Ranking The Beatles

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#99 I Will with guest Mike Viola (singer, songwriter, producer) Nov 30, 2023

Show notes

We're into the top 100 songs in our rankings! We can't turn back now!!

Paul McCartney seems to have a knack for making sure he finishes things. "Now and Then" is a good example; he saw something there worthwhile and though it took a couple of decades, he saw it through to completion. The same can be said for "I Will," a song for which he had a melody kicking around a long time before he was able to complete a lyric for. After tossing lyrics he worked on in India with Donovan, and after John declined to help, he came up with what on paper are incredibly simple lyrics, but say so much more. And that melody...what a winner. He looped in Ringo and John to add percussion, and a brilliant vocal bass, cramming the final song with hooks in a simple arrangement. It makes for one of the more beautiful and light-hearted moments on an album that can sometimes be viewed as really dark.

To discuss this song, we're thrilled to welcome back this week's guest, Mike Viola! Mike (who joined us back in 2021 to discuss #165 "Your Mother Should Know") is a wonderful singer, songwriter, and producer, who's worked with acts like Panic! At the Disco, Fall Out Boy, Mandy Moore, Jenny Lewis and more, and has written songs for numerous films like Walk Hard: The Dewey Cox Story. He's also the voice you hear singing the brilliant "That Thing You Do!" from the film of same name. Since we last spoke, he's released the fantastic "Paul McCarthy" album, which we highly recommend you check out. And he's going to be on a solo acoustic tour in the early part of 2024, which we also highly suggest you get tickets for if he's in your area. We chat with Mike about manic creativity, songwriting responsibility, the best way to watch Get Back, and more!

#100 I Should Have Known Better with Laurie Kaye Nov 29, 2023

Show notes

As Paul noted in the Get Back series, The Beatles seemed to excel when their backs were against a wall. They were certainly feeling the time crunch during a several week residency in Paris in early 64. They hadn't yet conquered America, but they were due to be there in a couple of weeks. They also had their first movie on the horizon, and they had to finish writing most of the songs for the film and it's accompanying album. All while playing a bunch of shows, and trying to enjoy the fact that they'd just gotten their first #1 in the US.

Thankfully, they were able to knock out some classic material in that time, including this song, "I Should Have Known Better." Featuring an effective harmonica hook, a 12 string guitar solo, and a wonderful lead vocal from John, this song almost exemplifies '64-era Beatles. In fact, it's often the song I think about what when I think about what typifies the band. It's the first Beatles song I can remember hearing also, which may explain that. It's simple, sustinct, effective, and so so catchy.

Joining us to chat this week is Laurie Kaye, author of the new book "Confessions of a Rock and Roll Name Dropper: My Life Leading Up to John Lennon's Last Interview. We chat with Laurie about her journey in radio, including interviewing a couple of other Fabs, leading up to her December 8th 1980 interview with John. We also discuss some of the other legends she's chatted with, harmonicas, the Hard Days Night Movie, and much much more! Check out Laurie's book at https://www.confessionsofarocknrollnamedropper.com/ or wherever you get Beatle books!

What do you think about "I Should Have Known Better" at #100? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠!

#101 - Every Little Thing with Joe Adragna, singer, songwriter (The Junior League, The Minus 5) Nov 16, 2023

Show notes

While the exact time and place of this song seems to have been lost to the fog of 80+ years of memories, Paul does remember that he wrote this song with the thought it might end up as the Beatles next single in 1964. It seemed to lack that certain Beatle magic singles required, but it found a home on the back half of Beatles For Sale, albeit a home that maybe doesn't do it the justice it deserves. It's sneaky in a few different ways. It's got melodies and hooks for days, from the verse melody to the soaring chorus, to that chorus' emphatic tympani hits. And that's before we even get to John's 12 string electric guitar part, which comes across as a totally different take on the 12 string electric from what George would have played. Speaking of John, he turns in a fantastic vocal, and it's one of the rare times in the catalogue a song is sung by a Beatle who wasn't also the composer of the song.

Joining us this week is Joe Adragna, the brains behind power-pop force The Junior League. He's been putting out critically acclaimed music under this moniker since the early aughts, as well as playing in a variety of other groups. We chat with Joe about DIY recording and Jonathan's lazy musical output, power pop blueprints, childhood Beatles obsessions, and the Beatles' impact on kids today. Be sure to check out Joe's music at The Junior League's bandcamp page, or wherever you buy or stream music! And give em a follow on Facebook!

What do you think about "Every Little Thing" at #101? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠!

#103 You're Going to Lose That Girl & #102 Sgt. Pepper's Lonely Hearts Club Band (Reprise) with guest Mary Lasseigne Nov 09, 2023

Show notes

Been a long time since we did a two-fer episode! Here we go!

The Beatles often seemed to turn in some of their best work when up against a deadline. A handful of songs that would make up most the Help! album seemed to come about in short order, as the band had to write and record a big majority of the album before leaving to film. "You're Going to Lose That Girl" is one John knocked out in short order that really shows the band's growth as a unit, and represents them at maybe the most professional sounding of the early Beatles era. A killer, classic John vocal with pitch perfect call and response vocals from Paul and George and rock solid foundation from Ringo, pushed forward by a frantic bongo overdub. It just seems to be the epitome of early-Beatles cool, especially in light of the brilliant performance footage of it in the Help! film.

And in very different times, the band turn in one of their most straight ahead rocking performances with "Sgt. Pepper's Lonely Hearts Club Band (Reprise)." By the end of the Sgt. Pepper sessions, the band hadn't really done a true out and out fast rocker since maybe the middle of 1965. Ready to put their masterpiece to bed, the band spent the last day of the sessions letting it all out on the uptempo penultimate track. With some of Ringo's most killer grooves (the Beastie Boys would sample the intro on Paul's Boutique, their own hip-hop Sgt. Pepper), absolutely killer guitar from George and John, and some of Paul's most frenzied shouting, the band showed that even though they were branching out in all directions, they could be the best rock and roll band in the world.

Joining us to talk these two songs this week is Mary Lasseigne! The bassist for The Cowsills (formerly of Cowboy Mouth, just like me - there's a lot of us) stops by to talk backing into the Beatles via Wings, playing with 60s legends, Now and Then, and these two very different Beatles tunes. Catch her on the road with The Cowsills!

What do you think about "You're Going to Lose That Girl" at #103 and "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" at #102? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠!

Now & Then - a round table discussion from Ranking the Beatles, Blotto Beatles, & BC The Beatles Nov 06, 2023

Show notes

IT'S HERE!! New Beatles music in...2023!?!?!

What a time to be a Beatles fan. After blowing our collective minds with the Get Back documentary in 2021, Peter Jackson and co. have again used their MAL software to allow separation of John's vocal and piano from his original demo, solving the issue that seemed to have stalled the completion of this song in the 95 Anthology sessions. With the help of Giles Martin, Paul and Ringo have finally seen this one over the finish line, the last new Beatles song.

It's a LOT to take in. From the song itself, to ithe controversial video, to the even more controversial single artwork, we wanted to discuss it all. So we decided to gather some Beatle pod friends to chat about after we had a couple of days to let it all sink in. We're joined by Allison of BC The Beatles, and Tommy, Becker, and RB of Blotto Beatles to let our thoughts out and see just how we're all feeling about this momentous moment in Beatles history.

What do you think about Now and Then? Let us know in the comments on Facebook, Twitter or Instagram. Be sure to check out www.rankingthebeatles.com for all things RTB, grab yourself a Rank Your Own Beatles poster (we'll be updating it soon to include "Now and Then"), or if you're really enjoying it, Buy Us A Coffee!

#104 - You Know My Name (Look Up The Number) with Sam Whiles, host of "Paul or Nothing" Nov 01, 2023

Show notes

After what must have been a creatively exhausting few months creating Sgt. Pepper, The Beatles blew off steam by recording a track that was more in line with the Goon Show humor they grew up loving, filled with weird voices and sound effects, creating comedic environments and asides, purely for the enjoyment of doing something that appeased them. It took them several sessions over a couple years to finish it, with Paul and John working in on it together even during some of their most tumultuous times. For somer reason, it was something they really wanted to finish. Usually a song like that would stay in the vaults, but by the time the wheels had fallen off, this bizarre track found a home as the B-side of "Let It Be," mainly due to John's prodding. If any song released during their time together could be considered obscure, it's probably this one.

However, while it's understandable that this song may not be people's cup of tea, I've always found this to be an absolutely captivating and fun song. It's the absurd humor and silliness we all love in A Hard Day's Night or Help or (more so) Magical Mystery Tour, but on record instead of film. This is probably one of the best looks at the entangled relationship of Lennon and McCartney, two people so connected into each other's brain and psyche and humor. It's their in-jokes, it's their connection as friends with their own private world, and it's right here on record. It's two friends on the microphone doing being the kids they've always been, and it's a blast. How you can you listen to this and NOT smile? And not to mention, it has maybe one of Paul's most ferocious vocals, and possibly Ringo's fattest groove and best sounding drums? Cmon! Who else could do this!?!?!

To discuss this bizarre tune, we're happy to welcome back our good buddy Sam Whiles. He's the host of "Paul or Nothing," the absolutely wonderful Paul McCartney podcast, which is the only place to get All Paul All The Time. He joins us to discuss the bizarre humore and charm of the Beatles, the weird chemistry of bandmates, early aughts internet, and why Jonathan chooses this hill to die on. Be sure to subscribe to Paul or Nothing wherever you get podcasts, and follow Sam on Twitter and Instagram to join the fun.

What do you think about "You Know My Name (Look Up The Number)" at #104? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠Facebook⁠⁠⁠⁠, ⁠⁠⁠⁠Instagram⁠⁠⁠⁠, or ⁠⁠⁠⁠Twitter⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠!

#105 - Across The Universe with Dan Wilson (guitarist) Oct 25, 2023

Show notes

Lots of songwriters point to the idea that the best songs are the ones that tend to find the you, letting the writer be the vessel or medium. Much like "Yesterday" did for Paul, "Across The Universe" seemed to come to John from within a dreamstate, appearing in his subconscious while lying in bed, almost pushing him to get up and go write down the words and find the melody that seemingly appeared out of nowhere. An absolutely gorgeous lyric no doubt influenced by the band's recent immersion into meditation and easter philosophy, the song marks John at perhaps his most cosmic and peaceful. The irony is that from a recording standpoint, John never could figure out what he wanted to do with the song. Unlike "Yesterday," where George Martin seemed to know exactly what the song needed, that directive and inspiration was no where to be found for "Across The Universe." Lennon lead the band through multiple arrangement ideas but never captured what he thought he was hearing in his head, or where he thought the song should go. Which is a shame because I think although it's a really beautiful track (I love all the versions out there) the track ultimately suffers from an almost un-easy performance from John. As released, it never feels totally settled and comfortable in it's own skin. It's almost like it's missing the confidence in the delivery because John never seems sure of where he should be going. But even still, it's a beautiful song, one of John's best written songs, I just think it's a B- minus track of an A+ song.

Joining us this week is jazz guitarist Dan Wilson! The Ohio-based virtuoso joins us to chat about making people move, jazz vs rock, coming into jazz from a church and funk background, and his newest album Things Eternal, which features a FANTASTIC version of "Eleanor Rigby." There's a taste here in the episode, but we highly recommend you check out the whole thing. Be sure to follow Dan on Facebook and at his website to hear more music and see when he's playing!

What do you think about "Across the Universe" at #105? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠Facebook⁠⁠⁠, ⁠⁠⁠Instagram⁠⁠⁠, or ⁠⁠⁠Twitter⁠⁠⁠! Be sure to check out ⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠Buy Us A Coffee⁠⁠⁠!

#106 - Baby, It's You with Chuck Gunderson, author "Some Fun Tonight" Oct 19, 2023

Show notes

It almost seems a shame that the Beatles only ever recorded one Burt Bacharach song. There are arguably no finer melodicists in modern popular music than Bacharach and Lennon/McCartney. But "Baby, It's You" is the only song from his catalogue they ever laid to tape. Recorded for their first album and a product of their well documented love of girl-group R&B, it's a chance for John to show his fantastic, soulful voice. His voice really carries the track with an impassioned delivery, bolstered by always great background vocals from Paul and George, solid foundation, and a charming celeste solo from George Martin. It's a wonderful example of John's potential for being a blue-eyed soul singer if things had been a little different.

Joining us this week is Chuck Gunderson, author of "Some Fun Tonight - The Backstage Story of How the Beatles Rocked America: The Historic Tours of 1964-1966." His books are the absolutely definitive look at the Beatles North American tours, the going-ons that made them happen, and the behind the curtain look at what went down. It's a stunning 2 volume set filled with hundreds of unreleased photos, we can't recommend it enough! We talk with Chuck about Beatles tributes, writing the book you want to read, the simplicity of early Beatles tours, girl groups, US albums and more! Get a signed copy of the books at somefuntonight.com, or grab a copy at Amazon or wherever you get books.

What do you think about "Baby It's You" at #106? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠Facebook⁠⁠, ⁠⁠Instagram⁠⁠, or ⁠⁠Twitter⁠⁠! Be sure to check out ⁠⁠www.rankingthebeatles.com⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠Buy Us A Coffee⁠⁠!

#107 - I Feel Fine with Laurence Juber (guitarist, composer, Wings) Oct 10, 2023

Show notes

At the end of what was probably the busiest year they'd ever have, the Beatles needed a single for the Christmas market in 1964. They needed to churn it out while also wrapping up work on their 4th album. John picked up a riff from a Bobby Parker song and wrote what he thought was "a lousy song" around it, but nevertheless, brought it to the band. Thankfully, his fellow Beatles all had deep bags of tricks to pull from. Ringo added a latin groove straight out of "Tequila," George added a Chet Atkins-infused solo, Paul keeps it tidy with a grooving bass part and great harmonies. And a little bit of musical voodoo gets sprinkled on top when the band stumbled upon the magic of feedback, which they then tack on to the beginning of the track. All of the sudden, this "lousy song" is their 6th consecutive #1 that year, stayed in their live set for the next 2 years, and goes on to be the 56th best selling single of all time in the UK. Not bad for a little song called "I Feel Fine." The Beatles magic of turning a song into something stronger than the sum of its' parts is on display here, as there's not too much weight to the song, but boy is it a cool song.

Speaking of cool, how cool is this? Joining us on the show this week is guitarist, composer, and former Wings member Laurence Juber! The London-born virtuoso joined us for a lovely chat back in June (which is why some of the upcoming things he mentions have already happened), in which we discuss his Teatime with LJ livestreams on Facebook, the upcoming Brady Bunch musical he's been working on, his journey with Wings, an absolutely lovely moment with George Harrison, and much, much more! Be sure to follow Laurence on Facebook at https://www.facebook.com/LaurenceJuberGuitar and you can check out all of his music and keep an eye on dates on his website at https://laurencejuber.com/.

What do you think about "I Feel Fine" at #107? Too high? Too low? Or just right? Let us know in the comments on ⁠Facebook⁠, ⁠Instagram⁠, or ⁠Twitter⁠! Be sure to check out ⁠www.rankingthebeatles.com⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠Buy Us A Coffee⁠!

#108 - I've Got A Feeling with Julian Fulco Perron (singer, songwriter) Oct 03, 2023

Show notes

Though the Lennon/McCartney partnership really only existed in name by 1969, the two songwriters still knew who the best person was to help complete a half-written tune. As they'd done before on songs like "We Can Work It Out" and "A Day in the Life," each brought an unfinished piece they were able to stick together to make a whole with "I've Got A Feeling," combining Paul's verse idea and John's bridge. It's a song they worked on constantly during their January '69 sessions and was the source of some real touchy moments with George, but it never really took flight until Billy Preston showed up and sprinkled his magic keys on it. Billy's gospel-tinged electric piano provides the perfect call and response in the verse. Paul delivers a powerful top-of-the-range vocal that gets countered by John's more subdued bridge vocal. George's fluid leads throughout combine well with Billy's keys, and Ringo provides a super solid foundation, as always. But in the end, the song doesn't really SAY anything, it's more a performance track than an actual song. Though, I'd give my left toe to write a track like this and have it be someone's 108th favorite song of mine.

Joining us this week is Denver-based singer and songwriter Julian Fulco Perron. He's got a couple of incredibly catchy, vibey, funky singles out right now, reminiscent of "Arrow Through Me" era Wings and Bee Gees grooves. And he does it all himself! We talk about being a DIY artist, genre hopping, what would have happened if Billy had joined the band full time, and Julian's great story about attending a Paul show. Follow Julian at his website, Facebook, or Instagram and stream his music wherever you stream groovy tunes! The songs "About Love" and "Burnout, Baby" are featured in this episode.

What do you think about "I've Got A Feeling" at #108? Too high? Too low? Or just right? Let us know in the comments on Facebook, Instagram, or Twitter! Be sure to check out www.rankingthebeatles.com and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to Buy Us A Coffee!

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