Record Review Podcast

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Johann Strauss II's Die Fledermaus Sep 28, 2022

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Nigel Simeone with his pick of recordings of Johann Strauss II's Die Fledermaus.

Strauss's sparkling operetta premiered in 1874 and has been delighting audiences and listeners ever since. It has been fortunate on record, and Nigel discusses with Andrew a huge range of performances and styles.

Schubert's Piano Trio No 1 in B flat major Sep 21, 2022

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Allyson Devenish chooses her favourite recording of Schubert's Piano Trio No 1 in B flat, D.898

Schubert began composing this masterpiece in 1827, the year before his death, at the same time as working on his famous song cycle Die Winterreise. It was a period in his life of illness and melancholy. But this work is brimming with lyricism and life force. Robert Schumann said of it: “One glance at Schubert's Trio in Bb and the troubles of our human existence disappear and all the world is fresh and bright again.” The work has attracted all the great performers of chamber music, from Alfred Cortot, Jacques Thibaud and Pablo Casals to the Beaux Arts Trio to the best musicians of today.

Walton's First Symphony Jul 11, 2022

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Tom Service chooses his favourite recording of William Walton's Symphony No 1 in B flat minor.

In 1932, with the spectacular success of Belshazzar's Feast behind him, Walton began his Symphony No 1. But, always a slow worker, the symphony took him two painful years to complete – painful because what lay behind most of the Symphony was the emotional upheaval that came with the end of a relationship. The result was the greatest English symphony of its time, its darkly menacing first movement bursting with seemingly elemental power, is followed by a bitter scherzo marked Presto 'con malizia' ('with malice'), a melancholic slow movement and a joyful major key finale.

Beethoven's Missa solemnis Jul 04, 2022

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Elin Manahan Thomas compares recordings of Beethoven's Missa solemnis and chooses her favourite.

Beethoven's setting of the Solemn Mass is one of the monuments of choral music. Written between 1819 and 1823, it is widely thought of as one of Beethoven's towering achievements. It was dedicated to Archduke Rudolf of Austria, one of Beethoven's most generous patrons as well as pupil and friend. The copy given to Rudolf was inscribed with the phrase: "From the heart – may it return to the heart!"

Rachmaninov's 2nd Symphony Jun 27, 2022

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Edward Seckerson compares recordings of Rachmaninov's 2nd Symphony in E minor and chooses his favourite. Today, Rachmaninov's 2nd Symphony is one of the composer's most popular works. Rachmaninov composed it in Dresden, during a period of retirement from concert activities, and conducted its premiere in Saint Petersburg in January 1908, to great critical acclaim. In his 2nd symphony, Rachmaninov introduces a single motto at the beginning that appears and evolves in each of the four movements, a compositional idea that can also be seen in Tchaikovsky, who was a great early influence on him. The symphony is a large-scale work lasting an hour that begins with dark, brooding melodic lines and ends in a triumphant scherzo finale.

Haydn opera survey Jun 20, 2022

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Roger Parker chooses his favourite recordings of Haydn's operas.

Joseph Haydn is possibly one of the greatest composers who wrote operas which are hardly known. He wrote 17 of them, and opera occupied a great deal of his composing life. During the 1770s and 1780s, Haydn ran an opera company for his employer, Prince Nikolaus Esterházy. They put on up to 150 performances per year. Haydn's operas are not often performed today, but they contain some great music, which Roger explores.

Debussy's La mer Jun 13, 2022

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Flora Willson chooses her favourite recording of Debussy's La mer.

Debussy composed La mer between 1903 and 1905. It is a brilliant and exciting orchestral showpiece that conjures up the many moods of the sea. Debussy corrected proofs of the score while on holiday at the Grand Hotel, Eastbourne on the English Channel coast. He described Eastbourne to his publisher, Durand, as "a charming peaceful spot: the sea unfurls itself with an utterly British correctness".

Britten's Four Sea Interludes Jun 06, 2022

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Anna Lapwood compares recordings of Benjamin Britten's Four Sea Interludes and picks a favourite.

When Peter Grimes premiered in 1945 it immediately put Britten, uniquely among his compatriots, in the first rank of the world's opera composers. As well as the consummate solo vocal and choral writing, the orchestra, too, plays a vital role in Britten's dark drama of alienation and hypocrisy in a small Suffolk fishing community. Several purely orchestral episodes sometimes punctuate, sometimes push forward the narrative and four of these were published separately as the Sea Interludes. Much performed and recorded, Britten's dazzling orchestration vividly conjures up Dawn, Sunday Morning, Moonlight and a Storm.

Stravinsky's Symphony in 3 Movements May 30, 2022

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Jonathan Cross compares recordings of Igor Stravinsky's Symphony in 3 Movements and picks a favourite.

The first movement of Stravinsky's Symphony in Three Movements began life as a piano concerto. And in a failed bid to join the ranks of well-paid movie composers in Hollywood where Stravinsky now lived, the second movement, with its prominent harp part, was originally conceived to accompany a vision of the Virgin Mary in the 1943 film Song of Bernadette. Stravinsky's genius was to add a third movement, related to the first, and so create a cohesive, satisfying and brilliant whole despite the disparate origins of its first two parts. He completed the Symphony in 1945 and, despite a deeply felt sense of exile, loss and nostalgia, it's perhaps some of the most American-sounding of Stravinsky's music, capped by a resplendent final chord, straight out of Hollywood.

Janacek's Jenufa May 23, 2022

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Nigel Simeone joins Hannah to discuss a wide variety of recorded performances of Janacek's opera Jenufa.

Completed in 1902 Jenufa was Janacek's first great masterpiece. It is a tragic tale of small-minded village attitudes, infanticide and redemption. But as with all Janacek, the music is totally life-enhancing without being in the least sentimental. At the heart of the story is the strong but complicated relationship between Jenufa and her mother: they share some of the most heart-breaking music in the opera.

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