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    Music

    Professor of Rock

    The ultimate rock music history podcast for fans of the greatest era of music. If you’ve ever wondered about the true stories behind your favorite songs, or wanted to hear directly from the legends who made them, Professor of Rock is your new go-to podcast. Hosted by music historian and superfan Adam Reader, this show brings the golden era of music back to life with exclusive interviews, behind-the-scenes stories, and deep dives into the songs that shaped our lives. This podcast uncovers how timeless tracks were made, the creative breakthroughs, the near-breakups, and the powerful moments that defined music history. Each episode is a masterclass in rock culture and nostalgia—whether it’s a chart-topping ‘80s anthem, a one-hit wonder with a wild backstory, or a candid conversation with the legends themselves. Hear the Stories. Relive the Music. Only on Professor of Rock.

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    Latest Episodes:
    Recounting the Top 10 Songs of 1988: The Best, the Worst, and Their Lasting Legacy Aug 30, 2024
    Show notes

    Up next we’re going to count down the top 10 songs of this very same timeframe from the year 1988. We have interviews and stories from the artists… as well as your stories and dedications. And then we’ll recalibrate them based on their all-time performance since then. It’s a great show with so many great songs a couple of artists who reached the coveted BILLION VIEWS CLUB and today’s Top 10 countdown may be the only one in music history to have the worst song of the 80s go up against arguably the best song of the 80s… See if you agree and who wins the battle. Coming up next on Professor of Rock.

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    Falco’s 'Rock Me Amadeus': The Misheard Lyric That Turned Into a Global Phenomenon Aug 29, 2024
    Show notes

    Coming up… the wild story behind Rock Me Amadeus by Falco, one of the most unexpected global hits of the ‘80s. It was written in German which happened to be Falco’s native tongue but when he tried to sing it in English, it didn’t work. So Falco sang it in German which was a massive risk for them in America. In fact, Rock Me Amadeus was released twice, and both times it was a total flop… each time they retooled it and finally they brought in another singer to bring some soulfulness to this new wave track. Rock Me Amadeus became an innovative blend of classical music and pop culture and it made Falco the biggest-selling artist ever in his homeland. But behind the catchy chorus and infectious beat lies a tale of artistic risk, personal demons, mysterious deaths, and a song that may have spelled the end of Falco… The drama unfolds NEXT on Professor of Rock.

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    Exclusive Interview: Rita Coolidge Reveals How 'Layla' Was Stolen From Her Aug 28, 2024
    Show notes

    Coming up, an interview that really surprised me. Sometimes I do an interview and think I know what to expect and then the unexpected happens and it turns into something else entirely. Today’s multiplatinum artist Rita Coolidge hit the jackpot in 1977 and 1978 with 4 big hits including We’re All Alone and Your Love Is Lifting Me Higher. Then soon after had another big hit being chosen to sing the James Bond Theme “All Time High. All 5 of these big hits were written by other people, but according to Rita, she wrote a song that was stolen from her because she was heard playing it through the wall in a studio…the stolen song became one of the biggest songs ever. Layla By Derek and the Dominoes The story and interview are next on Professor of Rock.

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    The Story of 'Zombie': The Cranberries’ Powerful Anthem That Became a Timeless #1 Aug 27, 2024
    Show notes

    It’s hard to understand why a song that was hit all over the world wasn’t released in the US. Today’s song Zombie by the Cranberries was never released in America, yet it’s the most streamed song of the year it came from. And even crazier it may have stopped a centuries-old conflict. It was sung by a beautiful angel whose gorgeous voice went scorched earth on this hardcore rock song. She wrote a song with so much righteous anger that it’s one of the most pissed-off performances of the rock era. Responding to a tragic bombing that took the lives of two innocent children, this ethereal frontwoman powered up her dreamy folk sound, and unleashed a series of siren screams that no one knew she had in her…Historically, she was one of the greatest artists of her time and truly deserved better. Let’s honor this angel next on Professor of Rock.

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    How Michael McDonald’s 'I Keep Forgetting' Became a Rap Hit Decades Later With Warren G Aug 26, 2024
    Show notes

    Michael McDonald has over 1,200 songwriting credits and has played on more than 700 recordings dating back to 1972, yet for years, no one knew his name outside of a recording studio. That all changed in ‘75 when he joined the Doobie Brothers, one of the biggest rock bands of the decade. After releasing four platinum albums, the Doobies disbanded, and one of the most recognizable voices of the Rock Era went solo. In this episode, we jump into the story of I Keep Forgetting (Every Time You’re Near), the song that kicked off Michael McDonald's solo career and later became a BIG crossover hit, thanks to a rapper named Warren G, who stumbled upon a stack of vinyl from a street peddler outside Roscoe’s House of Chicken & Waffles in Hollywood. When he sampled this song not only did it go to #1 but even people who hated RAP Loved this song… All this and more, coming up NEXT... on Professor of Rock.

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    How Judas Priest’s 'Living After Midnight' Began as a Joke and Became a Metal Classic Aug 24, 2024
    Show notes

    Rob Halford the metal God himself and the raging front man of Judas Priest tells the story of the band's metal masterpiece: British Steel and the song Living After Midnight from the early 80s that brought metal to the children in this exclusive interview on professor of rock

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    How Phil Collins Took a Risk With 'Another Day in Paradise'—And It Became a #1 Hit Aug 24, 2024
    Show notes

    Did today’s featured artist Phil Collins make too much music? Between Genesis and his solo career, we’re talking 20 studio albums in about three decades. That’s a new album every year and a half. During the 80s alone Phil churned out eight #1s and 21 big hits overall… The numbers are staggering. But was it overkill? When is enough “enough” when it comes to your favorite musicians? Overexposed and getting a reputation for going a little too “vanilla pop,” Phil decided to shake things up. So he took a chance on a more serious subject.. writing Another Day in Paradise, a song that was self-indictment, and that made him question his own humanity. When Collins released it, it caught everyone’s attention. And he took some heat for it. You’ll see why coming up next… on the Professor of Rock.

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    How the Scorpions’ 'Rock You Like a Hurricane' Almost Had an F-Bomb in the Chorus Aug 23, 2024
    Show notes

    So apparently one of the greatest classic rock songs of the 80s, Rock You Like a Hurricane by the Scorpions, almost didn’t happen because when the song was first written nobody in the band could figure out how to play it. So they put it on the back burner… then when they finally nailed it, they wanted it to be a song that had more than a little edge. In fact, the lyrics were rewritten about 10 times and they were so focused on it being forbidden, that the song had the F word in the title. And the way they used it was so over the line there was no way they’d get it played on radio. The Executives made them tone it down …a lot. But even with the clean version of Rock You like a Hurricane it caused panic... when it came out and became a huge hit, a Karen in the Government tried to get the song BANNED. A story you won’t want to miss next on Professor of Rock.

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    How the Mamas and the Papas’ 'Monday Monday' Was Recorded in the Wrong Key and Still Hit #1 Aug 22, 2024
    Show notes

    What is it about Mondays that seems to bring everyone down? It’s as if that day casts a shadow over us all, shifting the mood of the universe for a full 24 hours. With that in mind, one of the most talented, yet volatile bands of the Rock Era, the Mamas and the Papas, created Monday Monday, a song that unintentionally summed up their brief but brilliant run and gifted us with a break-taking classic. Monday Monday was written in 20 minutes and nobody in the band liked it. Especial singer Denny Doherty... Some even hated it with a passion so imagine their surprise with it hit #1. Then everyone wanted to know what the song was really about. Well as it was not even the writer, John Phillips had a freaking clue what it was about…decades later it turns out the song was an eerie prediction for what would happen to the band. When Michelle Phillips and Mama Cass Elliot and Denny and John fractured.The story is NEXT… on Professor of Rock.

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    The Tragic Story of 'Bittersweet Symphony': How Richard Ashcroft Lost Everything Aug 21, 2024
    Show notes

    Coming up… The Verve's Bittersweet Symphony was so mesmerizing, so ear-catching that it hypnotized an entire generation… It was on its way to becoming one of the greatest songs of its time, and yet the song's singer and writer Richard Ashcroft didn’t make a single solitary cent from it. In fact, Bittersweet Symphony basically ruined his young career and stunted The Verve's surge to the top of the charts. And it was all thanks to an obscure sample from a 1965 rock song by the Rolling Stones. Ashcroft had to give away 100% of his royalties and credit two songwriters who had nothing to do with the song’s composition… It was a brutal coup contrived by a true musical mob boss... And one of the most outrageous injustices in music history. Filled with cutthroat contracts and shady characters, today’s episode will have you rooting for the underdog to win back what was rightfully his. Find out if he does… NEXT on the Professor of Rock.

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