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    Education

    Recording A Cappella with Danny Ozment

    Recording Acappella: Inspiring interviews with the world’s most incredible acappella producers, arrangers, engineers, and luminaries! Our guests share how they started in acappella, how they’ve grown and evolved, lessons they’ve learned, failures and successes they’ve had, recording practices they implement, how they stay motivated and ultimately what makes that fire inside of them burn!

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    Latest Episodes:
    KEYS TO GREAT SOUND: Use Your Words Nov 07, 2017
    Show notes

    I occasionally listen to advice columnist Dan Savage's podcast and have noticed that he regularly comes back to a piece of advice in regards to relationships that we've all been hearing since we were children. Use your words.

    It's surprising how well Dan's advice applies to relationships. A little honesty when it's difficult can go a long way to strengthening a relationship.

    This bit of advice is just as effective when talking about recording a cappella because let's face it, there are many relationships involved when you consider a cappella groups. You have friendships, you have romantic relationships, people end up getting married, people leave the group because of breakups, etc. An a cappella group (any performing group really) is a family and family dynamics can vary greatly.

    In these close-knit groups, we aren't only building close relationships... we are singing too. We are using our voice. The most personal of all instruments. It's part of our body... and the same self-image issues we have with our body are connected to our voice as well.

    So just like in a relationship, we often have a hard time being honest in an a cappella group. The person singing flat might be our friend or lover. They might be dealing with any number of problems outside the group that you're concerned for them about. Heck, you might just be a really positive person that doesn't like to make anyone feel bad.

    However, when there's a performance issue or other problem in the group, not being honest hinders the group and the singers individually.

    Here are some tips to help you use your words, become a better group, and get better recordings.

    The best way to help you avoid any discomfort in the first place is to do these two things.

    1. Strive for a common goal. Some of the most successful and consistently awesome a cappella groups start with a common goal. Each year (or more regularly) they discuss their goals as a group. What they want to do, who they want to be, what they want to be known for, etc. Really it's a mission statement of sorts. This informs all their decisions. It also helps them during their auditions. The group keeps their goals in mind when selecting singers. If a singer doesn't agree with or support the group's’ goals or they don't meet the level of quality the group has set for themselves, the singer doesn't get in the group (or doesn't audition in the first place).

    2. Create an expectation of honesty within the group. Along the same lines as goals, you can discuss the importance of honesty as a group and set an expectation for it. Establish that honesty in rehearsals is not bad. It's never meant to be a personal attack or negative. It's constructive and always in support of the group goals. And then back it up.

    Be blunt... often.

    Be honest in a matter-of-fact way so that everyone gets used to the freedom honesty can provide. If everyone is always being honest, everyone will get used to hearing the truth and won't freak out when someone tells them they are singing a syllable wrong. Face it... it is hard to hear exactly how you sound or if your section is in tune with the entire group on a certain part. The director or the people standing across the circle from you are in a better position to help. Trust them.

    The Benefits of Honesty

    1. Honesty will make your group and your singers better. When you are constructively made aware of issues with your and/or others' performance(s), you will become a better singer (your instrument) and a better musician (your art). You'll also understand more about how you fit into the group's sound, the arrangement, the energy of the song, etc.

    Additionally, you'll trust each other and grow to become an organism instead of just a bunch of individuals. This is a big component of why some groups are amazing.

    2. Honesty can save you time and money. What if someone who normally sings tenor on most songs isn't sounding right on the tenor part of a new song? If you have a culture of honesty, asking that person to switch down to baritone hopefully won't crush them emotionally. (never know with tenors though...)

    Specifically as it relates to recording (after all, this is a recording blog), honesty can limit the amount of wasted time in rehearsal or in front of a microphone. If you are recording yourselves and someone just isn't getting a part or showed up sick or unprepared, a group with a culture of honesty can easily tell that person to come back at another time and prevent the lost time that happens as you struggle through a take or two with that person. If you've hired an engineer to record you, this can save money by not wasting time.

    Use your words... :-)

    Alright, so what have we been talking about today? I told you that the best ways to use honesty to your group’s advantage and avoid discomfort are to strive for common goals and create an expectation of honesty in the group. And I told you that honesty will make your group and your singers better and save you time and money in the long run.

    So thanks for joining me today. The recording a cappella podcast is produced every other Monday and more resources can be found at recordingacappella.com where you can also subscribe to our email list to receive our free eBook 10 Ways to Improve your A cappella Recordings and weekly newsletter. If you liked what you heard today, please drop by iTunes and subscribe and while you’re there, leave me a review. And if you have a message to share and want to start your own podcast, I can help you make that a reality. And if you are looking for a place to host your podcast, I recommend Libsyn. They host all of my shows and most of my clients shows and provide amazing service. When you choose Libsyn, use the promo code DANNY and you’ll get the first month free. I really appreciate you taking time out of your busy week to listen to me talk about recording a cappella and I hope that I’m helping you on your journey.

    Interested in a coaching session? - https://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - https://recordingacappella.com/shop

    10 Ways to Improve your A Cappella Recording - https://recordingacappella.com


    KEYS TO GREAT SOUND: How to Get a Great Arrangement! Oct 23, 2017
    Show notes

    Your arrangement is crucial to making sure that the final product uses the human voice most efficiently to create awesomeness. Great arrangements are singable, move the song forward, and need very little modification when recorded. I recommended that you elevate your product and accelerate your learning curve by hiring a professional arranger to work on a few of your songs.

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses

    10 Ways to Improve your A Cappella Recording - http://recordingacappella.com/podcast


    LIVE COACHING: Ron Rucker Oct 09, 2017
    Show notes

    In today’s live coaching I’m working with Ron Rucker. Ron has been a musician for 50 years and is a gospel choir expert. He’s been teaching in Japan for over 30 years and has produced many albums during his career. During this live coaching session we dig into doubling, compression, and most importantly we talk a lot about time management and how to keep moving on projects that you are playing with on the side.

    Ron Rucker - https://www.facebook.com/ronruck and http://www.ronruck.com/index.html

    10 Ways to Improve your Acappella Recording - http://recordingacappella.com


    Ben Bram: Part 2 - The Pentatonix Process Oct 02, 2017
    Show notes

    Ben Bram is so well known that whenever you hear his name, it’s always pronounced like it’s one word... BenBram. You don’t get to that point without being great at what you do. And BenBram is an amazing arranger and producer… but what I hope you get out of this 2 part interview is that he hasn’t always met with success. If he’d given up on music the first 2 or 3 times he didn’t succeed, we might not have Pentatonix. Ben is a testament to hard work, showing up, and being available to do whatever is needed. If you follow the Ben Bram formula, you will succeed in your chosen path. In part one, we hear about how Ben got to where he is today. In part two, Ben tells us all about how he helps Pentatonix arrange and record their projects, sharing many detailed techniques they use.

    Ben is a Grammy award-winning arranger, music director, producer, engineer, and educator from Los Angeles, CA. He graduated from the USC Thornton School of Music with a degree in music industry and vocal jazz. While at USC, he sang with and directed four-time ICCA champions the SoCal VoCals. It was in this group that he fatefully met a young Scott Hoying, star vocalist from Arlington, TX.

    The two combined forces to assemble a supergroup to audition for NBC’s The Sing-Off. The group, named by Scott and Ben after the five-note musical scale, ended up winning that season of the show, and went on to become world-renowned vocal sensation Pentatonix. With Ben as their arranging collaborator, producer, and engineer, Pentatonix has released 4 EPs and 3 full length albums, among which have earned gold, platinum, and double platinum RIAA certifications, two Grammy awards for best a cappella arrangement, and a Billboard #1 album.

    In addition to his work with Pentatonix, Ben also has extensive experience in film, TV, and commercial projects. He worked extensively behind the scenes of Pitch Perfect 1 and 2, The Sing-Off, and Glee, providing expertise as an arranger, coach, vocal producer, on set music director, and studio vocalist. In the commercial world, he has worked with clients such as Covergirl, MTV, and Lifetime to contract vocal talent, compose, arrange, produce, and record custom a cappella content for promotional use. Additionally, he has served as choral conductor and contractor for various film and TV projects.

    In addition to film, TV, and recording work, Ben enjoys staying involved in the greater a cappella community. Along with Avi Kaplan and Rob Dietz, he co-founded A Cappella Academy, a teen summer intensive designed to train and mentor up-and-coming vocal talents. He is a frequent guest clinician, panelist and judge at various a cappella festivals and competitions, and continues to arrange for scholastic and professional groups alike. In LA, he co-directs, arranges, and sings in his jazz/pop group Level, and has recently created a brand new pop/jazz caroling company, Snowfall.

    Ben Bram - http://www.thebenbram.com/

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses/

    Win a $50 Amazon Gift Card by filling out my survey - http://recordingacappella.com/survey

    10 Ways to Improve your Acappella Recording - http://recordingacappella.com/podcast


    Ben Bram: Part 1 - If at first you don’t succeed... Sep 25, 2017
    Show notes

    Ben Bram is so well known that whenever you hear his name, it’s always pronounced like it’s one word... BenBram. You don’t get to that point without being great at what you do. And BenBram is an amazing arranger and producer… but what I hope you get out of this 2 part interview is that he hasn’t always met with success. If he’d given up on music the first 2 or 3 times he didn’t succeed, we might not have Pentatonix. Ben is a testament to hard work, showing up, and being available to do whatever is needed. If you follow the Ben Bram formula, you will succeed in your chosen path. In part one, we hear about how Ben got to where he is today. In part two, Ben tells us all about how he helps Pentatonix arrange and record their projects, sharing many detailed techniques they use.

    Ben is a Grammy award-winning arranger, music director, producer, engineer, and educator from Los Angeles, CA. He graduated from the USC Thornton School of Music with a degree in music industry and vocal jazz. While at USC, he sang with and directed four-time ICCA champions the SoCal VoCals. It was in this group that he fatefully met a young Scott Hoying, star vocalist from Arlington, TX.

    The two combined forces to assemble a supergroup to audition for NBC’s The Sing-Off. The group, named by Scott and Ben after the five-note musical scale, ended up winning that season of the show, and went on to become world-renowned vocal sensation Pentatonix. With Ben as their arranging collaborator, producer, and engineer, Pentatonix has released 4 EPs and 3 full length albums, among which have earned gold, platinum, and double platinum RIAA certifications, two Grammy awards for best a cappella arrangement, and a Billboard #1 album.

    In addition to his work with Pentatonix, Ben also has extensive experience in film, TV, and commercial projects. He worked extensively behind the scenes of Pitch Perfect 1 and 2, The Sing-Off, and Glee, providing expertise as an arranger, coach, vocal producer, on set music director, and studio vocalist. In the commercial world, he has worked with clients such as Covergirl, MTV, and Lifetime to contract vocal talent, compose, arrange, produce, and record custom a cappella content for promotional use. Additionally, he has served as choral conductor and contractor for various film and TV projects.

    In addition to film, TV, and recording work, Ben enjoys staying involved in the greater a cappella community. Along with Avi Kaplan and Rob Dietz, he co-founded A Cappella Academy, a teen summer intensive designed to train and mentor up-and-coming vocal talents. He is a frequent guest clinician, panelist and judge at various a cappella festivals and competitions, and continues to arrange for scholastic and professional groups alike. In LA, he co-directs, arranges, and sings in his jazz/pop group Level, and has recently created a brand new pop/jazz caroling company, Snowfall.

    Ben Bram - http://www.thebenbram.com/

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses/

    Win a $50 Amazon Gift Card by filling out my survey - http://recordingacappella.com/survey

    10 Ways to Improve your Acappella Recording - http://recordingacappella.com/podcast


    GEAR - Your Digital Audio Workstation and Accessories Sep 18, 2017
    Show notes

    Today we’re going to continue our mission towards getting GREAT SOUND by beginning to discuss, investigate, and price the equipment (specifically the Digital Audio Workstation or DAW) you’ll need for your recordings. I’ve spent the last few episodes talking about gear and I’ve made it easy for you to reference them by putting the word GEAR at the beginning of the title in ALL CAPS.

    There are so many opinions about gear these days and I’m here to help you get some clarity on what you need. You live in amazing times because you can purchase high quality equipment for hundreds of dollars that used to cost thousands or tens of thousands of dollars.

    Recording A Cappella Mastermind Application: https://goo.gl/forms/cQwcaB21VVrxZDXG3

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses

    10 Ways to Improve your A Cappella Recording - http://recordingacappella.com/podcast


    GEAR - Your Microphone and Headphones Sep 11, 2017
    Show notes

    Today we’re going to continue our mission towards getting GREAT SOUND by beginning to discuss, investigate, and price the equipment (specifically microphones and headphones) you’ll need for your recordings. I’ll continue this gear discussion over the next few solo episodes and I’ll make it easy for you to reference them by putting the word GEAR at the beginning of the title in ALL CAPS.

    There are so many opinions about gear these days and I’m here to help you get some clarity on what you need. You live in amazing times because you can purchase high quality equipment for hundreds of dollars that used to cost thousands or tens of thousands of dollars.

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses

    10 Ways to Improve your A Cappella Recording - http://recordingacappella.com/podcast


    GEAR - Your Recording Computer and the Digital Audio Interface Sep 04, 2017
    Show notes

    Today we’re going to continue our mission towards getting GREAT SOUND by beginning to discuss, investigate, and price the equipment you’ll need for your recordings. I’ll continue this gear discussion over the next few solo episodes and I’ll make it easy for you to reference them by putting the word GEAR at the beginning of the title in ALL CAPS.

    There are so many opinions about gear these days and I’m here to help you get some clarity on what you need. You live in amazing times because you can purchase high quality equipment for hundreds of dollars that used to cost thousands or tens of thousands of dollars.

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses/

    10 Ways to Improve your A Cappella Recording - http://recordingacappella.com/podcast


    LIVE COACHING - Dynamics, Editing, and Mouth Noises with Michael Brown Aug 28, 2017
    Show notes

    In today’s live coaching I’m working with Michael Brown. Michael is a member of Connect, an award-winning professional a cappella group located in the Greater Hartford area of Connecticut. They are a mixed group of singers who wanted to continue sharing their love of music after attending school together at Central Connecticut State University. Michael is the group’s recording engineer and in this live coaching session we dig into how to maintain dynamics in the recorded version of your live arrangement, how much editing is too much editing, and many many more tips and tricks while tracking and editing.

    Michael Brown, Connect A Cappella - http://connectacappella.com

    10 Ways to Improve your Acappella Recording - http://recordingacappella.com


    ICCA, ICHSA, The Open, BOCA, BOHSA, and more with Amanda Newman Aug 21, 2017
    Show notes

    My guest today is Amanda Newman. Amanda has served as Executive Director of Varsity Vocals for more than a decade, dedicating her career to promoting, encouraging, and providing unique performance opportunities for young musicians. Amanda has extensive experience producing educational and entertaining concerts, festivals, and competitions, as well as handling recorded music distribution and production.

    In her capacity as Executive Director, Amanda has brokered high-profile licensing and development agreements, facilitating the use of the ICCA brand and related properties in the major motion picture Pitch Perfect as well as the development of Sing It On, a docu-series produced by CORE Media Group (American Idol and So You Think You Can Dance) that follows college a cappella groups on their journey through the ICCA tournament. Amanda serves as Co-Executive Producer on the series, which debuted in 2015 on the Pop Network.

    Under Amanda’s leadership, the International Championship of Collegiate A Cappella (ICCA) tournament has more than tripled in size and currently features 3,500 singers from more than 300 competing groups each year. Amanda was also responsible for the creation and development of the International Championship of High School A Cappella (ICHSA) in 2006, a program that has significantly expanded since its inception and has helped foster a passion for a cappella in thousands of high school students.

    And this year, Varsity Vocals created The Open, a competition that encourages singers to bring together groups of any age, experience or origin to form a cappella “dream teams.” By giving them a stage — and a cash prize of $25,000 to jump start their professional career, our programs encourage young people to sing together throughout their lives. The finals of the Open are being held September 23 at Carnegie Hall in NYC. Head to https://varsityvocals.com/events/ for tickets.

    Since 2008, Amanda has been responsible the selection of tracks for the albums BOCA: Best of College A Cappella and BOHSA: Best of High School A Cappella, along with the compilation founder Deke Sharon. Amanda manages and oversees the coordination, production, licensing and distribution of both albums.

    Amanda originally joined Varsity Vocals in 2003, as ICCA Midwest Producer. In college, Amanda was an ICCA competitor herself, serving as business manager and choreographer for the University of Illinois vocal jazz a cappella group, No Strings Attached. Under her leadership, the group earned second place and accolades for Outstanding Choreography at ICCA Midwest Semifinals, as well as their first track on BOCA.

    Alright, without further ado, let’s welcome Amanda to the show.

    Varsity Vocals - https://varsityvocals.com

    Interested in a coaching session? - http://recordingacappella.com/coaching

    25% OFF Video Courses Pre-Order Sale - http://recordingacappella.com/courses/

    Win a $50 Amazon Gift Card by filling out my survey - http://recordingacappella.com/survey

    10 Ways to Improve your Acappella Recording - http://recordingacappella.com/podcast


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