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    Arts

    Savvy Painter Podcast with Antrese Wood

    Savvy Painter, hosted by Antrese Wood, offers a treasure trove of insights artists can’t afford to miss. Visit https://savvypainter.com Antrese’s teachings focus on nurturing a creative mindset and prioritizing mastery over perfection, making it a must-listen resource for artists worldwide.Whether you’re an emerging artist looking to hone your skills or an established pro seeking fresh perspectives, the show offers practical advice and inspirationBut the real magic happens when you apply Antrese’s teachings in your own studio. Her guidance can help you unlock new levels of creativity and growth in your art. If you’re serious about elevating your skills and mindset, join Growth Studio—a unique opportunity to work directly with Antrese and join an amazing community of like minded artists.

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    Copyright: © Savvy Painter, LLC

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    Latest Episodes:
    Empowering Young Artists: An Interview with Artist, Jerarde Gutierrez Sep 24, 2020
    Show notes

    Who was it that inspired and empowered you as you began your journey as an artist? Did you have a family member who nurtured and encouraged your creative aspirations? Maybe it was a peer or a mentor from afar - almost everyone has that special person or group of people who spurred them on as an artist.

    While our world continues to grow more interconnected with the help of the internet, it’s important to remember the critical role of in-person and local art communities and expressions. My guest is someone who benefited from and gives back to local youth initiatives to empower young people on their creative journeys.

    Jerarde Gutierrez is an artist and Arts Program Coordinator as well as a Co-Program Manager of the ACOE IL Dept. Management of program centers around coordination of Integrated Arts Learning spaces at the REACH Ashland Youth Center, a project of Alameda County. Jerarde describes his work as “Rooted in representational painting.” Lately, he has been gravitating towards painting En Plein Air as it allows for fluid brushstrokes, contrasting textures, and interplay of representational and abstraction to capture the essence of a place.

    An early push in the creative direction

    Looking back on his start as an artist, Jerarde is quick to point out how much of an impact his mother had on his development. As a crafty and creative person herself, Jerarde’s mother filled him with the confidence and boldness he would need as he entered the art world. After his mother laid a solid foundation, Jerarde was able to work closely with the renowned West Coast muralist, John Wehrle. While Jerarde felt like an annoying mosquito buzzing around and annoying people with his questions, the truth is - their kindness and embrace helped Jerarde grow as an artist by leaps and bounds.

    Giving back

    After receiving so much generosity in his early years from his mother, John Wehrle, and many others - Jerarde jumped at the chance to give back and help others on their journey. These days, Jerarde spends a portion of his time as an Arts Program Coordinator. What Jerarde loves about his work with young people is seeing their potential and then watching that spark fan into a flame of passion and dedication. Can you relate to Jerarde’s story? What do you do to honor those who came before you and paved the way - I want to hear from you!

    Taking the job seriously

    Let’s face it, mastering a technique, or getting a process just right is stressful! Too often, many artists let the overwhelm, self-doubt, fear, and so many other obstacles get in the way of their creative process in the studio. Don’t let these limiting factors rob you of the joy you deserve creating the art you love! Jerarde encourages his students and peers to look at their work as an artist like they would a typical job - put in the time and effort even when you don’t feel like it! You really get the sense that Jerearde practices what he preaches - his artwork is focused and inspiring. Make sure to check out images of Jerarde’s artwork located at the end of this post!

    Outline of This Episode

    • [4:00] I introduce my guest, Jerarde Gutierrez.
    • [6:00] How Jerade’s mom and his comic artwork got him into the Richmond Art Center.
    • [12:00] Jerarde talks about mentorship fatigue.
    • [14:00] The impact that Jerade’s mother has had on him.
    • [20:00] Taking the job seriously.
    • [22:15] Giving back and helping others.
    • [24:14] Why it’s crucial to learn about the arts.
    • [33:00] Jerarde talks about how he engages with his students.
    • [38:00] What does “Deliberate practice” mean?
    • [43:00] Jerarde opens up about his current obsession.
    • [50:00] Closing thoughts.

    Other artists mentioned on this episode

    • John O. Wehrle

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Office Hours with Antrese: Understanding our Fear of Failure  Sep 10, 2020
    Show notes

    What comes to mind when you think of the word, failure? Do you start internalizing the word? Do you hear that inner voice roaring the negative talk that sends you spinning? Or have you found a way forward to understand and overcome the fear of failure that plagues so many artists?

    By no means will I say that I’ve discovered all the answers or everything you need to know when it comes to recognizing your fear of failure and moving past it. I have learned from first-hand experience what works and what doesn’t and I’ve heard from my peers like you! This episode is another offering of my Office Hours sessions that give you a peek into the helpful community I’ve built with the Savvy Painter. Make sure to chime in - I can’t wait to hear how this one lands with you!

    Set yourself up for success

    Time and time again, the two common issues I hear about from my Growth Studio participants is the challenge to get started and the challenge to finish a work of art. Do you ever struggle with these challenges? What about failing to eliminate distractions? There are so many factors both big and small that can impact your focus and productivity in the studio. If you struggle with these challenges and distractions, you aren’t alone! I encourage you to connect with peers either digitally or in-person (where possible with COVID) there are so many ways we can help each other.

    Don’t make it personal!

    Look, I get it - beating up on yourself can become so commonplace that you get lulled into thinking it’s normal - it doesn’t have to be! Sure, self-critique can be helpful and you do want to nurture that aspect of your growth but not negative talk. How do you spot the difference between being critical and talking negatively about yourself? Write it out! If you find yourself in a particularly critical mode, write out the critiques in your head on paper - then you can see in black and white if they are negative and personal attacks or fair critiques.

    The key to becoming a confident painter

    The key to success and confidence as an artist is to avoid failure at all costs! NO - that’s not true at all. If you were to look at the way our society shapes us - you’ll see that it does train us to avoid discomfort and pain. If you can re-train yourself to think of failure not as an ultimate letdown but as a stepping stone to success, you’ll see your confidence skyrocket. Expect failure, anticipate it, and let it be part of your story - let failure fuel your growth - you are worth the extra effort!

    Outline of This Episode

    • [2:30] How many artists experience failure.
    • [5:30] Common negative thoughts we often have.
    • [10:15] Distancing failure from your self-worth.
    • [16:00] A visualization exercise you can try.
    • [18:00] The key to becoming a confident painter.
    • [21:00] Why it’s OK to make mistakes.
    • [25:00] Closing thoughts.

    Resources Mentioned on this episode

    • https://drphm.co/savvy

    Connect With Antrese

    • On Facebook
    • On Pinterest
    • On Instagram
    • On Twitter

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Solving Puzzles, Slowing Down, and Listening to Your Instincts: An Interview with Artist Sarah Intemann Aug 27, 2020
    Show notes

    How did you get to where you are right now in your career? Can you remember and identify clear moments that brought you to where you are today? How have you evolved over the years? It’s funny how often we become unaware of the passage of time - you think you’ll be stuck in a phase FOREVER and blink - 10 years go by just like that!

    I’m learning to slow down and really appreciate the time I’m in, yes even with COVID and I hope that my conversation with Sarah Intemann encourages you to do the same.

    Sarah is an abstract artist who lives in New York City. Graduating college with a Fine Art degree, she moved to NYC and has been exhibiting and painting ever since. It is on the New York subways that she constantly sketched and developed a line-focused abstract language that she uses today in her work.

    I can’t wait for you to hear Sarah’s fascinating perspective and yes, her total nerdiness when it comes to her medium. Make sure to catch images of Sarah’s artwork located at the end of this post!

    Slowing down

    When you are young, the last thing you want to do is to slow down. Kids love to run around the yard, speed down steep hills on bikes, and a ton of other crazy imaginations that give their parents a heart attack. While there are plenty of people who have grey in their hair that still enjoy life on the edge, most learn to enjoy the quiet and slower pace of life.

    In NYC of all places, you can imagine that the idea of “Slowing down” isn’t a popular one - something is happening all the time, the city never sleeps. Somehow, in the middle of that busy and bustling city, Sarah learned to do the impossible, slow down. When you learn to slow down, you start to notice things you’ve never noticed before - you discover little details that can become whole worlds unto themselves. I loved hearing how Sarah took the time to get into the practice of slowing down intentionally and how much it helped her professionally.

    Once Sarah was able to slow down, she started to really listen to what she wanted to do. Have you ever found it difficult to find your voice or to tune out all the noise in your life? According to Sarah, slowing down gave her the capacity to listen to her internal creative voice.

    Dreaming big

    What will you take away from Sarah’s powerful example of creativity, patience, and hard work? It was great to get to include one of my favorite questions in my conversation with Sarah, I asked her what she would do if she had all the resources at her disposal for any project. Never the one to play it safe, Sarah swang for the fences - she said that she’d like to go BIG and use a whole room to create a project! Don’t you find yourself rooting for her? I know that I do!

    Outline of This Episode

    • [3:20] I welcome my guest, Sarah Intemann.
    • [7:40] Sarah talks about her creative process.
    • [18:20] What keeps Sarah coming back to abstract artwork?
    • [22:40] How Sarah names her paintings.
    • [27:30] What aspect of painting has been the most challenging for Sarah?
    • [34:00] Artists that have inspired Sarah over the years.
    • [41:00] With unlimited resources, what project would Sarah work on?
    • [43:00] Closing thoughts.

    Other artists mentioned on this episode

    • Jackson Pollock
    • Lucian Freud
    • Mitchell Johnson
    • Cy Twombly
    • Giorgio Morandi

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Office Hours with Antrese: Adapting to New Challenges, How to Get Out of Your Own Way, & more!  Aug 13, 2020
    Show notes

    The last time we had an Office Hours episode I got a ton of positive feedback so I decided it would be good to feature another session. These topics and questions come from our Savvy Painter Growth Studio. Artists just like you who are looking for ways to hone their craft and move their creative process forward have all found a supportive environment with the Growth Studio.

    For just a peek into what the Growth Studio has to offer, I wanted to share some of these helpful topics and insights with the larger Savvy Painter audience. From adapting to the challenges that life throws our way to unpacking what it means to “Get out of your own way,” I know you’ll find something that will resonate with you and hope you share it!

    Learning to adapt

    Don’t you hate it when life doesn’t go according to the script you’ve written out in your head? I can’t be the only one, can I? I can’t be the only one who has made a major career change or moved to a different country, right?

    While your challenges might not look like my challenges, the truth is - we all have our own challenges to face and overcome. Part of learning to adapt to whatever life throws your way is figuring out how to assess the situation. Do you need to make temporary changes or do you need to adapt your schedule and expectations? Will this decision impact your family or your income? How will adjust to suit your goals? It’s going to look different for each person but you have to be willing to be in a mindset to adapt and that starts by assessing the situation.

    Doing the work

    Do you have a vision of where you want to be this time next year? What type of projects do you want to be working on? What are your creative goals? What are your professional goals? If you don’t have a vision of where you want to be, chances are, you’ll never get there. Setting a goal is the easy part, doing the work is where it really gets challenging.

    Don’t get me wrong, I understand that doing the work can take a lot out of you - but you have to keep pushing. One way to stay focused on the work is to narrow your focus to one area you want to improve in - you don’t have to transform overnight. By setting achievable goals on a specific area you’ll find that the process becomes more and more familiar.

    Getting out of your own way

    Have you ever been told that you just need to “Get out of your own way?” What does that even mean? How do you know that you are “In your own way?” I’ve been told that I needed to “Get out of my own way” and the truth is, I didn’t know what to do with that for a long time.

    Over the years I’ve come to understand this saying as an artist who blocks themselves or sabotages their own path when things start to progress. I see this happen to artists all the time and I want to make sure you know that it doesn’t have to be that way. You don’t have to keep selling yourself short - all you need to do is to shift your perspective.

    Outline of This Episode

    • [4:00] My introduction to this special Office Hours episode.
    • [6:20] Learning to adapt to new circumstances.
    • [11:00] Narrowing it down and “Doing the work.”
    • [14:30] Push through or change course?
    • [19:20] How do you “Get out of your own way?”
    • [26:30] Practical ways to get out of your own way.
    • [29:30] Balancing the demand for commissions and creating your projects.
    • [35:45] Closing thoughts.

    Resources Mentioned on this episode

    • The War of Art: Break Through the Blocks and Win Your Inner Creative Battles (2002)
    • Do The Work (2011)

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Exploring Large Scale Paintings: An Interview with Artist, Jivan Lee Jul 30, 2020
    Show notes

    Have you ever stood in awe of a large scale painting? When was the last time you felt like a painting sucked you in so totally that you could almost say you lost yourself in that painting? I love to explore and encounter the sheer magnificence that large scale paintings have to offer. Here to give us a welcome peek behind the curtain of his large scale paintings is the artist, Jivan Lee.

    Jivan Lee is an oil painter based in Taos, NM. He grew up in Woodstock, NY, and studied painting at Bard College. His work explores the nature of paint as raw material, creator of image, and catalyst for emotional response, and is increasingly addressing the complexities of how humans see and shape the environment.

    Jivan's paintings have been exhibited nationally and covered in publications such as Fine Art Connoisseur, The Denver Post, Hyperallergic, Southwest Art, Phoenix Home and Garden, Art Business News, and Two Coats of Paint among others. In addition to painting as much as time allows, Jivan occasionally teaches.

    Large scale paintings

    Jivan says he always gets chuckles from people when he tells them that his approach to large scale paintings doesn’t differ very much to his approach with smaller-scale paintings. Of course, the real challenge when it comes to painting these large projects is the logistics - where, when, and how become a bit more complicated on a large scale. While it might sound complicated and a bit of a nightmare, the way that Jivan describes it, the process sort of unfolded before him - as he takes each logical step at a time. Make sure to check out the images of Jivan’s artwork located at the end of this post!

    Letting your light shine

    I know, we are all sick and tired of hearing about how COVID has impacted and changed everything - we get it. I don’t want to dwell too much on how much COVID continues to impact the shape of things in the art community but I thought it was really helpful to get Jivan’s perspective. Many of us find ourselves with a ton of emotions and anxieties around our finances, the state of global and national politics, and of course COVID. Jivan was kind enough to open up about some of the personal struggles he has experienced over the last couple of months. He shared that when he takes the time to get alone with his canvas, it allows for emotional catharsis. I have felt that way too when it comes to painting during COVID - don’t want to let my light fade, I have something to share with the world and so do you!

    Creating art is a marathon, not a sprint

    As Jivan encourages us to keep shining our light even when the darkness feels like it’s closing in, it’s good to also keep in mind that the creative process is a marathon, not a sprint. You don’t have to do your best work now or consistently - just stay at it. Even when it gets challenging, remember, we need your voice. I get it, sometimes it feels like you just want to throw in the towel but every artist that I’ve talked to over the years have told me that staying in the game is worth it. What keeps you in the game? How do you stay motivated when times get tough? I want to hear from you, make sure to leave a comment!

    Outline of This Episode

    • [1:30] I introduce my guest, Jivan Lee.
    • [2:45] What led Jivan to his career as an artist?
    • [8:30] Jivan talks about why he pursued grants as he got started.
    • [10:45] Getting students engaged with art.
    • [15:50] What is the point of painting during a time of crisis.
    • [29:30] Jivan opens up about his solo exhibit, “Dynamics of change.”
    • [40:15] How COVID has impacted Jivan’s schedule.
    • [44:30] Why you need to think of your creative journey as a marathon, not a sprint.
    • [52:00] Jivan explains his process in the studio when it comes to large scale projects.
    • [1:04:00] Common tools and materials that Jivan uses.
    • [1:12:00] Closing thoughts. <

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Office Hours with Antrese: Answers on workflow, handling life’s curveballs, and more!  Jul 16, 2020
    Show notes

    I’ve been hearing a lot of questions from long time listeners of the podcast and from fellow artists who are taking some of my growth courses. This episode is the result of compiling some of those questions to provide helpful answers to artists like you! I don’t have all the answers but I have picked up some helpful tips and insights over the years and I can’t let that go to waste. If you have any suggestions you’d like to share - don’t hesitate - this community thrives when people speak up and join the conversation.

    Setting yourself up for success

    How are you doing when it comes to managing your time in the studio? Do you feel like you’ve got a good system and routine down or does it feel haphazard and disorganized? I hated the feeling of losing hours in the studio because I didn’t have a plan and a thought-out approach.

    A good way to start reclaiming your time in the studio is to make a plan - even a small one - you’ve got to start somewhere. Don’t feel like you need to make a radical change overnight, those rarely work - make your goal achievable so you are setting yourself up for success. I’d also encourage artists like you to start batching your work when possible - take some time to prepare a ton of canvases or organize your supplies, or even take time to sketch out some ideas on paper. What have you found that has worked well in your studio?

    Life happens - it’s OK to adapt!

    Sometimes the worst critic we face is the person looking back at us in the mirror. We make a plan and we get into a rhythm and then all of a sudden life throws us a curveball! Have you given yourself permission to make changes to your plans? Seriously? Sometimes even the act of writing out the phrase, “I give myself permission to change this plan if necessary” can be helpful. The important thing to remember is to be kind to yourself - we need you and your creative expressions!

    Dealing with creative blocks

    When you get stuck, I mean REALLY stuck, what do you do? Has it helped you to just push through the creative block and keep creating what you can or have you found a different approach that works? I have had my fair share of creative blocks over the years and I don’t wish those on anyone. What I am grateful for is the support and encroachment I’ve received from my peers who have been willing to open up and share with me what has worked for them. I that same spirit, I wanted to share with you a few helpful tips when it comes to dealing with creative blocks.

    • I know it’s hard but TRY to push through the block - I have seen this work.
    • Start collecting artwork and images that capture your imagination and creativity.
    • Copy someone else’s work - seriously! Try your hand at some master paintings.

    I know you’ve heard this from me before but I want you to know that I am here for you - this community was built for artists like you. I hope you’ve found something to try in your studio soon and like I’ve said - please don’t hesitate to drop your experiences and tips in the comments section!

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Getting Your Ego Out of The Way & Discovering The Freedom To Create: An Interview with Artist, Charly Palmer Jul 03, 2020
    Show notes

    Do you remember that initial spark of creativity or that idea that ushered you on your journey to become an artist? For many of us, that spark was so long ago that we feel like we were born with it. Sometimes we can lose sight of our creative spark or it may even dim over the years - here to give us a powerful perspective from an impressive and seasoned career is the artist, Charly Palmer.

    Charly Palmer was born in 1960 in Fayette, Alabama and raised in Milwaukee. Eventually, he moved to Chicago to study Art and Design at the American Academy of Art and School of the Art Institute. As a graphic designer and illustrator, he has run a successful design studio with a Fortune 500 clientele. As an instructor, Charly teaches design and illustration and painting at the post-secondary level—most recently—Spelman College. These days, Charly devotes his life to his creative goals and has established himself as a fine artist.

    I can’t wait for you to learn from Charly’s depth and breadth of experience both as a commercial artist and making the shift to fine art. Make sure to catch images of Charly’s artwork located at the end of this post.

    Transitioning to Fine Art

    When Charly first started as an artist, he was drawn to work as a commercial artist - he wanted to create movie posters. It is quite poetic that when Charly first started his art education, it was at a fine art school which he left for a school focused on graphic design and illustration that was located across the street. After years in the commercial art world, Charly decided it was time to make the shift - he wanted to create fine art. Following his dreams - Charly jumped in and was a bit unprepared in the process - the transition from the security of work in the commercial sector to start from scratch as a fine artist wasn’t easy.

    Looking back, Charly is convinced that the change was absolutely worth it - experiencing the joy and freedom to create the art that he wants when he wants is exactly what he was looking for. Have you had a similar shift in your career? What was that process like for you?

    Responding to criticism and praise

    As you’ve heard me talk about before - the artist’s worst critic is often the person staring back in the mirror. It’s also a temptation for the artist to let in all the praise but deflect all the criticism - is that the best response or is there a better way to handle both? According to Charly, what has worked for him over the years is to get his ego out of the way. From his perspective - it all comes down to seeing yourself as a conduit of creativity - if people don’t like what you’ve created, that’s fine - if they love it and praise you for it, that’s fine too. If you truly want to create the art you were meant to create, it doesn’t matter if people love it or hate it. What do you think of Charly’s perspective?

    Don’t play it safe!

    Basking in the freedom that comes from setting the ego aside, Charly encourages artists to put it all on the line - don’t play it safe! I get it, taking risks is scary - what if you put your heart out there and no one responds? That’s ok - if you feel like you have something within you that needs to come out and get on the canvas - do it! Even if no one responds, that artwork is for you - you created to because you answered the call. I loved hearing Charly’s story of creating a whole series of paintings on accident - he was working in a vertical position and was putting a wash over something when he fell in love with the drips on the canvas!

    Outline of This Episode

    • [4:30] I welcome my guest, Charly Palmer.
    • [12:15] How do you know a painting is done?
    • [14:50] What is Charly working on right now?
    • [18:15] Why Charly works on multiple projects at the same time.
    • [21:15] Charly talks about why he loves working on children’s books.
    • [31:15] How does Charly keep all the plates s

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Creating Space, A Conversation about Anti-Racism with Dean Mitchell, Mario Robinson, Ashanti Branch, and Corbrae Smith Jun 18, 2020
    Show notes

    I know that talking about race and the on-going impact of racism is a challenging subject, to say the least. Given the recent events of police brutality in the United States, I wanted to do my part to create a space where we can discuss positive solutions and really understand what our black neighbours are experiencing. Many of you are scared and unsure of what the future will bring and if anything will really change this time - I’m right there with you. But we can’t let despair cloud our vision, we need to face the problem head-on if we ever hope to see a brighter future.

    For this conversation, I invited returning guests Dean Mitchell and Mario Robinson as well as Ashanti Branch, and Corbrae Smith. If you find yourself wondering if you really need to listen to this episode - the answer is, yes! Too much energy has been spent on apathy and indifference, we need to turn it around and look for ways to help move the “Moral arc of the universe,” as Martin Luther King Jr. once called it, toward justice.


    Really listen

    When was the last time someone took the time to really listen to you and your perspective on a topic? How did you know that they listened to you? Let’s face it, talking is a lot easier to do than listening. To listen effectively, you have to be actively engaged - you need to focus on what the person is saying, not just listen long enough to get your opinion in.

    Too many of our black fellow citizens feel like America isn’t listening to their pain and their suffering - it’s on us to put our hands over our mouths and actively listen to what they have to say. What will you do this week to move more toward the posture of actively listening to those raising their voices?

    You are going to mess up, that’s OK

    If you are nervous about talking about race, that’s a good start! I don’t want you all to live in fear but we should be nervous about moving into a space where we don’t have all the answers. Be prepared, as you navigate your own education on what it means to be anti-racist, that mistakes will happen and that’s OK. Resist the urge to get defensive, remember, it’s best to move forward in a posture of humility and listening. No one expects you to get everything right 100% of the time, give yourself the permission to mess up and learn along the way!

    Constructive steps you can take

    How do we move forward both individually and collectively? Will this movement be any different than movements and touchpoint cultural moments in the past? We can’t expect black people to educate the rest of the population on what it will take to dismantle systems of oppression. If we start from a place of really listening to the struggle and pain of our black neighbors, then we can begin the process of righting societal wrongs one step at a time.

    On an individual scale, each person’s journey is going to look different. If you have the ability to encourage and financially support artists of color, I hope you take that step. I want to challenge you to use one thing that many people take for granted, your right to vote. Beyond national politics, in your local elections, you have the chance to choose sheriffs, mayors, school board members, and so many more. Don’t let this moment overwhelm you and dive you to inaction, pick one thing you can do to be part of the solution and do it!

    Outline of This Episode

    • [2:00] I welcome my guests, Dean Mitchell, Mario Robinson, Ashanti Branch, and Corbrae Smith.
    • [4:00] Dean Mitchell introduces himself and shares his feelings about recent events.
    • [7:00] Mario Robinson talks about his experience over the last week.
    • [9:30] Ashanti Branch shares his thoughts on what’s going in the United States.
    • [13:20] Corbrae Smith opens up about what the last week has meant for him.
    • [19:20] Why the protests can bring hope.
    • [22:00] How older generations are

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Painting From Memory: An Interview with Artist, Edwige Fouvry  Jun 04, 2020
    Show notes

    Have you ever tried painting from memory? How did it turn out for you? Have you ever thought of a picture as a thing in and of itself rather than a memory of the image it captures? I was thrilled to get the opportunity to speak with the talented and engaging artist, Edwige Fouvry who often takes the approach of painting from memory.

    Edwige Fouvry was born in Nantes, France, in 1970, and currently lives and works in Brussels, Belgium. She received her Masters degree from École Nationale Supérieure des Arts Visuels de la Cambre in Brussels in 1996. She has exhibited widely across Europe and North America.

    As you get to know Edwige in our conversation, I hope you catch the raw simplicity and dedication she has to bring not only her own imagination to life but the imaginations of others as well. You can catch images of Edwige’s artwork located at the end of this post.

    Letting memory and imagination lead the way

    How do you begin to paint from memory? Where would you start? For Edwige it comes down to a combination of photographs, childhood memories, and even scenes she sees in everyday life. She doesn’t choose her photographs at random, rather each image she paints comes from a place of deep connection and inspiration - the photo evokes emotion in Edwige. In many cases, a photo may hang in Edwige’s studio for years before she decides it is the right time to put that image on her canvas.

    Trusting your intuition

    Edwige’s creative approach is fascinating, at the heart of what she is able to bring to the canvas is her cultivated attentiveness to her intuition. Most of us are trained either by our culture or by well-meaning institutions to root out our intuition. We are often taught that you can’t trust what you can’t touch, feel, test, and observe. By cutting out or dulling our deep-seated drive to explore and express what we feel, we are limiting ourselves unnecessarily. It was refreshing to hear from Edwige as she enthusiastically described her comfort in her own skin and how that approach has impacted her time in the studio. What can you learn from Edwige’s perspective?

    Rooting out complexity

    Over the course of your career would you say that your artwork has become more complex or more simplified? As I’ve interviewed hundreds of artists over the years, I’ve found it fascinating how often the theme of simplicity and complexity arise. Edwige has honed her abilities over the years toward rooting out complexity and relying instead on simplicity and freedom to guide her creative process. Looking back at her years in school, Edwige is quick to point out that she wasn’t always the best student because she was intent on listening to her intuition and carving her own path. To her credit, focusing on simplicity has really worked out well for Edwige.

    Outline of This Episode

    • [1:30] I introduce my guest, Edwige Fouvry.
    • [3:00] How Edwige got started as an artist.
    • [6:00] Edwige describes her artwork.
    • [10:00] How does Edwige choose which photo to paint from memory?
    • [20:00] The freedom to explore and evolve over the years.
    • [23:00] Learning to trust your intuition.
    • [28:45] Edwige talks about the challenges she has faced on her journey.
    • [31:45] How Edwige spends her time in the studio.
    • [38:30] Reactions to Edwige’s artwork.
    • [41:00] Artists that have inspired Edwige.
    • [48:30] A painting that Edwige would never part with.
    • [50:00] Go where you are appreciated.

    Other artists mentioned on this episode

    • Rembrandt
    • John Singer Sargent
    • Per Kirkeby

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


    Realism, Social Justice, and Telling the Truth: An Interview with Artist, Max Ginsburg May 22, 2020
    Show notes

    When was the last time you saw a painting that really challenged you? How do you typically react to paintings that portray suffering or difficult political topic? I am grateful for the opportunity I had for a long-ranging conversation with the artist, Max Ginsburg.

    Max is a native New Yorker, many of his paintings center on people and places around New York City. Max also draws on themes of peace and justice; deep outrage to war, injustice, and torture as they are conveyed in some of his paintings.

    I can’t wait for you to learn some of the fascinating insights and lessons that Max has developed of the years - you also don’t want to miss images of Max’s paintings located at the end of this post.

    Political and painful paintings

    When I spoke with Max, I really wanted to get to the root of what energizes this passion for depicting pain, suffering, and torture in his artwork. Why paint such painful and evocative images - who wants to see these types of paintings?

    It has always been Max’s desire to bring truth and reality into his paintings - sometimes that means a peace image of a couple on a walk and sometimes that means a painting of a man being tortured in a prison in Iraq. When you are so focused on painting reality and what you experience - you are going to get a mixture of the peaceful and the painful - such is life.

    Are you drawn to Max’s style and approach? What do you think of his commitment to painting reality in all its glory - good and bad? When you look at Max’s artwork, you really get the sense that his compassion and heart shine through - what can you learn from Max’s story?

    Time to teach

    Never one to shy away from a challenge - Max has not only flexed his muscles as an artist, but he also has spent time as an art instructor. Much of Max’s passion for teaching stems from the way he views the art world from a macro perspective - he feels like there isn’t enough focus on realism. It was refreshing to hear that Max wasn’t willing to see realism take a hit - he got in the trenches and decided to teach!

    Let me tell you - teaching isn’t for the faint of heart. You really have to have a passion and a well of patience to gently guide students toward the objective. I would have loved to learn from Max as a student and I hope you catch a bit of the valuable insights that he has to share!

    Paint what you see, not what you know

    Time and again through our conversation, Max kept coming back to this phrase, “Paint what you see, not what you know.” It seems like this phrase isn’t just an empty platitude that Max picked up over the years - it is more of a theme that runs through all of his work as an artist and an instructor. You can almost hear Max chanting this phrase with each stroke of the brush on canvas. Do you have any phrases you live by? What have you picked up over the years that have become part of your approach as an artist?

    Outline of This Episode

    • [1:15] I introduce my guest, Max Ginsburg.
    • [2:45] Max talks about how he got started as an artist.
    • [7:00] Why museums aren’t really interested in Max’s political artwork.
    • [14:30] Painting tragedies - is it difficult?
    • [24:45] Max describes his work as an art instructor.
    • [31:00] What is Max’s creative process like?
    • [37:00] Why the value system in the art world is messed up.
    • [41:00] Strong reactions to Max’s artwork.
    • [43:00] The impact that Max wants to have on his students.
    • [46:15] How “Crutches” can sometimes help you grow as an artist.
    • [51:45] Paint what you see, not what you know.
    • [55:30] Max talks about how he approaches the canvas.
    • [58:00] Closing thoughts.

    Other artists mentioned on this episode

    • Ashcan

    Support the show

    And hey - if this episode hit home, do me a favor, leave a review on Apple Podcast or come say hi on Instagram: @savvypainterpodcast
    I’d love to hear this episode resonated you. ❤️


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