TopPodcast.com
Menu
  • Home
  • Top Charts
  • Top Networks
  • Top Apps
  • Top Independents
  • Top Podfluencers
  • Top Picks
    • Top Business Podcasts
    • Top True Crime Podcasts
    • Top Finance Podcasts
    • Top Comedy Podcasts
    • Top Music Podcasts
    • Top Womens Podcasts
    • Top Kids Podcasts
    • Top Sports Podcasts
    • Top News Podcasts
    • Top Tech Podcasts
    • Top Crypto Podcasts
    • Top Entrepreneurial Podcasts
    • Top Fantasy Sports Podcasts
    • Top Political Podcasts
    • Top Science Podcasts
    • Top Self Help Podcasts
    • Top Sports Betting Podcasts
    • Top Stocks Podcasts
  • Podcast News
  • About Us
  • Podcast Advertising
  • Contact
Not in our directory?
Add Show Here
Podcast Equipment
Center

toppodcastlogoOur TOPPODCAST Picks

  • Comedy
  • Crypto
  • Sports
  • News
  • Politics
  • True Crime
  • Business
  • Finance

Follow Us

toppodcastlogoStay Connected

    View Top 200 Chart
    Back to Rankings Page
    Books

    Skylight Books Podcast Series

    Download (free!) recent author events and interviews, and visit our website to learn about more events: www.skylightbooks.com

    Advertise
    • Apple Podcasts
    • Google Play
    • Spotify

    Latest Episodes:
    JOHN DARNIELLE READS FROM HIS NEW NOVEL UNIVERSAL HARVESTER May 14, 2017
    Show notes

    Universal Harvester (Farrar, Straus and Giroux)

    Jeremy works at the Video Hut in Nevada, Iowa a small town in the center of the state, the first a in Nevada pronounced ay. This is the late 1990s, and while the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It s good enough for Jeremy: It s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

    But when a local schoolteacher comes in to return her copy of "Targets" an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store, she has an odd complaint: There's something on it, she says, but doesn t elaborate. Two days later, a different customer returns "She's All That," a new release, and complains that there s something wrong with it: There's another movie on this tape.

    Jeremy doesn't want to be curious. But he takes a look and, indeed, in the middle of the movie the screen blinks dark for a moment and "She's All That" is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, "She's All That" is back. But there is something profoundly unsettling about that scene; Jeremy's compelled to watch it three or four times. The scenes recorded onto "Targets" are similar, undoubtedly created by the same hand. Creepy. And the barn looks much like a barn just outside of town.

    There will be no ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same.

    John Darnielle’s first novel, Wolf in White Van, was a New York Times bestseller, a National Book Award nominee, and a finalist for the Los Angeles Times Book Prize for first fiction, and was widely hailed as one of the best novels of the year. He is the writer, composer, guitarist, and vocalist for the band the Mountain Goats. He lives in Durham, North Carolina, with his wife and sons.


    EMILY FRIDLUND READS FROM HER DEBUT NOVEL HISTORY OF WOLVES May 14, 2017
    Show notes

    History of Wolves (Grove Atlantic)

    History of Wolves is the story of fourteen-year- old Linda, who lives with her parents in an abandoned commune in the icy woods of Northern Minnesota. Isolated at home and at school, Linda finds unusual company in her beautiful classmate, Lily, and her charismatic History teacher, Mr. Grierson. When Mr. Grierson is accused of possessing child pornography, Linda’s world shifts dramatically. Things seem to look up when the Gardner family moves in across the lake. Linda is welcomed into their home as their son, Paul’s, babysitter. However, this sense of belonging, and her newfound feelings of purpose come at an unexpected price—Linda is drawn into secrets that she doesn’t understand and is eventually forced to make decisions that will affect her entire life.

    Praise for History of Wolves

    “[A] stellar debut . . . A sense of foreboding subtly permeates the story . . . [the] wordsmithing is fantastic, rife with vivid turns of phrase. Fridlund has elegantly crafted a striking protagonist whose dark leanings cap off the tragedy at the heart of this book, which is moving and disturbing, and which will stay with the reader.”—Publishers Weekly (starred boxed review)

    “An atmospheric, near-gothic coming-of-age novel turns on the dance between predator and prey . . . Fridlund is an assured writer . . . The novel has a tinge of fairy tale, wavering on the blur between good and evil, thought and action. But the sharp consequences for its characters make it singe and sing—a literary tour de force.”—Kirkus Reviews (starred review)

    “The writing is beautiful . . . a triumph of tone and attitude. Lovers of character-driven literary fiction will embrace this.”—Booklist (starred review)

    “First thing you see is the bracing intelligence of the book’s young narrator – no big-eyed sentiments for Linda, raised amid blighted ideals in the ceaseless winters and vast swamps of northern Minnesota. So observant is Linda that you trust her instantly, but it’s her own search for trust, for connection even at enormous cost, that will hold you to the final hour. Emily Fridlund’s language is generous and precise, her story grief-tempered and forcefully moving. History of Wolves is the loneliest thing I’ve read in years, and it’s gorgeous. These are haunted pages.” —Leif Enger, author of Peace Like a River

    “As exquisite a first novel as I’ve ever encountered. Poetic, complex, and utterly, heartbreakingly beautiful.”—T. C. Boyle

    “So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides! I’m so excited for readers to encounter the talent and roiling intelligence of Emily Fridlund.”—Aimee Bender

    Emily Fridlund grew up in Minnesota and currently resides in the Finger Lakes region of New York. Her fiction has appeared in a variety of journals, including Boston Review, Zyzzyva, FiveChapters, New Orleans Review, Sou'wester, New Delta Review, Chariton Review, Portland Review, and Painted Bride Quarterly. The opening chapter of History Wolves won the 2013 McGinnis-Ritchie Award for fiction, and Fridlund's collection of stories, Catapult, won the Mary McCarthy Prize in Short Fiction and will be published by Sarabande in the fall of 2017.


    VANESSA DAVIS LAUNCHES HER NEW GRAPHIC MEMOIR SPANIEL RAGE May 14, 2017
    Show notes

    Spaniel Rage (Drawn & Quarterly)

    Join Los Angeles-based cartoonist Vanessa Davis as she presents her latest release Spaniel Rage: a collection of frank, intimate pencil drawings created over the course of one year to chronicle her life as a single woman in New York. Filled with self-deprecating anecdotes about her anxieties, intimate moments between friends and lovers, and mingling general observations and wry truths about life in the Big City, Spaniel Rage is a witty tour de force that grabs you by the heartstrings.

    Vanessa Davis's autobiographical comics delighted readers ten years ago when she first began telling stories about her life in New York as a young single Jewish woman. More observational than confessional, Spaniel Rage is filled with frank and immediate pencil drawn accounts of dating woes, misunderstandings between her and her mother, and conversations with friends. Her keen observation of careless words spoken casually is refreshingly honest, yet never condemning. Unabashedly, Davis offers up gently self-deprecating anecdotes about her anxieties and wry truths about the contradictions of life in the big city. These comics are sexy, funny, lonely, beautiful, spare, and very smart—the finest work from a natural storyteller.

    Praise for Spaniel Rage

    "These comics are a gift. Casual, but precise, Davis has an emotional and intellectual range that creeps up on you with a warmth and a sensibility to the page that feels revelatory. Spaniel Rage is a brave, deeply felt work." Sammy Harkham, Kramers Ergot

    "Loose, perfect cartooning. Vanessa Davis is one of the very best." Michael DeForge, Big Kids, Ant Colony, and Lose

    "Vanessa's comics feel like a phone call with your best, warm, funny friend. I've kept this book close at hand for the last decade, re-reading it over lunches, in baths, and curled up in bed at night." Lisa Hanawalt, Bojack Horseman, Hot Dog Taste Test

    "I spent my 20s reading and re-reading this book. I'm still looking for clues in its warm, perfect drawings and clear, quiet voice a grateful ghost in the white spaces, standing by Vanessa's side." Eleanor Davis, How To Be Happy

    Vanessa Davis was born in Florida and currently lives in Los Angeles. She’s a cartoonist and illustrator who has contributed to Vice, the New York Times, Lucky Peach, and Tablet.


    JOANNA HOFFMAN READS FROM HER POETRY COLLECTION RUNNING FOR TRAP DOORS May 14, 2017
    Show notes

    Running for Trap Doors (Sibling Rivalry Press)

    In her debut full-length poetry collection, Joanna Hoffman navigates family dynamics, lesbian bars, religion, emoticons, and inner demons. Along the way, she begins to see her world and the characters in it in a new light and gradually learns how to get out of her own way.

    Praise for Running for Trap Doors

    "What I love most about Joanna Hoffman’s poems in Running For Trap Doors is how they uplift without trying to; the candor embroidered in every story swells the reader with an aliveness, even in moments of undeniable loss. They are quiet anthems. Hoffman’s writing denounces pretension and settles into the violent swirl and joy of life’s incessant mosh pit."-- Rachel McKibbens, New York Foundation of the Arts Poetry Fellow and author of Pink Elephant

    "Joanna Hoffman lingers in melancholia, but with instincts erring toward that peculiar strength of character possessed only by those whose frailty has truly taken a stomping. Hoffman’s ills are not imaginary, nor are her efforts to redress them. We should all be so bold, so concerned. And then there is this other thing, which is that never in my life have I read such concisely perfect portrayals of the religions hiding in a woman’s neck as I have in these fine poems. More than a debut, Running for Trap Doors is a statement of purpose."-- Megan Volpert, author of Sonics in Warholia

    "While reading Joanna Hoffman’s book, I considered death, remembered high school, ached, marveled that one poem could say as much as a novel, laughed out loud alone, texted someone to say how good it was, and then hugged myself. It is precise, imagistic and purposeful, a fully realized narrative. In this book, there is a clean song jackknifing the fat from bone."-- Karen Finneyfrock, author of The Sweet Revenge of Celia Door

    Joanna Hoffman is a poet and teaching artist living in Brooklyn. Her work has appeared or is forthcoming on Upworthy, Buzzfeed, Winter Tangerine, decomP, PANK, The Offing, Union Station Magazine, The Legendary, Sinister Wisdom and in the Write Bloody Publishing anthologies We Will be Shelter and Multiverse. Her full-length book of poetry, Running for Trap Doors (Sibling Rivalry Press), was nominated for a Lambda Literary Award and included in the American Library Association’s List of Recommended LGBT reading for 2014. She was honored by the White House as a 2015 Champion of Change for LGBTQ advocacy through art.


    DANIELLE KRYSA DISCUSSES HER BOOK YOUR INNER CRITIC IS A BIG JERK, WITH MARTHA RICH May 14, 2017
    Show notes

    Your Inner Critic is a Big Jerk: And Other Truths About Being Creative (Chronicle Books)

    This book is duct tape for the mouth of every artist's inner critic. Silencing that stifling voice once and for all, this salve for creatives introduces ten truths they must face in order to defeat self-doubt. Each encouraging chapter deconstructs a pivotal moment on the path to success fear of the blank page, the dangers of jealousy, sharing work with others and explains how to navigate roadblock. Packed with helpful anecdotes, thoughts from successful creatives, and practical exercises gleaned from Danielle Krysa's years of working with professional and aspiring artists plus riotously apt illustrations from art world darling Martha Rich this book arms readers with the most essential tool for their toolbox: the confidence they need to get down to business and make good work.

    Danielle Krysa has a BFA in Fine Arts, and a post-grad in graphic design. She is the writer/curator behind the contemporary art site, The Jealous Curator. In 2014 she published two books, both with Chronicle Books, titled Creative Block and Collage. Her third book, Your Inner Critic Is A Big Jerk was released in October 2016. Danielle has also had the great pleasure of speaking at TEDx PIXAR, Creative Mornings, CreativeLive, Altitude Summit, and was interviewed for several video segments on Oprah.com.

    Martha Rich is a Philadelphia-based artist working in both the commercial and fine art fields. Drawing, painting, using words, while being absurd and funny, and having a penchant for painting food is what she does.


    STEVE ERICKSON READS FROM HIS NEW NOVEL SHADOWBAHN May 14, 2017
    Show notes

    Shadowbahn (Blue Rider Press)

    In Granta Jonathan Lethem called Steve Erickson’s forthcoming novel Shadowbahn "Jaw-dropping … Erickson weaves a playlist for the dying American century with his usual lucid-dreaming prose. I've read every novel he's ever written and I'll still never know how he does it: A tour-de-forcer's tour de force." A prescient book about a divided USA, Shadowbahn is a winding and reckless ride through intersections of danger, destiny, and the conjoined halves of a ruptured nation.

    The sleep of reason produces monsters, said Goya—including monsters of architecture and history that meet, most uneasily, in the pages of Erickson's latest. It's a startling scenario, a kind of deus ex machina at the beginning instead of the end of a story: What would happen if, two decades after their collapse, the twin towers of the World Trade Center were to loom up in the South Dakota Badlands? Well, it being America, they turn into a tourist attraction made all the more alluring by the fact that there's a presence up on the top floors of the southern building—a presence that just happens to be the revenant brother of another American icon. It would be a spoiler to get too much into specifics of that fellow's identity and why on earth he happens to be inhabiting a building he never lived to see, but suffice it to say that with this book, perhaps his oddest yet, Erickson stakes a claim to be one of the most centrifugal writers at work today. Even then, he works his magic mostly by conjuring sci-fi-ish plotlines and then having characters move across them in more or less realistic ways: youngsters on their way to visit family on the coast are pulled down a dusty rabbit hole into a place that requires conversations on Adlai Stevenson, Elvis, the old folk song "Shenandoah," Dealey Plaza, Churchill, Wounded Knee, RFK ("Was his big brother being metaphorical now? Ironic? Literary?"), and the whole swirl, for better and worse, of American history. Whatever is normal is upended, but it's all oddly believable. Throughout, Erickson, a master of the mot juste, writes with archly elegant lyricism: "He heads toward a west that is the dreamer's true north, where the desert comes looking for us and curls at the door, a wild animal made of our ashes…." Think Philip K. Dick on smoother acid and with a more up-to-date soundtrack, and you've got something of this eminently strange, thoroughly excellent book.

    Praise for Shadowbahn

    “A great, great, great, great novel. I could say more -- about its big-world heartedness and old-world shadowness, about twins and towers, brothers and sisters, road trips and all the borders we design and transgress, and of course Erickson’s beautiful heart-bit music -- but it would still add up to the same thing: great. Sung, of course.”–Mark Z. Danielewski, author of The Familiar

    “Steve Erickson is one of America’s greatest living novelists. He is always inventive, always engaging, always surprising. In Shadowbahn, Erickson combines the social novel, the science fiction novel, the pop music essay, the comedic set piece, and the family novel into a wild, idiosyncratic tour de force.”–Dana Spiotta

    “Not sure whether Steve Erickson's off-kilter whoppers have gotten more plausible or the country gets more and more unhinged. He and his book's bewitching nouns, from the Badlands to "La Bamba," are good company either way.”–Sarah Vowell

    “Shadowbahn maps out an American counter-history where events that have touched all Americans, and people from all over the world, are given new shape and speak in new voices. As both a revisioning of a national story and a family drama, the book has a simultaneous weight and lightness, an older person’s high seriousness and the ability of younger people to see right through it.”--Greil Marcus

    Steve Erickson is the author of nine other novels, including Zeroville, which James Franco has adapted for film, Our Ecstatic Days, and These Dreams of You and two nonfiction books that have been published in ten languages. His work has appeared in numerous periodicals, such as Esquire, Rolling Stone, Smithsonian, American Prospect, and Los Angeles, for which he writes regularly about film, music, and television. Erickson is the recipient of a Guggenheim Fellowship, the American Academy of Arts and Letters Award in Literature, and the Lannan Lifetime Achievement Award. Currently he teaches at the University of California, Riverside.


    MARK SUNDEEN DISCUSSES HIS BOOK THE UNSETTLERS May 14, 2017
    Show notes

    The Unsettlers: In Search of the Good Life in Today's America (Riverhead Books)

    Today's Americans are looking to escape: faced with drastic increases in climate change, the rise of the One Percent, and a suffocating 24/7 work culture that seems to be keeping an entire population chained to their smart phones, it comes as no surprise that we are now, more than ever, yearning for "the simple life." Organic eating continues to gain popularity and minimalistic Tiny Houses seem to be popping up every direction--but why? And is it actually possible not only to walk away from the modern conveniences on which we've become so paralyzingly dependent but to adopt--even model--a truly sustainable ethical and authentic way of life?

    In The Unsettlers: In Search of the Good Life in Today's America, Mark Sundeen follows a diverse group of Americans--urban and rural, female and male, black and white--on their complicated quest for a simpler life in modern times, raising fascinating and subversive questions about the way we live, eat, and work. We asked Sundeen what led him to write The Unsettlers, and he replied, "So many people have anxiety about the state of the world--climate change, extinction, financial inequality--but so few have an idea of what they can actually do to extract themselves for the system, much less change it. This book illuminates those who are trying with all their might."

    There is no better writer to tell this story than Sundeen, whose writings on off-the-grid movements have appeared in the New York Times, Outside Magazine, The Believer, National Geographic Adventure, and McSweeny's. His previous book, The Man who Quit Money, was a sleeper hit, earning rave reviews from readers and critics--the Seattle Times deemed it "captivating," and Outside hailed it as a "critique that will resonate with anyone who has ever felt remorse on the treadmill of getting and spending"--cementing Sundeen's reputation as one of the preeminent translators of alternative communities and movements to the mainstream.

    With the lively writing-style of Barbara Kingslover and on-the-ground savvy of Michael Pollan, Mark Sundeen simultaneously explores and contextualizes the fascinatingly complex history of simple living throughout American history--from the Founding Fathers to the present movement in which, among the other subjects he profiles, Detroit natives Olivia Hubert and Greg Willerer set out to revitalize their city by farming it.

    Praise for The Unsettlers

    "Rigorously reported and utterly enthralling. With Candor, wit, and live-voltage curiosity, Sundeen profiles pioneers who have developed better ways to live in our overdeveloped world."--Leslie Jamison, author of The Empathy Exams

    "With his chronicles of modern-day American visionaries and iconoclasts who have opted out of the mainstream culture, I've come to think of Mark Sundeen as our poet laureate of a new era of alternative lifestyles."--Bob Shacochis, author of The Woman Who Lost Her Soul

    Mark Sundeen is the author of several books, including The Man Who Quit Money and the coauthor of North by Northwestern, which was a New York Times and Wall Street Journal bestseller. He has taught fiction and nonfiction inthe MFA creative writing programs at the University of New Mexico and SouthernNew Hampshire University. He and his wife divide their time between Fort Collins, Colorado, and Moab, Utah.


    UC RIVERSIDE MFA STUDENTS AND PROFESSORS READ FROM THEIR WORK Apr 09, 2017
    Show notes

    Join us as professors and students from UC Riverside’s Creative Writing & Writing for the Performing Arts MFA read from their work. Readers include: Tom Lutz, Charmaine Craig, Katie Ford, Robin Russin, Bernardita Garcia, Ashanti Anderson, Alicia Mosely, Lorelei Baughman, and Emily Margaret Wells.

    Tom Lutz is the author, most recently, of And the Monkey Learned Nothing: Dispatches from a Life of Travel and Drinking Mare's Milk on the Roof of the World: Wandering the Globe from Azerbaijan to Zanzibar. He is the founding editor of Los Angeles Review of Books.

    Robin Uriel Russin is a professor of screenwriting and playwriting in the Department of Theatre, Film & Digital Production at the University of California, Riverside. He has written, produced and directed for film, TV and the theater, including the box office hit On Deadly Ground; America’s Most Wanted; and Vital Signs on ABC, where he was Senior Producer. Robin is co-author of the books Screenplay: Writing the Picture, now in its second edition, and Naked Playwriting. His stories, articles and reviews have been appeared in Script Magazine, Verdad Magazine, Connotation Press, Harvard Magazine, The Los Angeles Times, The American Oxonian, Shofar, and elsewhere. A Rhodes Scholar, Robin has degrees from Harvard, Oxford, Rhode Island School of Design, and UCLA. His play, The Face in the Reeds, recently premiered in an extended run at the Ruskin Group Theatre, where he initiated and leads a workshop for emerging and established local playwrights. His original one-hour pilot script about King David, Beloved, was adapted by ABC TV as Of Kings and Prophets. Robin is currently directing the indie feature, When I Sing.

    Katie Ford is the author of Deposition, Colosseum, and Blood Lyrics, which was a finalist for the LA Times Book Prize and the Rilke Prize. Colosseum was named among the “Best Books of 2008” by Publishers Weekly and the Virginia Quarterly Review and led to a Lannan Literary Fellowship and the Larry Levis Prize. Her work has appeared in The New Yorker, Poetry Magazine, The Paris Review, The American Poetry Review and The Norton Introduction for Literature, and she is currently serving as a judge for the 2016 National Book Awards. Her fourth book is forthcoming from Graywolf Press is 2018. She is a Professor of Creative Writing and Director of the MFA Program.

    Charmaine Craig is a faculty member in the Department of Creative Writing at UC Riverside, and the descendant of significant figures in Burma’s modern history. A former actor in film and television, she studied literature at Harvard University and received her MFA from the University of California, Irvine. Her first novel, The Good Men (Riverhead), was a national bestseller translated into six languages.

    Bernardita García is a twenty-nine year-old Chilean journalist who is currently pursuing an MFA in Creative Writing at UC Riverside. For the last two years, she has worked as a ghostwriter. In 2016, her children’s book “La Ballena Jorobada” (The Humpback Whale) was given an award by the Municipality of Santiago, Chile. She's a paws-and-tails lover and was the coordinator of Chile’s largest animal rights campaign: #NoSonMuebles. Her writing is influenced by Latin American social changes, women’s struggle and her generation’s quest for its own identity.

    Lorelei Baughman has spent her life in California, with interludes in France and the San Juan Islands. She’s been in sales, driven a taxi, and owns a business. Now that she’s writing, she looks back most fondly on driving the taxi. She writes short stories, and graduated from UC Riverside in 2015 with a BA in Creative Writing. She loves teaching almost as much as she loves writing, and has conducted a Creative Writing class at the Chino Women’s Correctional Facility. She has been published in Bravura and Mosaic. Her stories are about ordinary people in Las Vegas and Nebraska, but she secretly wants to write about angels and genii wielding scimitars up in the ozone, inflicting their whims on the grocery clerks and civil engineers below. She lives in Temecula, California with her husband and dogs.

    Ashanti Anderson earned her B.S. in Psychology from Xavier University of Louisiana. Before officially deciding to pursue her goals as a writer, she was a research assistant in a lab that studied the effects of music on the cognition of individuals with dementia. She has published poetry, creative non-fiction, essays, and research articles through various print and electronic publications. Her interests include psychology, theology, cooking, and nature, and she usually (sometimes unintentionally) incorporates at least two of those into every piece that she writes.

    Alicia Mosley was born in Santa Cruz, California and spent most of her life with one foot in Northern California and the other in Southern. In her writing, she is interested in exploring the ways people straddle the intersections of place, culture, and time. Alicia currently lives in Riverside with her four children and is working on her first novel.

    Emily Margaret Wells writes true stories (journalism) and obliquely true stories (fiction). She is working on a novel about art, family and religion, which she plans to complete during the MFA at UC Riverside. Formerly a newspaper reporter, fashion model and ballet dancer, she lives and works with a nameless cat.


    JOEL WHITNEY DISCUSSES HIS NEW BOOK FINKS WITH NICK SCHOU Apr 09, 2017
    Show notes

    Finks: How the C.I.A. Tricked the World's Best Writers (Or Books)

    When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America’s best-loved literary figures—including Peter Matthiessen, George Plimpton, and Richard Wright—tarnished as their work for the intelligence agency has come to light.

    Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the cultural CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation.

    Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state.

    Praise for Finks

    "Listen to this book, because it talks in a very clear way about what has been silenced."--John Berger, author of Ways of Seeing and winner of the Man Booker Prize

    "It may be difficult today to believe that the American intellectual elite was once deeply embedded with the CIA. But withFinks, Joel Whitney vividly brings to life the early days of the Cold War, when the CIA's Ivy League ties were strong, and key American literary figures were willing to secretly do the bidding of the nation's spymasters."--James Risen, author of Pay Any Price: Greed, Power and Endless War

    "A deep look at that scoundrel time when America's most sophisticated and enlightened literati eagerly collaborated with our growing national security state. Finks is a timely moral reckoningone that compels all those who work in the academic, media and literary boiler rooms to ask some troubling questions of themselvesnamely, what, if anything, have they done to resist the subversion of free thought?"--David Talbot, founder of Salon and author of The Devil's Chessboard: Allen Dulles, the CIA and the Rise of America's Secret Government

    "The marriage of politics and literature is always messy and seldom boring. Intrusive governments are invariably unimaginative and plotting writers are hilariously ineffective. The whole thing makes for tortured drama, and Joel Whitney is a savvy dramatist who knows perfectly how to juice intrigue!"--Ilan Stavans, author of Gabriel Garcia Marquez: The Early Years

    "The CIA's covert financial support of highbrow art and fiction may seem like a quaint, even endearing, chapter in its otherwise grim history of coups, assassinations, and torture. In Finks, Joel Whitney argues otherwise and shines a discomfiting spotlight on this obscure corner of the cultural Cold War. The result is both an illuminating read and a cautionary tale about the potential costspolitical and artisticof accommodating power."--Ben Wizner, ACLU Director of Speech, Privacy and Technology Project

    Joel Whitney is a cofounder and editor at large of Guernica: A Magazine of Art & Politics. His writing has appeared in The New York Times, The Wall Street Journal, The New Republic, Boston Review, The San Francisco Chronicle, Dissent, Salon, NPR, New York Magazine and The Sun.

    Award-winning investigative journalist Nick Schou is managing editor of OC Weekly. He is the author of Kill the Messenger: How the CIA’s Crack Cocaine Controversy Destroyed Journalist Gary Webb (Nation Books 2006), which provided the basis for the 2014 Focus Features release starring Jeremy Renner and the L.A. Times-bestseller Orange Sunshine: The Brotherhood of Eternal Love’s Quest to bring Peace, Love and Acid to the World, (Thomas Dunne 2009). He is also the author of The Weed Runners (2013) and Spooked: How the CIA Manipulates the Media and Hoodwinks Hollywood (2016).


    VIET THANH NGUYEN READS FROM HIS NEW COLLECTION OF SHORT STORIES THE REFUGEES Apr 09, 2017
    Show notes

    The Refugees (Grove Press)

    Viet Thanh Nguyen’s The Sympathizer was one of the most widely and highly praised novels of 2015, the winner not only of the 2016 Pulitzer Prize for Fiction but also the Center for Fiction First Novel Prize, the Edgar Award for Best First Novel, the Andrew Carnegie Medal for Excellence in Fiction, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. Nguyen’s next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family. With the coruscating gaze of The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

    The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

    Praise for The Refugees

    “Precise without being clinical, archly humorous without being condescending, and full of understanding; many of the stories might have been written by a modern Flaubert, if that master had spent time in San Jose or Ho Chi Minh City . . . [Nguyen’s] stories, excellent from start to finish, transcend ethnic boundaries to speak to human universals.”—Kirkus Reviews (starred review)

    “Each searing tale in Nguyen’s follow-up to the Pulitzer-winning The Sympathizer is a pressure cooker of unease, simmering with unresolved issues of memory and identity for the Vietnamese whose lives were disrupted by the “American War.” …Nguyen is not here to sympathize…but to challenge the experience of white America as the invisible norm. .” –Publishers Weekly (starred review)

    “Nguyen…presents a collection of fluidly modulated yet bracing stories about Vietnamese refugees in the U.S., powerful tales of rupture and loss that detonate successive shock waves. . . . Each intimate, supple, and heartrending story is unique in its particulars even as all are works of piercing clarity, poignant emotional nuance, and searing insights into the trauma of war and the long chill of exile, the assault on identity and the resilience of the self, and the fragility and preciousness of memories.”–Booklist (starred review)

    “For Nguyen groupies desperate for future titles (including a Sympathizer sequel), [The] Refugees is a highly gratifying interlude. For short fiction fans of other extraordinary, between-culture collections such as Daniyal Mueenuddin’s In Other Rooms, Other Wonders and Jhumpa Lahiri’s Unaccustomed Earth, Nguyen won’t disappoint.” –Library Journal (starred review)

    “A delight . . . The short story is a beautiful affirmation of the supreme importance of art in our daily lives. And Viet Thanh Nguyen drives that point home brilliantly.”—Mekong Review

    Viet Thanh Nguyen was born in Vietnam and raised in America. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, as well as five other awards. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance. The Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California, he lives in Los Angeles.


    Previous 1 64 65 66 67 68 80 Next

    Related Podcasts

    Fresh Air

    1

    Fresh Air Arts
    Fresh Air

    2

    Fresh Air Arts
    Myths and Legends

    3

    Myths and Legends Arts
    The New Yorker: Fiction

    4

    The New Yorker: Fiction Arts
    The Book Review

    5

    The Book Review Arts
    The New Yorker: The Writer’s Voice – New Fiction from The New Yorker

    6

    The New Yorker: The Writer’s Voice – New Fiction from The New Yorker Arts
    footer-logo

    Contact Us

    Toll Free: 844-670-7747

    Links

    • Home
    • Top Charts
    • Networks
    • Apps
    • Independents Podcasts
    • Podcast Advertising
    • Podcast News
    • Contact Us
    • About Us
    • Analytics & Insights

    Stay Connected

      Privacy, Terms of Use & Our Code of Ethics Protecting Content Creators Copyrights