something growing in the checkout aisle: one-off publications, each devoted to a single topic, known as “bookazines.” Last year, over 1,200 different bookazines went on sale across the country. They cover topics ranging from Taylor Swift, Star Wars, the Kennedy assassination, K-pop, the British royal family, and as host Willa Paskin recently observed, the career of retired movie star Robert Redford.
In today’s episode, Willa looks behind the racks to investigate this new-ish format. Who is writing, publishing, and reading all these one-off magazines – and why? Is the bookazine a way forward for magazines, or their last gasp?
Voices you’ll hear in this episode include Caragh Donley, longtime magazine journalist turned prolific writer of bookazines; Eric Szegda, executive at bookazine publisher a360 media; and Erik Radvon, comic book creator and bookazine fan.
This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.
If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.
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Why scam obituaries are edging out earnest ones, with the help of artificial intelligence and an adept Google game.
Guest: Mia Sato, reporter for The Verge.
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Podcast production by Evan Campbell, Patrick Fort, and Anna Phillips.
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